Amiel, Jon

The Man Who Knew Too Little

A naive American in London is mistaken for a spy by a group bent on reviving the good old days of Cold War skullduggery. Believing it's all a game he treats every dramatic situation and threat as a joke. Based on the novel "Watch That Man" by Robert Farrar.Running Time: 95 min.System Requirements:Feature-Length Audio Commentary by Director Jon Amiel Alternate Music Only Track (5.1) Interactive Menus Production Notes 4 Theatrical Trailers 3 TV Spots Scene Access Languages: English & French Subtitles: English French and Spanish Dolby Digital English & French: Dolby Surround 5.1 Standard version formatted from its original version to fit your screen. Widescreen version presented in a "matted" widescreen format preserving the aspect ratio of its original theatrical exhibition. Enhanced for widescreen TVs. Video Format: Widescreen (no AR specified) Standard 1.33:1 (4.3) Enhanced for 16x9 TVs Format: DVD MOVIE Genre: COMEDY Rating: PG UPC: 085391562627

Only die-hard Bill Murray fans will likely consider this movie for their home-video library, but it's not without its rewards. You can see why someone as comically astute as Murray would agree to play a dimwitted American who can't tell the difference between improvised theater and a real-life espionage plot. There's certainly plenty of potential for belly laughs, and Murray milks the opportunities like the old pro that he is. Here he plays an American tourist in London who thinks he's been recruited into a street-theater act called "Theater of Life"; actually, he's stepped into a complicated spy scheme that plays like a cross between Hitchcock and the Marx Brothers. Joanne Whalley costars as the femme fatale who may or may not be a double agent, and along the way there's enough comical confusion to foil any number of idiotic villains. The movie stretches its one-joke premise to desperate extremes (Murray thinks he's in a play, so he's oblivious to genuine danger), and 95 minutes is more than enough time to exhaust the comedic possibilities. But, as always, Murray finds a way to mine gold from a few clever bits, and he cuts loose with some inspired lunacy during a climactic scene involving a hidden bomb and a troupe of dancing Cossacks. It's not Murray's finest hour, but give him credit for making the best out of a challenging situation. --Jeff Shannon

Copycat

Taking its lead from Jonathan Demme's Oscar-winning pulse-raiser The Silence of the Lambs, Copycat strives for intelligence over gristle and carnage. It's a terse, involving thriller that swings away from the usual cinematic notion of violence as a means to an end by forgoing brawn for brains. Young San Francisco police inspector Ruben Goetz (Dermot Mulroney) is teamed with brilliant force vet, M.J. Monahan (Holly Hunter), a diplomatic, no-nonsense cop who must buck the system in order to find a killer who is copycatting the crimes of history's most notorious serial killers. Ruben would rather shoot to kill than merely wound a suspect; Monahan labors to help him think more diplomatically. Everything changes when crank calls arrive at the station from serial-killer pin-up girl psychiatrist Helen Hudson (Sigourney Weaver). She's been housebound for 13 months, ever since murderer Daryll Lee Cullum (Harry Connick Jr.) nearly made her his next victim because she testified against him in court. Though he's in prison, he's still mentor and muse to every loose cannon walking the streets--one of whom is killing people with a vengeance and hoping to finish the job Cullum began. Cop and doc team up to solve the case in this stylish, plot-driven movie. Though Copycat loses steam in the end, it still makes a point. And it serves as a cautionary tale for people everywhere, tossing in street smart warnings against victimization. The teaming of Hunter and Weaver works well, the short and the tall forging a terrific and frictioned relationship that leads to grudging respect. Establishing an ominous atmosphere reminiscent of his classic British TV miniseries The Singing Detective, director Jon Amiel has an eye for the dark and the unusual and it gives this film an edge that eludes most other mainstream filmmakers. --Paula Nechak

Entrapment (Special Edition)

