Ray, Nicholas

In a Lonely Place

One of Humphrey Bogart's finest performances dominates this unusual 1950 film noir, which focuses less on the murder mystery at the center of its plot than on the investigation's devastating effect on a fragile romance. For Bogart, already a noir icon, the Andrew Solt script afforded an opportunity to explore a more complex and contradictory role--an antiheroic persona in line with the actor's most accomplished and absorbing triumphs throughout his career.

For maverick director Nicholas Ray, the film posed the challenge of taking crime dramas beyond their usual formulas and into a more mature realm, as well as a chance to cast a jaundiced eye on the film industry itself. Its protagonist is Dixon Steele, a Hollywood screenwriter with an acerbic wit and a violent temper. Tasked with adapting a bestseller, he meets a hatcheck girl who's read the book, hoping to glean its highlights before writing the script. When she's found murdered, Steele becomes the prime suspect, and a tightening knot of suspicion forms around the writer.

Steele's only, inconclusive witness is a pretty new neighbor, Laurel (Gloria Grahame), and the couple fall in love even as the pressure mounts. At first the new relationship is a tonic to the hard-boiled writer, who plunges into his script with a renewed vigor and discipline. But as the police continue to shadow him, Steele's own penchant for violence erupts against friends, strangers, and even Laurel herself, whose feelings are increasingly eclipsed by suspicion that her lover is a murderer, and fear that he'll harm her.

Bogart conveys Steele's world-weariness and underlying vulnerability, and manages the delicate task of making both his romantic yearning and sudden, murderous rages equally convincing. Ultimately, that performance and Grahame's sympathetic work elevate In a Lonely Place into what has been called "an existential love story" more than a crime drama. --Sam Sutherland

A hotheaded Hollywood screenwriter, questioned for murder, is drawn to his neighbor when she confirms his alibi, but his volatile nature eventually threatens to destroy their one last chance for real love.
Genre: Feature Film-Drama
Rating: UN
Release Date: 1-JAN-2007
Media Type: DVD

King of Kings

This 1961 version of Jesus' story gives historical context to the best-known Biblical tale and features many memorable moments, such as a moving Sermon on the Mount and a vixenish Salome dancing for her stepfather in a performance that rivals today's MTV video offerings. Orson Welles keeps the 168-minute film moving along with informative narration helpful to those who haven't read the New Testament in a while. Made with backgrounds that resemble Southern California more than Palestine and a European and American cast--including a blonde, blue-eyed Jesus and an Irish-accented Mary--this movie has the definite stamp of Hollywood. --Kimberly Heinrichs

Epic dramatization of the life of Christ, from Bethlehem to the crucifixion and resurrection.
No Track Information Available
Media Type: DVD
Artist: HUNTER/RYAN/TORN
Title: KING OF KINGS
Street Release Date: 09/20/2005
Domestic
Genre: DRAMA

Flying Leathernecks

John Wayne and Robert Ryan co-star in Flying Leathernecks, Nicholas Ray's intense 1951 war movie that managed to appeal to RKO studio chief Howard Hughes's passion for thrilling aerial footage while supplying Ray's own fascination with the human psyche under near-inhuman duress. Wayne plays Major Dan Kirby, commander of a Marine Flying Corps squadron in the South Pacific of World War II. After witnessing the slaughter of men under his command at Midway, Kirby is battle-hardened and in no mood for the familiar style of his executive officer (Ryan). Emotions are further strained as Kirby's pilots are picked off one by one in grueling missions, leading to a crisis that ultimately forces each man to reevaluate his attitude toward sending men to their likely doom. The drama is built around extensive, startling documentary footage of battle action in the sky, but what makes Flying Leathernecks unique is its literate, psychologically probing script. --Tom Keogh

It's World War II. Major Dan Kirby (John Wayne) is hard on his marines. His subordinate Captain Carl Griffin thinks the Major is overdoing it. But Kirby proves that there is a method to his madness after all.Running Time: 102 min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 053939791327 Manufacturer No: T7913

Robert Mitchum - The Signature Collection (Angel Face / Macao / The Sundowners / Home from the Hill / The Good Guys and the Bad Guys / The Yakuza)

Big bad Bob Mitchum: Seriously, is there anybody you'd rather watch in a movie? Mitchum had the cool looks, a dancer's sense of balance, and a thoroughly modern amusement about his own stardom. Somehow he made you invest in a movie, while simultaneously communicating his own smirky suspicions that the whole thing was a joke. Mitchum gets boxed in Robert Mitchum: The Signature Collection, a six-disc batch of random but rewarding Mitchum vehicles. Highlights are two noirish outings, and two prestigious auteur pictures that allowed Mitchum to play outside his usual job description. The one authentic noir is Otto Preminger's Angel Face (1952), with Mitchum as an incredibly passive hero bewitched by Jean Simmons' spoiled rich girl. True to its title, the film is utterly deadpan in tracking the downfall of Mitchum's easily-seduced male.

