Eastwood, Clint

Unforgiven

Winner of four Academy Awards, including best picture, director, supporting actor, and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarized everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalized a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colorful role for Richard Harris, it's arguably Eastwood's crowning directorial achievement. The digital video disc offers standard and widescreen formats and a remastered soundtrack. --Jeff Shannon

Clint Eastwood and Morgan Freeman play retired, down-on-their-luck outlaws who pick up their guns one last time to collect a bounty offered by the vengeful prostitutes of the remote Wyoming town of Big Whiskey. Richard Harris is an ill-fated interloper, a colorful killer-for-hire called English Bob. And Best Supporting Actor Oscar winner Gene Hackman is the sly and brutal local sheriff whose brand of law enforcement ranges from unconventional to ruthless.

DVD Features:
Production Notes
Theatrical Trailer

Midnight in the Garden of Good and Evil

Academy award-winning director Clint Eastwood helms this story based on John Berendt's best-selling book examining contemporary events and unique characters in picturesque Savannah Georgia following a shocking murder. The most important party of the Savannah Christmas season ends with a bang! when affable host Jim Williams shoots a man to death. The party is over and the mystery begins.Running Time: 156 min.System Requirements:Widescreen Format ("matted" to preserve the aspect ratio of original theatrical exhibition enhanced for widescreened TVs) Languages: English (5.1 Dolby Digital Surround) and French (Dolby Stereo Surround) Theatrical Trailer Production Notes and Interactive Menus Closed Captioning and Dual-layer Format Additional Information Special Features: Featurette Interactive Menus Interviews Production Notes Theatrical Trailer Video Format: Widescreen (no A.R. specified) Enhanced for 16x9 TVs Subtitles: English Spanish French Track Info: English: Dolby Digital 5.1 Surround French: Dolby Digital 5.1 Surround Closed Captioning: Yes # Discs: 1Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391477624

Readers of John Berendt's bestselling novel were bound to be at least somewhat disappointed by this big-screen adaptation, but despite mixed reaction from critics and audiences, there's still plenty to admire about director Clint Eastwood's take on the material. Readers will surely miss the rich atmosphere and societal detail that Berendt brought to his "Savannah story," and the movie can only scratch the surface of Georgian history, tradition, and wealthy decadence underlying Berendt's fact-based murder mystery. Still, Eastwood maintains an assured focus on the wonderful eccentrics of Savannah, most notably a gay Savannah antiques dealer (superbly played by Kevin Spacey), who may or may not have killed his friend and alleged lover (Jude Law). John Cusack plays the Town & Country journalist who arrives in Savannah to find much more than he bargained for--including the city's legendary drag queen Lady Chablis (playing "herself")--and John Lee Hancock's smoothly adapted screenplay succeeds in bringing Berendt's characters vividly to life with plenty of flavorful dialogue. In similar fashion to Warner's acclaimed DVD of L.A. Confidential, this classy DVD includes a behind-the-scenes documentary titled The Real People in the Garden and an interactive map tour of Savannah and its most celebrated (or notorious) citizens. The original theatrical trailer is also included. --Jeff Shannon

Letters from Iwo Jima (Two-Disc Special Edition)

Critically hailed as an instant classic, Clint Eastwood's Letters from Iwo Jima is a masterwork of uncommon humanity and a harrowing, unforgettable indictment of the horrors of war. In an unprecedented demonstration of worldly citizenship, Eastwood (from a spare, tightly focused screenplay by first-time screenwriter Iris Yamashita) has crafted a truly Japanese film, with Japanese dialogue (with subtitles) and filmed in a contemplative Japanese style, serving as both complement and counterpoint to Eastwood's previously released companion film Flags of Our Fathers. Where the earlier film employed a complex non-linear structure and epic-scale production values to dramatize one of the bloodiest battles of World War II and its traumatic impact on American soldiers, Letters reveals the battle of Iwo Jima from the tunnel- and cave-dwelling perspective of the Japanese, hopelessly outnumbered, deprived of reinforcements, and doomed to die in inevitable defeat. While maintaining many of the traditions of the conventional war drama, Eastwood extends his sympathetic touch to humanize "the enemy," revealing the internal and external conflicts of soldiers and officers alike, forced by circumstance to sacrifice themselves or defend their honor against insurmountable odds. From the weary reluctance of a young recruit named Saigo (Kazunari Ninomiya) to the dignified yet desperately anguished strategy of Japanese commander Tadamichi Kuribayashi (played by Oscar-nominated The Last Samurai costar Ken Watanabe), whose letters home inspired the film's title and present-day framing device, Letters from Iwo Jima (which conveys the bleakness of battle through a near-total absence of color) steadfastly avoids the glorification of war while paying honorable tribute to ill-fated men who can only dream of the comforts of home. --Jeff Shannon

