Smight, Jack

Midway (Collector's Edition)

Six months after the Japanese destroyed the U.S. Pacific fleet at Pearl Harbor, the Americans discovered the Japanese were planning to seize the Naval base at Midway Island--a perfect staging point for invading Hawaii or the mainland. Outnumbered four to one, the Americans won a surprise victory and shattered the backbone of the Japanese Imperial Navy. This 1976 film feels more like a history lesson than a drama, but World War II buffs will appreciate the attention to historical fact (especially the way in which fate and a few bad decisions turned the tide), as well as the generous use of actual battle footage. The all-star cast includes Robert Mitchum, James Coburn, and Cliff Robertson in cameos and a whole slew of familiar TV faces in supporting roles. Hal Holbrook is fun as an oddball intelligence officer. --Geof Miller

Studio: Uni Dist Corp. (mca) Release Date: 09/02/2003 Run time: 132 minutes Rating: Pg

Airport Terminal Pack (Airport/Airport '75/Airport '77/Airport '79 - The Concord)

Contains: airport: airport 1975 and the concorde: airport 79. Studio: Uni Dist Corp. (mca) Release Date: 02/08/2005 Run time: 471 minutes

Banacek - The Second Season

Studio: Arts Alliance America Release Date: 01/22/2008 Run time: 576 minutes

Harper

Studio: Warner Home Video Release Date: 11/14/2006 Run time: 121 minutes Rating: Nr

The reason to see Harper is the kooky mid-Sixties design, the peculiar over-the-hill-gang supporting cast, and the crazy Rat Pack lingo written by famed screenwriter William Goldman. And, of course, Paul Newman fans will want to see their guy in the full flower of his anti-hero hero phase. Anyone seeking a decent adaptation of Ross Macdonald's great series of detective novels will, however, be sorely disappointed. Macdonald's Lew Archer is a melancholy knight who operates in an increasingly somber tangle of family crimes; the movie's Lew Harper is a wisecracking hepcat who mugs his way through an indifferent missing-persons investigation. (Frank Sinatra, who was offered the role, would have been a better fit than Newman.) The cast includes Lauren Bacall, Janet Leigh, Julie Harris, and Shelley Winters as various femmes, none of them especially fatale, and Robert Wagner has one of his better roles as a kind of cabana boy to the rich. Strother Martin pops up as a bearded guru with a love temple on top of a Southern California mountain. The director is Jack Smight, whose career was largely made up of TV work. This was the first Goldman script to be made into a film, based on Macdonald's novel The Moving Target; as Goldman states in an enjoyable DVD commentary track, the name Lew Archer was switched to Harper because of Macdonald's reluctance to sign away franchise rights to his private eye's name, not because Newman wanted to have another movie with an "H" title (after The Hustler and Hud). That clears up a long-running urban legend. Newman did make another Macdonald adaptation, The Drowning Pool, in 1975 again using the Harper name. For a much better mid-sixties cool private-eye picture, see Blake Edwards' Gunn. --Robert Horton

Banacek - The First Season

A self-made millionaire and living in Boston's posh Beacon Hill area Thomas Banacek (played by George Peppard) has a taste for only the finest things. Being of Polish decent he also loves to recite enigmatic Polish proverbs. Banacek is aided in his efforts by his limo chauffer and gofer Jay (played by Ralph Manza). Jay usually has his own ideas on how the items were taken and also has dreams of recovering the items himself first and get the reward. Banacek also relies heavily on his close friend and bibliophile/bookstore owner Felix Mulholland (played by Murray Matheson) to help in background research. Insurance companies are loath to call on his services for the recovery of lost or stolen insured items because of these fees. Nevertheless they call on him when they get stuck as no one else can solve these impossible cases.Runtime: 576 minsFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 829567042823 Manufacturer No: 670428

