Aldrich, Robert

What Ever Happened to Baby Jane? (Two-Disc Special Edition)

A cultish horror favorite, 1962's What Ever Happened to Baby Jane? will make you think twice before hungrily unveiling a covered plate of food. Bette Davis stars as Jane Hudson, a onetime child actress and singer. As an elderly woman, she wishes to revive her vaudevillian career, but she has become a grotesque caricature of her former self. Over the years as her star faded, the star of her older sister Blanche (Joan Crawford) rose, outshining the career of the has-been Baby Jane. Jane was relegated to minor roles, which she only won when Blanche demanded that she be awarded them. The film opens years after a calamitous car accident leaves Blanche in a wheelchair, with no one to care for her except the increasingly insane and sadistic Jane and their servant, Norman. Trying to punish Blanche for her years of success, Jane tortures the housebound woman, slowly trying to starve her to death, all the while attempting to recapture the fame of her youth. This dark drama also stars Victor Buono as the hefty pianist who answers Jane's ad for an accompanist, hoping to milk some money off the demented old woman. Both Buono and Davis were nominated for Oscars for their roles in this suspenseful and somewhat sick thriller that exploited well the real-life antagonism between Davis and Crawford, while at the same time rejuvenated both their careers. --Jenny Brown

The Dirty Dozen

A group of conscripted convicts, most already destined for death row, are drafted to go on a near-suicide mission with the understanding that if the Nazis don't kill them, the U.S. Army won't, either. In the hands of hardboiled director Robert Aldrich and a tough-as-leather cast headed by Lee Marvin (as a troublesome U.S. Army major), that's all the plot that's needed to make one rip-roaring World War II action flick. Marvin's mission is two-fold: first turn his dozen prisoners into a fighting unit and then turn them loose on a French chateau occupied by partying German officers. His crime-minded charges include John Cassavetes as a chronic malcontent, Telly Savalas as a ready-to-blow psycho, Donald Sutherland as a lame-brained lummox, and Charles Bronson and then-just-retired NFL superstar Jim Brown as a couple of clutch performers. The first half of the film allows the colorful cast of character actors to have their fun as they get their tails whipped into shape and develop shaky bonds with their commander. The second part is all action, as the culprit commandos wreck havoc and then run for their lives. Despite the fact that few of the "heroes" survive the bloodbath, the message here isn't that war is hell. Rather, it seems to be: war can be a hell of a good time... if you've got nothing to lose. --Steven Stolder

A us army major is assigned a dozen convicted murderers to train and lead them into a mass assassination mission of german officers in world war ii. Studio: Warner Home Video Release Date: 12/11/2007 Starring: Lee Marvin Charles Bronson Run time: 145 minutes Rating: Nr

Hush...Hush, Sweet Charlotte

Someone is trying to drive charlotte out of her mind in this well-made thriller. Studio: Tcfhe Release Date: 09/11/2007 Starring: Joseph Cotton Bette Davis Run time: 133 minutes Rating: Nr

Poor Charlotte Hollis. She's been shunned by the community for decades, ever since the fateful night in 1927 when her lover was hacked apart with an axe. Her antebellum southern mansion is slated for the bulldozer, as it stands in the way of highway construction. Charlotte's only hope lies in her cousin Miriam (Olivia de Havilland), coming down from up north to help settle things. Miriam, however, has other designs. Together with her boyfriend Drew (Joseph Cotten), she embarks on a scheme to systematically drive Charlotte out of her mind (not a great leap) and get her mitts on the family fortune. From there, things only get more complicated. Charlotte puts the "gothic" in southern gothic, as a great showcase for completely bizarre, overwrought, and out-of-control performances from all involved. Agnes Moorehead plays Charlotte's loyal, disheveled housekeeper to the hilt, with an odd inflection that calls to mind Amos and Andy more than southern gentility. As the drunken, conniving Dr. Drew, Cotten's accent is indeterminate at times, and seems to come and go. As great as the supporting players are, though, the crown goes to Bette Davis as the shrieking Charlotte, a portrait of isolation and decay stuck in a world of tragic delusions inside her crumbling mansion. De Havilland is a close second as the scheming Miriam; the scene where she slaps the holy snot out of a hysterical Charlotte is itself worth the price of admission. Mary Astor (in her last role) and Cecil Kellaway (as a kindly Lloyd's of London adjuster) put in the only performances with any restraint, acting as counterweights for the rest of the cast. Besides, you'll never get another chance to see Joseph Cotten playing the harpsichord and singing, or caked in mud and lily pads! With Robert Aldrich's claustrophobic direction, Charlotte is as Southern as a field of kudzu, and as subdued as a train wreck. --Jerry Renshaw

