Stevens, George

Shane

Acclaimed director George Stevens' legendary rendition of the quintessential Western myth earned six Academy Award® nominations and made Shane one of the classics of the American cinema. The story brings Alan Ladd a drifter and retired gunfighter to the assistance of a homestead family terrorized by a wealthy cattleman and his hired gun (Jack Palance). In fighting the last decisive battle Shane sees the end of his own way of life. Mysterious moody and atmospheric the film is enhanced by the intense performances of its splendid cast.System Requirements:Starring: Alan Ladd Jean Arthur Van Heflin Brandon De Wilde Jack Palance Directed By: George Stevens Running Time: 117 Min. Color Copyright Paramount Pictures 2003. Genre: WESTERN/MISC. Rating: PG UPC: 097360652246 Manufacturer No: 065224

Consciously crafted by director George Stevens as a piece of American mythmaking, Shane is on nearly everyone's shortlist of great movie Westerns. A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters." While helping a kindly farmer (Van Heflin), Shane falls platonically in love with the man's wife (Jean Arthur, in the last screen performance of a marvelous career). Though the showdowns are exciting, and the story simple but involving, what most people will remember about this movie is the friendship between the stoical Shane and the young son of the farmers. The kid is played by Brandon De Wilde, who gives one of the most amazing child performances in the movies; his parting scene with Shane is guaranteed to draw tears from even the most stonyhearted moviegoer. And speaking of stony hearts, Jack Palance made a sensational impression as the evil gunslinger sent to clean house--he has fewer lines of dialogue than he has lines in his magnificently craggy face, but he makes them count. The photography, highlighting the landscape near Jackson Hole, Wyoming, won an Oscar. --Robert Horton

Giant (Two-Disc Special Edition) (Keepcase)

Giant is a movie of huge scale and grandeur in which three generations of land-rich Texans love swagger connive and clash in a saga of family strife racial bigotry and conflict between cattle barons and newly rich oil tycoons. It's also one of the most beloved works of director George Stevens who won an Academy AwardO* for this film one of 10 Oscar nominations** the film earned.Running Time: 201 min.Format: DVD MOVIE Genre: DRAMA UPC: 012569706903

They call it Giant because everything in this picture is big, from the generous running time (more than 200 minutes) to the sprawling ranch location (a horizon-to-horizon plain with a lonely, modest mansion dropped in the middle) to the high-powered stars. Stocky Rock Hudson stars as the confident, stubborn young ranch baron Bick Benedict, who woos and wins the hand of Southern belle Elizabeth Taylor, a seemingly demure young beauty who proves to be Hudson's match after she settles into the family homestead. For many the film is chiefly remembered for James Dean's final performance, as poor former ranch hand Jett Rink, who strikes oil and transforms himself into a flamboyant millionaire playboy. Director George Stevens won his second Oscar for this ambitious, grandly realized (if sometimes slow moving) epic of the changing socioeconomic (and physical) landscape of modern Texas, based on Edna Ferber's bestselling novel. The talented supporting cast includes Mercedes McCambridge as Bick's frustrated sister, put out by the new "woman of the house"; Chill Wills as the Benedicts' garrulous rancher neighbor; Carroll Baker and Dennis Hopper as the Benedicts' rebellious children; and Earl Holliman and Sal Mineo as dedicated ranch hands. --Sean Axmaker

The Hepburn & Tracy Signature Collection (Woman of the Year / Pat and Mike / Adam's Rib / The Spencer Tracy Legacy)

Katharine Hepburn and Spencer Tracy: The Signature Collection. The films included are Woman of the Year Pat and Mike Adam's Rib and The Spencer Tracy Legacy. Woman of the Year (1942) was the first collaboration between Hepburn and Tracy and you can see why it was the spark that ignited the flame that lasted 25 years in this classic battle of the sexes. In Adam's Rib (1949) the duo are back at it again except this time they are in the courtroom battling it out as two married lawyers - on opposite sides of a case! Pat and Mike (1952) was George Cukor's eighth and final collaboration with Katharine Hepburn but this magnificent film about the improbable relationship between a female golfer and a sports promoter was a movie that proved to be ahead of its time in terms of sexual politics and earned the production two Academy Award* Nominations: Best Story and Best Screenplay. For the first time on DVD and sold exclusively in this collection is the very special The Spencer Tracy Legacy: A Tribute by Katharine Hepburn (1986) in which Katharine Hepburn looks back on the life of her former co-star and best friend Spencer Tracy in a touching and insightful look at one of the great American actors.Format: DVD MOVIE Genre: DRAMA UPC: 012569703827

A Place in the Sun

George Stevens won an Oscar for his 1951 adaptation of Theodore Dreiser's novel An American Tragedy, though the film seems a little overwrought today and even self-parodying at times. Still, Montgomery Clift's performance as a poor lad so drawn to a rich, beautiful girl (Elizabeth Taylor) that he contemplates killing his lower-class fiancée (Shelley Winters) is powerful, sympathetic, and mesmerizing. Taylor makes a strong impression, but Winters is awfully good in the less-glamorous role. The tone of the film is oppressive--the film doesn't exactly breathe with possibility--but there are lots of good reasons to give this movie a visit. --Tom Keogh

