Altman, Robert

Saturday Night Live: The Best of Chris Farley

Studio: Lions Gate Home Ent. Release Date: 02/06/2007

Saturday Night Live: The Best of Dana Carvey

Studio: Lions Gate Home Ent. Release Date: 09/05/2006

Saturday Night Live: The Best of Adam Sandler

Youll see opera man cajun man canteen boy gap girl and many other original characters created by superstar adam sandler. Includes guests alec baldwin courtney cox david duchovny and shannon doherty plus snl regulars chris farley david spade and rob schneider. Studio: Lions Gate Home Ent. Release Date: 12/20/2005 Rating: Ur

Popeye

This musical fantasy features the famous comic strip character who comes to life and tries to find his real father. Studio: Paramount Home Video Release Date: 08/22/2006 Starring: Robin Williams Shelley Duvall Run time: 113 minutes Rating: Pg Director: Robert Altman

Nothing interests filmmaker Robert Altman more than a contained culture that mixes bare humanity with local eccentricity (think of his M*A*S*H and Nashville). So Altman's Popeye (1980), based on the old comic strip, works best as a portrait of a busy, cluttered, cartoonish town called Sweethaven. But it is much less successful as a comprehensible story about the famous sailor with massive forearms and a relationship with Olive Oyl (Shelley Duvall). Robin Williams plays Popeye with his usual brilliance for mimicry, Paul Dooley makes a credible Wimpy, and Paul L. Smith makes an impression as the oversized bully, Bluto. But this strange, disastrous film never becomes more than an expensive workshop airing out Altmanesque themes. --Tom Keogh

Alfred Hitchcock Presents - Season Three

Studio: Uni Dist Corp. (mca) Release Date: 10/09/2007 Rating: Nr

Gosford Park

The fun murder mystery filled with fascinating suspects long-held secrets intriguing surprises and comical twists to keep you guessing right to the end. Studio: Uni Dist Corp. (mca) Release Date: 01/11/2005 Starring: Maggie Smith Kristin Scott Thomas Run time: 138 minutes Rating: R Director: Robert Altman

Gosford Park finds director Robert Altman in sumptuously fine form indeed. From the opening shots, as the camera peers through the trees at an opulent English country estate, Altman exploits the 1930s period setting and whodunit formula of the film expertly. Aristocrats gather together for a weekend shooting party with their dutiful servants in tow, and the upstairs/downstairs division of the classes is perfectly tailored to Altman's method (as employed in Nashville and Short Cuts) of overlapping bits of dialogue and numerous subplots in order to betray underlying motives and the sins that propel them. Greed, vengeance, snobbery, and lust stir comic unrest as the near dizzying effect of brisk script turns is allayed by perhaps Altman's strongest ensemble to date. First and foremost, Maggie Smith is marvelous as Constance, a dependent countess with a quip for every occasion; Michael Gambon, as the ill-fated host, Sir William McCordle, is one of the most palpably salacious characters ever on screen; Kristin Scott Thomas is perfectly cold yet sexy as Lady Sylvia, Sir William's wife; and Helen Mirren, Emily Watson, and Clive Owen are equally memorable as key characters from the bustling servants' quarters below. Gosford Park manages to be fabulously entertaining while exposing human shortcomings, compromises, and our endless need for confession. --Fionn Meade

A Prairie Home Companion

The movie is a celebrity version of Garrison Keillor's radio show. It adds a slight story of the radio show ending as a new owner (Tommy Lee Jones) has bought the Fitzgerald theater that the show broadcasts from and is going to tear it down. Another fantasy element is thrown in as an angel (Virginia Madsen) stalks the theater to take one of the performers. Keillor plays the lead character coincidentally called GK. Lily Tomlin and Meryl Streep play the singing Johnson Sisters with Lindsay Lohan as a suicide-obsessed daughter of Streep. Woody Harrelson and John C. Reilly are hilarious as the slightly off-color singing cowboy duo Dusty & Lefty. Kevin Kline is a security guard who tells the story. Maya Rudolph also appears as a pregnant stage coordinator. Contains some mild sexually-oriented jokes.DVD Features:Available Subtitles: English SpanishAvailable Audio Tracks: English (Dolby Digital 5.1) English (Dolby Digital 2.0 Surround)li>Commentary by director Robert Altman and actor Kevin KlineDeleted scenes with optional commentary"Come Play With Us: A Feature Companion" featurette"Onstage at the Fitzgerald: A Music Companion" - extended musical performances and advertisement segmentsSoundtrack preview (jump to songs in the film)TrailerSystem Requirements:Run Time: 105 minutesFormat: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 794043105418 Manufacturer No: N10541