The quasi-noir is Macao (1952), a compulsively enjoyable piece of nonsense produced by the ever-meddling Howard Hughes. It's credited to director Josef von Sternberg, but it was largely reshot by Nicholas Ray (according to a Mitchum-Russell interview included on the disc, Mitchum wrote some of the new scenes). Doesn't matter; the combo of Mitchum and Jane Russell (re-teamed from the even kookier His Kind of Woman) is enough to carry this slice of backlot exotica. Both actors look skeptical about the material and amused by each other, and Russell gets to sing "One for My Baby."

Home from the Hill (1959) is an underappreciated change of pace for both Mitchum and director Vincente Minnelli. Mitchum, all authority as the super-manly patriarch of an East Texas family, supplies the brawn; Minnelli brings the same sensitivity to the emotional effects of color and movement that he brought to his musicals. Biggest surprise here is that two young-cub Georges, Peppard and Hamilton, are both very good in the male-ingénue roles. Another long film, Fred Zinnemann's The Sundowners (1960), is a gentle and wise account of a nomadic family of sheep-herders in Australia. Mitchum and Deborah Kerr bring a beautiful sense of mature romance to their relationship, and Zinnemann catches the beauty of the country. Plus, you learn how to shear a sheep.

The clinker in the set is Burt Kennedy's The Good Guys and the Bad Guys, a 1969 Western that can't decide whether it's sending up High Noon or playing it straight. Mitchum's the aging Marshall eased out of his job, George Kennedy is the equally aging varmint whose gang (led by whippersnapper David Carradine) plans a train robbery. One can imagine John Wayne as the Marshall and Mitchum as the rogue, but the movie would still fall flat. Finally, The Yakuza (1975) finds Mitchum in his weathered seventies form, and easily the best thing about Sydney Pollack's stately film. The Paul Schrader-Robert Towne script heads to Japan for some cultural lessons and much finger-severing. All in all, the set shows the range of a perpetually underestimated actor who never stopped being cool. --Robert Horton

This collection of Robert Mitchum movies includes the following titles: ANGEL FACE THE GOOD GUYS & THE BAD GUYS HOME FROM THE HILL MACAO THE SUNDOWNERS and THE YAKUZA. Please see individual titles for synopsis information.Featuring:ANGEL FACEMACAOTHE GOOD GUYS AND THE BAD GUYSHOME FROM THE HILLTHE SUNDOWNERSTHE YAKUZAFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391113492 Manufacturer No: 111349

The True Story of Jesse James

The best thing about this take on the celebrated Missouri outlaw is Nicholas Ray's dynamic use of CinemaScope, a format that left most mid-'50s directors flatfooted. Ray composes his action in slashing diagonals, over multi-leveled ground, with sectors of the wide screen defined by frames-within-the-frame and different qualities of light and color. Which is to say, he continues the radical experimentation of his 1955 James Dean classic Rebel Without a Cause while attempting to develop a fresh, contemporary perspective on another violent young protagonist who's an outsider in his own society.

Nunnally Johnson's script for 20th Century-Fox's 1939 Jesse James is credited as source material, but Ray opted for a tortuous, balladlike flashback structure--beginning with the James-Younger gang's ruinous raid on Northfield, Minnesota, 400 miles from their Missouri stomping ground--that aims to deconstruct the outlaw's populist legend. "Jesse James" is an elusive subject; the Minnesota posse never sets eyes on him in the jagged first reel of the movie. How much of an Old West "Robin Hood" was he? And how murderously vengeful was his criminal career as he struck back against the railroads and their cold-blooded police force, the Pinkerton (here, "Remington") agency, and Union-sympathizer neighbors who hated this former member of the wartime guerrilla band, Quantrill's Raiders?

However radical the director's intentions, his movie runs afoul of studio recutting and an underwhelming cast of Fox contract players. Jeffrey Hunter (recently loaned out to play Ethan Edwards' companion in The Searchers) comes off best as Jesse's thoughtful brother Frank (a pattern that holds true for Henry Fonda in Jesse James and Stacy Keach in The Long Riders). But Ray was stymied by Robert Wagner as Jesse--in the phrase of Ray biographer Bernard Eisenschitz, a player "expressive of nothing but Californian physical culture." (James Dean being dead, Ray's first choice for Jesse was ... Elvis Presley!) --Richard T. Jameson

Legendary fifties director Nicholas Ray (Rebel Without A Cause) retells the Jesse James saga starring Robert Wagner as the legendary bank robber. As Jesse James attempts to evade the law those who know him best -- his brother Frank (Jeffrey Hunter) wife (Hope Lange) and mother (Agnes Moorehead) -- ponder the question "What turned this simple farmboy to a life of lawlessness?" And as Jesse continues his ride into notoriety the key events in his life are scrutinized in a desperate attempt to close in on him for good.System Requirements:Running Time: 92 minutesFormat: DVD MOVIE Genre: WESTERN/MISC. UPC: 024543244455 Manufacturer No: 2234445

