Softley, Iain

Hackers

"Hackers" chronicles a group of teenage computer wizards whose practical jokes land them in a dangerous industrial-espionage plot.System Requirements:Widescreen format 16x9-enhanced Languages: English (Dolby Digital 5.1 Surround) French (Dolby Stereo surround) Subtitles: English French and Spanish Eight-page trivia booklet theatrical trailer Included Trivia Booklet Interactive Menus Video Format: Widescreen (no AR specified) Enhanced for 16x9 TVs English: Dolby Digital 5.1 Surround French: Dolby Digital Surround Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 027616716927 Manufacturer No: 907169

As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ("By the time they realize the truth, we'll be long gone with all the money.") For all its postmodern trappings the movie is working with sub-prehistoric storytelling tools. But it does succeed on one level, as a movie about adolescent bonding and alienation. The director, Iain Softley, helmed the Beatles-in-Hamburg biopic Backbeat, and he seems to have an instinct for the emotions that pull kids together around common interests and the insecurities that drive them apart. The familiar crises of loyalty and betrayal have an ache of real loneliness. It doesn't hurt that the two stars, Jonny Lee Miller (Sick Boy Williamson in Trainspotting) and Angelina Jolie (Gia), are just about equally gorgeous and charismatic; their longing glances steam up the screen. --David Chute

K-Pax

The Skeleton Key (Widescreen Edition)

Steeped in rain, humidity, and eerie bayou atmosphere, The Skeleton Key is an entertaining supernatural thriller that makes excellent use of its Louisiana locations. New Orleans and the rural environs of Terrebonne Parish are crucial in setting up the creepy circumstances that find compassionate caregiver Caroline Ellis (Kate Hudson) newly employed at the backwater plantation home of Violet (Gena Rowlands) and her invalid husband Ben (John Hurt), who's been rendered mute and seemingly helpless by a recent stroke. The place is rife with mystery, shrouded in the secrets of a suspicious past and, under Violet's stern supervision, plagued by superstition involving the use of Hoodoo magic spells (not to be confused with Voodoo, as explored in the similarly suspenseful Angel Heart) intended to protect the house from harm. But Caroline soon discovers the source of the mystery, and why Ben (who can barely utter a word) is so desperate to escape his seemingly comfortable domesticity. There are a few loopholes in the screenplay by prolific horror writer Ehren Kruger (The Ring and The Brothers Grimm), but director Iain Softley (Wings of the Dove) expertly emphasizes the edgy air of mystery, pushing some effective shocks while encouraging fine work from Hudson, Peter Sarsgaard (as Violet's lawyer) and especially Rowlands, who's genuinely disturbing as Skeleton Key nears a twist ending that's undeniably effective. --Jeff Shannon

The Wings of the Dove

A young society woman (Carter) must choose between a life of ease and her lover, a common journalist (Roache). However, a lonely heiress (Elliott) offers an unorthodox, yet irresistable offer to solve the problem.
Genre: Feature Film-Drama
Rating: R
Release Date: 4-JAN-2005
Media Type: DVD

Queen of the costume drama Helena Bonham Carter finally got a chance to loosen her corset a bit with this exquisitely mounted (Sandy Powell's costumes were nominated for an Academy Award) romantic drama based on Henry James's classic novel. Set in turn-of-the-century London and Venice, Wings of the Dove is a stately departure--more PBS than MTV--for Iain Softley, director of Hackers and the birth-of-the-Beatles biopic Backbeat. But there's enough romantic intrigue to perhaps fuel a week's worth of daytime TV talk shows: My Lover Seduced a Dying Heiress for Her Money.

Bonham Carter, who won several critics association honors for her performance (she was nominated for a Golden Globe and Oscar as well) stars as Kate, who is engaged in a secret affair with Merton (Linus Roache), a journalist whose poor financial standing makes marriage impossible. Kate's manipulative aunt (Charlotte Rampling) threatens to disown her unless she marries the more suitable Lord Mark (Alex Jennings). Opportunity--admittedly sordid--arrives in the form of Millie (Alison Elliott), an American heiress whom Kate befriends. When Kate learns that Millie is dying, she suggests to Merton that he seduce her to make her last days happy, and ensuring that Millie will leave Merton her money when she dies. Merton reluctantly agrees, just as Kate begins to have second thoughts that threaten to sabotage the scheme.

