Almodóvar, Pedro

Viva Pedro - The Almodovar Collection (Talk to Her/ Bad Education/ All about My Mother/ Women on the Verge of a Nervous Breakdown/ Live Flesh/ Flower of My Secret / Matador / Law of Desire)

A woman's married lover leaves her and she inadvertently encounters his wife, son, and new mistress; after seeing her only child die at seventeen, a woman seeks his transvestite father in Barcelona; two men form a friendship while caring for their girlfri
Genre: Feature Film-Drama
Rating: UN
Release Date: 30-JAN-2007
Media Type: DVD

Women on the Verge of a Nervous Breakdown Pedro Almodovar broke into the art-house mainstream with this wild, manic comedy about a gaggle of women and their various problems with men, be they married lovers, cheating husbands, fiancés, or terrorists. Almodovar's long-time leading lady, Carmen Maura, stars as an actress (famed for her laundry detergent commercial as the mother of a sloppy serial killer) who's just been dumped by her married lover. In the midst of trying to track him down for a face-to-face confrontation, she crosses paths with her lover's son (Antonio Banderas), his unbalanced wife (Julieta Serrano), and his new girlfriend (Kiti Manver). Adding more fuel to the fire is the hapless friend (Maria Barranco) who got involved with a Shiite terrorist and is now being hunted by the police. Almodovar, a master of farcical screwball comedy, manages to keep all these balls in the air in dizzy, hilarious style without once losing his momentum. Chock full of the director's over-the-top stylization, in terms of both story and sets, the film is a hilarious yet heartfelt marriage of kitsch and drama, verging on parody but never going entirely over the top. Maura is absolutely breathtaking as the unhinged lover, dispensing wise advice to others while trying to keep a semblance of sanity, and the supporting cast is quintessential Almodovar, including a brief but memorable turn by Banderas in what could have been a bland, go-nowhere role. Nominated for the Best Foreign Language Film Oscar in 1989. --Mark Englehart

All About My Mother After her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. ----Bret Fetzer

Talk to Her
Writer-director Pedro Almodóvar makes another masterpiece with Talk to Her, his first film since the wonderful All About My Mother. Marco (Dario Grandinetti) is in love with Lydia (Rosario Flores), a female bullfighter who is gored by a bull and sent into a coma. In the hospital, Marco crosses paths with Benigno (Javier Camara), a male nurse who looks after another coma patient, a young dancer named Alicia (Leonor Watling). From Benigno's gentle attentiveness to Alicia, Marco learns to take care of Lydia... but from there, the story goes in directions that deftly manage to be sad, hopeful, funny, and creepy, sometimes at the same time. The rich human empathy of Almodóvar's recent films is passionate, heartbreaking, intoxicating--there aren't enough adjectives to praise this remarkable filmmaker, who is at the height of his powers. Talk to Her is superb, with outstanding performances from all involved. --Bret Fetzer

The Flower of My Secret
Pedro Alomodóvar made this misfired, rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books (which are penned under another name), with no one realizing critic and author are one and the same. Almodóvar ( Law of Desire) has the start of a great idea here, and for once, he's direct about his sympathy for a character. But nothing else about The Flower of My Secret is so clear. Despite its unusual allegiance to the straightforward "women's films" of the 1950s, this movie blows it by becoming needlessly complicated over extraneous junk, forcing one to grope in the dark for Almodóvar's point. -- Tom Keogh

Bad Education
Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. -- Steve Wiecking

More Stills from Pedro Almodovar Classics Collection(click for larger image)

