Spottiswoode, Roger

Turner and Hooch

A neatnik cop who prefers everything just so is teamed up with a big ugly dog who wreaks havoc on his life his house & his heart. Studio: Buena Vista Home Video Release Date: 03/02/2004 Starring: Tom Hanks Craig T Nelson Run time: 99 minutes Rating: Pg

Much better than your average cop-and-dog movie (e.g., K-9), Turner and Hooch is really a love story about a control freak (Tom Hanks) who gradually resigns to the messy chaos of a sweet hulk of a pooch named Hooch. The excuse for this relationship is that the dog can identify a murderer and Hanks needs him, but the film is really about such hilarious moments as Hanks bathing Hooch with a long brush, and a wild chase through the streets when the sharp-eyed mutt spots his suspect. Layered over this is a healthy love story between Hanks and animal vet Mare Winningham, who share a terribly sexy scene together--while fully clothed--doing no more than making breakfast. (Hanks directed this scene, though Roger Spottiswoode directed the rest of the movie.) --Tom Keogh

And the Band Played On

A superior, made-for-cable film, this Home Box Office adaptation of Randy Shilts's chronicle detailing the emergence of AIDS in America and the fight against bureaucracy and society for a cure is a taut, outrageous, and affecting true-life drama. Matthew Modine (Birdy, Married to the Mob) is featured as a doctor with the Centers for Disease Control at the time when the first reports of a disease plaguing the gay community were heard. Modine and his colleagues embark on an investigation that resembles a compelling detective story as they try to track the source of the disease and discover a cure. Their efforts are thwarted by an ambivalent government and a turf war between French physicians and a celebrated American researcher (Alan Alda) who seems to place his own glory above the dead and the dying. Featuring heartfelt performances from a stellar cast including Richard Gere, Glenne Headly, Anjelica Huston, Steve Martin, Ian McKellen, Saul Rubinek, and Lily Tomlin, this impassioned film stands as an impressive and important document of one of the darkest eras in modern human history, and a tribute to the spirit of those who sought to save lives. --Robert Lane

This is the story of the discovery of the disease we now know as aids. An unforgettable tale of scientific struggle corruption deceit tragedy & triumph. Dvd features not listed. Studio: Hbo Home Video Release Date: 06/01/2004 Starring: Matthew Modine Richard Gere Run time: 140 minutes Rating: Pg Director: Roger Spottiswoode

Shoot to Kill

A citified fbi agent teams up with a wilderness tracker to hunt a murderous extortionist through the rugged mountains of the pacific northwest. Studio: Buena Vista Home Video Release Date: 01/10/2006 Starring: Sidney Poitier Patricia Allison Run time: 109 minutes Rating: R

Tomorrow Never Dies (Special Edition)

Pierce Brosnan returns for his second stint as James Bond (after GoldenEye), and he's doing it in high style with an invigorating cast of costars. It's only appropriate that a Bond film from 1997 would find Agent 007 pitted against a media mogul (Jonathan Pryce) who's going to start a global war (beginning with stolen nuclear missiles aimed at China) to create attention-grabbing headlines for his latest multimedia news channel. It's the information age run amok, and Bond must team up with a lovely and lethal agent from the Chinese External Security Force (played by Honk Kong action star Michelle Yeoh) to foil the madman's plot of global domination. Luckily for Bond, the villain's wife (Teri Hatcher) is one of his former lovers, and at the behest of his superior M (Judi Dench), 007 finds ample opportunity to exploit the connection. Although it bears some nagging similarities to many formulaic action films from the '90s, Tomorrow Never Dies (with a title song performed by Sheryl Crow) boasts enough grand-scale action and sufficiently intelligent plotting to suggest the Bond series has plenty of potential to survive into the next millennium. Armed with the usual array of gadgets (including a remote-controlled BMW), Brosnan settles into his role with acceptable flair, and the dynamic Yeoh provides a perfect balance to the sexism that once threatened to turn Bond into a politically incorrect anachronism. He's still Bond, to be sure, but he's saving the world with a bit more sophisticated finesse. In addition to theatrical trailers, this special edition DVD comes with a feature-length audio commentary by director Roger Spottiswoode, more commentary by stunt director Vic Armstrong and producer Michael G. Wilson, a storyboard overlay that compares action-sequence concepts with final footage, a 45-minute "Secrets of 007" featurette covering the evolution of the Bond character, and an isolated music-only track with an interview of composer David Arnold. Bond would be proud.--Jeff Shannon

Air America (Special Edition)

Air America is one of those movies that could have been great, and now maintains its low-key reputation as a typical Mel Gibson film in the wake of his first two Lethal Weapon hits. Originally conceived as a biting black comedy about the CIA's top-secret smuggling operation in Laos during the Vietnam war, Air America lost most of its political sting when it was transformed into an action comedy for Gibson and costar Robert Downey Jr. The film is entertaining as far as it goes, with a few action sequences that explain where a lot of the budget went. If you're in the mood for some Mel, this one is a little off the beaten path, and still contains a percentage of its original potential. --Jeff Shannon

The Best of Times

A small-town loser determines to have one more shot at the big time by winning a football game.

