Wellman, William

Battleground

A squad of the 101st airborne division copes with being trapped in the besieged city of bastogne during the battle of the bulge. Studio: Warner Home Video Release Date: 02/14/2006 Starring: Van Johnson Ricardo Montalban Run time: 118 minutes Rating: Nr

Director William Wellman (The Big Heat) offered up this 1949 treatment of the Battle of the Bulge, which won Oscars for best screenplay and best cinematography. The film concentrates on the camaraderie and the divisions between the troops as they ready for the big offensive. Told in a taut narrative, the men of the 101st, led by Van Johnson, wait out the winter in the Ardennes forest to confront the German army in what would be the last major offensive of World War II. The men are demoralized and trapped, with no hope of support from the Allies as they are forced to band together and defend their position. A classically assembled war drama that nevertheless manages to be both engrossing and entertaining, Battleground is a mainstay of the genre. --Robert Lane

The High and the Mighty (Two-Disc Collector's Edition)

Dan roman is a veteran pilot haunted by a tragic past. Now relegated to second-in-command cockpit assignments he finds himself on a routine honolulu-to-san francisco flight - one that takes a terrifying suspense-building turn when disaster strikes high above the pacific ocean at the point of no return. Studio: Paramount Home Video Release Date: 08/02/2005 Starring: John Wayne Laraine Day Run time: 148 minutes Rating: Nr

John Wayne personally produced many of his '50s films, which is why some of them have languished in corporate limbo following his death. The High and the Mighty was one of his most popular vehicles (no pun intended). This long, necessarily sedentary drama aboard an endangered airliner is a CinemaScope bridge between 1932's Grand Hotel and 1970s disaster movies. Despite Wayne's iconic presence as a pilot--now copilot--who survived the plane crash that wiped out his family, it's an ensemble movie with an impressive cast: Robert Stack sharing the cockpit, Oscar® nominees Claire Trevor and Jan Sterling, Laraine Day, Robert Newton, Paul Kelly, John Qualen, Regis Toomey, the ubiquitous Paul Fix, and director William A. Wellman's good-luck character actor Douglas Fowley. Dimitri Tiomkin's score won the Oscar, though the fondly remembered theme song isn't as prominent as you'd expect. Wings veteran William H. Clothier shot the aerial footage. --Richard T. Jameson

Barbara Stanwyck Collection

Yellow Sky

A gang of outlaws enters what seems to be the ghost town of Yellow Sky where they meet a prospecter and his granddaughter who falls in love with the gang's leader.
Genre: Westerns
Rating: NR
Release Date: 23-MAY-2006
Media Type: DVD

It seems no one has ever had an unkind word for Yellow Sky, yet somehow this handsome, hard-edged, and very well-made late-'40s Western remains little-known. That may change with its release on a DVD so crisp and luminous, one wants to swear off Technicolor and luxuriate in the frosty glow of its highlights, the velvet blackness of its shadows, and the electric silver-gray of its desert skies.

Story's pretty good, too. Seven men led by Gregory Peck ride into a small Southwest town, wet their whistles at the saloon, then hold up the bank with a minimum of fuss. Escaping should be a cinch, except for a troop of cavalry who reduce their number to six and watch the survivors ride off into a desert they probably won't live to cross. Unexpected salvation looms in the form of Yellow Sky, a ghost town where the bandits find water, an old man (James Barton) and his tomboy granddaughter (Anne Baxter)--and the tempting rumor of gold. That's when the real trouble starts. The criminal partnership is severely strained by greed, several varieties of lust (for the girl as well as the treasure), the troublesome onset of conscience in some breasts and its total absence from others--notably Richard Widmark's.

Yellow Sky re-teams director William A. Wellman and writer-producer Lamar Trotti, who five years earlier had made The Ox-Bow Incident, an authentic but rather pretentious Western classic. Yellow Sky's opening scene is all but lifted from Ox-Bow (along with two character actors), but this time around, Wellman eschews self-importance and just concentrates on spinning a gritty yarn (from a novel by W.R. Burnett). Apart from sequences shot in Death Valley, the principal location is Yellow Sky itself, a grand ruin set against the timeless backdrop of the Alabama Hills. And oh yes, the man responsible for those awesome whites, blacks, and silver-grays is Joe MacDonald, the cinematographer of My Darling Clementine. --Richard T. Jameson

