Winkler, Irwin

Life as a House (New Line Platinum Series)

A respectable tearjerker, Life as a House is a welcome throwback to angst-ridden family dramas like Ordinary People and Terms of Endearment. It falls short of those modern classics, but you'll probably still need Kleenex if you appreciate Kevin Kline's underrated dramatic skills. As the title suggests, Kline's project is a broad metaphor for repairing damaged lives from the foundation up. Playing an architect with terminal cancer, he gives an Oscar^®-caliber performance, reaching out to his estranged, nihilistic son (future Star Wars star Hayden Christensen) and ex-wife (Kristin Scott-Thomas) as he wrecks and rebuilds the Malibu cliff-top home that contained his most painful memories. Director Irwin Winkler's flair with actors helps to minimize lapses in a script (by As Good As It Gets scribe Mark Andrus) that occasionally borders on maudlin. Overall, this is a fine reminder that Hollywood hasn't lost its soul to action and special effects. --Jeff Shannon

Confronted with life-changing news a middle-aged architect seizes the opportunity to begin living life on his own terms as he builds the house of his dreams and winds up rebuilding the world around him in the process. Special features: two original documentaries: deleted scenes and much more. Studio: New Line Home Video Release Date: 09/26/2006 Starring: Kevin Kline Kristin Scott-thomas Run time: 124 minutes Rating: R Director: Irwin Winkler

De-Lovely

It's astonishing that one man could have written so many memorable songs, but musical gems keep popping up in De-Lovely, about the life and loves of Cole Porter. Played by Kevin Kline (In & Out, A Fish Called Wanda), an elderly Porter is summoned by a mysterious director (Jonathan Pryce, Brazil) to view his own story, which unfolds as a series of theatrical tableaux. The movie is open (if a bit chaste) about Porter's homosexuality, but argues that the love of his life was still his devoted platonic relationship with Linda Lee (Ashley Judd, Ruby in Paradise, Kiss the Girls). Unfortunately, the narrative suffers from the fate of many biographies; by trying to cram in a person's entire life, it ends up a collection of snapshots without depth or context. The parade of celebrity singers (Alanis Morissette, Sheryl Crow) were apparently chosen for their jarringly modern vocal mannerisms. --Bret Fetzer

From paris to venice to braodway to hollywood the lives of cole & linda porter were never less than glamorous & wildly unconventional. Though coles thirst for life strained their marriage linda never stopped being his muse inspiring some of the greatest songs of the 20th century. Studio: Tcfhe/mgm Release Date: 06/21/2005 Starring: Kevin Kline Jonathan Pryce Run time: 125 minutes Rating: Pg13

The Net

A reclusive computer systems analyst is caught in a web of intrigue and danger when she unwittingly finds the secret behind a popular computer security program. Its programmers have created a back door enabling them to tap into classified computer systems. Studio: Sony Pictures Home Ent Release Date: 12/21/2004 Starring: Sandra Bullock Dennis Miller Run time: 114 minutes Rating: Pg13 Director: Irwin Winkler

The Net, the first of Hollywood's big cyberthrillers of the mid-1990s, was also the most successful, thanks in large part to the natural appeal of star Sandra Bullock. Still riding high from Speed and While You Were Sleeping, Bullock plays a computer expert victimized by sinister cyberforces who steal her identity for reasons unknown. It's a clever combination of high-tech paranoia and Hitchcockian references (including Jeremy Northam as a romantic stranger named Devlin, after Cary Grant in Notorious). Film historians may look back someday on films like this--Roger Ebert calls them "hacksploitation"--to see what they reveal about our society's reaction to the increasing role of technology in our lives, just as we now study the fears of Communism and the atom bomb reflected in films of the 1950s. Dennis Miller and Diane Baker costar. --Jim Emerson

