Wyler, William

Roman Holiday (Special Collector's Edition)

A princess on an official visit to Rome slips away without notice and falls in love with a newspaperman.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 2-JAN-2007
Media Type: DVD

Maybe it doesn't quite live up to its sterling reputation, and maybe the leading man and director were slightly miscast. But who cares? Roman Holiday is the film that brought Audrey Hepburn to prominence, and the world movie audience went weak at the knees. The endlessly charming Hepburn had her first starring role in this sweet romance, playing a European princess on an official tour through Rome. Frustrated by her lack of connection to the real world, she slips away from her protective handlers and goes on a spree, aided by a tough-guy news reporter (Gregory Peck). Director William Wyler, more at home with such heavy-going, Oscar-winning classics as The Best Years of Our Lives and Ben- Hur, doesn't always keep the champagne bubbles afloat, and the Peck role would have fit Cary Grant like a silk glove. But the film is great fun, the location shooting is irresistible, and Hepburn embodies an image of chic style that would rule for the rest of the fifties. No coincidence: she won an Oscar, and so did veteran costume designer Edith Head. --Robert Horton

Ben-Hur

Ben-Hur scooped an unprecedented 11 Academy Awards® in 1959 and, unlike some later rivals, richly deserved every single one. This is epic filmmaking on a scale that had not been seen before and is unlikely ever to be seen again. But it's not just running time or a cast of thousands that makes an epic, it's the subject matter, and here the subject--Prince Judah Ben-Hur (Charlton Heston) and his estrangement from old Roman pal Messala (Stephen Boyd)--is rich, detailed, and sensitively handled. Director William Wyler, who had been a junior assistant on MGM's original silent version back in 1925, never sacrifices the human focus of the story in favor of spectacle, and is aided immeasurably by Miklos Rozsa's majestic musical score, arguably the greatest ever written for a Hollywood picture. At four hours it's a long haul (especially given some of the portentous dialogue), but all in all, Ben-Hur is a great movie, best seen on the biggest screen possible. --Mark Walker

In this Biblical epic, Jewish nobleman Ben Hur (Heston) struggles against Roman tyranny in 1st century Palestine.
No Track Information Available
Media Type: DVD
Artist: HESTON/HAWKINS/BOYD/HARAREET/G
Title: BEN-HUR (1959)
Street Release Date: 01/16/2007
Domestic
Genre: ACTION / ADVENTURE

The Best Years of Our Lives

Winner of seven Academy Awards, including best picture, director, actor, and screenplay, William Wyler's brilliant drama about domestic life after World War II remains one of the all-time classics of American cinema. Inspired by a pictorial article about returning soldiers in Life magazine, the story focuses on three war veterans (Fredric March, Dana Andrews, and Harold Russell in unforgettable roles) and their rocky readjustment to civilian life in their Midwestern town of Boone City. Capturing the contradictory moods of America in the mid to late 1940s, this three-hour drama spans a complex range of honest emotions, from joyous celebration and happy reunion to deep-rooted ambivalence and reassessment of personal priorities. A movie milestone when released in 1946, The Best Years of Our Lives still packs a punch with powerful, timeless themes. --Jeff Shannon

It's the hope that sustains the spirit of every GI: the dream of the day when he will finally return home. For three WWII veterans, the day has arrived. But for each man, the dream is about to becomea nightmare. Captain Fred Derry (Dana Andrews) is returning to a loveless marriage; Sergeant Al Stephenson (Fredric March) is a stranger to a family that's grown up without him; and young sailor Homer Parrish (Harold Russell) is tormented by the loss of his hands. Can these three men find the courage to rebuild their world? Or are the best years of their lives a thing of the past? Featuring a brilliant cast that includes Myrna Loy and Virginia Mayo, this postwar classic garnered* seven OscarsÂ(r), including Best Picture. Heart-wrenching, touching and "filled with emotional dynamite" (The Hollywood Reporter), it remains "one of the best films about war veterans ever made" (American Movie Classics). *1946: Director, Actor, Supporting Actor, Writing/Screenplay, Film Editing, Music/Scoring of a Dramatic or Comedy Picture