Sean Connery plays a master thief thought to be long retired, while Katherine Zeta-Jones is his foil, a hotshot insurance investigator assigned to his case. They both have a little something to hold over each other's heads, until it turns out that Zeta-Jones is a professional art thief herself and is playing on both sides of the fence. At first they eye each other with mutual distrust until they team up for a job, which goes off without a hitch. Inevitably their prickly relationship begins to thaw somewhat, and the two become attracted to each other as they plan out the massive Y2K bank scam that is the movie's climax (complete with sequel-ready ending). Entrapment plays somewhat like a '70s caper movie revamped for the gadget-happy high-tech '90s. The plot takes a few too many labored twists and turns, and the chemistry between the two leads is nearly nonexistent, though both carry on gamely in their parts. On the other hand, there is some genuine suspense in many scenes as they go about their business, dripping with whiz-bang burglary devices. Zeta-Jones, of course, is drop-dead gorgeous, and Connery is as reliable as always in his role. The fairly flat editing and direction tends to drag the film down somewhat, but fans of caper movies, high-tech thrillers, and the two leads should find plenty to like in this film. --Jerry Renshaw

A master thief is approached by a beautiful young insurance investigator about pulling off the perfect heist. Is it a set-up?
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 3-JUN-2003
Media Type: DVD

Sommersby

Based on the French film, The Return of Martin Guerre (which itself was based on a famous court case), this 1993 film by director Jon Amiel recasts the same essential story in post-Civil War Tennessee, in a dirt-poor town suffering the effects of the South's loss. Jodie Foster plays Laurel Sommersby, a widow whose husband died in the Civil War--or so everyone thinks. Then one day, Jack Sommersby (Richard Gere) strolls back into town and back into Laurel's bed--but he's a changed man. Gone is the selfish, nasty individual no one much liked. In his place is a friendly, sensitive, and resourceful new Jack who not only rekindles the long-dead fire of his marriage, but revives the entire town. Except for one small catch: He may not actually be Jack Sommersby at all. Beautifully shot by Amiel (with a great assist from cameraman Philippe Rousselot) from a script by Nicholas Meyer and Sarah Kernochan, the film features a sturdy, even flinty performance by Foster and a beguiling one by Gere. Though the ending will squeeze the tear ducts, the film earns those tears. --Marshall Fine

The Core (Widescreen Edition)

Smarter than Armageddon and equally extreme, The Core is high-tech Hollywood hokum at its finest. It's scientifically ridiculous, but this variant of Fantastic Voyage at least tries to be credible as it plunges deep into the earth's inner core, where a formulaic team of experts pilot an earth-boring ship to jump-start the planet's spinning molten interior, now stalled by a military secret that could seal the fate of all humankind. It's a geophysicist's wet dream that only a fine ensemble cast could rescue from absurdity, and director Jon Amiel (Entrapment, Copycat) draws excellent work (and plenty of humorous interplay) from Aaron Eckhart, Hilary Swank, Stanley Tucci, Delroy Lindo, and a host of memorable supporting players, especially The New Guy's D.J. Qualls as the world's greatest cyber-nerd. With enough digital F/X disasters to satisfy anyone's apocalyptic fantasies, this is a popcorn thriller with all the bells and whistles that its genre demands. Sit back, pump up the volume, and enjoy the dazzling ride. --Jeff Shannon

The Singing Detective

The late Dennis Potter was a master at mining the popular songs of the 1930s and '40s for dramatic effect, but he never did it better than in this British miniseries starring the inestimable Michael Gambon. Gambon plays a mystery writer named Philip E. Marlow, who is suffering a torturous bout of psoriatic arthritis in a British hospital, where he is a victim of both his disease and the national health plan. Unable to move without pain, he escapes into his imagination, plotting out a murder tale in which he is both a big-band singer and a private eye. But Potter and director Jon Amiel also mix in flashbacks of Marlow's youth and his unhappy marriage to explain how the real Marlow reached this sorry pass. Flawlessly, intricately, kaleidoscopically assembled, the six one-hour episodes of this British miniseries fly by like some fantastic fever dream. --Marshall Fine