More Pedro Almodovar at Amazon.com

Songs of Almodóvar CD

Volver

The Films of Pedro Almodóvar

Volver

Spanish for "Coming Back," Volver is a return to the all-female format of All About My Mother. Unlike Pedro Almodóvar's previous two pictures, the story revolves around a group of women in Madrid and his native La Mancha. (The cast received a collective best actress award at Cannes.) Raimunda (a zaftig Penélope Cruz) is the engine powering this heartfelt, yet humorous vehicle. When husband Paco (Antonio de la Torre) is murdered, Raimunda makes like Mildred Pierce to deflect attention away from daughter Paula (Yohana Cobo). After telling everyone the lout has left, she struggles to conceal his body. The other women in her life all have secrets of their own. Her sister, Sole (Lola Dueñas), for instance, has taken in their mother, Irene (a sprightly Carmen Maura). Since Irene perished in a fire, is this person a ghost or simply a woman who looks like her? Then there's their childhood friend, Agustina (Blanca Portillo), who is desperate to find out why her mother disappeared after the blaze. Was she responsible? Almodóvar deftly blends the ghost story with the murder mystery in his tribute to the Italian neo-realist films of the 1950s. The resilient Raimunda is a throwback to the earthy heroines of Sophia Loren and Anna Magnani. The latter appears in Luchino Visconti's Bellissima, which shows up on Sole's television one night (thus confirming the link). If Almodóvar's 16th feature lacks the emotional punch of the more audacious Talk to Her, it's less heavy-handed than Bad Education and Cruz is a revelation. --Kathleen C. Fennessy

From two-time Academy Award®-winner Pedro Almod var (2003 Best Original Screenplay Talk to Her; 2000 Best Foreign Language Film All About My Mother) comes VOLVER a comedic and compassionate tribute to women and their resilience in the face of life™s most outrageous tribulations. A luminous Pen ©lope Cruz leads an ensemble of gifted actresses including Carmen Maura (Women on the Verge of a Nervous Breakdown). Raimunda (Cruz) and her sister Sole lost their parents in a tragic fire years ago or did they? Superstitious villagers claim that the girls™ departed mother Irene (Maura) has been seen wandering around their Aunt Paula™s home. When Irene appears to Sole she explains that she has returned to set right her daughters™ troubled lives and reveal shocking secrets that will impact everyone! Raimunda has "female troubles" of her own least of which is a corpse in the freezer! Winner of numerous film festival and critics™ awards VOLVER is a hilarious tale of love loss and forgiveness.System Requirements:Run Time: 121 Mins.Format: DVD MOVIE Genre: COMEDY Rating: R UPC: 043396152830 Manufacturer No: 15283

Talk to Her (Hable con Ella)

Writer-director Pedro Almodóvar makes another masterpiece with Talk to Her, his first film since the wonderful All About My Mother. Marco (Dario Grandinetti) is in love with Lydia (Rosario Flores), a female bullfighter who is gored by a bull and sent into a coma. In the hospital, Marco crosses paths with Benigno (Javier Camara), a male nurse who looks after another coma patient, a young dancer named Alicia (Leonor Watling). From Benigno's gentle attentiveness to Alicia, Marco learns to take care of Lydia... but from there, the story goes in directions that deftly manage to be sad, hopeful, funny, and creepy, sometimes at the same time. The rich human empathy of Almodóvar's recent films is passionate, heartbreaking, intoxicating--there aren't enough adjectives to praise this remarkable filmmaker, who is at the height of his powers. Talk to Her is superb, with outstanding performances from all involved. --Bret Fetzer

From Pedro Almod var the director of the Academy-Award® winning All About My Mother (Best Foreign Language Film 2000) comes his most acclaimed film yet. TALK TO HER is the surprising altogether original and quietly moving story of the spoken and unspoken bonds that unite the lives and loves of two couples. Two men (Benigno and Marco) almost meet while watching a dance performance but their lives are irrevocably entwined by fate. They meet later at a private clinic where Benigno is the caregiver for Alicia a beautiful dance student who lies in a coma. Marco is there to visit his girlfriend Lydia a famous matador also rendered motionless. As the men wage vigil over the women they love the story unfolds in flashback and flashforward as the lives of the four are further entwined and their relationships move toward a surprising conclusion.DVD FeaturesPedro Almodovar and Geraldine Chaplin CommentaryWeblinks to movie website and official Pedro Almodovar websiteDigitally Mastered Audio & Anarmorphic VideoMastered in High DefinitionAudio: Spanish 5.1 (Dolby Digital) French 5.1 (Dolby Digital)Subtitles: English FrenchBonus TrailersInteractive MenusScene SelectionsSystem Requirements:Running Time 114 MinsFormat: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 043396089167 Manufacturer No: 08916

Bad Education (Original Uncut NC-17 Edition)

