Weir, Peter

Dead Poets Society

Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom Keogh

The Truman Show (Special Collector's Edition)

The whole world is watching--literally--every time Truman Burbank makes the slightest move. Unbeknownst to him, in this hauntingly funny film by Peter Weir, his entire life has been an unending soap opera for consumption by the rest of the world. And everyone he knows--including his mother, his wife, and his best friend--is really an actor, paid to be part of his life. In this intriguing and surprisingly touching 1998 film, writer Andrew Niccol imagines an ultimate kind of celebrity, then sees it brought to life with comic intensity and emotional honesty by Jim Carrey in what may be the performance of his career. Carrey has exceptional support from Laura Linney and Ed Harris, but it's his show, in a portrayal that demonstrates just what kind of range Carrey is capable of. --Marshall Fine

Witness (Special Collector's Edition)(Widescreen)

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 2-JAN-2007
Media Type: DVD

When Samuel (Lukas Haas), a young Amish boy traveling with his mother Rachel (Kelly McGillis), witnesses the murder of a police officer in a public restroom, he and his mother become the temporary wards of John Book (Harrison Ford), a detective who's been assigned to solve the crime. After suspect lineups and mug-shot books yield nothing, Samuel, in the most memorable scene of the film, recognizes the murderer as a narcotics agent whose picture he sees in the precinct. Once Book realizes that the police chief is in on it, too, he whisks Samuel and Rachel back home to Amish country, where he himself goes into hiding as a plain Amish man. The juxtaposition between the life of the Amish and the violence of inner-city police corruption work surprisingly well for the story, and Kelly McGillis as the falling in love widow gives an almost perfect performance. Directed by Peter Weir, the film is extremely successful in drawing the viewer into its world and, accordingly, is immensely entertaining. The only thing that mars its polish is the one-dimensional, almost cartoonish handling of the upper-echelon police corruption--a subtler, more realistic treatment of this aspect of the story would have rendered the film near perfect. --James McGrath

Master and Commander - The Far Side of the World (Widescreen Edition)

When a sudden attack by a French warship inflicts casualities and severe damage upon his vessel Captain "Lucky" Jack Aubrey (Crowe) of the British Royal Navy is torn between duty and friendship as he embarks on a thrilling high-stakes chase across two oceans to intercept and capture the enemy at any cost. Nominated for 10 Academy Awards including Best Picture!Bonus: Full Length Feature - Pan & ScanMan on Fire - TrailerDay After Tomorrow - TrailerI Robot - Sizzle PieceDTS 5.1 Dolby Digital 5.1 Spanish Dolby Surround French Dolby Digital 5.1Dubbed: Spanish FrenchSubtitled: English SpanishSystem Requirements: Running Time 137 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 024543114215 Manufacturer No: 2221421

In the capable hands of director Peter Weir, Master and Commander: The Far Side of the World is a seafaring adventure like no other, impeccably authentic, dynamically cast, and thrilling enough to give any classic swashbuckler a run for its money. In adapting two of Patrick O'Brian's enormously popular novels about British naval hero Capt. Jack Aubrey, Weir and cowriter John Collee have changed the timeframe from the British/American war of 1812 to the British/French opposition of 1805, where the HMS Surprise, under Aubrey's confident command, is patrolling the South Atlantic in pursuit of the Acheron, a French warship with the strategic advantage of greater size, speed, and artillery. Russell Crowe is outstanding as Aubrey, firm and fiercely loyal, focused on his prey even if it means locking horns with his friend and ship's surgeon, played by Crowe's A Beautiful Mind costar Paul Bettany. Employing a seamless combination of carefully matched ocean footage, detailed models, full-scale ships, and CGI enhancements, Weir pays exacting attention to every nautical detail, while maintaining a very human story of honor, warfare, and survival under wretched conditions. Raging storms and hull-shattering battles provide pulse-pounding action, and a visit to the Galapagos Islands lends a note of otherworldly wonder, adding yet another layer of historical perspective to this splendidly epic adventure. --Jeff Shannon

Dead Poets Society (Special Edition)

