( B )

Definitely, Maybe (Widescreen)

A romantic comedy that begins with a discussion about sex education and ends with a bit of an unexpected twist, Definitely, Maybe focuses on an engaging father and his 10-year-old daughter. She is curious about the women her dad loved prior to marrying (and separating from) her mother. Instead of telling her, "None of your business," he decides to tell her about them... Sort of. Will is played by Ryan Reynolds and his precocious daughter Maya is adroitly portrayed by Abigail Breslin (Little Miss Sunshine). Will figures out a way to tell Maya about his most meaningful relationships in a PG manner that also is interactive for her (Or as she describes it, "a love story mystery!"). Changing a few of their characteristics and disguising their names, Will tells her about three exceptional women and Maya tries to deduce which one became her mom. Was it Emily (Elizabeth Banks), the wholesome Midwestern girl afraid of the big city; Summer (Rachel Weisz), the exotic journalist; or April (Isla Fisher), the rebel with a cause? Hearing about all these women, Maya asks, "What's the boy word for slut?" Spanning 15 years, back to when Will was an idealistic young man with the hopes of one day becoming president of the United States, the film has a nice light touch and deals with father-daughter bonding issues in a unique, if not completely realistic manner. Reynolds is a genial but bland leading man, but the women--including young Breslin--more than hold their own in this fun film. --Jae-Ha Kim

Get to Know the Girlfriends From Definitely, Maybe

Elizabeth Banks (Emily)

Isla Fisher (April)

Rachel Weisz (Summer)

Beyond Definitely, Maybe on DVD

More From Ryan Reynolds

Father Daughter Essentials

More Romantic Comedies

Stills from Definitely, Maybe (Click for larger image)

From the makers of Notting Hill and Love Actually comes the charming and irresistibly funny romantic comedy Definitely Maybe. When Will (Ryan Reynolds) decides to tell his daughter (Abigail Breslin) the story of how he met her mother he discovers that a second look at the past might also give him a second chance at the future. Co-starring Elizabeth Banks Rachel Weisz and Isla Fisher it's the heartwarming story that makes you realize it's definitely never too late to go back and maybe find a happy ending.System Requirements:Running Time: 112 minutesFormat: DVD MOVIE Genre: COMEDY/ROMANTIC COMEDY Rating: PG-13 UPC: 025195004503 Manufacturer No: 61100526

Get Smart - Season 1

William Shakespeare's Hamlet (Two-Disc Special Edition)

Hamlet has the kind of power energy and excitement that movies can truly exploit' award-winning actor/director Kenneth Branagh says. In this first-ever full-text film of William Shakespeare's greatest work the power surges through every scene. The timeless tale of murder corruption and revenge is reset in an opulent 19th-century world using sprawling Blenheim Palace as Elsinore and staging much of the action in shimmering-mirrored gold-filled interiors. The excitement of the Bard's words and an adventurous filmmaking style lift the story from its often shadowy ambiance to a fully-lit pageantry and rage. Now presented in an amazing 2-Disc Special Edition.System Requirements:Running Time: 242 minsFormat: DVD MOVIE Genre: DRAMA UPC: 053939268324 Manufacturer No: C2683

It's the greatest work of literature, but nobody had ever filmed Hamlet uncut--until Kenneth Branagh went about the task for his lavish 1996 production. The result is a sumptuous, star-studded version that scores a palpable hit on its avowed goal: to make the text as clear and urgent as possible. Branagh himself plays the melancholy son of the Danish court, caught in a famous muddle about whether to seek revenge against his royal father's presumed slayer… the man who now sits on the throne and shares the bed of Hamlet's mother. (Or, as the song "That's Entertainment" summarizes the plot: "A ghost and a prince meet / And everyone winds up mincemeat.") As a director, Branagh (who shot the movie in 70 mm.) uses the vast, cold interiors of a vaguely 19th-century manor to gorgeous effect; the story might scurry down this hallway, into that back chamber, or sprawl out into the enormous main room. With its endless collection of mirrors, the place is as big and empty as Citizen Kane's Xanadu.