Robert Altman and Garrison Keillor combine reality and fantasy in this smooth, ebullient take on the long-running Prairie Home Companion radio show. Set during the show's fictitious last broadcast--the host station has been bought--the film has plenty of elements from the real PHC radiocasts, including a live audience and the sensational Shoe band. The onstage program is mostly music numbers, a beguiling mix of standards and old-style country. However, the show's usual comedy sketches are never presented, save for the commercial parodies--this may be a PHC show, but Lake Wobegone is never mentioned. Instead, the sketches are played out as backstage banter that feautres the Johnson Sisters (Meryl Streep and Lily Tomlin), a harried stage hand (Maya Rudolph), a former listener turned angel (Virginia Madsen), and Keillor himself (a crusty alter-ego named simply G.K.). A few characters from the real PHC are given life: the singing cowboys Dusty and Lefty and gumshoe Guy Noir are embodied by Woody Harrelson, John C. Reilly, and Kevin Kline, respectively. Old flames are fanned, stories are spun, new talents are found (Lindsay Lohan has a chance to shine as Streep's daughter) and everyone wonders if G.K. will do something to ebb the tide of cancellation (personified by Tommy Lee Jones as the corporate Axeman). All of the actors do right as singers, and seem to be having the time of their life. Keillor's screenplay is perfect fodder for Altman's usual brand of storytelling, as characters babble on with the camera picking them up often in mid-thought. The film appeared a few months after Altman received an honorary Oscar, and the director is still at the top of his game, creating this smile-inducing, song-filled time, ending with an ethereal last musical number. --Doug Thomas

M*A*S*H (Widescreen Edition)

It's set during the Korean War, in a mobile army surgical hospital. But no one seeing M*A*S*H in 1970 confused the film for anything but a caustic comment on the Vietnam War; this is one of the counterculture movies that exploded into the mainstream at the end of the '60s. Director Robert Altman had labored for years in television and sporadic feature work when this smash-hit comedy made his name (and allowed him to create an astonishing string of offbeat pictures, culminating in the masterpiece Nashville). Altman's style of cruel humor, overlapping dialogue, and densely textured visuals brought the material to life in an all-new kind of war movie (or, more precisely, antiwar movie). Audiences had never seen anything like it: vaudeville routines played against spurting blood, fueled with open ridicule of authority. The cast is led by Elliott Gould and Donald Sutherland, as the outrageous surgeons Hawkeye Pierce and Trapper John McIntyre, with Robert Duvall as the uptight Major Burns and Sally Kellerman in an Oscar-nominated role as nurse "Hot Lips" Houlihan. The film's huge success spawned the long-running TV series, a considerably softer take on the material; of the film's cast, only Gary Burghoff repeated his role on the small screen, as the slightly clairvoyant Radar O'Reilly. --Robert Horton

One of the world's most acclaimed comedies, MASH focuses on three Korean War Army surgeons brilliantly brought to life by Donald Sutherland, Tom Skerritt and Elliott Gould. Though highly skilled and deeply dedicated, they adopt a hilarious, lunatic lifes

Regarding Henry

Two bullets force a top manhattan lawyer to start life over with his loving wife and daughter. Studio: Paramount Home Video Release Date: 04/11/2006 Starring: Harrison Ford Bill Nunn Run time: 108 minutes Rating: Pg13 Director: Mike Nichols

Get shot in the head and become a better person. This 1991 Mike Nichols (Wolf) film stars Harrison Ford as a big-shot cold-hearted lawyer who gets a bullet in his brain during a holdup. The film de-emphasizes the traumas of recovery to focus on the title character's personality change after the fact. The canny Ford gets to work from his full, familiar palette of arrogance to boyishness, and even builds Henry from top to bottom after the wounded fellow awakens with no memory. But this is a slow and unremarkable film from Nichols, its sentimentality eclipsing all else, most of all profound insight. --Tom Keogh

M*A*S*H (Two-Disc Collector's Edition)

Studio: Tcfhe Release Date: 02/03/2009 Run time: 116 minutes Rating: R

It's set during the Korean War, in a mobile army surgical hospital. But no one seeing M*A*S*H in 1970 confused the film for anything but a caustic comment on the Vietnam War; this is one of the counterculture movies that exploded into the mainstream at the end of the '60s. Director Robert Altman had labored for years in television and sporadic feature work when this smash-hit comedy made his name (and allowed him to create an astonishing string of offbeat pictures, culminating in the masterpiece Nashville). Altman's style of cruel humor, overlapping dialogue, and densely textured visuals brought the material to life in an all-new kind of war movie (or, more precisely, antiwar movie). Audiences had never seen anything like it: vaudeville routines played against spurting blood, fueled with open ridicule of authority. The cast is led by Elliott Gould and Donald Sutherland, as the outrageous surgeons Hawkeye Pierce and Trapper John McIntyre, with Robert Duvall as the uptight Major Burns and Sally Kellerman in an Oscar-nominated role as nurse "Hot Lips" Houlihan. The film's huge success spawned the long-running TV series, a considerably softer take on the material; of the film's cast, only Gary Burghoff repeated his role on the small screen, as the slightly clairvoyant Radar O'Reilly. --Robert Horton