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Imamura, Shohei

 
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The Ballad of Narayama

The Ballad of Narayama by Shohei Imamura from Animeigo

    In a small village in a remote valley everyone who reaches the age of 70 is banished to the top of Mt. Narayama to die so as not to be a burden on the village and bring disgrace upon their family. Old Orin is 69 and despite being in good health in the coming winter it will be her turn to leave. But first there are things to do and a score or two to settle.System Requirements:Running Time: 130 minutes Language: Japanese Subtitles: EnglishFormat: DVD MOVIE Genre: DRAMA/REDEMPTION UPC: 737187011955 Manufacturer No: ANM-DV1195

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    Vengeance Is Mine - Criterion Collection

    Vengeance Is Mine - Criterion Collection by Shohei Imamura from Criterion Collection

      Long before Vengeance Is Mine, American directors like Jules Dassin (Naked City) invested the procedural with journalistic detail. Similarly, Japan's Shohei Imamura (The Eel) lays out all the facts for the viewer's delectation: names, dates, times of death, and methods of execution, i.e. "skull crushed with blunt object." (In the DVD booklet, Michael Atkinson compares him to journalist-turned-filmmaker Samuel Fuller.) The murderer, however, is no mystery. Imamura introduces us to the unrepentant Iwao Enokizu (Mishima's Ken Ogata) in the opening sequence. He then backtracks to the clutch of murders the con man committed in the early 1960s. At the same time, he keeps an eye on the cops as they follow his trail, while flashing back to Enokizu's rebellious youth. Based on Ryuzo Saki's true-crime novel, Vengeance Is Mine further deviates from the neo-realist noirs of old by withholding judgment. That isn't completely surprising, since it was preceded by nine years in which Imamura worked exclusively in the documentary realm. Vicious killer that he is, Enokizu is outgoing rather than downbeat. Further, his past includes a weak-willed father and an unfaithful wife, but that information doesn't make him sympathetic. Nor does it explain his crimes. Enokizu is an empty vessel for the audience to fill as it sees fit. As Imamura acknowledges in "My Approach to Filmmaking" (also part of the booklet), "I love all the characters in my films, even the loutish and frivolous ones." Vengeance Is Mine is a must for fans of Japanese cinema and unconventional thrillers alike. --Kathleen C. Fennessy

      Like all great Shohei Imamura protagonists Vengeance Is Mine's Iwao Enokizu (Ken Ogata) lurks on the margins of Japanese society. A thief murderer and charming lady-killer Iwao is on the run from the police. Director Shohei Imamura turns this fact-based story of the seventy-three-day killing spree of a remorseless man from a devoutly Catholic family into a cold perverse and at times diabolically funny tale of the primitive coexisting with the modern. More than just a true-crime case Vengeance Is Mine bares mankind's snarling id. System Requirements:Running Time: 140 Mins.Format: DVD MOVIE Genre: DRAMA Rating: NR UPC: 715515023528 Manufacturer No: CC1691DDVD

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      The Eel

      The Eel by Shohei Imamura from New Yorker Video

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        September 11

        September 11 by Samira Makhmalbaf from FIRST RUN FEATURES

          Eleven acclaimed directors each make an 11 minute short film in response to the 9/11 terrorist attacks, bringing their unique points of view and distinct voices to confront this climatic event. The result is a daring and moving global cinematic reply that "forces us to look at the entire event afresh." (The New York Times)

          Featuring Films by:

          Alejandro González Iñárritu (Babel)
          Mira Nair (Vanity Fair)
          Ken Loach (The Wind That Shakes the Barley)
          Sean Penn (Into the Wild)
          Shohei Imamura (The Eel)
          Samira Makhmalbaf (Blackboards)
          Claude Lelouch (A Man and a Woman)
          Youssef Chahine (Alexandria...New York)
          Amos Gitai (Kippur)
          Idrissa Ouedraogo (Yaaba)
          Danis Tanovic (No Man's Land)

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          The Pornographers - Criterion Collection

          The Pornographers - Criterion Collection by Shohei Imamura from Home Vision Entertainment

            Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend's obsession. Imamura's comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

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            Dr. Akagi

            Dr. Akagi by Shohei Imamura from Kino International

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              Warm Water Under a Red Bridge

              Warm Water Under a Red Bridge by Shohei Imamura from Home Vision Entertainment

                This strange fable of a movie, like other movies by Japanese director Shohei Imamura (The Eel, Dr. Akagi), is both enchanting and perplexing. After being laid off, a salesman (Koji Yakusho) travels to a small town to seek out a treasure hidden by an elderly friend of his. Instead, he finds a young woman who has a peculiar condition: she releases gushes of water when she has orgasms. Meanwhile, her grandmother waits for the man who left her years ago to return; an African marathon runner passes their house every day; and three fishermen cast their lines into the nearby river, for the water the young woman vents attracts an abundance of fish. The baffling significance of the movie's more fantastic elements doesn't keep Warm Water Under a Red Bridge from also being charming, strangely sincere, and surreally comic. --Bret Fetzer

                From legendary filmmaker Shohei Imamura comes this comic fable for adults. A frustrated unemployed architect learns of a treasure hidden inside an old house near a red bridge in a remote fishing village. Upon arriving he encounters a beautiful young woman with an unusual condition who lives with her grandmother in the old house. The relationship that builds between them becomes both vital and volatile. In Japanese with English subtitles

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                Vengeance Is Mine

                Vengeance Is Mine by Shohei Imamura from Panorama

                  Asia exclusive release directed by Imamura Shohei (Warm Water Under Red Bridge, Eel and Black Rain) in 1979 and starring Ken Ogata (Pillow Book, Mishima). A convoy of patrol cars traverse a provincial countryside to escort captured criminal Iwao Enokizu to the local police precinct for interrogation. Callous and unremorseful, he laments his inevitable fate as unfair, citing that his arresting officers will outlive him and continue to pursuit of hedonistic pleasure now denied him. All Code / NTSC. Original Japanese dialogue/ optional English & Chinese subtitles. 2002.

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                  Black Rain

                  Black Rain by Shohei Imamura from Image Entertainment

                    A Cannes Film Festival award winner, "Black Rain" is an unforgettable movie about humanity and survival after the 1945 atomic catastrophe that changed the world forever. Stunning photography vividly details the horror of ravaged Hiroshima, while its shocked survivors struggle with radiation sickness as they rebuild their shattered lives.

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                    Akai hashi no shita no nurui mizu

                    Akai hashi no shita no nurui mizu by Shohei Imamura

                      This strange fable of a movie, like other movies by Japanese director Shohei Imamura (The Eel, Dr. Akagi), is both enchanting and perplexing. After being laid off, a salesman (Koji Yakusho) travels to a small town to seek out a treasure hidden by an elderly friend of his. Instead, he finds a young woman who has a peculiar condition: she releases gushes of water when she has orgasms. Meanwhile, her grandmother waits for the man who left her years ago to return; an African marathon runner passes their house every day; and three fishermen cast their lines into the nearby river, for the water the young woman vents attracts an abundance of fish. The baffling significance of the movie's more fantastic elements doesn't keep Warm Water Under a Red Bridge from also being charming, strangely sincere, and surreally comic. --Bret Fetzer

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