That all works; what doesn't work is Branagh's tendency to over-direct the big dramatic moments. He indulges in quick cutting and flashbacks as though to fend off the audience's objections to the four-hour running time, and the style sometimes looks like wasted energy. The experienced Shakespearians in the cast come off nicely; Derek Jacobi's Claudius, Richard Briers' Polonius, and Michael Maloney's Laertes are just terrific. Julie Christie is a suitably attractive Gertrude, and Kate Winslet makes the most of Ophelia's mad scenes. Branagh's habit of folding in unexpected American performers is on the mark, too: Billy Crystal is surprisingly good as the Gravedigger, Robin Williams predictably camps up Osric, and Charlton Heston is an inspired choice as the grandiloquent Player King. The biggest irony here is that Branagh himself is not quite spot-on as Hamlet. Of course he speaks the lines beautifully, but Branagh's screen personality radiates certainty and clarity of vision; there's little of the doubt that might make him Hamlet-esque. Still, tremendous credit for fending off slings and arrows to get the movie made. --Robert Horton

Short Circuit

John Badham's family-oriented adventure comedy, though obviously hatched in the wake of E.T. and Star Wars, manages to create its own identity through a sweet tone and an affectionate sense of fun. Military robot Number 5, a well-armed killing machine, is zapped by lightning during a test and emerges with a consciousness, curiosity, a wacky sense of humor, and a new peace-loving philosophy. Ally Sheedy (who debuted in Badham's hit WarGames) is the animal lover whose home is sanctuary for a zoo-full of strays and who adopts the adolescent robot. Steve Guttenberg is the goofy but reclusive robotics designer who goes off in search of his creation to save him from the gun-happy army. The mix of gentle slapstick and innocent romance makes for a harmless family comedy. It veers toward the terminally cute, what with 5's hyperactive antics and E.T.-ish voice, and the mangled grammar of Guttenberg's East Indian sidekick (Fisher Stevens) threatens to become offensive, but Badham's breezy direction keeps the film on track. Sheedy and Guttenberg deliver spirited and engaging performances, but most importantly the robot emerges as a real person. Give credit to designer Syd Mead, an army of puppeteers and robotics operators, and the cartoony voice of Tim Blaney: Number 5 is alive. --Sean Axmaker

When a lightning bolt strikes a top secret experimental military robot, it comes to life and escapes to the home of a woman who tries to keep it from being \""repaired\"" by its computer-genius creator.
Genre: Science Fiction
Rating: PG
Release Date: 23-MAR-2004
Media Type: DVD

Hawaii Five-O - The Fourth Season

Could it be that with Hawaii Five-O's fourth season, a third of the way into its remarkable '60s-'70s run, the show has gotten... well, cool? Actually, there are signs throughout this six-disc set of 24 digitally-remastered episodes that point to yes. Let's not get carried away here; Five-O is still basically as square as Tiananmen and Trafalgar, and as long as Steve McGarrett (portrayed, as ever, by Jack Lord) is in charge, its groove factor will never rival that of, say, CSI: Miami, or any other glossy new millennium cop drama. Indeed, the show's corniness and utter lack of irony remain integral to its charm. But there are a few interesting developments in this '71-'72 season. There's a good complement of snappy dialogue (one particularly large perp is "so big he could go bear-hunting with chopsticks"). And although the pacing can be pretty stodgy, the editing is a bit more deft; many scenes flow more naturally, and in at least one instance ("I Want Some Candy, and a Gun that Shoots," wherein a sniper is picking off cops on a coastal highway), the entire episode is more exciting than the Five-0 norm. The direction and lighting are also more stylish, while the music (not just Morton Stevens' classic theme song but the incidental sounds as well) and location scenery, two elements that have always been among the series' strong suits, are as good as ever; in fact, the islands look so lush and inviting that one wonders why the bad guys can even get motivated to commit their dirty deeds.