The Frisco Kid

Gene Wilder takes his most unusual role, a naive 19th-century rabbi sent from his native Poland to the fledgling Jewish community in San Francisco, in this warm-hearted comic adventure. The trusting soul is easy prey for the con men and criminals who prey on the immigrants arriving in the Philadelphia port and the rabbi, beaten but unbowed, continues his trek West solo: broke, underequipped, and hopelessly lost. Harrison Ford, fresh from Star Wars, is the roguish outlaw who adopts the determined traveler and the two become unlikely friends as they make their way through one scrape after another. Wilder makes a sincere and sympathetic hero, his faith and courage seeing him through one crisis after another, and fresh-faced Ford makes an endearing scamp of a bank robber. The meandering adventure, overlong at two hours, takes its time as the duo traverses the gorgeous American countryside and end up in the bustling Barbary Coast San Francisco of the Gold Rush era. Legendary hard-edged action director Robert Aldrich (Kiss Me Deadly, The Dirty Dozen) brings a gentle touch and easygoing humor to this family-oriented adventure, but old habits die hard. While staying within PG parameters, Aldrich adds a little grit to the Old West fistfights and gunfights. --Sean Axmaker

Studio: Warner Home Video Release Date: 02/14/2006 Run time: 119 minutes Rating: Pg

Emperor of the North

Emperor of the North, a vivid Depression-era drama, opens with a friendly, down-home song that doesn't prepare the audience for what follows: The brutal killing of a train-hopping bum at the hands of a cruel conductor named Shack (Ernest Borgnine, Marty, The Poseidon Adventure). A hobo called A-No. 1 (Lee Marvin, Cat Ballou, The Big Heat) rises to the challenge of catching a ride on Shack's train--but his heels are dogged by a tenderfoot (Keith Carradine, Deadwood, Nashville), whose inexperience may get them both killed. Director Robert Aldrich (The Dirty Dozen, Kiss Me Deadly) has a sure feel for male behavior driven by pride, boredom, and desperation. The swagger gets a little overblown at times, but more often Emperor of the North has a gritty realism, peppered with flashes of sardonic humor and surprising compassion. Aldrich has a gift for a loose yet always watchable story, filled with engaging bit parts and offbeat incidents that flesh out the world and make the main storyline all the more compelling. Marvin and Borgnine--craggy-faced character actors deluxe--are in excellent form, but Carradine steals the movie with his bitter, callow arrogance. (Originally titled Emperor of the North Pole, a bit of hobo lingo.) --Bret Fetzer

In this gritty and violent period drama set in the depths of the Great Depression Lee Marvin stars as A #1 the acknowledged King of the Hoboes. A #1 is famous among his fellow tramps for his ability to catch a ride on any train no matter how risky the hop or dangerous the guards. He acts as a sort of mentor for Cigaret (Keith Carradine) a young hobo who brags that some day he'll surpass A #1 in his accomplishments. But neither has had the courage to ride a train guarded by Shack (Ernest Borgnine) an unusually sadistic railroad cop who will brutally beat or even murder any man who tries to catch a ride on his train. A #1 is determined that no one not even Cigaret is going to deny him his title so taking his life in his hands he and Cigaret hop a ride on Shack's train and they are soon bearing the full brunt of his violent nature. Emperor of the North features superb location photography by Joseph F. Biroc and a fine supporting cast including Charles Tyner Simon Oakland Elisha Cook Jr. and Sid Haig. Mark Deming All Movie GuideSystem Requirements:Running Time: 118 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG UPC: 024543242147 Manufacturer No: 2234214