Robin Williams stars as an English teacher who doesn't fit into the conservative prep school where he teaches, but whose charisma and love of poetry inspires several boys to revive a secret society with a bohemian bent. The script is well meaning but a little trite, though director Peter Weir (The Truman Show) adds layers of emotional depth in scenes of conflict between the kids and adults. (A subplot involving one father's terrible pressure on his son--played by Robert Sean Leonard--to drop his interest in theater reaches heartbreaking proportions.) Williams is given plenty of latitude to work in his brand of improvisational humor, though it is all well-woven into his character's style of instruction. --Tom Keogh

In an age defined by crew cuts, sport coats, and cheerless conformity, he not only broke the mold ... he reinvented it. Academy Award(R) winner Robin Williams (Best Supporting Actor, GOOD WILL HUNTING, 1997) delivers an extraordinary performance in one of the most compelling motion pictures of all time. Williams stars as English professor John Keating, a passionate iconoclast who changes his students' lives forever when he challenges them to live life to the fullest and "Carpe Diem" -- seize the day! Keating's unconventional approach meets with irrepressible enthusiasm from his students, but the faculty at staid, exclusive Welton Academy prep school is, to put it mildly, not amused. Featuring a star-marking performance by Ethan Hawke and over three hours of never-before-seen bonus materials, this Special Edition of DEAD POETS SOCIETY will captivate and inspire you again and again.

The Year of Living Dangerously

The story of a fiery romance born on the eve of revolution in Sukarno's Indonesia.
Genre: Feature Film-Drama
Rating: PG
Release Date: 8-FEB-2005
Media Type: DVD

Australian director Peter Weir had made several excellent films before The Year of Living Dangerously was released to critical acclaim in 1983, but it was this moody tale of romance and political upheaval that bought Weir and star Mel Gibson their tickets to Hollywood. (Weir's next film was the 1985 Harrison Ford hit Witness.) Set in Indonesia in 1965, the film focuses on a group of Caucasian journalists and photographers who are in Jakarta to cover the political upheavals that are threatening to collapse the unstable government of President Sukarno. Gibson plays an Australian correspondent named Guy Hamilton who's determined to get the best story, and he's given invaluable assistance from Billy Kwan (Linda Hunt), a half-Indonesian, half-Australian photojournalist who knows the culture inside and out. Billy introduces Guy to Jill (Sigourney Weaver) and their romance develops in an atmosphere of political unrest and constant personal danger. This journalistic adventure is compelling in itself (and Hunt's gender-switching performance won her a much-deserved Oscar), but it's Weir's creation of a rich, authentically exotic locale that gives the movie its alluring and subtly mysterious atmosphere. A tale of tragedy and survival, it's also a story about fascinating people at a turbulent juncture of history, and the empathy they feel for each other and the culture that surrounds them. --Jeff Shannon

Green Card

With the help of his lawyer, Georges (Gérard Depardieu), a composer and one-time petty thief who grew up in poverty, attempts to escape his life in Paris and begin anew in America by illegally marrying Bronte (Andie MacDowell), a prim and repressed young lady from a privileged life in Connecticut. Bronte, who has agreed to the scheme for her own self-serving reasons, is exasperated when the Immigration & Naturalization Service investigates their case, and she and Georges, whom she detests, must spend time together studying each other's lives to avoid disaster. The fallout, and how it ends, is infinitely more delightful than your run-of-the-mill Hollywood romantic comedy, and the very ending itself stops deliciously short of where Hollywood would feel compelled to drag the story. Fine performances are given by MacDowell, Depardieu--who is fiercely charming pounding the keyboard of a Steinway at an upper class Manhattan dinner party--and Bebe Neuwirth, who is perfect as an upper-class child turned artist who revels in her irresponsibility. --James McGrath

In the same romantic spirit as PRETTY WOMAN and GHOST, GREEN CARD lights up the screen with its irresistible charm and lighthearted humor! The fun starts when two strangers (Andie MacDowell, SEX, LIES, AND VIDEOTAPE), and Academy Award(R)-nominee Gerard Depardieu (CYRANO DE BERGERAC) agree to a marriage of convenience -- thinking it's going to be hassle-free. She'll get to live in the apartment of her dreams, he'll get a "green card" to live in the U.S. But before they know it, the two opposites encounter far greater differences than most married couples could ever imagine! And worst yet, this mismatched twosome just might be falling love. Winner of two Golden Globe Awards (Best Picture and Best Actor), this delightful tale enjoyed cheers from critics and audiences alike. With its sunny mix of wit, spirit, and charm, GREEN CARD is an entertaining hit you'll never forget!

