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10,000 B.C.

10,000 B.C. by Roland Emmerich from Warner Home Video

    The filmmaker who launched a UFO invasion in Independence Day and unleashed the forces of global warming in The Day After Tomorrow now unveils a new day of adventure a time when mammoths shake the earth and mystical spirits shape human fates. Roland Emmerich directs 10000 BC the eye-filling tale of the first hero. That hero is young hunter D?Leh (Steven Strait) set out on a bold trek to rescue his kidnapped beloved (Camilla Belle) and fulfill his prophetic destiny. He?ll face an awesome saber-toothed tiger. Cross uncharted realms. Form an army. And uncover an advanced but corrupt Lost Civilization. There he will lead a fight for liberation ? and become the champion of the time when legend began.System Requirements:Running Time: 109 minutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/HEROES Rating: PG-13 UPC: 085391139683 Manufacturer No: 1000023986

    To anyone who has ever yearned to see woolly mammoths in full stampede across the Alps, 10,000 BC can be heartily recommended. There's also a flock of "terror birds"--lethal ostriches on steroids--in a steaming jungle only a splice away from the heroes' snow-dusted alpine habitat. And lo, somewhere in the vastness of the North African desert lies a city whose slave inhabitants alternately teem like the crowds in Quo Vadis during the burning of Rome and trudge in hieratically menacing formations like the workers in Metropolis. That's pretty much it for the cool stuff. Setting movies in prehistoric times is dicey. Apart from the "Dawn of Man" sequence in 2001: A Space Odyssey, only Quest for Fire makes the grade, and its creators had the good sense to limit the dialogue to grunts and moans. 10,000 BC boasts a quasi-biblical narrator (Omar Sharif) and characters who speak in formed, albeit uninteresting, sentences--including a New Age-y "I understand your pain." But let no one say the storytelling isn't primitive. The narrator speaks of "the legend of the child with the blue eyes" and bingo, here's the kid now. When, grown up to be Camilla Belle, she's carried off by "four-legged demons"--guys on horseback to you--the neighbor boy (Steven Strait) who hankers to make myth with her leads a rescue mission into the great unknown world beyond their mountaintop. His name is D'Leh, which is Held, the German for "knight," spelled backward. So yes, there is some hidden meaning after all.

    10,000 BC is the latest triumph of the ersatz from writer-director Roland Emmerich. Like Stargate (1994), Independence Day (1996), and The Day After Tomorrow (2004) before it, it's shamelessly cobbled together out of every movie Emmerich can remember to pilfer from (though to be fair, the section in pre-ancient Egypt harks back to his own Stargate). Emmerich's saving grace is that his films' cheesiness is so flagrant, his narratives so geared for instant gratification, he can seem like a kid simultaneously improvising and acting out a story in his backyard: "P'tend there's this alien ... p'tend maybe he came from Atlantis or something...." Just don't p'tend it has anything to do with real moviemaking. --Richard T. Jameson

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    Breakfast at Tiffany's (Special Aniversary Collector's Edition)

    Breakfast at Tiffany's (Special Aniversary Collector's Edition) from Paramount

      Winner of two Oscars® the romantic comedy that sparkles like diamonds! The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian Millionaire. George Peppard plays her next-door neighbor a writer who is "sponsored" by a wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this gem-like treat set to Henry Mancini's Oscar®-winning score and the Oscar®-winning Mancini-Johnny Mercer song "Moon River."System Requirements:Running Time 114 Mins.Format: DVD MOVIE Genre: COMEDY Rating: NR UPC: 097360410044 Manufacturer No: 041004