Gunga Din

This big, boisterous adventure is more inspired by than based on Rudyard Kipling's famous poem. Legendary screenwriters Ben Hecht and Charles MacArthur have fashioned a rousing Hollywood movie full of high adventure, knockabout comedy, and old-fashioned male bonding. And old-fashioned it is: the trio of British officers and best friends who form the core of the film are a 19th-century three musketeers in India, threatened by the interventions of a woman who means to marry the dashing Ballantine (Douglas Fairbanks Jr.). Blustery commander MacChesney (Victor McLaglen) schemes to keep Ballantine in the army while his second in command, the treasure-hunting Cutter (Cary Grant in a hopelessly mugging comic performance), continues searching for his elusive mother lode, but all their plans are thrown into chaos when the rise of the bloodthirsty Thugs threaten Britannia's soldiers. Sam Jaffe takes up the rear guard in turban, loin, and full-body make-up as the titular Gunga Din, the loyal water carrier who dreams of becoming a soldier. Bombastically chauvinist and naively imperialist, the film is bound to rub some people wrong, but Stevens creates a thrilling spectacle in the grand Hollywood mold, a handsome, exciting classic comic adventure that helped make 1939 Hollywood's grandest year. --Sean Axmaker

The Diary of Anne Frank

George Stevens (Giant) directed this 1959 film adaptation of the hit play based on the writings of Anne Frank, the Jewish girl from Amsterdam who hid in an attic with her family and others during the Nazi occupation. As Anne, Millie Perkins is something of a milky eyed enigma and--in retrospect--too old for the part; but she is surrounded by an outstanding cast, including Joseph Schildkraut as Anne's patient father, Ed Wynn as a cranky dentist who moves into Anne's "room," and Shelley Winters as the loud Mrs. Van Daan. Stevens turns the many overlapping dramas of the caged characters into the foundation of Anne's growth as a young woman, ready for life and love just at the moment the dream comes to an end. Beautifully shot by cinematographer William C. Mellor, and written by Frances Goodrich and Albert Hackett from their stage production. --Tom Keogh

A diary discovered in the attic of an Amsterdam factory reveals the plight of a jewish refugee family that lived there in hiding for two years during the Nazi occupation.

I Remember Mama

Irene Dunne stars as the mother anyone would love in this nostalgic picture directed by George Stevens. Chronicled by her aspiring-writer daughter (Barbara Bel Geddes) Mama is the matriarch of an immigrant Norwegian family in 1910 San Francisco. She and her husband bring up their four children with great humor and hope amid genteel poverty in a new land. Meddling relatives illnesses and near-death draw the family together and all are close to Mama the one person who can make things right. Nominated for five Academy Awards this endearing and heartwarming classic brings together a flawless supporting cast including Philip Dorn Sir Cedric Hardwicke Edgar Bergen Rudy Vallee and Ellen Corby. Year:1948Running Time: 134 min.Format: DVD MOVIE Genre: COMEDY UPC: 053939683721

This high point in the 1940s vogue for movies about family life at the turn of the century was directed by George Stevens (Shane), and stars Irene Dunne as the matriarch of a Norwegian family that faces hard knocks with grace in 1910 (or so) San Francisco. Based on John Van Druten's hit play (derived from Kathryn Forbes's autobiographical memoir), the film is gorgeously rendered and quite moving as an act of memory. The sterling cast of character actors--Edgar Bergen, Rudy Vallee, Oscar Homolka, Barbara Bel Geddes, Ellen Corby, Cedric Hardwicke--add great texture and a depth of experience that make the film feel quite lived-in. Hardwicke's turn as a penniless boarder who "pays" his rent by reciting from classic literature is a special highlight. --Tom Keogh

The Greatest Story Ever Told (Movie Only Edition)

The life of Christ got an excessively long treatment (260 minutes, later trimmed to 195) in this 1965 film directed by George Stevens (The Diary of Anne Frank). Max von Sydow does beautiful work as Jesus--his spontaneous mourning at discovering his friend Lazarus has died is not like anything in other New Testament epics--and Stevens renders the familiar tale with a handsome authenticity. But the project is nearly undone by an unwise gimmick in which seemingly half of Hollywood's living stars at the time make brief (often very brief) cameo appearances, some of which are ridiculous. But there is a lot to like in the film, and Von Sydow's sensitive nobility sticks in the memory. --Tom Keogh

"A magnificent film, handled with reverence, artistic appreciation and admirable restraint" (NewYork Daily News), this glorious epic is an inspiring, grand-scale recreation of the life of Jesus of Nazareth, from His humble birth and teachings to His crucifixion and ultimate Resurrection. Lavishly produced at a cost of $20 millionan enormous amount for the timeand honored with five 1965 Academy AwardÂ(r) nominations*, this exceptional motion picture is exquisitely beautiful. Now fully restored to its original theatrical brilliance with intermission and overture, it is truly The Greatest Story Ever Told. *Cinematography (Color), Original Score, Art Direction (Color), Costume Design (Color), Special Visual Effects

The Cary Grant Box Set (Holiday / Only Angels Have Wings / The Talk of the Town / His Girl Friday / The Awful Truth)

The More the Merrier

Portly Charles Coburn makes a cute if unlikely cupid in George Stevens's smart 1943 romantic comedy. Jean Arthur is girl next door and big-city sophisticate rolled up in one bubbly package as Connie Milligan, a single woman in Washington D.C. who sublets a room in her small apartment during the wartime housing crisis. Her new roommate, the deadpan eccentric Mr. Dingle (Coburn, who won an Oscar for his rascally performance), dislikes her stiff, bureaucratic beau and takes it upon himself to find her an appropriate boyfriend, namely the soft-spoken industrial engineer Joe Carter (Joel McCrea), whom Dingle puts up in his half of the apartment. Stevens takes a measured approach to comedy: The first morning with all three in the cramped kitchen turns a painstakingly organized schedule into a chaotic free-for-all that just gets funnier as the anarchy builds. Even more effective is the contrast between the charmingly effusive Arthur and McCrea's sauntering style, which creates not so much sparks as a slow simmer as they continue to spend time together. One of the finest craftsmen of Hollywood's Golden Age, Stevens shapes this lightweight screenplay into one of the most delectable romantic comedies of all time. --Sean Axmaker