Leni Riefenstahl

Triumph of the Will

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force. Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!). Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

This documentary of the Sixth Nazi Party Congress at ironically enough Nuremberg is a frightening example of powerful film propaganda. It helped launch Hitler into power and its sweeping style was later used by American director Frank Capra for his war documentaries.System Requirements:Running Time 120 Mins.Format: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 654930305294 Manufacturer No: SFD0052

Triumph of the Will (Special Edition)

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Victory of Faith ( Der Sieg des Glaubens )

Considered lost for nearly 70 years, Victory of Faith is again available to viewing audiences. A key work in the evolution of National Socialist propaganda, it provides an ambitious record of the 1933 NS Party rally at Nuremberg. The film ran afoul of authorities, however, after the "blood purge" of 1934, which rendered Brownshirt leader Ernst Rohm, a central figure in of the 1933 rally, a non-person. Across Germany, references to Rohm were obliterated from the public record, and all prints of Victory of Faith were tracked down and destroyed. Until now, the film seemed little more than an intriguing postscript to Third Reich history. Though far from a masterwork, the film is a revelation on many counts, offering a fascinating first draft of the ideas and techniques Riefenstahl would pull off so powerfully in Truimph of the Will. In their contrasts, the two films shed much light on the early evolution of NS propaganda, its evocation of heroism and collective will! , its portrayal of the 'national people's community,' and its depiction of Hitler most of all. Where Triumph of the Will showed Hitler assupreme symbol and absolute master of the movement, the Hitler of Victory of Faith is still first among equals, a man with an unrulyforelock, a presence not yet wholly in command. Moreover, Victoryof Faith provides a revealing look at the NS movement in the firstblush of its 1933 triumphs. Here, the movement still bears themarks of its street-fighter origins; its rituals are often raw,lacking the orchestrated precision and theatrical grandeur weassociate with later stagecraft. In these and other ways, Victoryof Faith fills a gap in our understanding of the Third Reich,capturing the Hitler state at a pivotal stage in its earlydevelopment.

Triumph Of The Will

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

Triumph of the Will

Triumph of the Will is one of the most important films ever made. Not because it documents evil--more watchable examples are being made today. And not as a historical example of blind propaganda--those (much shorter) movies are merely laughable now. No, Riefenstahl's masterpiece--and it is a masterpiece, politics aside--combines the strengths of documentary and propaganda into a single, overwhelmingly powerful visual force.

Riefenstahl was hired by the Reich to create an eternal record of the 1934 rally at Nuremberg, and that's exactly what she does. You might not become a Nazi after watching her film, but you will understand too clearly how Germany fell under Hitler's spell. The early crowd scenes remind one of nothing so much as Beatles concert footage (if only their fans were so well behaved!).

Like the fascists it monumentalizes, Triumph of the Will overlooks its own weaknesses--at nearly two hours, the speeches tend to drone on, and the repeated visual motifs are a little over-hypnotic, especially for modern viewers. But the occasional iconic vista (banners lining the streets of Nuremberg, Hitler parting a sea of 200,000 party members standing at attention) will electrify anyone into wakefulness. --Grant Balfour

The Olympiad

There is no other filmmaker remotely like Leni Riefenstahl, which is probably a good thing. The prodigiously gifted Riefenstahl, at Hitler's behest, transformed the 1934 Nuremberg rally into the stunning, terrifying documentary Triumph of the Will. Her next challenge was the 1936 Olympic Games in Berlin, a task she undertook with technical innovations and an unfailing aesthetic eye. The games are of historical interest; Berlin was where the black American runner Jesse Owens dominated his sport, much to Hitler's chagrin. But Riefenstahl's long film (it's often shown in two parts) is more than just a document. Olympia is also a delirious paean to movement, competition, and the human body. The diving meet becomes less a battle for medals and more a dreamlike series of shapes in mesmerizing motion. While Olympia has often been described as Riefenstahl's hymn to beauty, it is also her hymn to the possibilities of cinema, of the sheer magic of camera angle and rhythm and light. After two years of exhausting editing, the film premiered on April 20, 1938--Hitler's birthday. If only Riefenstahl had turned her back on her Führer, she might be remembered as one of the mightiest directors in film history, instead of the most notorious. As it is, Pauline Kael once described Riefenstahl's Triumph and Olympia as "the two greatest films ever directed by a woman." --Robert Horton

Triumph of the Will

Olympia 2. Teil - Fest der Schönheit [Region 2]

Triumph of the Will (Remastered & Subtitled 2008) Triumph des Willens - 1934

Triumph of the Will [Triumph des Willens] is a propaganda film by the German filmmaker Leni Riefenstahl. It chronicles the 1934 Nazi Party Congress in Nuremberg. The film contains excerpts from speeches given by various Nazi leaders at the Congress, including portions of speeches by Adolf Hitler, interspersed with footage of massed party members. Hitler commissioned the film and served as an unofficial executive producer; his name appears in the opening credits. The overriding theme of the film is the return of Germany as a great power, with Hitler as the True German Leader who will bring glory to the nation. Triumph of the Will was released in 1935 and rapidly became one of the better-known examples of propaganda in film history. Riefenstahl's techniques, such as moving cameras, the use of telephoto lenses to create a distorted perspective, aerial photography, and revolutionary approach to the use of music and cinematography, have earned Triumph of the Will, recognition as one of the greatest films in history. Riefenstahl won several awards, not only in Germany but also in the United States, France, Sweden, and other countries. The film was popular in the Third Reich and elsewhere, and has continued to influence movies, documentaries, and commercials to this day, even as it raises the question over the dividing line between art and morality. Triumph of the Will has been described as "by Nazis, for Nazis, and about Nazis". The film begins with a prologue, the only commentary in the film. On a stone wall, the following text appears: On September 5, 1934, ... 20 years after the outbreak of the World War ... 16 years after the beginning of our suffering ... 19 months after the beginning of the German renaissance ... Adolf Hitler flew again to Nuremberg to review the columns of his faithful followers.