Sturges, John

The Magnificent Seven (Special Edition)

Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of '60s stardom: Steve McQueen, James Coburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum.... Followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride! --Robert Horton

Spectacular gun battles epic-sized heroes and an all-star cast that includes Academy Award winners Yul Brynner and James Coburn together with Steve McQueen Eli Wallach and Charles Bronson make The Magnificent Seven a legend among westerns. Spawning three sequels and a successful television series and featuring Elmer Bernstein's Oscar-nomiated score this stunning remake of The Seven Samurai is a "hard-pounding adventure" (Newsweek) and "an endruingly popular" (Leonard Maltin) cinematic classic.Merciless Calvera (Wallach) and his band of ruthless outlaws are terrorizing a poor Mexican village and even the bravest lawmen can't stop them. Desperate the locals hire Chris Adams (Brynner) and six other gun fighters to defend them. With time running out before Calvera's next raid the heroic seven must prepare the villagers for battle and help them find the courage to take back their town... or die trying!System Requirements:Starring: Yul Brynner Eli Wallach Steve McQueen Charles Bronson Robert Vaughn Brad Dexter James Coburn and Horst Buchholz. Directed By: John Sturges. Running Time: 128 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 MGM Studios.Format: DVD MOVIE Genre: WESTERN/MISC. Rating: NR UPC: 027616861078 Manufacturer No: M108736

The Great Escape (2-Disc Collector's Set)

A stirring example of courage and the indomitable human spirit, for many John Sturges's The Great Escape is both the definitive World War II drama and the nonpareil prison escape movie. Featuring an unequalled ensemble cast in a rivetingly authentic true-life scenario set to Elmer Bernstein's admirable music, this picture is both a template for subsequent action-adventure movies and one of the last glories of Golden Age Hollywood. Reunited with the director who made him a star in The Magnificent Seven, Steve McQueen gives a career-defining performance as the laconic Hilts, the baseball-loving, motorbike-riding "Cooler King." The rest of the all-male Anglo-American cast--Dickie Attenborough, Donald Pleasance, James Garner, Charles Bronson, David McCallum, James Coburn, and Gordon Jackson--make the most of their meaty roles (though you have to forgive Coburn his Australian accent). Closely based on Paul Brickhill's book, the various escape attempts, scrounging, forging, and ferreting activities are authentically realized thanks also to technical advisor Wally Flood, one of the original tunnel-digging POWs. Sturges orchestrates the climax with total conviction, giving us both high action and very poignant human drama. Without trivializing the grim reality, The Great Escape thrillingly celebrates the heroism of men who never gave up the fight. --Mark Walker

The true story of 76 allied airmen who plot a massive escape from Stalag 3, a maximum security prison in World War II.
No Track Information Available
Media Type: DVD
Artist: GREAT ESCAPE
Title: GREAT ESCAPE
Street Release Date: 05/18/2004
Domestic
Genre: ACTION / ADVENTURE

Film Noir Classic Collection, Vol. 4 (Act of Violence / Mystery Street / Crime Wave / Decoy / Illegal / The Big Steal / They Live By Night / Side Street / Where Danger Lives / Tension)

The fourth volume of Warner Video's Film Noir Classic Collection boasts ten titles on five double-feature discs--appropriate packaging for films that mostly run less than an hour-and-a-half and would have shared the marquee with another picture upon original release. It's a welcome set, with entries by top noir directors Anthony Mann and Nicholas Ray, several unheralded gems, and solid entertainment value in nearly every instance. But somebody (and it looks as if that's us) ought to mention that Warners is getting a mite cavalier with the label "film noir." You can have a '40s or '50s movie that's in black and white, involves criminal activity, and features stars like Robert Mitchum or Edward G. Robinson, and still not tap into the pungent atmosphere, perverse psychology, implacable fatalism, and jagged/voluptuous style that are the hallmarks of noir. Indeed, there are several such movies in this set--and in their non-noir ways, they're not bad.

Act of Violence (1948) is the real McCoy, albeit so meticulously directed by Fred Zinnemann in postwar-European style that it's virtually an art-film noir. Van Heflin plays a model small-town citizen suddenly confronted with a guilty WWII past, in the dark, limping, permanently trenchcoated figure of Robert Ryan. The film systematically dismantles the domestic security of Heflin's life till he's forced to flee his own home, which has become a trap, and escape into the nightworld of the big city. Mary Astor is superb as one of its few sympathetic denizens. Co-featured with Act of Violence is Mystery Street (1950), a hard-edged movie about a B-girl's murder and some of the proto-CSI techniques the police use to solve the crime. Directed by John Sturges, from a script by Richard Brooks and Sydney Boehm, the picture is enhanced by atmospheric Boston and Cape Cod settings and camerawork by Mr. Film Noir himself, John Alton.

