Talankin, Igor

Tchaikovsky - Swan Lake / Makarova, Dowell, Royal Ballet Covent Garden

It is difficult to believe today that Swan Lake was a failure on its production in 1877 and was not successful until the Petipa/Ivanov version of 1895. Today it is regarded as one of the greatest works in the art of ballet. The magic of Tchaikovsky's music, embodying the love of Prince Siegfried for the enchanted Swan Queen, has greatly contributed to making this the best loved of all classical ballets. This production, with designs by the late Leslie Hurry, stars Natalia Makarova as Odette-Odile and Anthony Dowell as Prince Siegfried. Prince Siegfried celebrates his twenty-first birthday; his mother tells him it is time to marry, but he prefers to go hunting. Alone, by a lakeside, he sees a swan who turns to human form. She is an enchanted princess who can be saved only by true love. He promises this, but is tricked by the wicked magician who disguises his own daughter as the swan-maiden. In despair, Siegfried and the swan-maiden leap to death together and their sacrifice destroys the evil power.

Tchaikovsky - The Sleeping Beauty / Durante, Solymosi, Dowell, Royal Ballet

This ballet may be Tchaikovsky's grandest achievement, The Nutcracker's eternal popularity notwithstanding. And when in the hands (and feet!) of the Royal Ballet, whose superlative 1994 production has been taped for posterity, the composer's singular genius for dance becomes palpable to even the most casual viewers. With choreography by Marius Petipa (who updates Kenneth Macmillan's and Anthony Dowell's work from earlier stagings) and with Dowell's lovely production, the Royal Ballet demonstrates yet again its preeminence in the world of ballet. Viviana Durante dances the princess with otherworldly grace and fluidity, and her partner Zoltan Solymosi's prince is impossibly agile and equally graceful. Dowell even contributes wonderful comic relief as the evil fairy. Barry Wordsworth and the Royal Orchestra do Tchaikovsky's beautiful score, and the remarkable dancers, justice. A ballet company at its considerable performing peak has been preserved for all. --Kevin Filipski

Tchaikovsky

Tchaikovsky - The Nutcracker / Nureyev, Park, Royal Ballet

Another great historical performance from the Royal Ballet at Covent Garden in London that's been captured on tape, this 1968 production of Tchaikovsky's perennial holiday classic The Nutcracker stars two of the premier dancers of their (or any) time: ballerina Merle Park and the redoubtable Rudolf Nureyev. Both are seen in their considerable prime. Nureyev's choreography and production are also tastefully done, with the opening March of the Toy Soldiers and the climactic Dance of the Sugar Plum Fairies particularly beautifully handled.

Conductor Charles Taylor leads the Orchestra of the Royal Opera House in a merry and vigorous reading of Tchaikovsky's wonderfully appealing score. As always with such legendary stagings taped for posterity, the video and audio quality aren't perfect, but they are more than adequate enough to appreciate and be endlessly entertained by Nureyev's, Park's, and Tchaikovsky's balletic mastery. --Kevin Filipski

This historic 1968 Covent Garden production of Tchaikovsky's ballet masterpiece captures Rudolf Nureyev at the peak of his career. Nureyev's legendary performance makes this the definitive Nutcracker on video. Also features Merle Park as Clara, with Artists of the Royal Ballet, London. Now digitally re-mastered for DVD, this Nutcracker will be the highlight of every holiday season for years to come!

Tchaikovsky - The Nutcracker

Tchaikovsky - The Sleeping Beauty / Kirov Ballet

It may be a truism to say that Russians interpret Russian music best, but based on this stunning Kirov Ballet performance taped during its 1989 Canadian tour, it's excitingly and exhilaratingly accurate. Tchaikovsky's ballet is brought to vividly atmospheric life by the company who may dance him better than any other company, even the rival Bolshoi, especially in this production by master Kirov choreographer Marius Petipa (revised by his successor, Konstantin Sergeyev).

