Erman, John

Gomer Pyle, U.S.M.C. - The Complete First Season

Studio: Paramount Home Video Release Date: 05/20/2008

Golll-eeeee! The '60s' favorite TV country bumpkin, Gomer Pyle, won the hearts of viewers on The Andy Griffith Show, and spun off in to his own wildly popular series, Gomer Pyle U.S.M.C.. As the eternally cheery and clueless Gomer, Jim Nabors gives a comic tour de force performance as a newbie Marine under the command of the short-tempered Sgt. Carter, played with demonic fervor by Frank Sutton. Are Pyle and Sgt. Carter bitter foes or comedic sidekicks? "Surprise, surprise, surprise"--the secret to their chemistry was that the actors and characters were both, inseparable and adorable in their signature ways. The scrapes Gomer gets into are fairly routine and never exactly threaten national security, but Nabors' guileless delivery makes viewers tune in for more; the belly laughs are real. The boxed set includes engaging audio commentary by Nabors, who clearly still holds a lot of affection for his hapless alter-ego, as well as all 30 first-season episodes, and the pilot, which actually aired on The Andy Griffith Show. Other gems from the archive treasure trove include appearances by Nabors on The Lucy Show, The David Frost Show, and Nabor's own variety show, which also showcased his accomplished singing. Shazam! --A.T. Hurley

Gomer Pyle, U.S.M.C. - The Second Season

All 30 hilarious 2nd season episodes on 5 discs Studio: Paramount Home Video Release Date: 05/20/2008 Starring: Jim Nabors Frank Sutton Run time: 720 minutes Rating: Nr

Thanks (but no thanks) to Full Metal Jacket, the name of "Gomer Pyle" is associated with a demented, suicidal screw-up. That's not the Gomer (Jim Nabors) we know and love! Sure, our Gomer may be, in the mentoring words of his bellowing Sgt. Carter (Frank Sutton), a "lunkhead," "yo-yo," "knucklehead," and "meatball," who invariably "pulls some beauts." But his heart is always in the right place, as in the episode "PFC Gomer Pyle," in which the newly promoted Private First Class unwittingly cancels Carter's Hawaiian furlough thinking it is a request for a permanent transfer. Our Gomer is unfailingly honest. In "Gomer and the Phone Company," he is arrested for trying to put back ill-gotten money he received from a malfunctioning pay phone. And, our Gomer is forthright, as in "Gomer and the Beast," in which he stands up to a feared, abusive sergeant (guest star Michael Conrad) who takes his waitress girlfriend for granted.

Gomer Pyle U.S.M.C., a spinoff of The Andy Griffith Show, was one of the "surprise, surprise, surprise" hits of its day. In this second season (its first in color), it ranked second to Bonanza in the Nielsen ratings. That Nabors and Sutton were never even nominated for Emmys is a TV Land injustice. Nabors, especially, finds new music in what could have been a one-note bumpkin character (he even demonstrates his unexpected baritone singing voice in "Arrivederci, Gomer"). Providing expert support are Ted Bessell (That Girl) and Ronnie Schell (who demonstrates his standup comedy chops in "Duke Slater, Nightclub Comic") as Gomer's Marine buddies. Look sharp for two future M*A*S*H stars, Jamie Farr in "Gomer Pyle, P.O.W." and, in a couple of episodes, William Christopher. Making welcome visits from Mayberry are George Lindsay in the mistaken-identity episode, "A Visit from Cousin Goober," and Ron Howard in "Opie Joins the Marines," in which Carter bonds with the runaway Opie and, movingly, hints at a less than nurturing relationship with his own father. "The world has changed a lot since I was a kid," he remarks when Andy (Andy Griffith) arrives to retrieve his son, and puts a reassuring arm around the boy's shoulder. Television has changed, too, in the more than 40 years since these still funny episodes were first broadcast. Prime time could use another Gomer, with his boundless optimism, unwavering character and try, try again attitude. --Donald Liebenson