      No film better utilizes Audrey Hepburn's flighty charm and svelte beauty than this romantic adaptation of Truman Capote's novella. Hepburn's urban sophisticate Holly Golightly, an enchanting neurotic living off the gifts of gentlemen, is a bewitching figure in designer dresses and costume jewelry. George Peppard is her upstairs neighbor, a struggling writer and "kept" man financed by a steely older woman (Patricia Neal). His growing friendship with the lonely Holly soon turns to love and threatens the delicate balance of both of their compromised lives. Taking liberties with Capote's bittersweet story, director Blake Edwards and screenwriter George Axelrod turn New York into a city of lovers and create a poignant portrait of Holly, a frustrated romantic with a secret past and a hidden vulnerability. Composer Henry Mancini earned Oscars for the hit song "Moon River" and his tastefully romantic score. The only sour note in the whole film is Mickey Rooney's demeaning performance as the apartment's Japanese manager, an offensively overdone stereotype even in 1961. The rest of the film has weathered the decades well. Edwards's elegant yet light touch, Axelrod's generous screenplay, and Hepburn's mix of knowing experience and naiveté combine to create one of the great screen romances and a refined slice of high society bohemian chic. --Sean Axmaker

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      Flags of Our Fathers [Blu-ray]

      Flags of Our Fathers [Blu-ray] by Clint Eastwood from DreamWorks

        No Description Available.
        Genre: Feature Film-Drama
        Rating: R
        Release Date: 22-MAY-2007
        Media Type: Blu-Ray

        Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

        As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

        Beyond Flags of Our Fathers

        Other World War II DVDs

        Essential DVDs by Director Clint Eastwood

        Flags of Our Fathers by James Bradley

        Stills from Flags of Our Fathers (click for larger image)







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        Sleepless in Seattle (10th Anniversary Edition)

        Sleepless in Seattle (10th Anniversary Edition) by Nora Ephron from Sony Pictures

          Tom Hanks and Meg Ryan star in Nora Ephron's wonderfully romantic comedy about two people drawn together by destiny.Tom Hanks stars as Sam Baldwin a widowed father who thanks to the wiles of his worried son becomes a reluctant guest on a radio call-in show. He's an instant hit with thousands of female listeners who deluge his Seattle home with letters o comfort. Meanwhile inspired in equal parts by Sam's story and by classic Hollywood romance writer Annie Reed (Meg Ryan) becomes convinced that it's her destiny to meet Sam. There are just two problems: Annie's engaged to someone else and Sam doesn t know - yet - that they're made for each other.System Requirements:Running Time: 105 minutesFormat: DVD MOVIE Genre: COMEDY Rating: PG UPC: 043396016323 Manufacturer No: 01632

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          The Patriot (Special Edition)

          The Patriot (Special Edition) by Roland Emmerich from Sony Pictures

            When the British arrive at his South Carolina home, French and Indian War hero Benjamin Martin takes up arms again to protect his family after swearing off violence and fighting.
            Genre: Feature Film-Drama
            Rating: R
            Release Date: 6-MAR-2007
            Media Type: DVD

            Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.

            On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon

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            Stargate (Ultimate Edition)

            Stargate (Ultimate Edition) by Roland Emmerich from Lions Gate

              Before they unleashed the idiotic mayhem of Independence Day and Godzilla, the idea-stealing team of director Roland Emmerich and producer-screenwriter Dean Devlin concocted this hokey hit about the discovery of an ancient portal capable of zipping travelers to "the other side of the known universe." James Spader plays the Egyptologist who successfully translates the Stargate's hieroglyphic code, and then joins a hawkish military unit (led by Kurt Russell) on a reconnaissance mission to see what's on the other side. They arrive on a desert world with cultural (and apparently supernatural) ties to Earth's ancient Egypt, where the sun god Ra (played by Jaye Davidson from The Crying Game) rules a population of slaves with armored minions and startlingly advanced technology. After being warmly welcomed into the slave camp, the earthlings encourage and support a rebellion, and while Russell threatens to blow up the Stargate to prevent its use by enemy forces, the movie collapses into a senseless series of action scenes and grandiose explosions. It's all pretty ridiculous, but Stargate found a large and appreciative audience, spawned a cable-TV series, and continues to attract science fiction fans who are more than willing to forgive its considerable faults. --Jeff Shannon