On the DVDs
Like the film itself, the two-disc special edition of Letters from Iwo Jima is predominantly Japanese in content, and that's as it should be. Disc 1 presents the film in a flawless widescreen transfer, with a Dolby Digital 5.1 Surround soundtrack that perfectly captures the film's wide dynamic range. The optional subtitles can be turned off for those wishing to immerse themselves in a completely Japanese viewing experience. Disc 2 opens with "Red Sun, Black Sand: The Making of Letters from Iwo Jima," a 20-minute behind-the-scenes documentary that concisely covers all aspects of production, from director Clint Eastwood's initial decision to create a companion piece to Flags of Our Fathers, to interview comments from principal cast and crew, the latter including Flags screenwriters Paul Haggis and Letters screenwriter Iris Yamashita, costume designer Deborah Hopper, editor Joel Cox, cinematographer Tom Stern, production designer James Murakami (taking over for the ailing Henry Bumstead), and coproducer Rob Lorenz. "The Faces of Combat" is an 18-minute featurette about selecting the Japanese (and Japanese-American) cast of Letters, and how they were chosen through the international collaboration of Eastwood's long-time casting director Phyllis Huffman (who turned over some of her duties to her son while struggling with terminal illness) and Japanese casting associate Yumi Takada, who filled important roles with Japanese celebrities (like pop star Kazunari Ninomiya, who plays "Saigo") and unknown actors alike.

"Images from the Frontlines" is a 3.5-minute montage of images from the film and behind-the-scenes, set to the sparse piano theme of Eastwood's original score. The remaining bonus features chronicle the world premiere of Letters in Tokyo on November 15, 2006. The premiere itself is covered in a 16-minute featurette taped at the famous Budokan arena, where we see the red-carpet procession, a full-capacity audience despite cold November weather, and introductory comments from the film's primary cast and crew, many of them quite moving with regard to the satisfaction of working on a film that helps Japanese viewers come to terms with a painful chapter of their history. The following day's press conference (at the Grand Hyatt Tokyo hotel) is a 24-minute Q&A session covering much of the same territory, with additional testimony from principal cast & crew. Throughout this two-day event, it's clear that Eastwood (referring to himself as "a Japanese director who doesn't speak the Japanese language") was warmly embraced by the Japanese, and that Letters from Iwo Jima had served its intended purpose, reminding us of the horrors of war while uniting both Japanese and Americans in somber reflection, 61 years after the battle of Iwo Jima. --Jeff Shannon

Nominated for 4 Academy Awards including Best Picture Clint Eastwood's Letters from Iwo Jima tells the untold story of the Japanese soldiers who defended their homeland against invading American forces during World War II. With little defense other than sheer will and the volcanic rock of Iwo Jima itself the unprecedented tactics of General Tadamichi Kuribayashi (Ken Watanabe The Last Samurai) and his men transform what was predicted to be a swift defeat into nearly 40 days of heroic and resourceful combat. Their sacrifices struggles courage and compassion live on in the taut gripping film Rolling Stone calls "unique and unforgettable." It is the powerful companion piece to Flags of Our Fathers.Running Time: 140 min.Format: DVD MOVIE Genre: DRAMA UPC: 085391112921 Manufacturer No: 111292

Flags of Our Fathers (Widescreen Edition)

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler's List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley's father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father's experiences until after the elder Bradley's death in 1994.

Play Misty for Me

Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very '70s trappings presented here may ultimately be too dated to be taken seriously (including a very self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the '80s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit). A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff, and The Beguiled, to name but a few) has a nice cameo as Murphy, the mustachioed, chess-playing bartender. --Andrew Wright

Absolute Power

Director Clint Eastwood's 1997 box-office hit stars himself as Luther Whitney, a highly skilled thief who finds himself in the wrong place at the wrong time, witnessing the murder of a woman involved in a secret tryst with the U.S. president (played by Gene Hackman). Determined to clear his name, Whitney cleverly eludes a tenacious detective (Ed Harris) while investigating a corruption of power reaching to the highest level of government. Adapted by veteran screenwriter William Goldman from David Baldacci's novel, this thriller balances expert suspense with well-drawn characters and an intelligent plot that's just a pounding heartbeat away from real White House headlines. Absolute Power features the great Judy Davis in a memorable supporting role as the White House chief of staff who desperately attempts to cover up the crime. --Jeff Shannon

He was where he shouldn't have been and saw what he shouldn't have seen. Now who will believe the word of a career thief and ex-con? Who will trust Luther Whitney when he says he saw a woman killed and that the man responsible for her death is the President of the United States? Clint Eastwood portrays Whitney and directs this crisp finely acted thriller based on David Baldacci's best-selling novel. A stellar cast which includes Gene Hackman and Ed Harris creates well-rounded characters that intensify constantly spiraling game of cat and mouse between Whitney local police and the highest levels of White House power. Eastwood is a master at steadily raising the stakes in thrillers. Here his mastery is absolute.Running Time: 122 min.System Requirements:Starring: Clint Eastwood Gene Hackman Laura Linney Ed Harris Special Features: Interactive Menus Production Notes Video Format: Widescreen 1.85:1 aspect ratio Standard 1.33:1 (4.3) Enhanced for 16x9 TV s Subtitles: English Spanish French Track Info: English: Dolby Digital 5.1 Surround Closed Captioning: Yes # Discs: 1 # Sides: Dual Running Time: 121 minutes; Closed Captioned. Copyright: 1997 Warner Bros.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 012569250826