The Public Enemy

Director William Wellman (Wings), a World War I veteran who turned his experiences in battle into an insistence on unpretentious violence in his films, made Public Enemy a particularly brutal account of the rise and fall of a monstrous gangster (James Cagney). Cagney delivers one of the most famous performances in film history as the snarling crook who--in one of the film's most famous scenes--smashes a grapefruit into the face of Mae Clarke. The film's a bit dated, but its action scenes still pack an unusual wallop. --Tom Keogh

A feisty punk hits women shoots men and runs beer during prohibition. Studio: Warner Home Video Release Date: 01/25/2005 Starring: James Cagney Donald Cook Run time: 84 minutes Rating: Nr Director: William Wellman

Island In The Sky (Special Collector's Edition)

Out of circulation for a quarter-century following the death of producer-star John Wayne, Island in the Sky is a tale of survival focused on the pilot (Wayne) and crew of a DC-3 forced to crashland somewhere in the uncharted Canadian wilderness, and the fellow airmen (Lloyd Nolan, James Arness, Andy Devine, Paul Fix) determined to find them before hunger and the 70-below winter do them in. The movie, set in the post-WWII era when military and commercial aviation were still intertwined, was written by bestselling novelist Ernest K. Gann and directed by William A. Wellman, an aviation-movie veteran whose Wings won the first-ever Academy Award (1927-28).

Wellman resolutely downplays the histrionics and conventional heroics; Wayne indulges in none of the macho posturing that his detractors carelessly identify him with, and the crewman who breaks rank in a bid for salvation meets a grim, almost mythically absurd demise. But Wellman also condoned (and himself speaks) the ill-advised narration that aims to tell us what's going on inside the stoic characters. The director does better with throwaway details like the ice pick kept handily embedded in a barracks wall so that pilots can break the frozen skin on their morning wash water. And there's a distinctive war council among the search pilots when no one's quite sure what to do next--the wrong decision could doom the missing crew--and so no one looks anybody else in the face. The black-and-white cinematography by Archie Stout (dramatic scenes) and William H. Clothier (flying scenes) leaves nothing to be desired, and in this crisp restoration it sometimes literally glows.

DVD features
The extras include production reminiscences by William Wellman Jr., assistant director Andrew V. McLaglen, and supporting players Darryl Hickman and Harry Carey Jr.; a short essay on the art of aerial cinematography; and an intriguing profile of Ernest K. Gann, who in his teens directed and starred in a motion picture of sorts. Wayne, Wellman, and Gann reteamed to create The High and the Mighty, much nominated for 1954 Oscars. --Richard T. Jameson

Dooley a former army pilot flying transport missions is forced to crash-land his plane on a frozen lake after it strays from its course. A desperate game of survival begins as dooley & his men confront a meager food supply limited shelter inadequate clothing & an impending arctic storm. Studio: Paramount Home Video Release Date: 08/02/2005 Starring: John Wayne Walter Abel Run time: 109 minutes Rating: Nr

The Ox-Bow Incident

The Ox-Bow Incident is one of the essential Westerns, directed by William Wellman. A study of the effects--and aftereffects--of mob violence, this film (based on a true story) begins with the murder of a popular rancher. Angry townspeople form a posse, find suspects, and, without waiting for a trial, summarily hang them in an expression of biblically tinged frontier justice. But the one cowboy who tried to turn the mob aside ultimately proves that they executed innocent men. Made in 1943, the film features stunning black-and-white cinematography and a solid dramatic sense about what a deadly combination ignorance and self-righteousness can be. Fonda made this film between The Grapes of Wrath and My Darling Clementine, at a point when he was at the peak of his powers as a young actor. --Marshall Fine

Two drifters are passing through a Western town, when news comes in that a local farmer has been murdered and his cattle stolen. The townspeople, joined by the drifters, form a posse to catch the perpetrators. They find three men in possession of the cattle, and are determined to see justice done on the spot.