McCloud - Seasons 1 and 2

A viewer's favorite from the get-go, McCloud applied country-to-city humor to the popular police-series formula that exploded on TV networks in the early 1970s. Although it would eventually become part of the three-way line-up on the "NBC Mystery Movie" schedule (where it rotated with McMillan & Wife and Columbo, the series pilot premiered (on September 16, 1970) as part of NBC's "Four-in-One" cycle of TV miniseries (Rod Serling's Night Gallery was also in that foursome), and its popularity quickly earned a regular network timeslot, first on Wednesdays at 9:00 p.m. and later as the "Mystery Movie" threesome settled into a well-rated Sunday-night slot. To be sure, McCloud owed almost all of its success to the perfect casting of Dennis Weaver as Deputy Marshal Sam McCloud, of Taos, New Mexico, a good ol' boy crimefighter who spends the two-hour pilot ("Portrait of a Dead Girl") tracking a key witness who's escaped from his custody. This takes him to New York City, where the show's premise (involving McCloud's temporary assignment with Manhattan's 27th precinct, to "learn the methods of a large metropolitan police force") placed him at constant odds with his immediate superior, Chief Clifford (J.D. Cannon) as he partnered up with Sgt. Joe Broadhurst (Terry Carter, later on the original Battlestar Galactica) and pursued an on-and-off romance with Chris Coughlin (Diana Muldaur), a journalist who finds McCloud endlessly intriguing (not to mention newsworthy).

These characters are now far more appealing than the hoary plots that frequently found McCloud applying Southwest sleuthing to Big Apple crimes. Like McCloud himself, many of these 11 episodes are lanky and loose-jointed, and not quite as involving as nostalgic reverie might suggest. The first-season episodes are also the "condensed" versions, resulting from the subsequent combination (after their original broadcasts) of two original one-hour episodes into one 90-minute segment, hence the credits for two directors and two-layered plotlines in episodes like "Manhattan Manhunt," starring Richard Dawson as a Cockney-accented theater producer threatened by a would-be killer. (The second-season episodes are fully intact as originally shown.) And while the cost-cutting expediency of '70s TV production is painfully evident in cheesy process shots, blunt ADR recording, and oft-repeated stock footage, the tongue-in-cheek charm of McCloud remains fully intact, as Weaver adopts his signature line ("There ya go!") and commands his role with a gentleman's demeanor and a wry, fish-out-of-water perspective on big-city police work in episodes costarring a who's-who of '70s guest stars including Barry Sullivan, Nina Foch, Milton Berle, Stephanie Powers, Susan Strasberg, Bo Svenson, Sebastian Cabot, Susan Saint James (just prior to McMillan & Wife) and many more. The sight of McCloud navigating Manhattan's concrete canyons on a galloping horse was iconic in the playful spirit of the series: It makes no sense whatsoever, but with Weaver in the role, you bought it immediately and happily went along for the ride, which explains why McCloud aired for five enjoyable seasons until 1977. --Jeff Shannon

"There ya' go." Rustle up some action and adventure as police drama McCloud rides on to DVD for the first time ever! Emmy winner Dennis Weaver stars as the brave Deputy Marshal Sam McCloud, the toughest cowboy to ever take on the mean streets of New York, as well as the by-the-book detectives on the NYPD. Despite the demands of his strict supervisor, Chief Peter B. Clifford (J.D. Cannon), McCloud finds himself in an endless showdown with some of the meanest criminals east of the Mississippi. This amazing DVD set from the popular NBC Mystery Movie Series features all 11 thrilling episodes of McCloud Seasons 1 & 2 ' including the series' pilot, as well as a gripping bonus episode of the popular McMillan & Wife. Saddle up with entertaining guest stars including Milton Berle, Pat Morita, Stefanie Powers and more in the series that proved that sometimes all you need to solve a crime is a little good ol' country know-how.20