Kelly's Heroes / The Dirty Dozen (Double Feature)

Studio: Warner Home Video Release Date: 05/22/2007

The Flight of the Phoenix

Robert Aldrich's tense, 1965 drama about a plane crash in the Sahara is a unique psychological study of men in desperate circumstances. In this somewhat revisionist view of classic heroism, every character within the mixed lot is stretched to his limit, and individual efforts to brave the elements and hostile nomads are duly punished. What is left is collective will and ingenuity. One could call this an allegory for transcending Cold War madness, perhaps, but Aldrich (Kiss Me Deadly) makes this such a gritty, immediate experience that you can feel the desert sand in your teeth. Superb performances by James Stewart, Richard Attenborough, Hardy Krüger, Peter Finch, and the rest. --Tom Keogh

A cargo plane goes down in a sandstorm in the sahara with less than a dozen men on board. One of the passengers is an airplane designer who comes up with the idea of ripping off the undamaged wing and using it as the basis for an airplane they will build to escape before their food and water run out. Studio: Tcfhe Release Date: 01/30/2007 Starring: James Stewart Ernest Borgnine Run time: 149 minutes

Rock Hudson Screen Legend Collection (The Golden Blade / Has Anybody Seen My Gal? / The Last Sunset / The Spiral Road / A Very Special Favor)

This three-disc, five-film set spans a decade (1952-62) in Rock Hudson's career. It is not the ideal introduction to the strapping, ruggedly handsome leading man who, in his prime, was among Hollywood's top five biggest box office stars for eight years running. But his fans will want to add these more obscure and admirably diverse films--each making its DVD debut--to their collections. The most entertaining film, Has Anybody Seen My Gal (1952) is an amusing trifle set in the 1920s, but it does mark Hudson's first film with Douglas Sirk, who would direct Hudson in some of his best films, including Written on the Wind, All That Heaven Allows, and Magnificent Obsession. Hudson is cast in a small but pivotal role as a poor but honest soda jerk in love with Piper Laurie, whose social-climbing mother does not approve. Charles Coburn is the real star as an eccentric millionaire who teaches the family that "it's not money that makes a person happy." Look for an uncredited James Dean at the soda fountain counter. Hudson was perhaps best known for his romantic comedies opposite Doris Day, and what a difference Day's absence makes in the somewhat icky A Very Special Favor (1965). Womanizer Hudson brings "fulfillment" into the life of career woman Leslie Caron at the request of her father (!), portrayed by Charles Boyer. The Arabian Nights adventure The Golden Blade (1953) is pure escapism with a questionably cast Hudson as Harun, who becomes embroiled in Baghdad palace intrigue as he searches for his father's killer. He is armed with the magical Sword of Damascus, which only seems to work when he wields it.

The most provocative film in this set is the 1961 Western The Last Sunset, co-starring Kirk Douglas as a killer sheriff Hudson has sworn to bring in to be hanged. But first, they agree to help Joseph Cotten drive his cattle across the border from his Mexican ranch. Dorothy Malone costars as Cotten's wife and Kirk's lost love, whose 16-year-old daughter's true parentage will cause Kirk some disquieting problems after he romances her. The Spiral Road (1962), very long at nearly three hours, stars Hudson as an arrogant, upstart doctor who seeks to advance his career by working in the Borneo jungle with Brits Jansen (Burl Ives), whose groundbreaking work with leprosy Hudson wants to chronicle. While none of these films rank among Hudson's most essential work, it is a Rock-solid collection that charts the development of an old-school movie star. --Donald Liebenson