Writer/director Pedro Almodóvar's dark, sexy Hitchcock homage is his best work since his Oscar-winning All About My Mother, and deepened by a sun-dappled sadness. Handsome, enigmatic Ángel (Gael García Bernal) arrives at the Spanish movie offices of director Enrique Goded (Fele Martinez) and happily proclaims that he's actually Enrique's long-lost school chum Ignacio--an announcement that is both less than convincing and more than it seems. A novice actor, Ángel pitches a semi-autobiographical screenplay in which he's determined to star, a revenge-laden reflection of the doomed love he and Enrique shared as boys before a pedophile priest cruelly intervened. The script, and the lost days it recalls, carefully unfurls into a series of brooding movies-within-movies and memories-inside-memories, which allow the sensual, multiple-role-playing Bernal to give the performance of his young career--among other things, he makes a stunningly convincing drag queen--and Almodóvar the opportunity to movingly suggest that people will pay any price to ensure that their stories are told. --Steve Wiecking

All About My Mother

After her son is killed in an accident, Manuela (Cecilia Roth) leaves Madrid for her old haunts in Barcelona. She reconnects with an old friend, a pre-op transsexual prostitute named La Agrado (Antonia San Juan), who introduces her to Rosa (Penélope Cruz), a young nun who turns out to be pregnant. Meanwhile, Manuela becomes a personal assistant for Huma Rojo (Marisa Paredes), an actress currently playing Blanche DuBois in a production of A Streetcar Named Desire. All About My Mother traces the delicate web of friendship and loss that binds these women together. The movie is dedicated to the actresses of the world, so it's not surprising that all the performances are superb. Roth in particular anchors All About My Mother with compassion and generosity. But fans of writer-director Pedro Almodóvar needn't fret--as always, Almodóvar's work undermines conventional notions of sexual identity and embraces all human possibilities with bright colors and melodramatic plotting. However, All About My Mother approaches its twists and turns with a broader emotional scope than most of Almodóvar's work; even the more extravagant aspects of the story are presented quietly, to allow the sadness of life to be as present as the irrepressible vitality of the characters. Almodóvar embraces pettiness, jealousy, and grief as much as kindness, courage, and outrageousness, and the movie is the richer for it. --Bret Fetzer

Women on the Verge of a Nervous Breakdown

Spanish director Pedro Almodovar created a fiery sensation with this nutty screwball comedy, about a slightly unbalanced actress in a desperate situation. "Women on the Verge..." was Almodovar's international breakthrough film, and is one of his best loved.

Live Flesh

What Have I Done to Deserve This?

Pedro Almodóvar scored his first international hit with What Have I Done to Deserve This?, cementing his reputation as Spain's bad-boy director of darkly comedic melodramas. Many of the themes that dominate Almodóvar's later films are evident here, especially his sympathetic affection for downtrodden women like Gloria (Carmen Maura), an exhausted housewife who's addicted to No-Dōz tablets and spends 18-hour days cleaning apartments and tending (just barely) to her teenage sons (one deals drugs, the other offers sex to local perverts), neglectful husband, and looney-tunes mother-in-law--all of whom have a particular knack for getting on her nerves. Toss in a prostitute neighbor, an accidental murder, and a pet lizard named "Money," and you've got the makings of a soap opera by way of Luis Buñuel and John Waters, served up with Almodóvar's distinctive blend of compassionate humanity and kinky outrageousness. --Jeff Shannon

5.1 subtitle control

The Flower of My Secret

Pedro Alomodóvar made this misfired, rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books (which are penned under another name), with no one realizing critic and author are one and the same. Almodóvar (Law of Desire) has the start of a great idea here, and for once, he's direct about his sympathy for a character. But nothing else about The Flower of My Secret is so clear. Despite its unusual allegiance to the straightforward "women's films" of the 1950s, this movie blows it by becoming needlessly complicated over extraneous junk, forcing one to grope in the dark for Almodóvar's point. --Tom Keogh

Tie Me Up! Tie Me Down!

Perhaps only Pedro Almodóvar could come up with a story about a mental patient who stalks and kidnaps an ex-porn star--and turn it into a tender love story. But that's exactly what happens in Tie Me Up! Tie Me Down!, a lively installment from the Spanish director's wacky middle period (after the scruffy early films, and before his mature melodramas). Two of Almodóvar's sexiest stars, Antonio Banderas and Victoria Abril, play the leads: a cracked young man with dreams of bourgeois domesticity, and an actress who used to specialize in porno and heroin. Despite that fact that he binds her limbs with cord when he leaves the house, he always returns with a cheerful "I'm home!" For all Almodóvar's outrageousness, there's a touch of classical Hollywood in his construction. And while this movie is not for the politically correct, it does play by its own warped rules. --Robert Horton