Flags of Our Fathers [Blu-ray]

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 22-MAY-2007
Media Type: Blu-Ray

Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities - and resentful pawns in a wartime publicity campaign - after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Mystic River (Widescreen Edition)

Superior acting, writing, and direction are on impressive display in the critically acclaimed Mystic River, Clint Eastwood's 24th directorial outing and one of the finest films of 2003. Sharply adapted by L.A. Confidential Oscar-winner Brian Helgeland from the novel by Dennis Lehane, this chilling mystery revolves around three boyhood friends in working-class Boston--played as adults by Tim Robbins, Sean Penn, and Kevin Bacon--drawn together by a crime from the past and a murder (of the Penn character's 19-year-old daughter) in the present. These dual tragedies arouse a vicious cycle of suspicion, guilt, and repressed anxieties, primed to explode with devastating and unpredictable results. Eastwood is perfectly in tune with this brooding material, giving his flawless cast (including Laura Linney, Marcia Gay Harden and Laurence Fishburne) ample opportunity to plumb the depths of a resonant human tragedy, leading to an ambiguous ending that qualifies Mystic River for contemporary classic status. --Jeff Shannon

Drama. Mystic River tells the story of three men whose dark, interwoven history forces them to come to terms with a brutal murder on the mean streets of Boston.

Bird

Clint Eastwood's moody, evocative direction and Forest Whitaker's strong, sensitive performance are the chief proponents to recommend an otherwise muted biopic of '40s jazz legend Charlie Parker, who fell victim to his chemical excesses and convinced the doctor who pronounced him dead that he was a good four decades older than he actually was. The film doesn't try to assign clear blame for Parker's demons, though the era's racism is addressed unflinchingly. Clearly a labor of love, Eastwood's movie structurally attempts to ape the angular music of bebop itself (there are flashbacks within flashbacks, which gets a little confusing), but doesn't quite capture the smolder of the period. Diane Venora registers strongly as Bird's wife, Chan, the woman who can't rescue Bird from the abyss into which he peers. --David Kronke

Bird The year: 1946. The event: Oakland's "Jazz at the Philharmonic." The music streaked into the unknown, daring listeners to grab hold and fly there, too. On stage was the creator of those new sounds: Charles "Yardbird" Parker. In the crowd was the 16-year-old who would someday bring Parker's extraordinary story to the screen: Clint Eastwood. "Americans don't have any original art except Western movies and jazz," observes Eastwood. Movie fans, of course, know that few heroes sit as tall in the saddles as Eastwood. Now the legendary America icon, whose Dirty Harry films have been praised for their jazz scores, ventures deeper into that other original American art. Eastwood produces and directs Bird, a film burnished with the magic of that 1946 concert encounter between legend and future legend and honored with an Academy Award for Best Sound in its spellbinding recreation of a man and his music. Like jazz itself, Bird rings with counterpoints and embellishments. Past and future overlap as the film explores Yardbird's soaring skill and destructive excesses. Forest Walker (Good Morning Vietnam, The Color of Money), in his Cannes Film Festival Best Actor performance, is a candle ablaze at both ends as Parker. Diane Venora (Wolfen, Ironweed, F/X) shares that glorious light, winning the New York Film Critics Circle Best Supporting Actress Award for her portrayal of steadfast wife Chan Parker. For Bird's wall-to-wall-to-everywhere digitally-processed Surround Stereo soundtrack, Eastwood went to the source: Parker's recordings (including cuts never before released). Backgrounds were electronically eliminated. These parker "solos" were then rerecorded with accompaniment by modern musicians attuned to Yardbird's bold improvisations. It's "like Bird was in the studio," says music supervisor Lennie Niehaus. He's elsewhere, too. That's why jazz buffs and now film fans have a saying 'Bird liv

True Crime

Not enough people went to see True Crime in theaters. Wasn't Clint Eastwood too old to be playing a guy whom a variety of glorious women, from the middle-aged Diane Venora and Laila Robins to the young Mary McCormack and Lucy Liu, find attractive? Could the onetime Man with No Name credibly play a brilliant crime reporter, Steve Everett, with an ironic turn of phrase and an incurable habit of screwing up both his personal and professional lives? The respective answers to those questions are: hell no and hell yes. True Crime features one of Eastwood's best and most entertaining performances--and his work as director is utterly assured.

The story (from Andrew Klavan's bestselling novel) gives Everett the last-minute assignment of interviewing a condemned man (Isaiah Washington) on the eve of his execution. The prisoner, a born-again Christian and exemplary family man, has everything the reporter lacks except a shot at seeing the next sunrise. Everett sets out to get him that, yet far from making a beeline to the exculpatory evidence that will save the life of his "client," this very tarnished hero has to spend a lot of the next 24 hours contending with the baggage he's accumulated through drinking, wenching, and familial neglect. (A Pirandellian note: Everett's daughter is played by Eastwood's own daughter, Francesca Fisher-Eastwood, and her mother, Frances Fisher, returns for a feisty cameo as a prosecutor.)

This is a good one that got away. Don't let it happen again. -- Richard T. Jameson