Nothing Sacred

As potent today as it was when released in 1937, this classic screwball satire stars Carole Lombard as Hazel Flagg, the small-town girl who mistakenly believes she's dying of radium poisoning. Sensing a great human interest story that will tug the public's heartstrings and help sell newspapers, exploitative journalist Wally Cook (Fredric March) brings Hazel to New York City and turns her into a media darling. Wally's callous strategy takes a sudden turn when he starts having feelings for the vulnerable Hazel. Filmed in early three-strip Technicolor and scripted by Ben Hecht and James H. Street, this sharp comedy still sizzles with its cynical take on media profiteering, and the matching of Lombard and March is unforgettably entertaining. --Jeff Shannon

Roxie Hart

This 1942 satirical comedy stars Ginger Rogers as the title character, who agrees to be accused of murder so the publicity will advance her dancing career. Whether she actually committed the crime is irrelevant to the reporters, who fall all over themselves to give Roxie her 15 minutes of fame (well, this compact movie is actually 75 minutes long). Adolphe Menjou costars as the blustery defense lawyer who sees no possibility of losing, and George Chandler plays the meek husband left in Roxie's dust. Among the highlights are the judge, lawyers, and client primping for every photo opportunity, and Rogers's nostalgic tap dance on a metal prison staircase. Roxie Hart was based on the play Chicago, which later became the basis for the Bob Fosse musical with Gwen Verdon (and then Ann Reinking in the 1997 revival) in the Rogers role. --David Horiuchi

After her husband shoots a burglar in their apartment, Roxie Hart (Ginger Rogers) is talked into pretending she did it by a newsman and a theatrical agent who promise to sign her for a vaudeville tour. Realizing she'll become a household name overnight, Roxie agrees and becomes the center of an outrageous trial.

The Story of G.I. Joe

As they march into yet another devastated Italian town, one of the soldiers of Company C neatly sums up the average infantryman's experience of World War II: "When this war's over, I'm gonna buy me a map and find out where I've been." Released less than three months after the German surrender, The Story of G.I. Joe is a gritty portrayal of the reality of war: defeat as well as victory, blood and mud as well as glory.

William Wellman's film was based on the newspaper columns of war correspondent Ernie Pyle (played by Burgess Meredith), and through him we get to know a small group of ordinary infantrymen as he follows them from North Africa into Italy. They're led by Captain Bill Walker (Robert Mitchum), who claims he earned his rank by living longer than the other lieutenants, and Sergeant Warnicki (Freddie Steele), a tough, gruff career soldier who carries a carefully wrapped recording of his son's voice across Italy in search of a gramophone. The soldiers--many played by real veterans of the Italian campaign--mature as we get to know them, becoming battle-hardened but increasingly exhausted.

Meredith is effective as Pyle, who quickly becomes something of a company mascot. He earns the respect of the GIs by sticking around when the shells start to fly, and he becomes an even bigger hit when he brings them all turkey and cigars at Christmas. But if this quintessential ensemble piece belongs to anyone, it's Mitchum as the battle-weary C.O. Fiercely loyal to his men, he feels every death as a personal loss but refuses to flinch from his duty. Mitchum brings an extraordinary depth of emotion to his performance, and he received a well-deserved Oscar nomination.

Much of the film's strength lies in the contrast between the human side of war--bored men trying to stay sane in cramped dugouts--and the inhuman randomness of its destruction. After every battle, ambush, or artillery attack there's a terrible moment when we wait to see who is dead--"We lost three," says Sergeant Warnicki as a few men stagger in from a patrol. The nerve-shatteringly realistic battle sequences bring to mind Saving Private Ryan, and The Story of G.I. Joe is a strong competitor with Spielberg's acclaimed film for the title of greatest-ever war movie.

Several of the soldiers who appear in the film, along with Ernie Pyle himself, died in action before The Story of G.I. Joe was released. Fifty-five years later it still stands as a memorial to them and to all of the ordinary men and women who died in World War II. --Simon Leake

The mightiest action drama ever filmed! Robert Mitchum (Cape Fear) and Burgess Meredith (Of Mice and Men) star in this gripping World War II drama based on the newspaper columns of Pulitizer Prize-winning war correspondent Ernie Pyle. Directed by legendary filmmaker William Wellman, "The Story of G.I. Joe" depicts Ernie Pyle's (Meredith) experiences with the men of Company C of the 18th Infantry and their role in the invasion of Italy. Pyle joins Captain Bill Walker (Mitchum) and his men in the desert of North Africa and follows these gallant soldiers as they fight their way from the beaches of Sicily to the hills of southern Italy. Few films have so honestly portrayed the harrowing existence of the infantry soldier in World War II--an unsentimental, often brutal, but always human story of the mud, blood and death that surround the infantryman in combat. Mitchum's performance made him a star and earned him an Oscar nomination as Best Supporting Actor. Critics and film historians agree--this is simply one of the best films ever made about World War II.