A gripping murder mystery. A lavish musical. An intense psychological thriller. A warped romance. Dennis Potter's legendary award-winning mini-series is all this and more. Hailed by the Chicago Sun Times as "The greatest production in the history of television" this genre-deying masterpiece is soon to be a major motion picture starring Robert Downey Jr. and Mel Gibson.Running Time: 415 min.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: NR UPC: 794051169921

The Core (Full Screen Edition)

Smarter than Armageddon and equally extreme, The Core is high-tech Hollywood hokum at its finest. It's scientifically ridiculous, but this variant of Fantastic Voyage at least tries to be credible as it plunges deep into the earth's inner core, where a formulaic team of experts pilot an earth-boring ship to jump-start the planet's spinning molten interior, now stalled by a military secret that could seal the fate of all humankind. It's a geophysicist's wet dream that only a fine ensemble cast could rescue from absurdity, and director Jon Amiel (Entrapment, Copycat) draws excellent work (and plenty of humorous interplay) from Aaron Eckhart, Hilary Swank, Stanley Tucci, Delroy Lindo, and a host of memorable supporting players, especially The New Guy's D.J. Qualls as the world's greatest cyber-nerd. With enough digital F/X disasters to satisfy anyone's apocalyptic fantasies, this is a popcorn thriller with all the bells and whistles that its genre demands. Sit back, pump up the volume, and enjoy the dazzling ride. --Jeff Shannon

Jim Henson's The Storyteller ~ The Complete Collection

One of Jim Henson's finest hours was the Storyteller series that first aired on HBO in 1987. As with his other non-Muppet creations (Labyrinth), Henson fills the screen with wonderful creatures that have a wisp of a J.R.R. Tolkien fantasy. This collection of nine stories (it does not contain the Greek myths arc) were adapted by Anthony Minghella, who became an Oscar-winning filmmaker a decade later with The English Patient. Minghella weaves the narration of the storyteller (played with aplomb by John Hurt) with dialogue from the stories to beguiling effect; the storyteller doesn't simply introduce the tales.

A few of the stories have been available before on video, but this collection starts with the debut, the Emmy-winning "Hans My Hedgehog," the title role being a young disformed man who helps a lost king in the woods. Other highlights include "The Luck Child" about a king bent on destroying a commoner boy, known as the luck child ("the seventh son born of a seventh son on a week with two Fridays"). After a wizard declares the boy will grow up to be king. The fate of the king is one of those hooks that should have the kids smiling for days. Henson himself directs "Death and the Soldier," a brilliant example of how these episodes were so wonderfully complex. A penniless solider (Bob Peck) is given a magical sack and he uses it to full effect, capturing gremlins and greater evils on his way to be king. "Sapsorrow" is a curious variation on the Cinderella legend. "A Story Short" is the storyteller's own adventure. He makes a deal with a king to tell a story every day of the year. Yet on the last day, the storyteller's mind is a blank and his fate may lead him to a boiling vat of oil. Henson's work is true family entertainment and at only 22 minutes per episode, it's the perfect companion for some fine entertainment around the TV. --Doug Thomas

Henson fills the screen with wonderful creatures that have a wisp of J.R.R. Tolkein fantasy. Directed by Anthony Minghella (The English Patient), he takes us through the fantasy of recognizable European folk/fairy tales with narration by the Storyteller played wonderfully by John Hurt. The entire series on DVD for the first time! From the master Jim Henson who brought us The Dark Crystal and Labyrinth. Stars John Hurt, as the narrator. Adapted by Oscar-winning filmmaker Anthony Minghella (The English Patient).

Entrapment

When a priceless Rembrandt is stolen in New York, the evidence points to a solitary master thief (Connery), who is about to meet the insurance company's most cunning - and seductive - investigator (Zeta-Jones). Following a nerve-racking game of cat and mouse, the two join forces, or so it seems, to attempt a daring multibillion-dollar heist tied to the dawn of the new millennium.

Tune in Tomorrow

An eccentric soap-opera writer uses the romantic pursuits and dilemma of his young friend to enliven his plots.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 7-JAN-2003
Media Type: DVD