This shaggy-dog fable barely drew fleas when it arrived in the winter of 1986. Now critics refer to it as a winning, offbeat classic. What took 'em so long? Probably the fact that director Roger Spottiswoode (Tomorrow Never Dies) and screenwriter Ron Shelton (Bull Durham) were chasing something very elusive: a cockeyed, scatological look at delayed glory. Robin Williams plays Jack Dundee, a meek bank VP in Taft, California, who daily relives the humiliation of a bobbled pass in the game against Bakersfield. Not content to live out his days as "Butterfingers" Dundee, Jack hits on a plan to "rewrite history" by restaging the Big Game. Taft's now-over-the-hill quarterback, Reno Hightower (Kurt Russell), reluctantly goes along with the harebrained scheme to redeem his buddy. The guys' wives (Holly Palance and Pamela Reed) shake their heads and play along. At once zany, sweet, and nostalgic, this small-town chronicle strives for, and achieves, folk-legend status. "Casey at the Bat" in shoulder pads, anyone? --Glenn Lovell

Terror Train

A fraternity masquerade party aboard a chartered train turns deadly when a psychotic classmate sets out for murderous revenge.

The 6th Day

In the not too distant future when cloning plants pets and human organs is accpeted a sinister corporation has begun illegally duplicating entire human beings. They mistakenly clone the wrong man: a man who is now the only one with the power to expose their evil. Studio: Sony Pictures Home Ent Release Date: 02/20/2007 Starring: Arnold Schwarzenegger Michael Rapaport Run time: 124 minutes Rating: Pg13 Director: Roger Spottiswoode

For a movie about cloning, it's only appropriate that The 6th Day, starring Arnold Schwarzenegger, is instilled with a strong sense of déjà vu, namely from Arnold's previous "Who am I?" outing, Total Recall. In that movie, Arnold is a normal Joe who discovers that his entire reality has been co-opted by an evil conspiracy, and has to take his life back by force. The same premise applies here for Roger Spottiswoode's clever if overlong sci-fi thriller--Arnold thinks he's a regular guy leading a regular life, until a twist of fate puts him on the lam from a vast conspiracy that's replaced him with a clone. While he's trying to evade the evil genetics corporation--and its trendy, deadly, clone-friendly assassins (who don't care how many times they're killed: there's more where that came from)--his double is snuggling at home with his wife and daughter. And new legislation outlaws the existence of human clones, so somebody's got to go. But who gets to be live and who gets to be the dead Memorex man?

Why does said genetics corporation want to clone people? How does the kindly scientist (Robert Duvall) fit in? What's the mystery behind the slick billionaire (Tony Goldwyn) who runs everything? It's all kind of irrelevant in the end, as long as it provides a chance for Arnold to indulge in some energetic mayhem and explosive action. What distinguishes The 6th Day is its sneaky, humorous--and chilling--look at the near future, taking everyday technological advances and turning them up just a couple notches, envisioning an era with cloned pets, virtual girlfriends, and computers running most everything, from the refrigerator to your car. Arnold is supposed to be a throwback to the "real" world--you can tell because he cherishes his vintage, navigation-system-free Cadillac--but as usual, he just brings his behemoth presence to the role and not much else. Still, he's a friendly enough hero, and he rolls with the punches (literally) all the way through to the end. Too bad the film overstays its welcome by about half an hour--a little shorter and it could have been a breezy sci-fi/action romp. With scene stealers Michael Rooker, Sarah Wynter, and Rod Rowland as the trio of cloned assassins who always come back--again and again. --Mark Englehart

Under Fire

Under Fire is a savvy political thriller of journalists in war-torn Nicaragua circa 1979. Clayton Frohman and Ron Shelton's (Bull Durham) script follows ace photojournalist Russell Price (Nick Nolte, in a key marquee performance) from the jungles of Africa to the Central American boiling point. Along with the usual band of fellow journalists, Price finds himself involved in a love triangle with Claire (Joanna Cassidy in her best role) and Alex Grazier (Gene Hackman, perfect again), who believes he's one career-making story from a lofty news anchor position. In Nicaragua, Price finds his own deadly mission: to photograph an unknown rebel leader.

Although the setup is traditional, Roger Spottiswoode's film feels as alive and vital as the best of the genre. Showing his ambiguity for the lives he shoots, Price is just as friendly with the impoverished in Africa as with an icy mercenary, Oates (Ed Harris in a role the polar opposite of his breakthrough performance in The Right Stuff the same year). On one level, Oates and Price are simply Americans doing their jobs in a foreign land. But soon Price has a change of heart. Blessed by a splendid final-act action sequence that is unforced and emotionally charged, the film is stuffed with color and energy, a good dose of which is supplied by Jerry Goldsmith's Oscar-nominated score. --Doug Thomas

Stop! Or My Mom Will Shoot

A los angeles policeman has his little mother from new jersey for a partner whether he likes it or not. Studio: Uni Dist Corp. (mca) Release Date: 12/26/2006 Starring: Sylvester Stallone Roger Rees Run time: 87 minutes Rating: Pg13 Director: Roger Spottiswoode