They Live by Night / Side Street (Film Noir Double Feature)

In love... in danger. Thugs force lovebirds Farley Granger and Cathy O'Donnell to be accomplices in They Live By Night. And in Side Street the duo returns as struggling Manhattan marrieds who unwittingly get their hands on mob dough.Format: DVD MOVIE Genre: DRAMA UPC: 085391150275 Manufacturer No: 115027

Bitter Victory

Jean-Luc Godard once famously wrote, "The cinema is Nicholas Ray." Much less famous is the movie that occasioned the observation. Bitter Victory marked Ray's ascension to "auteur" demigod status in France. Unfortunately, American prints ran 20 minutes shorter than the Amère victoire seen in Europe, with the unsurprising result that this enigmatic film--so charged with suppressed desperation and rage, you can hear the neurons snapping--became well-nigh incoherent. It gets worse. The picture, a milestone in the deployment of CinemaScope for emotional subtlety and expressiveness, was dumped to television in a pan-&-scan version that made hash of its compositions and editing rhythm. And that's the only way it was seen, for decades.

The setting is North Africa early in World War II. Two British officers, played by Curd Jürgens and Richard Burton, lead a commando team into the desert to attack a German post. Commander Jürgens doesn't know, but comes to suspect, that his wife (Ruth Roman) and Burton were involved sometime before Jürgens married her. The mission recedes into the background as the tension between the two men builds, and issues of ethics, cowardice, and the legitimacy of wartime killing are thrown into relief against the anvil of the desert. Jurgens was an opaque actor, but Burton etches a searingly modern portrait of an alienated soul whose mordant self-awareness avails him nothing; it's right up there with such Ray-directed landmark performances as James Dean's in Rebel Without a Cause and Humphrey Bogart's in In a Lonely Place. --Richard T. Jameson

A World War II drama starring Richard Burton (Academy Award® nomination for Best Actor Equus 1977 and Who s Afraid of Virginia Wolf? 1966) and Curt Jurgens (The Spy Who Loved Me) as Captain Leith and Major Brand a pair of British Army officers assigned to execute a daring commando raid on the Libyan stronghold of General Rommel. Before the mission even begins the tension between the two is evident a situation that is only exacerbated when Brand learns that Leith was once romantically involved with his wife Jane (Ruth Roman TV s Knott s Landing ). Once the operation is underway Brand s cowardice forced Leith to step in and kill a German soldier. This act only adds to Brand s hatred for his second-in-command and as it grows a series of disasters threaten the men and the success of their mission. Who will live who will die and what price honor?System Requirements:Running Time: 102 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: NR UPC: 043396106703 Manufacturer No: 10670

Flying Leathernecks

John Wayne and Robert Ryan co-star in Flying Leathernecks, Nicholas Ray's intense 1951 war movie that managed to appeal to RKO studio chief Howard Hughes's passion for thrilling aerial footage while supplying Ray's own fascination with the human psyche under near-inhuman duress. Wayne plays Major Dan Kirby, commander of a Marine Flying Corps squadron in the South Pacific of World War II. After witnessing the slaughter of men under his command at Midway, Kirby is battle-hardened and in no mood for the familiar style of his executive officer (Ryan). Emotions are further strained as Kirby's pilots are picked off one by one in grueling missions, leading to a crisis that ultimately forces each man to reevaluate his attitude toward sending men to their likely doom. The drama is built around extensive, startling documentary footage of battle action in the sky, but what makes Flying Leathernecks unique is its literate, psychologically probing script. --Tom Keogh

It's World War II. Major Dan Kirby (John Wayne) is hard on his marines. His subordinate Captain Carl Griffin thinks the Major is overdoing it. But Kirby proves that there is a method to his madness after all.

The Savage Innocents

Spain released, PAL/Region 2 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada. Languages: o English (subtitles) o Spanish (subtitles) o Spanish (Dolby Digital 5.1) o English (Dolby Digital 2.0) o Spanish (Dolby Digital 2.0) Synopsis: Anthony Quinn added Eskimo to the many ethnic types he portrayed on film with this drama about a clash of cultures from director Nicholas Ray. Inuk (Quinn) is a typical Eskimo hunter, living proudly as his ancestors did, eking out an existence on the frozen Canadian tundra. When Inuk takes his wife and mother-in-law to a trading post to exchange furs, the family meets a friendly priest (Marco Guglielmi). In time-honored Eskimo custom, Inuk offers the missionary his wife's sexual favors. Offended by the man's rejection, Inuk kills him. Having broken Western law, Inuk is pursued by two Mounties (Peter O'Toole and Carlo Giustini). Slowed down by his wife's elderly mother, he sends the woman out on the ice to perish, another of his people's ancient traditions. The police capture Inuk, but the lawmen and their prisoner encounter severe weather. The Savage Innocents (1959) was the feature debut of actor O'Toole, who objected to the overdubbing of his voice in the finished film. Special Features: o Interactive Menu o Scene Access

Rebel Without a Cause