Gomer Pyle U.S.M.C.: The Fourth Season

Studio: Paramount Home Video Release Date: 05/20/2008 Rating: Nr

In a representative moment from Gomer Pyle's fourth season, Gomer, on a weekend pass, enthusiastically anticipates a glass blowing demonstration. Not for him the local bar or burlesque club favored by his barracks mates. "Sounds like a 'don't miss,'" he proclaims. And between a visit from Aunt Bea, a trip to Washington, D.C., a commanding guest star turn by Carol Burnett, and a return to Mayberry, so is Gomer Pyle's fourth season. Far from lagging in its penultimate season, this series had not lost a step (it was the No. 3-rated show that year), thanks to Jim Nabors' indelible embodiment of sweet and simple Gomer, who, to quote Sgt. Carter (Frank Sutton), has "a soft heart and a soft head." Gomer may still be "a lunkhead" at times, but he can always be counted on to do the right thing. In "Gomer and the Privileged Character," he pulls all-nighters to make up for the work he misses during the day while rehearsing for a concert. In "Gomer, the Good Samaritan," he is compelled to come to the aid of distressed strangers while en-route to pick up a general. The showcase for this season is the four-episode story arc that packs Gomer and Sgt. Carter to our nation's capitol for a concert to be attended by the President of the United States. The stirring Capra-esque climax finds Gomer, hoarse from stage fright, taking inspiration from the Lincoln Memorial, and regaining his voice while reading aloud the Gettysburg Address. Another standout episode features a welcome appearance by Frances Bavier as Aunt Bea, who insists on helping Gomer with barracks duty (anyone who's ever fantasized about what Bea would look like in fatigues, here's your chance). Carol Burnett is hard-driving "Corporal Carol," whom the unwitting Gomer sweeps off her feet, causing a rift with his girlfriend, Lou-Ann Poovie (Elizabeth MacRae; she of the honey-dripping voice). Gomer endearingly wears his heart on sleeve, and in the episode, "The Better Man," he declares his love for Lou-Ann to her initially disapproving father. By the fourth season, the great Ronnie Shell is gone, but a pre-M*A*S*H William Christopher appears as a fellow private, while Roy Stuart makes a fine straight man for Sutton as Cpl. Boyle. Too bad that Andy, Opie, and Goober are out of town when Gomer visits Mayberry (nitpick: Wouldn't someone have written him that Floyd had retired and Emmett had set up shop?), but keep your eyes open as Gomer gets on the bus out of town. With nary a topical reference (you'd never know the Vietnam War was raging) these episodes hold up well. There is no one like Gomer left in prime time, and he is dearly missed. As a grateful panhandler whom Gomer helps out in one episode observes, "I'm glad there's a few kind people left in this world." Or at least on DVD. --Donald Liebenson

The Fugitive - Season Two, Vol. 1

Studio: Paramount Home Video Release Date: 06/10/2008

The relentless Lt. Gerard (Barry Morse) has always insisted that capturing fugitive Richard Kimble (David Janssen) was just "unfinished business." But in "The Nemesis," an essential episode that is one of the highlights of this half-season set, it's personal. An unwitting Kimble has stolen Girard's car to make a getaway, not knowing that it contains Girard's young son, Phil, Jr. (Kurt Russell). Phil Jr. is a chip off the old block (he cleverly leaves a trail of his precious football cards to point his father in the right direction), but a selfless act by Kimble raises doubts in the boy's mind. "You and dad can't both be right," he questions. This is just one of the compelling human dramas at the heart of one of television's Most Wanted series. Now in his second year on the run after escaping from the Death Row-bound train, Kimble is "tired of looking over his shoulder… tired of running." In "Escape Into Black," he visits a small-town diner and loses his memory after the gas stove explodes. In "When the Bough Breaks," he hops a freight car that also carries a traumatized woman who has abducted a baby. Until he can find the one-armed man (Bill Raisch) he witnessed running from his home the night his wife was killed, he will have to endure "another shabby room, another lonely night." Not that Kimble doesn't have his champions. In the season-opener, "Man in a Chariot," a college law professor, argues Kimble's case before his students in a mock trial. In "World's End," the daughter (Suzanne Pleshette) of his former defense attorney contacts Kimble with potentially devastating news about the ever-elusive one-armed man and schemes to run away with him. In "Escape into Black," a compassionate hospital welfare caseworker (Betty Garrett) tries to find the one-armed man while Kimble recovers.

The episodes in this set maintain an unflagging pace, thanks to taut direction (the late Sydney Pollack directed "Man on a String," in which Kimble is a very reluctant witness in a murder case) and excellent scripts (George Eckstein, who wrote "Man in a Chariot" and "When the Bough Breaks" would co-write The Fugitive's final episode, a television benchmark). Among the great character actors who guest star in these episodes include Tuesday Weld as a manipulative and very twisted sister in "Dark Corner," Slim Pickens as a poacher in "Nemesis," and Ivan Dixon as a doctor who discovers Kimble's identity in "Escape Into Black." The Fugitive taps into the primal fear that was one of Hitchcock's favorite themes: What would you do if you were falsely accused? Janssen is unforgettable in his signature role as the man whose every instinct is to flee the scene and not get involved with the strangers whose paths he crosses. But we offer viewers the same advice the professor gives Kimble in "Chariot": "All I ask is that you stay around and see what happens." --Donald Liebenson

Alex Haley's Queen

Studio: Warner Home Video Release Date: 01/15/2008 Rating: Nr

Roots - The Next Generations

Studio: Warner Home Video Release Date: 10/09/2007 Rating: Nr

Roots rocked the cultural landscape in the late '70s, creating a new wave of awareness of black history. That wave opened the door for its sequel, Roots: The Next Generations, even more of a star-studded event than the original, with stars like Olivia de Havilland, Henry Fonda, Marlon Brando, and James Earl Jones eager to partake in the tale. The sequel follows the rest of the saga of the family of author Alex Haley, from where Roots ended at the Civil War, up to the 1970s when Haley was researching and writing his earth-shattering family story.