For case-hardened noiristes, the disc holding Decoy and Crime Wave is the collection's prime catch. Decoy (1946), like Dillinger in Volume 2, is an ultra-low-budget offering from Monogram Pictures and a fascinatingly mixed bag of Poverty Row production values and flashes of directorial ambition (one night scene in a woods strongly suggests director Jack Bernhard had seen Sunrise). Its main attraction is a cold-hearted heroine who could pledge the same sorority as the dames from Double Indemnity, Gun Crazy, and The Lady from Shanghai. (Alas, British-born actress Jean Gillie appeared in only one subsequent film, dying at the age of 34.) Andre De Toth's Crime Wave (1954) places us in the awkward position of being grateful for the chance to see an exciting movie and obliged to disqualify it from the set: it's closer to the '50s police procedural (Dragnet et al.) than to film noir. Shot almost entirely on location, the picture virtually reeks of seedy L.A. nightlife and satisfyingly unreels without benefit of music score. Ted De Corsia, Nedrick Young, and Charles Buchinsky-soon-to-be-Bronson supply juicy villainy, with a characteristically unclean contribution late in the film from Timothy Carey. Gene Nelson plays an ex-con, resolved to go straight yet being forced to abet his newly escaped old cellmates, and the world-weary cop keeping tabs on all of them is Sterling Hayden.

The set's two stellar noir directors share a disc and costars, Farley Granger and the ethereal Cathy O'Donnell. They Live by Night (1948) was Nicholas Ray's maiden effort, and kinetically and emotionally the director found natural rapport with the spooked-animal vulnerability of his hero and heroine. This was the first film version of Edward Anderson's Depression-era novel Thieves Like Us (adapted again a quarter-century later by Robert Altman), and its tale of a young rural misfit drawn into more violent crime by older, harder fellow escapees from a prison farm anticipates the spirit of Ray's '50s teen classic Rebel Without a Cause. Side Street (1949) is fascinating as a bridge between Anthony Mann's great series of noirs shot by John Alton and the Western genre Mann would soon master. Working this time with a conventional MGM cameraman (Joseph Ruttenberg), the director demonstrates that the terrific "eye" that gave us T-Men, Border Incident, et al. was at least as much Mann's as Alton's, and he visualizes Manhattan as a collection of jagged skylines and deep, shadowed canyons. The script (by Sydney Boehm) involves a mail carrier (Granger) who, worried about taking proper care of his pregnant wife (O'Donnell), impulsively swipes an envelope full of money. Hard upon that "one false step," the family man finds himself caught up in a dark scheme involving blackmail and, several times over, murder.

Despite a screenplay by Hitchcock collaborator Charles Bennett and direction by John Farrow (The Big Clock), Where Danger Lives (1950) is easily the weakest entry in Vol. 4. Robert Mitchum plays a doctor who saves a would-be suicide, then falls for her without noticing she's crazy as a loon, and homicidal to boot. Soon they're on the run, sought by the law and at the mercy of every larcenous character between them and the Mexican border. Despite yeoman work by Mitchum and RKO shadowmaster Nicholas Musuraca, and the too-brief participation of Claude Rains, the film founders on the femme-fatale casting of Howard Hughes discovery Faith Domergue. A more memorably dodgy female complicates everybody's life in Tension (1950), the next-to-last Hollywood film for director John Berry before his blacklisting. This one's played by Audrey Totter--never a major star, but a delicious and definitive late-'40s dame (who also supplies sharp commentary on the auxiliary audio track). Her milquetoast husband, pharmacist Richard Basehart, sets up a second identity for himself under which to seek revenge for her numerous infidelities--till the new man he has become makes the acquaintance of neighbor Cyd Charisse. (No, Charisse does not dance, but those awesome legs are nevertheless put to creative use.) Eventually someone is dead, and cops Barry Sullivan and William Conrad enter the picture, contributing their own shades of gray to the noir palette. Another satisfying, little-known film that collections like this one lead us to discover.

