Temple, Julien

Earth Girls Are Easy

This late-'80s comedy-musical from video director Julien Temple (Absolute Beginners) has an infectiously buoyant if dumb charm and plays like a cross between Little Shop of Horrors and Bill and Ted's Excellent Adventure. If you loved either of those movies, you'll have a fondness for this one, otherwise you'll be irritated beyond belief. Geena Davis stars as a San Fernando Valley manicurist who finds herself in charge of three aliens after they crash-land their spaceship in her pool. With said transport broken down, Davis offers them head-to-toe makeovers (it's the least she can do), turns the fuzzy aliens into a trio of attractive guys, and lets them loose on the dating scene. She promptly falls in love with the leader (Davis's then-husband Jeff Goldblum); of course, it helps that her slimy fiancé (Charles Rocket) is cheating on her left and right. Aside from its sunny California charm, the only other thing this film has to offer is a bouncy musical score, in particular two show-stopping numbers performed by costar (and the film's cowriter) Julie Brown: "Brand New Girl," in which Davis gets the requisite makeover ("If you want to be a femme fatale / You can't rest on your L'Oreals!"), and the entirely irrelevant but absolutely hilarious cult hit "'Cause I'm a Blonde." Davis does her standard airhead thing (still a novelty in 1989) and Goldblum is a studly if silent lead. Make sure you pay close attention to Goldblum's alien sidekicks, two then-unknown actors named Jim Carrey and Damon Wayans, both of whom manage to steal scenes with surprisingly understated charm. --Mark Englehart

The Filth and the Fury - A Sex Pistols Film

"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday. --Sean Axmaker

"Ever get the feeling you've been cheated?" sneers Johnny Rotten at the Sex Pistols' farewell performance. After seeing this picture you'll understand his disgust, but Julian Temple's sharp portrait of the ragged, raw band of working-class Brits won't leave you disappointed. The Sex Pistols left their legacy in a whirlwind 26-month reign, spitting out a caustic, confrontational brand of rock & roll that became the rallying cry for angry, disaffected youths in late 1970s England and defined the punk movement. Their story was first told two decades ago in the cynical The Great Rock and Roll Swindle, also directed by Temple but produced by the Sex Pistols' smarmy manager, Malcolm McLaren, who stage-managed the film into a self-promoting vanity project. For The Filth and the Fury, Temple turns to the four surviving band members to tell their own stories. His vibrant, vigorous direction captures the period of social unrest and alienated youth without turning into a history lesson, and shows the Pistols in all their insolent glory: spewing obscenities and gesturing lewdly to audiences and press alike, screaming out lyrics, overcoming musical limitations with pure passion and attitude. Rare, raw concert footage (including their final performance, which is appropriately enough the song "No Fun") and previously unseen interviews with the deceased Sid Vicious further energize the portrait. There's even footage of the smiling band cutting cake for kids at a fundraiser with nary a nasty gesture or sneering comment. Now there's a side of the Pistols you don't see everyday.

Janet Jackson - Design of a Decade

The arc of Janet Jackson's career from the late 1980s to the late '90s was a story of determined growth by an artist and woman. The extent to which Jackson served as a role model for many an adolescent girl during that decade (a phenomenon illuminated on another DVD, The Rhythm Nation Compilation) speaks to the formidable yet feminine image she presented via her music and music videos. Design of a Decade includes 16 of her videos from 1986 to 1996, taking us through Jackson's early, "don't trifle with me" attitude in the "What Have You Done for Me Lately" era, to her more rapturous, sensual makeover in "Love Will Never Do (Without You)." Of course, this video is also a record of some of the most ambitious music videos ever produced, including Julien Temple's elaborate "When I Think of You," Peter Smillie's "Escapade," and Marcus Nispel's ecstatic, fantastic "Runaway." --Tom Keogh

Bullet

Mickey Rourke is Butch "Bullet" Stein and the late Tupac Shakur is Tank in this stylish, Julien Temple-directed crime drama. Narrative is secondary to atmosphere in the violent, yet sensitive tale of an ex-con (Rourke) attempting to adjust to life on the outside. The minute Bullet emerges from the pen, however, the blood and profanity begin to flow just as freely as the references to Dali and Picasso (his younger brother is an artist). His drug problem is bad enough, but the biggest threat comes from the Kangol-sporting, eye-patched Tank, who intends to get his revenge for the eye Bullet took from him. Classical music and opera, meanwhile, bump up against hip-hop and Barry White. Despite the billing, this is Rourke's show all the way and Tupac's part is quite small in comparison. Ted Levine (The Silence of the Lambs) and Adrien Brody (The Pianist) star as Bullet's eccentric brothers. --Kathleen C. Fennessy

