Wang, Wayne

The Joy Luck Club

The 1993 film adaptation of Amy Tan's bestselling novel is both a delight and a moving experience, an anthology of stories wrapped in one Chinese-American woman's journey to understand her roots. Wayne Wang (Eat a Bowl of Tea) directs a large, outstanding cast spread over eight different tales of the lives of Chinese women, most of them set in the past. The script by Tan and Ronald Bass (Rain Man) is a delicate balance of emotions that swell but don't gush, and Wang brings impressive texture and a personal feel to Tan's descriptions of daily life in the Chinese-American community. This sprawling, good-looking movie makes for a cathartic tearjerker one can feel good about. --Tom Keogh

The stories of four native-born Chinese women and their American-born daughters, showing the influence each has on the others' lives, and how they are the same and different.
Genre: Feature Film-Drama
Rating: R
Release Date: 14-OCT-2003
Media Type: DVD

Because of Winn-Dixie

Some people think "family entertainment" is an oxymoron, but even they might enjoy Because of Winn-Dixie. This straightforward story of a girl and her dog is simple without being simplistic, heartfelt without being sappy, and thoughtful without being ponderous. Opal (Annasophia Robb, Charlie and the Chocolate Factory, who manages the near-impossible feat of being cute without being cutesy) can't make any friends in the small town of Naomi until she hooks up with a dog that's running loose in a supermarket. She spontaneously names him after the store and soon the dog is leading her into unexpected places--a pet store, where she meets an awkward musician (Dave Matthews); a library, where she meets a librarian with as many stories as books (Eva Marie Saint); and into a house shrouded with underbrush, where she meets a blind old woman who sees with her heart (Cicely Tyson). This could have been sentimental glop, but director Wayne Wang (Smoke, The Joy Luck Club) and a restrained script draw honest emotions from the actors and an eerie beauty from the Florida landscape; this one of the few family movies that captures the childhood sense that everyday life can be mystical. Also starring Jeff Daniels (The Purple Rose of Cairo, Something Wild) as Opal's minister father. --Bret Fetzer

Ten-year-old India Opal Buloni describes her first summer in the town of Naomi, Florida, and all the good things that happen to her because of her big ugly dog Winn-Dixie.
No Track Information Available
Media Type: DVD
Artist: DANIELS/ROBB/MATTHEWS
Title: BECAUSE OF WINN DIXIE
Street Release Date: 03/06/2007
Domestic
Genre: FAMILY

Maid in Manhattan

In the breezy Maid in Manhattan, a maid in a top-flight hotel (Jennifer Lopez, Out of Sight, The Wedding Planner) chances to dress in a guest's clothes just when a handsome political candidate (Ralph Fiennes, Schindler's List, Red Dragon) walks in. Naturally, he's bowled over and pursues her; he's initially drawn to her gorgeous good looks but soon comes to appreciate her honesty and common sense. Of course, she can't let him know that she's only a maid, and various high jinks ensue--it's all pretty formulaic, but lurking in the edges of this glossy, brainless romance are a wealth of sly turns by Natasha Richardson and Amy Sedaris (as callow socialites), Bob Hoskins (as a dignified butler), Stanley Tucci (as Fiennes' exasperated campaign manager), and many less familiar faces. All help to give Maid in Manhattan the life and texture that has been processed out of the main characters. --Bret Fetzer

Marisa Ventura (Jennifer Lopez) is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son (Tyler Posey). One fateful day hotel guest and senatorial candidate Christopher Marshall (Ralph Fiennes) meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together the two fall madly in love. But when Marisa's true identity is revealed issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?System Requirements:Starring: Jennifer Lopez Ralph Fiennes Natasha Richardson Stanley Tucci and Bob Hoskins. Directed By: Wayne Wang. Running Time: 100 Min. Color. This film is presented in both "Widescreen" and "Standard" formats. Copyright 2003 VPD Inc.Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 043396097483 Manufacturer No: 09748

The Center of the World

The titular center of the world is a matter of perspective in Wayne Wang's (The Joy Luck Club, Smoke) notorious, explicit drama of emotional isolation and sexual commerce in the modern world. According to rich, apathetic cyber-geek Peter Sarsgaard (Boys Don't Cry), it's his home computer. Amateur rock & roll drummer and part-time stripper Molly Parker (Wonderland) deems it an erotic part of the female anatomy. Their "date" is merely a sexual contract that takes them to Las Vegas, a place as phony and impersonal as their so-called romance. "You know it's just an act, right?" she reminds him between her slinky bump-and-grind striptease shows and their sweaty sexual gymnastics.

