Satyajit Ray

The Chess Players

Written, composed, and directed by Indian master Satyajit Ray (Pather Panchali), The Chess Players presents a stylized world in which the landed gentry lounge about, endlessly pulling on hookahs and engaging in the "king of games." Outside their gilded doors, the order that allows them this luxury--let alone their marriages--is crumbling. They couldn't be more oblivious. As the narrator notes, "Mr. Meer and Mr. Mirza are only playing at warfare. Their armies are pieces of ivory. Their battlefield: a piece of cloth." Set in 1856 Lucknow, the noblemen (Saeed Jaffrey and Sanjeev Kumar) are situated in one of the few Indian territories not ruled by Britain's East India Company. The British, meanwhile, are also playing a game of chess, and equally oblivious Oudh ruler Nawab Wajid Ali Shah (Amjad Khan) is the king they intend to capture. Forthright General Outram (Sir Richard Attenborough, Ghandi), assisted by the more culturally erudite Captain Weston (Tom Alter), is the man charged with the task. It shouldn't be difficult: Like Meer and Mirza, Wajid would prefer to relax--to write poetry, to fly kites--rather than to rule. Along the way, Oudh will fall, but the chess will continue. Based on a story by Munshi Premchand, The Chess Players was Ray's most elaborate production. It was also his first in Hindi (with English) and its frames are filled with music, dance, opulent pageantry, and humorous banter--even a lively animated sequence. Behind the attractive façade, however, lies a lament for lost opportunities. --Kathleen C. Fennessy

The Adversary (Orig: Pratidwandi / Aka: Siddharta and the City)

A young man, newly graduated from college, is unable to find meaningful employment. He lives in a crowded apartment with his widowed mother, a revolutionary brother and a younger, well employed sister. Family frictions and his continuing unsuccessful quest for a job place an unbearable strain on him causing him to hallucinate. The pressure, magnified by the tense and impersonal setting of Calcutta, builds to a devastating conclusion. Winner: Special Award, New Delhi, 1971. Winner: President's Silver Medal, New Delhi, 1971.

Pather Panchali

Pather Panchali tells the story of a family inching slowly and irrevocably, over the course of several years, toward the edge of financial and emotional disaster. In a rural Bengali village, circa 1919, Harihar (Kanu Bannerjee) recites sacred texts and performs religious rites for a living. He dreams of being a playwright, but he must support his growing family.

His wife, Sarbajaya (Karuna Bannerjee) must suffer her husband's long absences as he searches for work and the hostile pity of extended family members who are better off financially and socially. Her daughter, Durga (Uma Das Gupta), has the bad habit of stealing mangoes from the neighboring orchard, which adds to her mother's shame. When a son, Apu (Subir Bannerjee), is born, things seem to be looking up for the family. But it is only a short-lived illusion.

First films don't come any better than Pather Panchali. Made in 1955 by Satyajit Ray, this truly remarkable feat of storytelling is a must-see kind of movie. Ray reveals a gift for presenting stories that unfold gently, one engaging scene at time. This film delivers an amazing emotional punch that will linger in your consciousness for some time, not in spite of, but because of its simplicity.

The story is based on the novel of the same title, written by Bibhutibhushan Banerjee. Shot in glorious black and white, it runs for 115 minutes. The script is by Satyajit Ray, the music by Ravi Shankar. --Luanne Brown

The first in a popular trilogy of Indian films! Pather Panchali is a moving story of a rural family cursed with bad luck. The father is a dreamer, while his wife struggles to feed the family, including son Apu. When a petty thief brings tragedy to them, they must find a way to survive.Written and directed by award-winning filmmaker Satyajit Ray. Multiple film festival awards.

Aparajito

In this, the second film in the Apu trilogy, Harihar (Kanu Bannerjee) takes his wife, Sarbajaya (Karuna Bannerjee), and his son, Apu, to live in the bustling city of Benares after the tragic death of his daughter, Durga, and the destruction of the family's home. Harihar ekes out a living reading sacred texts by the shores of the Ganges River. When he falls ill, Sarbajaya must learn to cope on her own and leaves the city to work as a cook for a wealthy family living in the country.

Apu, by now an adolescent (played by Smaran Ghosal), is extremely bright and hungry for knowledge. Good fortune befalls him, and he is able to attend school, eventually going to Calcutta to attend the university. Sarbajaya is reluctant to let her son go, but she is unable to stop him. She waits patiently for his return, but at the same time is growing weak from illness. When Apu learns of his mother's illness, he must decide if he's going to sacrifice his final exams and return to her side or take the exams and risk the chance she might die before he gets there.

As compelling as its predecessor, Pather Panchali, this film was made only one year later, in 1956. Karuna Bannerjee is riveting in her portrayal of a woman who has lost everything of value to her but her beloved son. The film was based on the novel Aparajito by Bibhutibhushan Banerjee, and the music was composed by Ravi Shankar. --Luanne Brown

Tale about Apu and his family, as they move to the city, where they encounter more tragedy, forcing Apu to become a man and make choices about the life he will lead. Written and directed by award-winning filmmaker Satyajit Ray.

Ghare Baire

Nayak - The Hero

A famous film actor travels by train to New Delhi for an award ceremony. On the train he meets a young journalist who edits a serious women's magazine. Filled with contempt for the likes of him, she secretly plans to interview him for an "expose" into the meaningless existance of a self centered actor. As she interrogates him he begins to re-examine his life. Through a series of flashbacks and dreams the film explores the psychology of the star and his admirers. Winner, Best Screenplay and Story New Delhi, 1967 Winner, Critics' Prize (Unicrit award) Berlin, 1966 Winner, Special Jury Award Berlin, 1966

The World of Apu

If you ever feel like you've got it tough, watch the Apu trilogy by Satyajit Ray. The World of Apu is the third story in Ray's magnum opus. And yes... things can get worse for our hero, Apu (Soumitra Chatterjee). By now it's the early 1930s, and Apu is a grown man. A dreamer and a writer like his long-dead father, Apu is working on a novel about his life.

When his best friend Pulu (Swapan Mukherjee) asks him to his sister's wedding, Apu has no idea that he'll be the one going home with the bride. Poor Aparna (Sharmila Tagore) is betrothed to an insane man and when his illness becomes apparent, the wedding is cancelled. But Aparna will be cursed unless another bridegroom is found. Apu, in a weak moment, agrees to marry Aparna in return for a job.

Then the unexpected happens. Aparna and Apu fall deeply in love. But will it last? Knowing Apu's luck in the past, the obvious answer is "no," and when Aparna dies in childbirth, Apu is left hating his son, Kajal. Finally, driven by guilt, Apu approaches his son, five years after the death of his beloved wife. Will they be able to salvage some happiness in an already too bleak life? You won't be disappointed in the outcome.

This last installment will leave you wishing Ray had made Apu IV. The music is by Ravi Shankar. --Luanne Brown

In this final installment, Apu is forced to abandon his education. His future looks bleak until he marries an abandoned bride, beginning a new life as a husband and a father. Written and directed by award-winning filmmaker Satyajit Ray. Named 1960's Best Foreign Film by the National Board of Review.

SHATRANJ KE KHILARI

Sonar Kella - The Golden Fortress

Jalsaghar - The Music Room