Gallipoli

An outstanding drama, Gallipoli resonates with sadness long after you have seen it. Set during World War I, this brutally honest antiwar movie was cowritten by director Peter Weir. Mark Lee and a sinfully handsome Mel Gibson are young, idealistic best friends who put aside their hopes and dreams when they join the war effort. This character study follows them as they enlist and are sent to Gallipoli to fight the Turks. The first half of the film is devoted to their lives and their strong friendship. The second half details the doomed war efforts of the Aussies, who are no match for the powerful and aggressive Turkish army. Because the script pulls us into their lives and forces us to care for these young men, we are devastated by their fate. --Rochelle O'Gorman

Gallipoli is Australian director Peter Weir's (The Truman Show, Witness) story of how the irresistible lure of adventure and the unknown, combined with national pride, bring two young men (Mel Gibson and Mark Lee) together in the Australian army in 1915. They cross continents and great oceans, climb pyramids and walk through the ancient sands of Egypt to join their regiment at the fateful battle of Gallipoli. The echoes of history blend with the friends' compelling destiny as they become part of a legendary World War 1 confrontation between Australia and the German allied Turks- a battle that is to Australians what the Alamo is to Americans.

Picnic at Hanging Rock - Criterion Collection

Situated somewhere between supernatural horror and lush Victorian melodrama, director Peter Weir's lyrical, enigmatic masterpiece is an imaginative tease. The setting is a proper turn-of-the century Australian boarding school for girls, a suffocating institution built on strict moral codes, repressed sexuality, and a subtle but enforced class structure. As the film opens, girls draped in immaculate white dress prepare for a picnic at the nearby volcanic formation, Hanging Rock, and Weir hangs an air of dark foreboding over the proceeding. "You'll have to love someone else, because I won't be here very long," says one virginal girl, Miranda, to her friend. Her words are prophetic: during the picnic, Miranda, along with two other girls and an uptight schoolmistress, vanish into the rocks. While a search party repeatedly returns to the rock to look for either the girls or the reasons for their disappearance, Weir leaves the mystery unsolved. Like Antonioni's L'Avventura, the vanishing is open to numerous interpretations--both rational and illusory--but Weir drops enough allegorical clues that it feels like a parable. He transforms the landscape and weather into menacing and eerie images; outlines of faces can be seen in the rocks, while the oppressive heat beating down on the picnic doubles as an atmospheric metaphor for the girls' unbearable social and sexual confinement. These images and other plot twists toward the end hint that this mysterious vanishing, on some level, was actually a form of spiritual escape--the only out, other than death, from the film's bleak, tightly structured community. Regardless of how you see it, though, this hypnotic puzzle remains the highlight of the '70s Australian New Wave. The DVD version presents the film in letterbox form. --Dave McCoy

Twenty years after it swept Australia into the international film spotlight, Peter Weir's stunning 1975 masterpiece remains as ineffable as the unanswerable mystery at its core. A Valentine's Day picnic at an ancient volcanic outcropping turns to disaster for the residents of Mrs. Appleyard's school when a few young girls inexplicably vanish on Hanging Rock. A lyrical, meditative film charged with suppressed longings, Picnic at Hanging Rock is at long last available in a pristine widescreen director's cut with a newly-minted Dolby® digital 5.1 channel soundtrack.

Fearless

When Max Klein (Jeff Bridges) finds himself facing imminent death as his plane hurls toward the ground, he finds inner calm and release from fear in his acceptance of his own unavoidable end. His panic erased, he helps other passengers to relax, and when he survives the impact, to escape. What follows is his difficult and complex journey back to emotional and spiritual equilibrium. Along the way he helps Carla (Rosie Perez), a woman smashed by the belief that her infant son's death in the accident was the direct result of her inability to hold him tightly enough, and alienates his wife, Laura (Isabella Rossellini), who tries desperately to understand what he's experiencing. Peter Weir's film is emotionally intense in an absolutely unsentimental way (very rare), and the complexity of the protagonist's experience is refreshing (if you don't mind feeling deeply). The handling of the crash sequences is chilling in an unsensational way, and the directing in general is a triumph of story-serving restraint. Not the usual Hollywood fare, but intensely rewarding for those who are tired of mind candy. --James McGrath