Home of the Brave

The fact that Home of the Brave is about soldiers coming home from a war that isn't even over is just one of the things that's off in this film; director Irwin Winkler and screenwriter Mark Friedman's 2006 tale of the problems faced by the men and women returning from Iraq is also hampered by thoroughly predictable storytelling, sub-par acting, and sometimes painfully on-the-nose dialogue, reducing what could have been a provocative and challenging effort into so much TV movie fodder. When Army medic Will Marsh (Samuel L. Jackson, who does his best to rise above the level of the material) and soldiers Vanessa Price (Jessica Biel) and Tommy Yates (Brian Presley) return to Spokane, Washington, major readjustment problems loom, mostly due to a chaotic ambush in a small Iraqi town (occurring less than two weeks before they were to be sent home, the incident is so unsurprising that anyone could have seen it coming). Will and his angry teenage son wage their own war, while Dad takes to the bottle; Vanessa's learning to cope with a prosthetic hand, while Tommy's grieving over the best buddy who died in the ambush and the loss of his job, girlfriend, and self-respect. Those matters and the clichéd, unconvincing way in which they're handled, along with the film's refusal to take a strong stand either for or against the war, obscure the potentially much more interesting issues. Are these soldiers patriots, or merely pawns? Were they doing their righteous duty by serving in this conflict, or were they victims sent off to suffer and perhaps die by a bunch of men in suits who never saw a minute of combat themselves? Other home-from-war films, from 1946's The Best Years of Our Lives to 1978's Coming Home to 1989's Born on the Fourth of July, have dealt with these and other issues a good deal more effectively than the earnest and well-intentioned but not very compelling Home of the Brave. --Sam Graham

Studio: Tcfhe/mgm Release Date: 06/10/2008 Run time: 105 minutes Rating: R

At First Sight

The tagline states, "Only love can bring you to your senses." Well, your senses have to be pretty dulled to love At First Sight. On paper the story--based on the writings of medical writer extraordinaire Oliver Sacks (Awakenings)--is intriguing: a blind man regains sight after surgery yet can never connect with what he sees, including a lovely new girlfriend. Indeed, maybe blind was better. From such interesting stuff (and a talented cast) comes a tepid love story and an unconvincing drama.

Val Kilmer plays Virgil, a serene resort worker who plays hockey in the dark and is the best masseur this side of the Catskills. Onto his table comes Amy, a bone-weary NYC architect (Mira Sorvino) who cries the first time Virgil does his magic. Instead of a voyage into the world of blindness, Amy's first instinct is to take Virgil to an eye doctor who can restore sight (Bruce Davison). Virgil receives sight, crumbling the trust between him and Amy. The clichés start building up and by the time Amy is wooed by her ex-husband (Steven Weber), her boss no less, one's patience wears thin.

The medical curiosities of the story--Virgil can see an item but can't grasp what it is until he touches it--do not translate well on screen. The film's liveliest character is Nathan Lane as a teacher of the blind. A scene with Virgil that gets to the heart of his ailment is so filled with spontaneity, one wonders if it was scripted or simply Lane's own extemporaneous dialogue. After an admirable start as a director (Guilty by Suspicion), Oscar-winning producer Irwin Winkler has not been able to put cinematic highs or believable angst into his films (The Net, Night in the City). At First Sight may look good, but it is blind where it counts. --Doug Thomas

Virgil and amy didnt realize how much they needed one another until love brought it all into focus. An inspiring true story of faith hope and love and first sight. Studio: Tcfhe/mgm Release Date: 01/15/2008 Starring: Val Kilmer Mira Sorvino Run time: 126 minutes Rating: Pg13 Director: Irwin Winkler

Life as a House

A respectable tearjerker, Life as a House is a welcome throwback to angst-ridden family dramas like Ordinary People and Terms of Endearment. It falls short of those modern classics, but you'll probably still need Kleenex if you appreciate Kevin Kline's underrated dramatic skills. As the title suggests, Kline's project is a broad metaphor for repairing damaged lives from the foundation up. Playing an architect with terminal cancer, he gives an Oscar^®-caliber performance, reaching out to his estranged, nihilistic son (future Star Wars star Hayden Christensen) and ex-wife (Kristin Scott-Thomas) as he wrecks and rebuilds the Malibu cliff-top home that contained his most painful memories. Director Irwin Winkler's flair with actors helps to minimize lapses in a script (by As Good As It Gets scribe Mark Andrus) that occasionally borders on maudlin. Overall, this is a fine reminder that Hollywood hasn't lost its soul to action and special effects. --Jeff Shannon