While nothing can rival the power of the original Roots' unflinching look at the slave trade and slave life in the early years of this country, the sequel is still full of rich African American history, from Reconstruction, to Jim Crow, to the civil rights movement and the early rumblings of black power. Fonda and de Havilland are respectable in their period-piece roles, but the real power of this sequel is in the more immediate concerns of Haley and his own experience of prejudice while building a stellar reputation as a writer and journalist in the '60s and '70s. One of the most unsettling scenes takes place then, when Haley interviews the head of the American Nazi Party, played with chilling diffidence by Brando. (Brando won an Emmy for this performance.) Haley is also challenged by his fractious interview with Malcolm X (a gripping Al Freeman Jr.). Jones launches his acting career playing Haley with nuance and heart, but with a humanizing set of his own demons.

The four-disc set includes all seven episodes plus a compelling documentary, Roots: The Next Generations--The Legacy Continues, with interviews with Jones, costar and episode director Georg Stanford Brown and a still starry-eyed David L. Wolper, who understands the cultural impact of the two miniseries he helped bring to the screen. --A.T. Hurley

Stella

A lower class mother selflessly sends her daughter to her upper crust father and his wife so she can have a better life. Studio: Buena Vista Home Video Release Date: 03/01/2005 Starring: Bette Midler John Goodman Run time: 109 minutes Rating: Pg13

Victoria & Albert

Recasting history as a particularly lavish soap opera, Victoria and Albert sets the story of the relationship between the queen and her consort against a background of family strife and political wrangling. Sticklers for accuracy might be disappointed, but the strong cast and lavish production values make for an entertaining film.

Victoria is barely 18 when her uncle King William IV dies. She is introduced by the family adviser to a young German prince called Albert, and in spite of their initial indifference to one another and a great deal of political opposition, they fall in love. Marriage brings its own problems, however, and as Victoria, grows from an inexperienced young woman into a shrewd and powerful monarch Albert struggles to find a role for himself in both the family and the nation.

The relationship between Victoria and Albert was a remarkable one and this film, while occasionally erring on the side of sentiment, brings that relationship to life. The young leads are charming, but it is the supporting cast of British acting stalwarts--including Nigel Hawthorne, David Suchet, and Diana Rigg--who make Victoria and Albert truly worth watching. --Simon Leake

Scarlett

This soapy but highly watchable television "sequel" to Gone with the Wind, the most popular Hollywood movie ever made, has nothing to do with memories of a vanished antebellum South. But it does end up in Ireland, where the determined Scarlett O'Hara Butler (played with frosty passion by Joanne Whalley-Kilmer) turns hard times into an opportunity by buying the ancestral home of her family. Before that happens, however, Scarlett fights to win back the estranged Rhett Butler (manfully portrayed by Timothy Dalton), often seen in the company of other women, struggles for control over the homestead Tara, and gets caught in yet another compromising position with poor Ashley Wilkes (Stephen Collins). The troubles never stop (Scarlett's Ireland adventures land her in a heap of trouble from which only Rhett can save her), but this TV miniseries wisely keeps the focus on these captivating characters, their entangled histories, and the collective destiny that refuses to part them. The show also looks good: the location scenes in Ireland are particularly handsome, and there is something unaccountably satisfying about seeing Scarlett and Rhett walking through peaceful green hills. Enjoy. --Tom Keogh

An Early Frost

This award-winning TV drama portrays an average American family who must cope with the realization that their homosexual son is dying of AIDS. Contains outstanding performances and exerts commendable effort in use of subject matter.System Requirements:Running Time 97 Mins.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 754703762603 Manufacturer No: WOL4246D

Get out your handkerchiefs. Though An Early Frost was made for television in 1985--in the first few years of AIDS awareness and research--it's still as potent and wrenching as more sophisticated efforts that came along a short while later (Philadelphia, And the Band Played On, Longtime Companion). Much of the thanks goes to a stellar cast--Aidan Quinn, Gena Rowlands, and Ben Gazzara--who elevate a familiar, familial tale of conflict that begins when a successful lawyer son (Quinn) comes home to make peace with his enabling, compassionate mother (Rowlands) and disgusted, confused father (Gazzara) who cannot reconcile himself to his son's gay lifestyle.

Director John Erman crafts a stark, wintry movie, its title a metaphor for a life cut short. An Early Frost was lauded for its compassion, and though it seems a little patronizing now after the many films with similar themes and variations, this was the first to bring gay life as something normal into the average living room, and it holds up pretty well. After all, the humanistic, family element is what the film strives to convey, and that theme is always universal. --Paula Nechak