From the principal dancers (Larissa Lezhnina is simply fabulous as Princess Aurora, and her partner, Farukh Ruzimatov, is her equal as Prince Désiré) to the last member of the ensemble, the grace and mastery of this world-class company is in evidence from the opening Marche to the closing duet. Simon Virsaladze's tastefully opulent sets and costumes contribute strongly, as does Viktor Fedotov's conducting and the Kirov Orchestra's playing of one of ballet's most attractive scores. --Kevin Filipski

With its perfect fusion of music and choreographic ideas, The Sleeping Beauty is the quintessential romantic ballet, and it finds its spiritual home preserved in the outstanding classic traditions of the Kirov Ballet. The stylish grandeur of choreographer and artistic director Oleg Vinogradov's production shows the entire company at its best. Founded more than 200 years ago as the official ballet of the St. Petersburg Imperial Court, the Kirov Ballet was home to Marius Petipa, creator of this classic as well as Swan Lake and Raymonda. The highest tradition in dance continues with Larissa Lezhnina, one of Kirov's brightest new talents, brilliant as Princess Aurora, and Farukh Ruzimatov's performance in the role of Prince Desire demonstrates both power and grace.

Tchaikovsky - Maurice Bejart's The Nutcracker / Bejart Ballet Lausanne

Don't expect battling mice, giant Christmas trees, and waltzing snowflakes in world-renowned choreographer Maurice Bejart's boldly different take on Tchaikovsky's beloved ballet, The Nutcracker. Discarding entirely the traditional story of Clara and the statuette she rescues and accompanies to a candy kingdom, Bejart uses Tchaikovsky's score to accompany his own life story (which only briefly portrays Christmas). When his mother "departs on a long journey," the 7-year-old Bim (danced by Damaas Thijs) is seduced into the world of dance by a character (Gil Roman) who represents both Faust's Mephistopheles and Marius Petipa, the groundbreaking French choreographer and dancer who brought Tchaikovsky's original ballet to life. While Bim learns dance, he still envisions the ideal of his mother, who is represented by a towering Botticelli Venus-like statue and with whom he finally achieves a bond in a near-nude pas de deux that more than hints of incest.

As in the original, the second-act divertissement is mostly different dance vignettes, here represented as acts in a Marseilles circus. In the greatest divergence from the original score, the middle of the act adds a handful of French café tunes featuring Yvette Horner's accordian, which can be heard embellishing a few other dances (and has something of a parallel in Tchaikovsky's innovative use of the celeste). The grand pas de deux, however, is performed very traditionally following Petipa's original choreography. On a screen above the stage, Bejart himself appears in occasional segments explaining certain plot points, and he goes into more detail in the DVD's 22-minute behind-the-scenes feature, which also includes comments from collaborators and members of Bejart's loyal and longstanding company, Théâtre Musical de Paris Châtelet. If your mind is open to a nontraditional production that includes bare-chested boy scouts and a pair perhaps best described as "drag kings," you'll probably be fascinated by this strikingly envisioned, expertly danced performance. --David Horiuchi

The showman of twentieth-century dance, Maurice Bejart, presents his unique version of the well-loved Christmas ballet The Nutcracker. Using Tchaikovsky's score in its entirety, augmented with popular waltz and accordion music performed on-stage by the legendary Yvette Horner, Bejart takes the original St. Petersburg story as a springboard from which to evoke the memories, emotions, and feelings of his own life's journey from a Marseille childhood. Recorded live at the Theatre du Chatelet in Paris. Damaas Thijs, Elisabet Ros, Gil Roman, Juichi Kobayashi, Yvette Horner. 103 minutes.

Tchaikovsky - Eugene Onegin / Rozhdestvensky, Boylan, Glushchak, European Union Opera

Another great historical performance from the Royal Ballet at Covent Garden in London that's been captured on tape, this 1968 production of Tchaikovsky's perennial holiday classic The Nutcracker stars two of the premier dancers of their (or any) time: ballerina Merle Park and the redoubtable Rudolf Nureyev. Both are seen in their considerable prime. Nureyev's choreography and production are also tastefully done, with the opening March of the Toy Soldiers and the climactic Dance of the Sugar Plum Fairies particularly beautifully handled.

Conductor Charles Taylor leads the Orchestra of the Royal Opera House in a merry and vigorous reading of Tchaikovsky's wonderfully appealing score. As always with such legendary stagings taped for posterity, the video and audio quality aren't perfect, but they are more than adequate enough to appreciate and be endlessly entertained by Nureyev's, Park's, and Tchaikovsky's balletic mastery. --Kevin Filipski

Tchaikovsky - The Nutcracker / Vassiliev, Maximova, Bolshoi Ballet

Tchaikovsky - Eugene Onegin / Solti, Weikl, Hamari [Region 2]