There's also satisfaction to be had from our final pairing, Illegal and The Big Steal--even if both these titles have to be turned back at the noir border. Illegal (1955) is the third version of The Mouthpiece, a '30s play and film about an esteemed district attorney who falls from grace but rebounds as a spellbinding defense attorney much-sought-after by the criminal class. It was probably the best part Edward G. Robinson had in the '50s, and he's all the reason we need for watching. But the role and the story predated noir (the previous renditions came out in 1932 and 1940), and this movie, for all intents and purposes, postdates noir. In addition, sad to say, it's an artifact from that era when Warner Bros.' movies had started looking like the studio's TV shows. By contrast, The Big Steal (1949) springs from the heart of the classic noir era, was produced for perhaps the most noir-friendly of studios, RKO, and even boasts the costars and screenwriter of the sublime Out of the Past--which is to say, Robert Mitchum, Jane Greer, and Daniel Mainwaring (a.k.a. "Geoffrey Homes"). The whirlwind first reel plops us right in the middle of several chases, with as many switcheroos of allegiance and direction, in pursuit of an "it" that won't be specified till some time later. All nimbly managed by director Don Siegel, on location in Mexico yet, and briskly over with in 72 minutes. But it's a comedy-adventure, not a film noir. Not even close.

Most of the films come accompanied by authoritative voiceover commentaries, including contributions by L.A. crime novelist James Ellroy (on Crime Wave) and surviving cast members Nina Foch (Illegal) and Audrey Totter (Tension). However, for a sporadic series of primers on noir style, which feature absurdly florid lighting of the talking heads and lesson-plan intertitles that belong on a blackboard, somebody at Warner Home Video should be taken for a ride. --Richard T. Jameson

Ex-World War II pilot Frank Enley (Van Heflin) is a respected contractor and family man. Then his troubled gimp-legged bombardier (Robert Ryan) shows up with a gun and a score to settle. Perhaps neither man is what he seems to be as director Fred Zinnemann (The Day of the Jackal) guides a searing Act of Violence "the first postwar noir to take a challenging look at the ethics of men in combat" (Eddie Muller Dark City: The Lost World of Film Noir). Murder lives on Mystery Street. John Sturges (The Great Escape) directs a revealing-for-the-era procedural about a Boston cop (Ricardo Montalban) solving a whodunit with the help of a Harvard forsensic expert (Bruce Bennett). Welcome to CSI Noir.Running Time: 833 min.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 085391150206 Manufacturer No: 115020

Gunfight at the O.K. Corral

Novelist Leon Uris wrote the script for this Western directed by John Sturges (The Magnificent Seven) and based on the life and times of Wyatt Earp (Burt Lancaster) and his sickly companion, Doc Holliday (Kirk Douglas). The action inevitably leads to the legendary battle between the two heroes and the villainous Clanton gang, but the film is also very much about the conflicts each man faces with women, with one another, and with their own destinies. Lancaster is terrific as the downbeat Earp, and Douglas has one of his best roles as the consumptive Holliday. The thoughtfulness of the tale is matched by Sturges's captivating way with the dramatic duel. All in all, the film appeals both as a solid action piece and as a fascinating, two-character study. --Tom Keogh

The Hallelujah Trail

Acclaimed director John Sturges (The Magnificent Seven, Bad Day at Black Rock, Gunfight at the O.K. Corral) turns the legends of the West upside down in this rip-roaring western comedy about the year Denver was nearly devastated by a droughtof whiskeyand had to have fortywagonloads imported through very harshand very thirstyterritory! Academy AwardÂ(r) winners* Burt Lancaster and Martin Landau team with OscarÂ(r) nominee** Lee Remick inthis beautifully filmed epic adventure that "wins both laughs and thrills" (The Hollywood Reporter)! Also starring Jim Hutton, Brian Keith and Donald Pleasence, this irreverent and literally dry look at frontier life is "possibly the funniest western ever made" (Los Angeles Times)!

The Essential Steve McQueen Collection (Bullitt Two-Disc Special Edition / The Getaway Deluxe Edition / The Cincinnati Kid / Papillon / Tom Horn / Never So Few)

6 Steve McQueen classic movies are now available in one giftset -- THE ESSENTIAL STEVE McQUEEN COLLECTION! BULLITT TWO DISC-SPECIAL EDITION: Buckle up for gritty police procedure and a wild trend-setting chase over Frisco's hills with THE GETAWAY DELUXE EDITION A heist gone wrong is dead-right in the hands of McQueen and director Sam Peckinpah. THE CINCINNATI KID McQueen and Edward G. Robinson ante up. Norman Jewison guides the big-time poker flick. NEVER SO FEW Commando action in World War II Burma! McQueen's first big-budget film. Frank Sinatra stars. PAPILLON Can McQueen and Dustin Hoffman escape Devil's Island? From the director of Patton. TOM HORN True to the cowboy way! McQueen rides tall in a star-packed elegy to a changing West. Titles also available separately.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569700987

Last Train From Gun Hill

Recognizing that wealthy cattle rancher Craig Belden's son, Rick, is one of his wife's killers, Morgan travels to Gun Hill to arrest him. Belden refuses to hand his son over, and Morgan is determined to capture Rick and take him away by the 9:00 train but he is trapped in the town alone, with Belden and all his men now looking to kill him.