But they do, of course, and McGarrett and his faithful team (James MacArthur as Danno, Kam Fong as Chin Ho, and, in what remains one of the great TV credits ever, "Zulu as Kono") are there to stop 'em. This time around they're dealing with everything from a big money travelers check scam ("3,000 Crooked Miles to Honolulu," with Jed Clampett... er, Buddy Ebsen as a guest villain), eco-terrorism ("Is This Any Way to Run a Paradise"), political assassination ("Rest in Peace, Somebody"), and racism-rape ("Skinhead"), along with the usual murders and encounters with Red Chinese nemesis Wo Fat (Khigh Dhiegh). McGarrett is for the most part still as stiff as his hair, but Lord occasionally displays considerable passion, as when he breaks down in tears upon being informed that a nasty car accident did not leave him paralyzed (in "The 90-Second War," a two-parter). As always, bonus material is limited to brief, previous-week promos for each episode. --Sam Graham

Filmed entirely on location in Hawaii the show followed Jack Lord as he played Steve McGarrett head of an elite state police unit investigating "organized crime murder assassination attempts foreign agents felonies of every type." James MacArthur played his second-in-command Danny ("Danno") Williams with local actors playing members of the Five-O team.System Requirements:Running Time: 1215 minutesFormat: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 097368920743 Manufacturer No: 892074

Sweeney Todd - The Demon Barber of Fleet Street

Johnny Depp and Tim Burton join forces again in a big-screen adaptation of Stephen Sondheim's award-winning musical thriller "Sweeney Todd." Depp stars in the title role as a man unjustly sent to prison who vows revenge not only for that cruel punishment but for the devastating consequences of what happened to his wife and daughter. When he returns to reopen his barber shop Sweeney Todd becomes the Demon Barber of Fleet Street who "shaved the heads of gentlemen who never thereafter were heard from again." Joining Depp is Helena Bonham Carter as Mrs. Lovett Sweeney's amorous accomplice who creates diabolical meat pies. The cast also includes Alan Rickman who portrays the evil Judge Turpin who sends Sweeney to prison and Timothy Spall as the Judge's wicked associate Beadle Bamford and Sacha Baron Cohen is a rival barber the flamboyant Signor Adolfo Pirelli.System Requirements:Running Time: 116 minutesFormat: DVD MOVIE Genre: HORROR/PSYCHOLOGICAL THRILLER Rating: R UPC: 097363500643 Manufacturer No: 350064

After years of rumors, it turns out that Tim Burton was the perfect visionary to film Sweeney Todd: The Demon Barber of Fleet Street, Stephen Sondheim's Broadway masterpiece, and the result is a macabre and moving musical movie as enthralling as anything Burton has ever done. The show's mix of gothic horror, Grand Guignol, very dark humor, and witty and beautiful music never was the stuff of traditional musical comedy, but it's a powerful work, and perhaps the richest of the late 20th century. In the movie, Burton's frequent collaborator, Johnny Depp, plays Todd, a wronged man whose lust for revenge drives him to murder (an 19th-century legend who has been traced to a real-life barber). Helena Bonham Carter, another Burton mainstay, is Mrs. Lovett, the barber's partner-in-unspeakable-crime. It's no surprise that Depp is an excellent choice to convey Todd's brooding intensity and volcanic rage, but he can also sing a score that is so challenging it has often played in opera houses (though not with the same style as the Broadway original, Len Cariou, and he occasionally lapses into pop style). Bonham Carter is small of voice and lacks the humor of the original Broadway Lovett, Angela Lansbury, but she sings on pitch, in rhythm, and in character at the same time, which is no small feat for a Sondheim show. Aficionados will regret the loss of certain musical passages--"The Ballad of Sweeney Todd" is just an instrumental overture and the chorus is gone altogether, among others--but the reassuring presence of orchestrator Jonathan Tunick and conductor Paul Gemignani ensures that the music feels right and sounds great. And the film's depiction of a Victorian London hellhole--with cinematography by Dariusz Wolski and costumes by Colleen Atwood--also looks and feels right.