Bullet Mickey Rourke and rap music star Tupac Shakur in one of his final film roles star in this gritty urban thriller about what it takes to survive on the street. Also starring Ted Levine it's a stylish mix of brutality and revenge it journeys into the dark and underground world of two men who share a bitter hatred and grudging respect. Like Pulp Fiction it is one of the new breed of action films-powerful violent and real.Running Time: 96 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 794043613425

Sex Pistols - The Great Rock 'n' Roll Swindle

Cheeky and chaotic, the 1980 The Great Rock 'N' Roll Swindle began life as a Russ Meyer project (co-written by Roger Ebert) called Who Killed Bambi?. Julien Temple (Earth Girls Are Easy) took over, working closely with the Pistols' former manager, Malcolm McClaren, and overhauled the script to focus almost exclusively on McClaren's self-serving recollections of turning an unknown band into a success through poor musicianship, crafty bookings, and well-publicized bad manners at pivotal moments. Temple's rococo approach evokes an 18th century riot (in which effigies of the Pistols are burned), noir-like passages featuring guitarist Steve Jones as a thief, and the unholy sight of McClaren taking a bath in palatial surroundings. There's little footage of the Pistols themselves, though what exists is choice: the band's infamous Jubilee Day performance on the Thames, their last gig in San Francisco. Years later, McClaren's contention that he pulled one over on us because the Pistols couldn't play is patently absurd. --Tom Keogh

The Definitive Punk Movie - Finally on DVD!

The Sex Pistols star in director Julien Temple's bizarre and hilarious fictional documentary that charts the rise and fall of punk's most notorious band through the eyes of its calculating manager, Malcolm McLaren. Mixing animation and midgets with footage of some of The Pistols' most electrifying live performances, the 1980 film presents the band's success as an elaborate scam perpetrated by McLaren to make "a million pounds" at the expense of record companies, outraged moralists, the British Royal Family—and even the fans and band members themselves.

The Great Rock Rock 'n' Roll Swindle was called "a parable of our times" by the Guardian (UK), but most music fans simply consider it one of the best rock films ever. More than 25 years after their breakup, The Sex Pistols' music continues to influence punk and post-punk bands the world over. The Great Rock 'n' Roll Swindle shows why.

SPECIAL FEATURES
Interview and commentary with director Julien Temple by Chris Salewicz
5.1 Surround Sound

Tom Petty & The Heartbreakers - Playback [Region 2]

Absolute Beginners

A commercial disaster upon its release in 1986, Absolute Beginners is an uneven but often stunning attempt at revitalizing the movie musical with postmodern sensibilities. Director Julien Temple was making his first foray into dramatic features after an impressive string of music videos and documentaries (including the first of two Temple-directed profiles of the Sex Pistols), and he upped the stakes by harnessing his visual ingenuity to a period piece exploring London's social transformation at the edge of the '60s--a fleeting moment in the pop zeitgeist that may as well have been the Cambrian Age to Temple's MTV-generation audience. This is post-World War II London turning the corner from economic austerity, giddy with jazz and early rock, yet to witness the Beatles and the Stones.

Adapted from Colin MacInnes's novel, the story follows Colin (Eddie O'Connell), a young Londoner looking to find his place in the world. A budding romance with the intoxicating Suzette (Patsy Kensit) as well as crises of conscience over social responsibility and financial gain are the plot threads in a story that arguably tackles too many Big Ideas, including adolescent identity, British racism (directed at West Indian immigrants) and class prejudice, and capitalism itself, embodied by David Bowie as unctious, superstar executive Vendice Partners.

In wrestling with such valiant ambitions, Temple and his young cast establish the film's musical soul in a canny synthesis of '80s English pop with postwar bop and the seeds of Mod culture. Onscreen performances by Fine Young Cannibals, Sade, and Kensit, a Bowie production number ("Motivation") that cribs from Busby Berkeley, and a wonderful sequence with the Kinks' Ray Davies as Arthur (a likely nod to his own band's 1969 rock opera) are all well realized. Less obviously, Temple salutes the period's forgotten jazz legacy through a score from the late Gil Evans, and in the jaw-dropping, bravura opening sequence, an extended single-camera journey through Soho set to Charles Mingus's joyous "Boogie Stop Shuffle" that is itself reason enough to see this brave musical. --Sam Sutherland