The Great Escape

The Great Escape image of Steve McQueen (as "The Cooler King") astride his motorcycle has entered silver-screen iconography, alongside Brando on his bike from The Wild One. Based on a true story about a group of POWs who mount a daring breakout from a supposedly inescapable Nazi prison camp, this rousing and suspenseful WWII epic features an all-star cast, including James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, and David McCallum. The DVD also includes a 24-minute documentary about the making of the film. --Jim Emerson

In 1943 the Germans opened Stalag Luft North a maximum-security prisoner-of-war camp designed to hold even the craftiest escape artists. In doing so however the Nazis unwittingly assembled the finest escape team in military history-brilliantly portrayed here by Steve McQueen James Garner Charles Bronson and James Coburn-who worked on what became the largest prison breakout ever attempted. One of the most ingenious and suspenseful adventure films of all time "The Great Escape" is a masterful collaboration between director John Sturges ("The Magnificent Seven") screenwriters James Clavell ("Shogun") and W.R. Burnett ("Little Caesar") and composer Elmer Bernstein. Based on a true story "The Great Escape" is epic entertainment.Starring: Steve McQueen James Garner and Richard AttenboroughDirector: John SturgesProduced by John Sturges; written by James Clavell & W.R. Burnett; DVD released on 03/31/1998; running time of 172 minutes; Closed Captioned. Copyright: 1963 MGM Home EntertainmentSystem Requirements:24-Minute in-depth Documentary on the Making of "The Great Escape" Trivia and Production Notes Original Theatrical Trailer Dual-layer Format for Continuous Playback Languages: English & French Subtitles: English French and Spanish Dolby Digital sound Widescreen Theatrical Release Format Featurette Interactive Film Trivia Interactive Menus Video Format: Widescreen (no AR specified) Track Info: English: Dolby Digital Mono French: Dolby Digital MonoFormat: DVD MOVIE Genre: DRAMA Rating:  UPC: 027616668028 Manufacturer No: M108735

The Old Man and the Sea

The classic Ernest Hemingway novel about man battling nature and the demons within himself is adapted admirably in this 1958 film starring the legendary Spencer Tracy. Playing the fisherman who goes on an intense and futile quest as he contemplates his own nature, Tracy turns in a spellbinding performance of understated power. He plays an itinerant Cuban fisherman whose luck at catching his prey has been poor of late, until he becomes embroiled in an intense pursuit of a giant marlin and in the process must confront his own frailties. Though the visual aspect of the film seems dated, Tracy is more than enough reason to see this effort at bringing one of the modern classics of literature to life on the screen. --Robert Lane

The Eagle Has Landed

This 1976 adventure story set in World War II concerns a Nazi plot to kidnap Churchill from his retreat--or murder him if need be. The large, great cast and a director, John Sturges, who's been down this road of ensemble action before (The Magnificent Seven, The Great Escape) make this project exciting if not as memorable as Sturges's more famous works. The weak ending doesn't help. -- Tom Keogh

In November 1943 Heinrich Himmler (Donald Pleasance) received a simple message "The Eagle Has Landed." It meant that a crack force of German paratroopers were safely in England poised and ready to kidnap the Prime Minister of England Winston Churchill. The force is under the command of Colonel Kurt Steiner (Michael Caine). All goes smoothly as the German force disguised in Polish uniforms is accepted by the villagers. But one of the men is killed while rescuing a little girl and his German uniform is discovered. The entire village has to be taken hostage and hidden in the town church.Agents and counteragents work desperately to keep the scheme alive. Steiner himself takes a dangerous gamble. He overpowers an American ranger commandeers his jeep and uniform and drives to the mansion where Churchill is relaxing.System Requirements:Starring Michael Caine Robert Duvall Donald Sutherland Directed by John Sturges Running time: 131 minutes Copyright Artisan Entertainment 2003Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG UPC: 012236115915 Manufacturer No: 11591