The Internet makes a great metaphor for modern social alienation, with its impersonal communication and virtual sex, but there's not much else new in this familiar story other than the erotic content. Shot on dimly lit, high-definition video, the gray, washed palette sucks the glamour and titillation right out of the spectacle, turning it into an empty, soulless exercise in physical sensation and self delusion--appropriate to this story of lonely souls unable to break through their own isolation. --Sean Axmaker

Smoke

It's refreshing to see a film in which the writer receives equal credit with the director, showing that the dialogue actually means something. So it is with Smoke, a film about a New York quilt of contemporary characters who cross paths in a corner smoke shop, told in straightforward way by a talented acting group. Author Paul Auster and director Wayne Wang (The Joy Luck Club) worked on the story for years before it reached the screen. Their characters include Paul (William Hurt, in a good role again), a grief-stricken novelist; Auggie (Harvey Keitel), the shop's owner with a secret passion; Ruby (Stockard Channing), Auggie's long-ago girlfriend; and Rashid (Harold Perrineau Jr.), a teenager who is befriended by Paul and seeks his estranged father (Forest Whitaker). All the characters are great storytellers, whether it be out of loneliness, necessity, or just nature. Like Auster's The Music of Chance, the movie has accomplished an amazing feat: it makes us feel as if we are reading a serious novel, not watching a movie. --Doug Thomas

In the tradition of THE BIG CHILL, William Hurt (TUCK EVERLASTING, CHANGING LANES) and Harvey Keitel (PULP FICTION, U-571) head an all-star cast in this unforgettably fun and entertaining motion picture! A group of people's lives intertwine when a New York cigar store manager, Auggie (Keitel), befriends them. Among them is a writer who can't write (Hurt), a reluctant father hiding from his past (Forest Whitaker -- PANIC ROOM), a streetwise teen with an unusual identity crisis, and Auggie's long-lost ex-girlfriend (Stockard Channing -- TV's THE WEST WING), who returns with some surprising news! Critics and audiences hailed SMOKE for its offbeat humor, unexpected wit, and dazzling performances -- you'll cheer it too!

Chinese Box

Set during the Chinese takeover of Hong Kong in 1997, this fascinating film uses that urgent and grandly ceremonial political backdrop for an intimate study of personal transition. Jeremy Irons plays a seasoned journalist who discovers he is terminally ill, causing him to be torn between his obsessive love for a former prostitute (Chinese film star Li Gong) and a streetwise hustler (Maggie Cheung) whom he has chosen as the subject of a video documentary. Through his involvement in the lives of these two very different women, director Wayne Wang (The Joy Luck Club) creates a cinematic "love-hate letter" to his native Hong Kong, where each character is allegorical and suffers an identity crisis much like Hong Kong itself. The film's love story is somewhat aimless and ultimately unimportant, but Chinese Box (even the title suggests a place that holds secrets within its borders) remains a fascinating film in the semi-documentary tradition, capturing the psychology of its time and place with compelling immediacy. Musician/actor/politician Ruben Blades is featured in a memorable supporting role. --Jeff Shannon

Anywhere But Here / Stealing Beauty

Anywhere but Here: In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over-(or under-)dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark.

Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy

Stealing Beauty: Critics were decidedly mixed about this 1996 drama from Italian director Bernardo Bertolucci, and the movie enjoyed only a brief theatrical release. Now it's best known for its early appearance by Liv Tyler as a 19-year-old beauty named Lucy who summers at a villa in Tuscany with a variety of artistic types who immediately respond to her inspirational innocence. An amateur poet who has decided it's time to lose her virginity, Lucy has come to Italy after the death of her mother, who visited this artist's refuge 20 years earlier. Several young Italian men find Lucy quite heavenly (she is, after all, Liv Tyler), and she's not immune to their attentions, but she'd rather spend time with a playwright (Jeremy Irons) who is dying of AIDS and therefore has something other than sex on his mind. The movie's plot is about as substantial as Tyler's character (she's sexy, all right, but hardly an intellectual muse), but Stealing Beauty creates a serene mood that's so soothing you'll want to book a flight to Tuscany immediately, just to soak up the setting's idyllic atmosphere. If you're in the right frame of mind, this movie is like a balm for the soul, and Tyler and Bertolucci can share the credit for making this two-hour vacation so charmingly relaxing. --Jeff Shannon

Anywhere But Here

In Wayne Wang's star-driven adaptation of Mona Simpson's tragicomic bestseller about a mismatched mother and daughter, fortysomething Adele August (Susan Sarandon) is every adolescent's nightmare: over- (or under-) dressed, always and loudly "on," forgetful of mundane matters such as bills, more colorful kid than reliable mum. In contrast, 14-year-old Ann (Natalie Portman) yearns for stability, roots, understated hues. Transplanted from Wisconsin small town and extended family to a Beverly Hills, California, address of choice for American Dreamers like Adele, Ann comes painfully of age--sometimes blighted but also enriched by the fictions of a charismatic parent afraid to be alone in the dark.