Included in this collection are has anybody seen my gal? a very special favor the golden blade the last sunset and the spiral road. Studio: Uni Dist Corp. (mca) Release Date: 05/22/2007 Rating: Nr

Kiss Me Deadly

Kiss Me Deadly starts off with a bang--a young woman (Cloris Leachman) in bare feet and a trench coat runs along a highway, frantically trying to flag down help. In desperation, she finally throws herself into traffic, and the car she stops belongs to detective Mike Hammer. The pace never lets up--we're not even 15 minutes into the movie and there's already been a murder, a mysterious letter, an attempt to kill Hammer, and, of course, a warning to just stay out of it. Hammer, tired of lowlife divorce cases, smells something big and can't let it go. The film is exciting, about as dark as a noir can get, and full of skewed camera angles and mysterious whose-shoes-are-those shots. At the center, of course, is Mike Hammer, a detective so cool he can win a fight with nothing more than a box of popcorn as a weapon. Hammer knows his opera singers as well as his amateur prizefighters, and he makes the ladies swoon, but he's far from a conventional hero. In fact, he's rather emphatically not a nice guy; Hammer happily whores out his secretary-girlfriend Velma to cinch up those divorce cases and has a penchant for slamming other people's fingers in drawers. Even the bad guys know he's a sleazebag. ("What's it worth to you to turn your considerable talents back to the gutter you crawled out of?") Ralph Meeker plays Hammer's ambivalence brilliantly, swinging easily between sexy and just plain mean. Kiss Me Deadly is just terrific. Stop reading this review and watch it already. --Ali Davis

A brilliant film noir classic based on Mickey Spillane's bestseller, Kiss Me Deadly is masterfully directed by Robert Aldrich (The Dirty Dozen) and hailed as one of his best (Leonard Maltin). This DVD edition of Kiss Me Deadly features the fully restored original endingwhich contains over one minute of crucial footage that clarifies decades of false interpretations. In order to illustrate the vastly different impressions left by each version, the altered/shortened ending has been included as well. When callous thugs beat Mike Hammer (Ralph Meeker) senseless and viciously murder the gorgeous blonde he's been trying to help, the hard-boiled detective retaliates theonly way he can: by hitting first and asking questions later. Cutting a brutal swath through the city's sleazy underside, Hammer uncovers a mysterious black container whose deadly contents not only solve the murder...but trigger an apocalyptic climax as well!

The Longest Yard (Lockdown Edition)

In this rough-and tumble movie, actually filmed on-location at the Georgia State Prison, the cons are the heroes and the guards are the heavies. Eddie Albert is the sadistic warden who'll gladly make any sacrifice to push his guards' semi-pro football team to the national championship. Burt Reynolds plays one-time pro quarterback Paul Crewe, now behind bars for leading State Police on a wild chase in a "borrowed car" and more. He agrees to organize a prisoners' team to play the guards. The warden intercedes to assure that his goon squad will meet only passive resistance from Crewe's "Mean Machine." But the license to pound on their hated guards is a big incentive for murderers and thieves to learn strategy.

Director Robert Aldrich had a knack for depicting outsiders with originality and authenticity. Much like The Dirty Dozen, The Longest Yard is a popular fable about integrity and group unity. It possesses a requisite toughness along with the loneliness that accompanies the outsider status. Compromise is never easy in an Aldrich film. There's always a bitter price to pay.

Burt Reynolds, in peak form, plays a former pro quarterback ostracized for shaving points. After beating up his girlfriend and resisting arrest, Reynolds winds up in prison, where he's taunted by warden Eddie Albert to help his semiprofessional team of guardsmen win a championship. Naturally, the inmates despise Reynolds, and naturally he redeems himself in one of the great movie football matches of all time. --Bill Desowitz