The Illustrated Man

Ray Bradbury's celebrated fiction has been notoriously resistant to screen adaptation, but that hasn't stopped the flawed film version of The Illustrated Man from gaining a small but devoted following. First published in 1951, Bradbury's classic book consisted of 18 stories framed by the tale of a man whose entire body is a living canvas of exotic tattoos, or "skin illustrations," each inviting the reader/viewer into Bradbury's ominous realm of science fiction, fantasy, and horror. In the film, this framing story takes place in Depression-era America, where a young drifter named Willie (well played by Robert Drivas) encounters Carl (Rod Steiger), the gruffly eccentric Illustrated Man. Gazing upon Carl's mesmerizing tattoos, Willie is transported into three of the 18 stories in Bradbury's collection. A pioneering exercise in virtual reality, "The Veldt" features a high-tech playroom (a precursor to Star Trek: The Next Generation's holodeck) where two children select an African veldt as their favorite virtual playground, ultimately trapping their parents (played by real-life couple Steiger and then-wife Claire Bloom) in a place of deadly danger. "The Long Rains" finds a quartet of astronauts (including Steiger and Drivas) stranded on Venus, where an incessant downpour preys on their sanity. "The Last Night of the World" takes place on the eve of a nuclear holocaust, as a desperate couple (again played by Steiger and Bloom) agonizes over the decision to euthanize their children before the end of the world.

As adapted by Howard B. Kreitsek and directed by Jack Smight (best known for Airport '75 and episodes of the original Twilight Zone), none of these stories work as well as the framing device, in which Steiger gives a brashly volatile performance. The story selection is curiously misguided and poorly executed, and Smight predictably fails to capture Bradbury's elusive quality of poetic allegory. Anthology films are always hit-or-miss anyway, but The Illustrated Man is more pretentiously frustrating than most (and more dated, especially in terms of sets and costumes), although it effectively captures the dreamy, contemplative tone that prevailed in many "art" films of the late '60s. If seen in the right mood, it's the kind of failed experiment that makes a lasting impression, despite its many shortcomings. --Jeff Shannon

Studio: Warner Home Video Release Date: 12/19/2006 Run time: 103 minutes Rating: Pg

Frankenstein - The True Story

Victor frankensteins medical experimentations result in the shocking discovery that he can revive the dead. But when the creature he creates becomes a killer is anyone safe? Studio: Uni Dist Corp. (mca) Release Date: 09/26/2006 Starring: Jane Seymour Leonard Whiting Run time: 183 minutes Rating: Nr

Hints of sublime horror lurk in a big pile of camp lunacy in Frankenstein: The True Story. While a subtitle like The True Story might make you think this 1970s TV production hews close to Mary Shelley's classic novel, it's safe to say that Shelley's opus did not include crawling disembodied arms, sinister Chinese coolies, solar power, or the flabbergasting paisley dressing gown that Dr. Frankenstein wears for one brief but startling scene. In fact, The True Story deviates from Shelley's story in almost every detail. In this version, the young and handsome Dr. Frankenstein (Leonard Whiting, star of Zeffirelli's Romeo & Juliet) is lured into reviving the dead by the obsessive Dr. Clerval (David McCallum, The Man from U.N.C.L.E.), who gruffly tosses off lines like "Fail? That is a word I shall teach you to forget!" and "This was specially prepared with chemicals--I'll explain what they are later." Clerval's untimely death doesn't stop Frankenstein from bringing his Creature to life in the form of the jaw-droppingly handsome Michael Sarrazin (They Shoot Horses, Don't They?). Alas, tissue degeneration soon sets in--but the oily, sinister Dr. Polidori (James Mason, Lolita) arrives to make things even worse with his plan for a female Creature in the form of the even more jaw-droppingly dewy and luscious Jane Seymour (later to becomeDr. Quinn, Medicine Woman). Most of Frankenstein: The True Story rattles along as enjoyable badness, but every so often an image flares up that's genuinely creepy--when Frankenstein's fiancee Elizabeth is menaced by an undead butterfly, the scene is laughable and eerie at the same time--and though Whiting is stiff, Mason and a parade of cameo stars (including John Gielgud, Ralph Richardson, and Agnes Moorehead) inject the movie with the sort of sinister relish that animated the classic horror of the black and white era. --Bret Fetzer

No Way to Treat a Lady

Live in Concert: The Come Together Tour