Nelson, Ralph

Father Goose

Cary Grant's penultimate feature before retirement was this cheerful 1964 effort to overturn his career-long image of urbane sophistication. As the unshaven, messy misanthrope Walter Eckland, a World War II-era beach bum who monitors Japanese air activity for the Australian navy in exchange for booze, Grant makes a convincingly hard-bitten, hard-drinking antihero. Until, that is, a pretty French schoolmistress (Leslie Caron) and her seven little charges (all girls) survive a nearby plane crash and invade Eckland's raunchy isolation. Directed by 1960s hit-maker Ralph Nelson (The Lilies of the Field, Charly), Father Goose is a glossy comedy that also does justice to its more suspenseful scenes (a deadly snakebite suffered by Caron's character is especially memorable) and leaves plenty of room for Grant to indulge in some entertaining if atypical screen behavior. All in all, this is a minor treat in the actor's magnificent filmography. --Tom Keogh

Lilies of the Field

Studio: Tcfhe/mgm Release Date: 01/06/2009 Run time: 95 minutes Rating: Nr

Sidney Poitier won an Oscar for this endearing movie about a handyman who thinks he's just passing through a little town in New Mexico, and ends up staying awhile to build a chapel for a cluster of German-speaking nuns. The renowned actor is highly entertaining in his combative exchanges with Lilia Skala, playing a Mother Superior who survived Hitler and makes no bones about bullying the goodhearted, itinerant worker into doing more and more for her. The film has an ambling, easygoing style with several memorable moments, not least of all is Poitier leading his holy hostesses through verses of the gospel song "Amen." Lilies is directed by the late Ralph Nelson, a pioneering director of live television who also made a number of popular feature films with notable performances (Jackie Gleason in Requiem for a Heavyweight, Cary Grant in Father Goose, Cliff Robertson in Charly) in the 1960s and 1970s. --Tom Keogh

Charly

Adapted from Daniel Keyes's novel Flowers for Algernon, Charly must be viewed as a soap opera of and for its zeitgeist--the halcyon '60s, when "natural" was nirvana, the air hummed with the mantra "Everybody's beautiful," and all ills stemmed from institutional monoliths such as Science, Government, Education, Religion. Accordingly, Charly (Cliff Robertson) is a 30-year-old retardate whose doofus sweetness makes him superior to most able-minded folk, whether they're the bigoted dolts he sweeps floors for or the ambitious scientists who see him as the human equivalent of Algernon, a mouse they've surgically (but impermanently) smartened up. Naturally, post-op Charly, sporting a genius IQ, "sees things as they are." Trotted out as the neurosurgeons' poster boy, he stands up to the "learned" audience--shot as faceless, inhuman interrogators. He's every '60s flower child, berating his "elders" for blighting their brave new world.

The one gift Charly gets out of becoming Brainiac is sex. In a lengthy montage resembling a retro TV commercial, he and his special-ed teacher (Claire Bloom, madonna with eternal Mona Lisa smile) romp through an Edenic outdoors, their embraces hallowed by sunlight glinting through leaves, moonlight glinting on water, and sappy Ravi Shankar music. (Stylistic clichés also include embarrassing outbreaks of split screens and multiple small screens within the frame, notably when rebellious Charly turns biker.) Robertson's performance is well-meaning but hokey. Still, in the penultimate moments when Charly begins to slide back into retardation, the actor achieves a genuine tragic gravity, and he became a surprise Oscar winner for his pains. --Kathleen Murphy

From the classic Daniel Keyes novel Flowers for Algernon comes this "moving" (Boxoffice) and unforgettable adaptation. Featuring an Academy AwardÂ(r)-winning* performance by Cliff Robertson and a "shrewd, talented" score (Variety) by Ravi Shankar, this timeless tearjerker is "definitely one to see" (Cue). When a mentally retarded man named Charly (Robertson) undergoes experimental brain surgery, he is miraculously freed from the prison of his own mind. As his IQ soars to genius proportions, Charly's eyes are opened to a world he's never truly seen. But when the effects of his operation inexplicably begin to fade, Charly must find a way to halt his regression before his own mind destroys his life, his newfound romance and the man he's become. *1968: Actor

The Twilight Zone: Vol. 2

Studio: Image Entertainment Release Date: 04/03/2001 Rating: Nr

Rodgers & Hammerstein's Cinderella (1957 Television Production)

The classic fairy tale with a rodgers & hammerstein score. Studio: Image Entertainment Release Date: 12/14/2004 Starring: Julie Andrews