The Westerner

The story of the fascinating character Judge Roy Bean--a Texas tyrant who established himself as "the law west of the Pecos" and who had an admiration and love for stage star Lily Langtry--and his meeting with "The Westerner" a drifter who runs afoul of the law when he is falsely accused of stealing a horse.System Requirements:Running Time: 100 minutesFormat: DVD MOVIE Genre: WESTERN/CLASSICS Rating: NR UPC: 883904107118 Manufacturer No: M110711

Having created an instant classic the previous year with their superlative production of Wuthering Heights, producer Samuel Goldwyn, director William Wyler, and cinematographer Gregg Toland reunited for this classic Western from 1940, which earned Walter Brennan his record-setting third Academy Award. Gary Cooper reportedly hesitated to take his role, knowing that Brennan would likely steal the show with his splendid portrayal of "hanging" lawman Judge Roy Bean, but Wyler persisted and Cooper signed on as the drifter who faces Judge Bean under the false accusation of stealing a horse. Cooper smooth-talks his way out of his hanging by claiming to be a close friend of stage star Lily Langtry, with whom the judge is unabashedly smitten, but tensions rise when Cooper comes to the defense of a group of struggling homesteaders that Brennan is trying to drive away. This leads, of course, to a classic showdown in true Western tradition, and under Wyler's able direction The Westerner takes its place among the finest examples of the genre. And while Brennan does indeed steal the show, Cooper needn't have worried--he's every bit the hero in a battle with one of the silver screen's most memorable villains. --Jeff Shannon

The Big Country

William Wyler directed this epic Western, about the clash of East and West, intellect and action. Gregory Peck stars as a sea captain who moves way out West to marry Carroll Baker and become part of the ranch owned by her father (Charles Bickford). But he discovers that daddy's top hand (Charlton Heston) carries a torch for Baker and doesn't particularly like Peck stepping into his place. Peck also finds himself caught in the midst of a power struggle between Bickford and his surly neighbor, Burl Ives (and his reprehensibly bullying son, Chuck Connors). This long, sprawling tale works because its characters are played by movie stars who know how to command the big screen in a big story. --Marshall Fine

One of Hollywood's greatest directors teams with a cast of incredible screen legends for this bold,sweeping tale of a ship's captain who ventures west to find a hotbed of jealousy, hatred and dangerous rivalries. As the reluctant hero is thrust into the maelstrom, he must summon all of his resolveto save not only his own life, but also the life of the woman he loves. Four-time Academy AwardÂ(r) winner* William Wyler directs this action-packed adventure that triumphs as "a work of art" (Motion Picture Herald). Starring Gregory Peck, Charlton Heston, Jean Simmons, Chuck Connors and Burl Ives (in an OscarÂ(r)-winning** performance), this magnificently entertaining epic will take your breath away with unbridled suspense, exhilarating excitement and explosive drama on a grand scale.

How to Steal a Million

Audrey Hepburn was never more sleek and glamorous than in this delightful romantic caper costarring Peter O'Toole and directed by William Wyler. She's the chic daughter of a renowned art collector and covert forger (the always eccentric Hugh Griffith) who's deposited his best work, a famous statue, in a Paris museum. Trouble is, technology can now detect such forgery, so Hepburn plots to steal the statue with the help of O'Toole, an amateur thief and covert inspector. Of course, neither of them knows the whole truth about the other. They make an utterly charming couple, with O'Toole stealing the show in an uncharacteristically lighthearted turn. --Bill Desowitz

The daughter (Audrey Hepburn) of a wealthy Frenchman (Hugh Griffith) who creates counterfeit art learns her father is in danger of being exposed as a crook. She decides to steal the family's forged Cellini sculpture from a museum before experts can examine it and enlists a society burglar (Peter O'Toole) to help her.