Guilty by Suspicion

A fictional dramatization of the anti-Communist witch-hunts that plagued the U.S. during the late 1940s and early '50s, Guilty by Suspicion examines one of the most shameful periods of American history. After producing such prominent films as Rocky and Raging Bull, Irwin Winkler made his directorial debut with this 1991 drama, basing his screenplay on the harsh reality of the blacklisting era. Set during 1951, when the House Un-American Activities Committee (HUAC) held hearings to target alleged Communist affiliations within the Hollywood filmmaking community, the film stars Robert De Niro as a prominent director who is urged to "name names" to appease the committee. Rather than betray one of his closest friends, he refuses to "cooperate" with the committee and is quickly blacklisted, his entire career in jeopardy. Costarring Annette Bening as the director's sympathetic ex-wife, the film doesn't pack the emotional punch of The Front (another blacklisting-era film, starring Woody Allen), but Winkler captures the paranoid anxiety of the period with a wealth of authentic detail. Because the De Niro character underestimates the power of the HUAC, we share his shock and dismay when he must finally face the committee. Without seeming like a dry history lesson, Guilty by Suspicion illuminates the unconstitutional evil of the blacklist era while offering a glimpse behind the scenes of Hollywood's past. Adding to the realism, director Martin Scorsese makes a rare cameo as another filmmaker under fire. Although Winkler's script and direction are perhaps too melodramatic, Guilty by Suspicion was clearly made with noble purpose and intention. For anyone interested in the blacklisting era and Hollywood history, this movie's a must-see. --Jeff Shannon

A filmmaker becomes the target of industry blacklisting during the 50s mccarthy hearings and must fight for his career. Studio: Warner Home Video Release Date: 06/01/2004 Starring: Robert Deniro Annette Bening Run time: 105 minutes Rating: Pg13 Director: Irwin Winkler

The Net (Special Edition)

The Net, the first of Hollywood's big cyberthrillers of the mid-1990s, was also the most successful, thanks in large part to the natural appeal of star Sandra Bullock. Still riding high from Speed and While You Were Sleeping, Bullock plays a computer expert victimized by sinister cyberforces who steal her identity for reasons unknown. It's a clever combination of high-tech paranoia and Hitchcockian references (including Jeremy Northam as a romantic stranger named Devlin, after Cary Grant in Notorious). Film historians may look back someday on films like this--Roger Ebert calls them "hacksploitation"--to see what they reveal about our society's reaction to the increasing role of technology in our lives, just as we now study the fears of Communism and the atom bomb reflected in films of the 1950s. Dennis Miller and Diane Baker costar. --Jim Emerson

American Movie Musicals Collection 2 (Hair / De-Lovely / A Chorus Line)

Studio: Tcfhe/mgm Release Date: 10/14/2008 Run time: 364 minutes

De-Lovely

It's astonishing that one man could have written so many memorable songs, but musical gems keep popping up in De-Lovely, about the life and loves of Cole Porter. Played by Kevin Kline (In & Out, A Fish Called Wanda), an elderly Porter is summoned by a mysterious director (Jonathan Pryce, Brazil) to view his own story, which unfolds as a series of theatrical tableaux. The movie is open (if a bit chaste) about Porter's homosexuality, but argues that the love of his life was still his devoted platonic relationship with Linda Lee (Ashley Judd, Ruby in Paradise, Kiss the Girls). Unfortunately, the narrative suffers from the fate of many biographies; by trying to cram in a person's entire life, it ends up a collection of snapshots without depth or context. The parade of celebrity singers (Alanis Morissette, Sheryl Crow) were apparently chosen for their jarringly modern vocal mannerisms. --Bret Fetzer

"The most unusual and enchanting musical in years" (Roger Ebert), this cinematic ode to legendary composer Cole Porter is at once buoyantly fun and "heartbreakingly beautiful" (Liz Smith). OscarÂ(r) winner* Kevin Kline (The Ice Storm) is "perfection" (Rolling Stone) as the elegant and deeply complex Porter in a film that offers "knockout performances" (Gene Shalit) from Natalie Cole, Elvis Costello, Sheryl Crow, Diana Krall, Alanis Morissette and Robbie Williams, and "melancholy, wit and style to burn" (The Philadelphia Inquirer)! From Paris to Venice to Broadway to Hollywood, the lives of Cole (Kline) and Linda (Ashley Judd) Porter were never less thanglamorous and wildly unconventional. Though Cole's thirst for life strained their marriage, Linda never stopped being his muse, inspiring some of the greatest songs of the twentieth century.*1988: Supporting Actor, A Fish Called Wanda