The excellent cast is filled out by Alan Rickman as the villainous Judge Turpin, Timothy Spall as his seedy Beadle, Sacha Baron Cohen (Borat) as a rival barber, Jamie Campbell Bower as the young lover Anthony, Jayne Wisener as his object of affection, and Ed Sanders as the young Toby. For fans of Tim Burton and Johnny Depp who don't think they like musicals, Sweeney Todd should be a revelation (though not for the squeamish, as the gore is intense and completely appropriate). For fans of Broadway and Sondheim, it's hard to imagine getting a better adaptation than this. The fact that there's no newly composed Oscar-bait song sung by a Josh Groban-type over the end credits only makes it better. --David Horiuchi

The War - A Film By Ken Burns and Lynn Novick

The War will be a seven - episode series produced by Ken Burns and Lynn Novick that will examine the myriad ways in which the Second World War touched the lives of every family on every street in every town in America. By telling the stories of ordinary people in four quintessentially American towns Waterbury Connecticut; Mobile Alabama; Sacramento California; and the tiny farming town of Luverne Minnesota the series will portray this enormous worldwide catastrophe on an intimate human scale. The War will intertwine vivid eyewitness accounts of the harrowing realities of life on the front lines with reminiscences of Americans who never left their home towns and who tried their best to carry on with the business of daily life while their fathers and brothers and sons were overseas. The film will honor and celebrate the bravery endurance and sacrifice of the generation of Americans who lived through what will always be known simply as The War.System Requirements:TRT: 900 Mins.Format: DVD MOVIE Genre: DOCUMENTARIES/MISC. Rating: NR UPC: 841887052122 Manufacturer No: 705212

Creating epic documentaries about war is nothing new for Ken Burns, nor is the subject of the Second World War, which never ceases to be a popular subject of films and TV shows. Yet with The War, Burns has definitely succeeded in breaking new ground, exploring in depth the effect of the war on common Americans, and not just the soldiers of The Greatest Generation that fought it. As the narration says at the beginning, "The war affected people in every house, on every street in every town in America." This is nothing less than an attempt to show how the war altered the lives of an entire nation through the portrayal of four individuals from four communities--Waterbury, Connecticut; Mobile, Alambama; Luverne, Minnesota; and Sacramento, California--that could represent any town in the country that went through the war. The result is another stunning achievement for Burns and co-director Lynn Novick. Together the filmmaking team succeeds in bringing the war home through the testimonies, letters, and footage of the people from these towns. The storytelling is compelling--Burns and Novick manage to find the most vivid, intimate, and personal dimensions of a global catastrophe--and brought to life with exceptional voice work from marquee stars like Tom Hanks, Alan Arkin, and Samuel L. Jackson. Much of the footage is brilliantly restored; even the most die-hard History Channel buff will see clips here that they've never viewed before. Many old grainy family films look almost as clean and bright as if they were just shot using a modern camera with black-and-white film (keeping in mind that most of the footage was shot without sound, the audio effects work on The War is particularly impressive and should bring attention to the underappreciated work of the foley artist). It took Burns and Novick six years to make this seven-part, 15-hour film--not surprising, really, considering the miles of footage they must have accumulated in the course of their research--and the time and effort shows in the results. The DVD also includes a making-of featurette, deleted scenes, extensive commentaries, and more, in addition to a companion book, The War: An Intimate History. --Daniel Vancini

The Dreamers (Original Uncut NC-17 Version)

A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer

From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

Mannix - The First Season

One of the most fondly remembered and action-packed detective series of the late '60s and early '70s, Mannix was the brainchild creators Richard Levinson and William Link (Columbo, Murder: She Wrote) and executive producer Bruce Geller (Mission: Impossible). Mike Connors won an Emmy as the title character, a tough, streetwise private eye whose hands-on approach to cases raised the hackles of his employers, the scientific-minded Intertect, and his no-nonsense boss Lou Wickersham (Joseph Campanella). Episodes generally saw Mannix taking his share of licks, either from or in the service of that week's guest star (celebs on display in this debut season include Tom Skerritt, Karen Black, Julie Adams, William Windom, and Neil Diamond in Episode 4, "The Many Deaths of Saint Christopher"). The on-screen violence, which earned the show its devoted audience as well as critical outcry, is fairly tame by today's standards, though it preserves the show's energy and drive; the chemistry between Connors and Campanella and especially Emmy winner Gail Fisher as secretary Peggy Fair (one of the first African-American characters to appear as a regular on a television series) also keep the episodes moving at a crisp pace. Modern audiences used to more high-tech crime shows like Num3ers and the CSI franchises may find Mannix's methods sort of quaint, but those who favor classic TV fare or who remember it from its lengthy network and syndicated runs will enjoy tagging along with Joe Mannix all over again.