Friendly Persuasion

For two years the Civil War has been elsewhere. Now Confederate forces are nearby, looting and burning. It is time to fight back, Jess Birdwell's neighbors insist. Yet Birdwell, a Quaker, knows there must be a better way to settle things.

Year: 1956

Director: William Wyler

Starring: Gary Cooper, Dorothy McGuire

Funny Girl

Ah, Barbra. Of all her onscreen personas, she sparkles in none as she does in her role as 1930s comedian Fanny Brice in the musical Funny Girl. Portraying the life of this star of stage and radio, Brice preens and prances and sings, captivating her audience both onscreen and off. Fanny Brice started life on the Lower East Side of New York, the daughter of a Jewish saloon owner. Not the prettiest girl around, Brice still managed to quickly rise to stardom as a performer in the Ziegfield Follies. A shrewd, obstinate woman, Brice dictated her own success story on stage; things were a different matter in romance. Falling hard for the stunning Nick Arnstein (suavely played by Omar Sharif), Brice must navigate a difficult marriage. While kids may love the tunes (which include the now-infamous "People," as in "People who need people are the luckiest people in the world"), the plot is definitely adult-oriented. Enjoy this one, but don't go too far out of your way for the sequel, Funny Lady. --Jenny Brown

The Little Foxes

William Wyler and Bette Davis made their third and final collaboration their finest with this striking 1941 adaptation of Lillian Hellman's acidic play. The titular foxes are a particularly ravenous turn-of-the-century Southern moneyed clan, the Hubbards, and the most cunning of them all is sister Regina Giddens, the brilliant but ruthless woman played by Davis. In contrast to the manipulative Regina and her scheming brothers (Charles Dingle and Carl Benton Reid) is her guileless sister-in-law Birdie (Patricia Collinge in a delicately flighty performance) and her sickly, humanistic husband Horace (Herbert Marshall), whom she tolerates only for his money and position--until he stands in the way of a scheme that could bring her a fortune. Teresa Wright is the hope of the next generation as Regina's thoughtful daughter, Alexandra, who stands in marked contrast to her graceless, greedy cousin Leo (Dan Duryea). Wyler's longtime cameraman, Gregg Toland, fresh from his groundbreaking work on Citizen Kane, fills the film with amazing deep-focus compositions and razor-sharp images, showing off the grandly handsome mansion set in all its old-world splendor. But for all its beauty Wyler reveals it as a cold, lonely world ruled by a heartless woman. Excellent performances by all make Hellman's sharp dialogue glint like the edge of a knife, which ultimately cuts deep into the soul of this powerful classic. --Sean Axmaker

The Desperate Hours

Escaped criminals hold a family hostage.
Genre: Feature Film-Drama
Rating: NR
Release Date: 12-DEC-2003
Media Type: DVD

Humphrey Bogart is at his villainous best in William Wyler's taut home-invasion thriller, The Desperate Hours. Sharply adapted by John Hayes from his own fact-based novel and Broadway play, this marked a slight departure for Wyler, whose celebrated versatility is on ready display as Bogart--leading a panicky trio of escaped convicts--seizes control of a suburban family in the (dis)comfort of their own home. The domestic terror (similarly dramatized in the 1954 potboiler Suddenly) escalates as cautious patriarch Frederic March waits for an opportunity to retaliate, while the police (led by Arthur Kennedy) close in for an ambush. Viewers may recognize the home's exterior from TV's Leave It to Beaver, while its interior gives Wyler a sealed chamber for nail-biting advances and setbacks--and Bogey was rarely better at portraying ruthless, unpredictable menace. Poorly remade in 1990, The Desperate Hours remains a potent precursor to the many similar films (like Panic Room) that followed its enduring example. --Jeff Shannon