One of the most rapturously reviewed films in recent years, Wings of the Dove is a must-own film for the Merchant-Ivory crowd. But guys: don't dismiss this as a "chick flick." Beneath its Masterpiece Theatre exterior beats the wild and untamed heart of Dawson's Creek. --Donald Liebenson

The Skeleton Key (Full Screen Edition)

Steeped in rain, humidity, and eerie bayou atmosphere, The Skeleton Key is an entertaining supernatural thriller that makes excellent use of its Louisiana locations. New Orleans and the rural environs of Terrebonne Parish are crucial in setting up the creepy circumstances that find compassionate caregiver Caroline Ellis (Kate Hudson) newly employed at the backwater plantation home of Violet (Gena Rowlands) and her invalid husband Ben (John Hurt), who's been rendered mute and seemingly helpless by a recent stroke. The place is rife with mystery, shrouded in the secrets of a suspicious past and, under Violet's stern supervision, plagued by superstition involving the use of Hoodoo magic spells (not to be confused with Voodoo, as explored in the similarly suspenseful Angel Heart) intended to protect the house from harm. But Caroline soon discovers the source of the mystery, and why Ben (who can barely utter a word) is so desperate to escape his seemingly comfortable domesticity. There are a few loopholes in the screenplay by prolific horror writer Ehren Kruger (The Ring and The Brothers Grimm), but director Iain Softley (Wings of the Dove) expertly emphasizes the edgy air of mystery, pushing some effective shocks while encouraging fine work from Hudson, Peter Sarsgaard (as Violet's lawyer) and especially Rowlands, who's genuinely disturbing as Skeleton Key nears a twist ending that's undeniably effective. --Jeff Shannon

Kate Hudson stars in The Skeleton Key - a supernatural thriller that weaves a tale of terror and suspense! When Caroline Ellis (Hudson) takes a job in Louisiana's bayous, she unlocks a deadly secret involving magic, conjure and sacrifice that pulls her into a terrifying world of strange, frightening and unexplained incidents. The key to escaping may lie in a decrepit attic, but if she dares to believe in what she discovers, everything she fears will become real! Filled with endless suspense and bone-chilling scares, hold on for this terrific ride with "one of the best twists since The Sixth Sense" (Melanie Moon, WB-TV)!

Backbeat (Collector's Edition)

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 25-JAN-2005
Media Type: DVD

Ian Hart's second performance as John Lennon (the first was the little-seen The Hours and Times) commands attention in this marvelous musical bio of the Beatles in Hamburg directly before their stardom. The focus is on the "5th Beatle," Stuart Sutcliffe (Stephen Dorff), a bluesy bass guitar player who finds Germany has more interesting things (art and a woman) than music. The woman, Astrid (Sheryl Lee), chronicles the early years of the Beatles, and she falls in love with Stuart, a move that would influence many aspects of the Fab Four. Nearly overpowering the film is Hart in a great, energized performance of an artist on fire. The music was adapted for the movie, rediscovering the raw sound and ballistic energy in the back street clubs. These scenes of rock and genius intermixed with a nervy lead singer evoke similarities to Kurt Cobain and Nirvana. Directed by Iain Softley. --Doug Thomas

Backbeat

Ian Hart's second performance as John Lennon (the first was the little-seen The Hours and Times) commands attention in this marvelous musical bio of the Beatles in Hamburg directly before their stardom. The focus is on the "5th Beatle," Stuart Sutcliffe (Stephen Dorff), a bluesy bass guitar player who finds Germany has more interesting things (art and a woman) than music. The woman, Astrid (Sheryl Lee), chronicles the early years of the Beatles, and she falls in love with Stuart, a move that would influence many aspects of the Fab Four. Nearly overpowering the film is Hart in a great, energized performance of an artist on fire. The music was adapted for the movie, rediscovering the raw sound and ballistic energy in the back street clubs. These scenes of rock and genius intermixed with a nervy lead singer evoke similarities to Kurt Cobain and Nirvana. Directed by Iain Softley. --Doug Thomas