This "daring terrifically inventive" (Variety) rock musical takes an exhilarating look at London in the late 1950s when young people shattered convention with their newfound power. With appearances by some of music's biggest stars Absolute Beginners "breathes the soul and spirit of adolescence" (Los Angeles Times) into a time when anything and everything happened! Colin is a brazen 19-year-old with his finger on the pulse of Soho's burgeoning scene of artists. But when his beautiful girlfriend Suzette tires of their poor and struggling existence Colin finds himself losing touch with himself and her. And when an older richer man sweeps Suzette away a devastated Colin embarks on a desperate journey to win her back!System Requirements:Running Time: 108 Min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: PG-13 UPC: 027616884565 Manufacturer No: 1004377

The Rolling Stones - Live at the Max (Large Format)

This 1991 concert film was shot in the IMAX format and was originally presented on enormous IMAX screens, with outstanding visual and audio clarity. The dimensions may have been scaled down for this DVD release, but the show is still huge in energy and talent. Filmed during a European leg of the Rolling Stones' Steel Wheels tour, this production boasts 15 songs and an extraordinary stage set with inflatable floozies (for "Honky Tonk Woman") and wild dogs (rather cleverly for "Street Fighting Man"). The Stones' set emphasizes material from the late 1960s and early '70s ("Tumbling Dice," "Happy," "You Can't Always Get What You Want"), but the band's performance is so furious that the show is far from a pandering oldies act. Highlights include "Paint It Black," at once brutal and delicate, as well as a muscular "Rock and a Hard Place," a psychedelicized "2,000 Light Years from Home," and a cheeky "It's Only Rock 'n' Roll." Once kings of a gloriously sloppy sound, the Stones prove to be as effective in their artistic maturity with small, breathtaking touches as they are with chunky orchestration. Guitarists Keith Richards and Ron Wood play as if they are of one mind, Richards providing powerful leads while his partner captures some of the texture of the group's original recordings. Bassist Bill Wyman, still in the band at this phase, offers wit and an encyclopedic grasp of rhythm & blues history, while drummer Charlie Watts adds control and swing. Mick Jagger prowls, climbs around the set, and delivers all the charismatic goods for adoring audiences, even touching the forbidden fruit again in a feverish peformance of "Sympathy for the Devil." The DVD also includes a full Stones discography. --Tom Keogh

To see the Stones "live" is an unbeatable experience. For quality, this video is the closest to it you can get. Shot in the "IMAX" format during tour stops in London, Berlin and Turin, this is a classic concert film of the Rolling Stones' blockbuster "Steel Wheels" tour. Play it to the max. Songs: Start Me Up, Sad Sad Sad, Tumbling Dice, Ruby Tuesday, Rock and a Hard Place, Honky Tonk Woman, You Can't Always Get What You Want, Happy, Paint It Black, 2000 Light Years from Home, Sympathy for the Devil, Street Fighting Man, It's Only Rock 'n' Roll, Brown Sugar, (I Can't Get No) Satisfaction.

Blur - The Best of Blur (Music Videos 1990-2000)

Blur, one of Britain's premier bands, presents all the videos from the band's 10 year history in chronological order, including their biggest U.S. hit, "Song 2." Songs: She's So High, There's No Other Way, Bang, Popscene, For Tomorrow, Chemical World, Sunday Sunday, Girls And Boys, To The End, Parklife, End Of A Century, Country House, The Universal, Stereotypes, Charmless Man, Bettlebum, Song 2, On Your Own, M.O.R., Tender, Coffee And Tea, No Distance Left To Run.

Aria

This omnibus directors fest brings together 10 different filmmakers making 10 different films based on operatic arias. Jean-Luc Godard is stylistically the boldest, Robert Altman possibly the most imaginative, Franc Roddam celebrates American glitz, and Bruce Beresford is the most sentimental. Nearly all the other filmmakers involved--including Nicolas Roeg, Ken Russell, Julien Temple, Charles Sturridge, Derek Jarman, and Bill Bryden--are (or were, in the case of the late Jarman) world-class talents, but you wouldn't know that from their murky participation here. --Tom Keogh

Ten of the world's greatest directors produce one unforgettable film in this sumptuous visual and musical feast based on the most famous arias in the history of opera. Erotic, violent, thought-provoking, funny, and moving, this critically-hailed milestone features the electrifyingly erotic film debut of Briget Fonda, a revealing appearance by supermodel Elizabeth Hurley (Austin Powers), and unforgettable performances from John Hurt (Harry Potter and the Sorcerer's Stone), Tilda Swinton (The Deep End), Beverly D'Angelo (Vacation), Theresa Russell (Wild Things), and many more! Segments directed by Robert Altman (Gosford Park), Bruce Beresford (Double Jeopardy), Bill Bryden, Jean-Luc Godard (Contempt), Derek Jarman (Edward II), Franc Roddam (Quadrophenia), Nicolas Roeg (Performance), Ken Russell (Tommy), Charles Sturridge (Longitude), Julien Temple (The Filth and the Fury).