Wang has always shown a sure, caring hand when it comes to cross-generational angst (see Dim Sum: A Little Bit of Heart, The Joy Luck Club, Smoke). Here, he encourages Sarandon in a remarkably brave, exposed performance as an aging adventuress whose imagination continually outstrips her ability to make dreams come true, whose charm is both her ticket to ride and a dead end. Portman's pout of strained adolescent distaste soon wears thin, but when The Phantom Menace's kabuki princess momentarily thaws, she projects a lost child's terrible shock and confusion. Hollywood-sized and scripted by the numbers, Anywhere but Here lost ground to Tumbleweeds, a similarly themed but more nuanced indie (with Oscar-nominated Janet McTeer), and it can't hold a candle to Barbara Stanwyck's Stella Dallas (1937), top of the line in this particular genre. But for any daughter who's looked into her mother's face and--yikes!--seen a possible future, this trip's definitely worth taking. --Kathleen Murphy

Adele is flashy, flirtatious dreamer. Her daughter Ann is a quiet, no-nonsense realist. On the surface, they're like oil and water, but deep down there are two of a kind. "Susan Sarandon is show-stopping" (The New York Times) and "Natalie Portman soars" (NY-1) in this funny and touching story about a mother who knows best and a daughter who knows better!

Maid in Manhattan / Fools Rush In

MAID IN MANHATTAN: Marisa Ventura (Jennifer Lopez) is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son (Tyler Posey). One fateful day hotel guest and senatorial candidate Christopher Marshall (Ralph Fiennes) meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together the two fall madly in love. But when Marisa's true identity is revealed issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after? From acclaimed director Wayne Wang (Anywhere But Here) and co-starring Natasha Richardson Stanley Tucci and Bob Hoskins MAID IN MANHATTAN is "Romantic! Funny! Uplifting!" (Neil Rosen NY1). FOOLS RUSH IN: Matthew Perry (Chandler from TV's "Friends") stars as Alex Whitman a New Yorker sent to Las Vegas to oversee a construction project. There he meets Isabel Fuentes (Salma Hayek Desperado) and some serious chemistry brings them together for one night. But Alex doesn't see Isabel again until three months later when he learns that she is pregnant. On a whim and a prayer he proposes. However there's more to marriage than a Vegas chapel and an Elvis impersonator as Alex and Isabel soon learn in this perfect date movie.System Requirements:Run Time: 215 min.Format: DVD MOVIE Genre: COMEDY UPC: 043396137509 Manufacturer No: 13750

Blue in the Face

This oddball sequel to Smoke is less a sequel than a free-wheeling companion piece. Filmed by Wayne Wang and Paul Auster the week after they finished Smoke, the idea was to create a wholly improvised film, using the same characters from the first and a few new ones. The challenge was to improvise scenes that would keep the characters talking and interacting for 10 minutes at a crack--the length of a magazine of film. Some of it works well, some less well, but some of it is pure gold (though there is no real story, per se). Among the highlights: Jim Jarmusch as a guy who is about to quit smoking, waxing eloquent about why he loves cigarettes; rocker Lou Reed discussing his various philosophies on life in hilarious deadpan; a few disquisitions on the joys of Brooklyn; and, if you can believe it, a love scene between Harvey Keitel and Roseanne. --Marshall Fine

In the uproarious follow-up to the hit comedy SMOKE, Harvey Keitel (PULP FICTION) returns with a red-hot all-star cast that includes Michael J. Fox -- SPIN CITY, STUART LITTLE), Roseanne (ABC-TV's ROSEANNE), and Academy Award(R)-winner Mira Sorvino (1995 Best Supporting Actress -- MIGHTY APHRODITE). It's nonstop laughs when a wacky group of locals visits the neighborhood cigar shop, looking for good times ... and finding plenty of hilarious fun! But when the greedy owner threatens to close the shop for good -- and turn it into a trendy vegetarian restaurant -- the neighborhood proves they'll do just about anything to save their favorite hangout! Don't miss the highly original and entertaining comedy that had critics and audiences cheering!