Backbeat [Region 2]

Ian Hart's second performance as John Lennon (the first was the little-seen The Hours and Times) commands attention in this marvelous musical bio of the Beatles in Hamburg directly before their stardom. The focus is on the "5th Beatle," Stuart Sutcliffe (Stephen Dorff), a bluesy bass guitar player who finds Germany has more interesting things (art and a woman) than music. The woman, Astrid (Sheryl Lee), chronicles the early years of the Beatles, and she falls in love with Stuart, a move that would influence many aspects of the Fab Four. Nearly overpowering the film is Hart in a great, energized performance of an artist on fire. The music was adapted for the movie, rediscovering the raw sound and ballistic energy in the back street clubs. These scenes of rock and genius intermixed with a nervy lead singer evoke similarities to Kurt Cobain and Nirvana. Directed by Iain Softley. --Doug Thomas

The Wings of the Dove [Region 2]

Queen of the costume drama Helena Bonham Carter finally got a chance to loosen her corset a bit with this exquisitely mounted (Sandy Powell's costumes were nominated for an Academy Award) romantic drama based on Henry James's classic novel. Set in turn-of-the-century London and Venice, Wings of the Dove is a stately departure--more PBS than MTV--for Iain Softley, director of Hackers and the birth-of-the-Beatles biopic Backbeat. But there's enough romantic intrigue to perhaps fuel a week's worth of daytime TV talk shows: My Lover Seduced a Dying Heiress for Her Money.

Bonham Carter, who won several critics association honors for her performance (she was nominated for a Golden Globe and Oscar as well) stars as Kate, who is engaged in a secret affair with Merton (Linus Roache), a journalist whose poor financial standing makes marriage impossible. Kate's manipulative aunt (Charlotte Rampling) threatens to disown her unless she marries the more suitable Lord Mark (Alex Jennings). Opportunity--admittedly sordid--arrives in the form of Millie (Alison Elliott), an American heiress whom Kate befriends. When Kate learns that Millie is dying, she suggests to Merton that he seduce her to make her last days happy, and ensuring that Millie will leave Merton her money when she dies. Merton reluctantly agrees, just as Kate begins to have second thoughts that threaten to sabotage the scheme.

One of the most rapturously reviewed films in recent years, Wings of the Dove is a must-own film for the Merchant-Ivory crowd. But guys: don't dismiss this as a "chick flick." Beneath its Masterpiece Theatre exterior beats the wild and untamed heart of Dawson's Creek. --Donald Liebenson

Hackers [Region 2]

As a depiction of the computer-hacker underground, this movie is bogus to the bone. As a thriller, it's cartoonish and conventional. The premise (computer-happy kids hack into the wrong system, and the Forces of Repression come after them) is recycled from John Badham's 1983 WarGames. And the corporate-creep bad guy, played by Fisher Stevens, steeples his fingers and growls mossy villainous clichés. ("By the time they realize the truth, we'll be long gone with all the money.") For all its postmodern trappings the movie is working with sub-prehistoric storytelling tools. But it does succeed on one level, as a movie about adolescent bonding and alienation. The director, Iain Softley, helmed the Beatles-in-Hamburg biopic Backbeat, and he seems to have an instinct for the emotions that pull kids together around common interests and the insecurities that drive them apart. The familiar crises of loyalty and betrayal have an ache of real loneliness. It doesn't hurt that the two stars, Jonny Lee Miller (Sick Boy Williamson in Trainspotting) and Angelina Jolie (Gia), are just about equally gorgeous and charismatic; their longing glances steam up the screen. --David Chute