              Operation Petticoat

              Operation Petticoat by Blake Edwards from Republic Pictures

                Blake Edwards's delightful 1959 comedy stars Cary Grant as a World War II submarine captain whose preference for a by-the-book command reluctantly yields to certain realities. Chief among those is that Grant's first officer (Tony Curtis, who impersonated Grant that same year in Billy Wilder's Some Like It Hot), a shameless hustler, is better than the navy at delivering whatever supplies the ship and crew need to keep going. But when Curtis sneaks a handful of Philippine refugees and several gorgeous nurses onto the all-male sub, the skipper not only has to cool down his crew but deal with an unexpected feminine influence on ship protocol. The film is a great deal of fun, sprinkled with the director's trademark sight gags (including one of Edwards's best, involving a torpedo and jeep), and graced with his unmistakable lilt. Grant is in great form, his comic brilliance almost impossibly effortless. --Tom Keogh

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                You've Got Mail

                You've Got Mail by Nora Ephron from Warner Home Video

                  Neigborhood bookstore rivals unwittingly become e-mail pen pals in this charming remake of The Shop Around the CornerRunning Time: 119 min.System Requirements:ACTORS Jane Adams Reiko Aylesworth Michael Badalucco Heather Burns David Chappelle Dabney Coleman Elwood Edwards Kate Finneran Tom Hanks Hallie Hirsh Greg Kinnear Parker Posey John Randolph Meg Ryan Katie Sogona Howard Spiegel Jean Stapleton Steve Zahn LENGTH 2 hrs RATING PG ComedyFormat: DVD MOVIE Genre: COMEDY Rating:  UPC: 085391695424 Manufacturer No: 16954

                  By now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles. In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.

                  The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device. The script, cowritten by the director and her sister, Delia Ephron, updates and relocates the Ernst Lubitsch classic, The Shop Around the Corner, to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan). Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.

                  It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention of Manhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland

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                  Unforgiven

                  Unforgiven by Clint Eastwood from Warner Home Video

                    Winner of four Academy Awards, including best picture, director, supporting actor, and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarized everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalized a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colorful role for Richard Harris, it's arguably Eastwood's crowning directorial achievement. The digital video disc offers standard and widescreen formats and a remastered soundtrack. --Jeff Shannon

                    Clint Eastwood and Morgan Freeman play retired, down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey. Richard Harris is an ill-fated interloper, a colorful killer-for-hire called English Bob. And Best Supporting Actor Oscar winner Gene Hackman is the sly and brutal local sheriff whose brand of law enforcement ranges from unconventional to ruthless.

                    DVD Features:
                    Production Notes
                    Theatrical Trailer

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                    Independence Day (Single Disc Widescreen Edition)

                    Independence Day (Single Disc Widescreen Edition) by Roland Emmerich from 20th Century Fox

                      In Independence Day, a scientist played by Jeff Goldblum once actually had a fistfight with a man (Bill Pullman) who is now president of the United States. That same president, late in the film, personally flies a jet fighter to deliver a payload of missiles against an attack by extraterrestrials. Independence Day is the kind of movie so giddy with its own outrageousness that one doesn't even blink at such howlers in the plot. Directed by Roland Emmerich, Independence Day is a pastiche of conventions from flying-saucer movies from the 1940s and 1950s, replete with icky monsters and bizarre coincidences that create convenient shortcuts in the story. (Such as the way the girlfriend of one of the film's heroes--played by Will Smith--just happens to run across the president's injured wife, who are then both rescued by Smith's character who somehow runs across them in alien-ravaged Los Angeles County.) The movie is just sheer fun, aided by a cast that knows how to balance the retro requirements of the genre with a more contemporary feel. --Tom Keogh

                      One of the biggest box office hits of all time delivers the ultimate encounter when mysterious and powerful aliens launch an all-out invasion against the human race. The spectacle begins when massive spaceships appear in Earth's skies. But wonder turns to terror as the ships blast destructive beams of fire down on cities all over the planet. Now the world's only hope lies with a determinded band of survivors, uniting for one last strike against the invaders - before it's the end of all mankind.

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