The DVD era has unearthed another treasure. For the first time ever, Julie Andrews's performance in the title role of the original 1957 television production of Rodgers and Hammerstein's Cinderella is available to the public on home video. Cinderella was created as a Broadway-style television production with an original score from the creators of Oklahoma! and Carousel, featuring such songs as "In My Own Little Corner," "Impossible," "Do I Love You Because You're Beautiful," and "Stepsisters' Lament." Cast in the title role was the 21-year-old Andrews, at the time starring on Broadway in My Fair Lady (another Cinderella story of sorts), and the cast was filled out by a talented bunch of stage veterans (including Kaye Ballard, Edie Adams, Dorothy Stickney, and Stickney's husband, writer Howard Lindsay). On March 31, 1957, a then-record 120 million homes saw the program as it was broadcast, live and in color, but it was preserved only in black-and-white kinescope, i.e., by aiming a camera at a monitor during the broadcast. While this version probably looks better than we have any right to expect, the picture is still fuzzy black-and-white, which makes it a tougher sell for kids than the later color versions, 1965 with Lesley Anne Warren and the 1997 Disneyized version. But give older kids (say, 8 or so) credit for being able to look past the black-and-white picture and primitive effects and enjoy the charming songs, the excellent performances, and the prospect of seeing one of their favorite actresses play one of their favorite princesses.

Fortunately, the DVD has also received the attention it deserves, with a new introduction by Andrews, a 20-minute featurette about the production, including interviews with many of the principals; Rodgers and Hammerstein's appearance on The Ed Sullivan Show a week before the broadcast; and a gallery of color photos of the production as well as promotional material, which included paper dolls of Andrews. --David Horiuchi

The Twilight Zone: Vol. 1

Studio: Image Entertainment Release Date: 04/03/2001 Rating: Nr

The Twilight Zone: Vol. 3

Episodes: "Steel" (Ep. 122, October 4, 1963) - In the future, only androids are allowed to box. Desperate to raise money, penniless manager Steel Kelly (Lee Marvin) must fight disguised as his own broken-down robot. "A Game of Pool" (Ep. 70, October 13, 1961) - Jesse (Jack Klugman) is a brilliant pool player whose dream of a showdown with the legendary (and dead) Fats Brown (Jonathan Winters) comes true. The stakes: his life. "Walking Distance" (Ep. 5, October 30, 1959) - Martin Sloan (Gig Young) is a frazzled executive who learns that you can't go home again after he steps back in time and meets his mom, his dad--and himself! "Kick the Can" (Ep. 86, February 9, 1962) - Has an old man at Sunnyvale Rest Home discovered a secret to regaining youth? After playing a simple child's game, he and the other residents are rewarded with rejuvenating powers!

Requiem for a Heavyweight

Studio: Sony Pictures Home Ent Release Date: 05/27/2008 Run time: 86 minutes Rating: Nr

This feature version of Rod Serling's memorable teleplay, theatrically released in 1962, was previously produced in 1956 for live television. The grim tale stars Anthony Quinn as a brain-damaged fighter suffering from too many years in the ring yet pushed into another and yet another punishing round by his corrupt manager (Jackie Gleason). Yearning for a life of his own, Quinn's burned-out hitter falls for a shy social worker (Julie Harris), while Gleason's small-timer tries fending off the pressures of truly bad guys who want the money he owes them. Directed by Ralph Nelson (who also made the TV version), this Requiem opens up into a powerful piece of social realism with the undercurrent of a cautionary fable. The characters are almost archetypal, the story never stops moving, the acting is superb (Mickey Rooney is very good as Quinn's reluctant trainer), and the ending is nightmarishly apt. --Tom Keogh

Duel at Diablo

Lieutenant mcallister is ordered to transport several ammunition wagons to another fort through apache country. Studio: Tcfhe/mgm Release Date: 05/13/2008 Starring: James Garner Dennis Weaver Run time: 104 minutes Rating: Nr Director: Ralph Nelson

The Twilight Zone: Vol. 7

Episodes: "Perchance to Dream" (Ep. 9, November 27, 1959) - A man (Richard Conte) is terrified of falling asleep for fear he might die. His pursuer? A mysterious vixen he meets in his dreams! The first non-Rod Serling script of the series. "The Hitch-Hiker" (Ep. 16, January 22, 1960) - Alone on a cross-country trip, Nan Adams (Inger Stevens) has a blowout. Surviving the incident, she gets back on the road--only to see the same hitch-hiker everywhere she looks! "King Nine Will Not Return" (Ep. 37, September 20, 1960) - WWII Captain James Embry (Robert Cummings) finds himself next to a crashed plane in a vast desert. Where is his crew? And why are futuristic jet planes flying overhead? "Shadow Play" (Ep. 62, May 5, 1961) - Trapped in a recurring nightmare, a man (Dennis Weaver) tries to persuade those who are sentencing him to death that the whole scenario is not real. Will they ever listen?