All 24 episodes of the 1967-1968 debut season are featured on this six-disc set, including the 1967 pilot "The Name is Mannix." Connors himself is all over the DVD--not only is he interviewed with Campanella in a loose but informative featurette about their time together on the show (Wickersham was phased out by its second season in order to let Mannix work for himself), but he provides commentary on several episodes and audio introductions for just about every supplement. These include a promo clip for the show in a CBS TV special announcing the fall 1967 lineup; an interview with Connors on a 1969 episode of The Mike Douglas Show; a Paramount sales reel for prospective syndication broadcasters (with voice-over by the legendary Ernie Anderson); and a clip from a 1997 episode of Diagnosis: Murder in which Connors reprised Mannix to investigate a unsolved murder that was introduced in a '70s-era episode of that series. It's an impressive package, and should give Mannix devotees much to look forward to in regard to upcoming DVDs. --Paul Gaita

From the dynamic opening credits to the closing shootout, Mannix crackles with excitement, and is finally available on DVD for the first time ever! Cool, no-nonsense private detective Joe Mannix (Mike Connors) is a tough-talking loner within the large detective agency Intertect. He has street smarts and class, but he constantly fights with his boss, Lou Wickersham (Joseph Campanella), over how to conduct their investigations. Lou relies on the company's computers, but Mannix has to go with his gut. And that's just what he does every time! One of the most popular crime shows ever, this long-running series was developed by executive producer Bruce Geller (Mission: Impossible), and features all 24 Season One episodes on 6 discs, including the rarely-seen series pilot. Brace yourself for unbeatable action — Mannix is back!

Sweeney Todd - The Demon Barber of Fleet Street (Two-Disc Special Collector's Edition)

Genre: Musicals
Rating: R
Release Date: 1-APR-2008
Media Type: DVD

After years of rumors, it turns out that Tim Burton was the perfect visionary to film Sweeney Todd: The Demon Barber of Fleet Street, Stephen Sondheim's Broadway masterpiece, and the result is a macabre and moving musical movie as enthralling as anything Burton has ever done. The show's mix of gothic horror, Grand Guignol, very dark humor, and witty and beautiful music never was the stuff of traditional musical comedy, but it's a powerful work, and perhaps the richest of the late 20th century. In the movie, Burton's frequent collaborator, Johnny Depp, plays Todd, a wronged man whose lust for revenge drives him to murder (an 19th-century legend who has been traced to a real-life barber). Helena Bonham Carter, another Burton mainstay, is Mrs. Lovett, the barber's partner-in-unspeakable-crime. It's no surprise that Depp is an excellent choice to convey Todd's brooding intensity and volcanic rage, but he can also sing a score that is so challenging it has often played in opera houses (though not with the same style as the Broadway original, Len Cariou, and he occasionally lapses into pop style). Bonham Carter is small of voice and lacks the humor of the original Broadway Lovett, Angela Lansbury, but she sings on pitch, in rhythm, and in character at the same time, which is no small feat for a Sondheim show. Aficionados will regret the loss of certain musical passages--"The Ballad of Sweeney Todd" is just an instrumental overture and the chorus is gone altogether, among others--but the reassuring presence of orchestrator Jonathan Tunick and conductor Paul Gemignani ensures that the music feels right and sounds great. And the film's depiction of a Victorian London hellhole--with cinematography by Dariusz Wolski and costumes by Colleen Atwood--also looks and feels right.

The excellent cast is filled out by Alan Rickman as the villainous Judge Turpin, Timothy Spall as his seedy Beadle, Sacha Baron Cohen (Borat) as a rival barber, Jamie Campbell Bower as the young lover Anthony, Jayne Wisener as his object of affection, and Ed Sanders as the young Toby. For fans of Tim Burton and Johnny Depp who don't think they like musicals, Sweeney Todd should be a revelation (though not for the squeamish, as the gore is intense and completely appropriate). For fans of Broadway and Sondheim, it's hard to imagine getting a better adaptation than this. The fact that there's no newly composed Oscar-bait song sung by a Josh Groban-type over the end credits only makes it better. --David Horiuchi