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Beauty and the Beast

The film that officially signaled Disney's animation renaissance (following The Little Mermaid) and the only animated feature to receive a Best Picture Oscar nomination, Beauty and the Beast remains the yardstick by which all other animated films should be measured. It relates the story of Belle, a bookworm with a dotty inventor for a father; when he inadvertently offends the Beast (a prince whose heart is too hard to love anyone besides himself), Belle boldly takes her father's place, imprisoned in the Beast's gloomy mansion. Naturally, Belle teaches the Beast to love. What makes this such a dazzler, besides the amazingly accomplished animation and the winning coterie of supporting characters (the Beast's mansion is overrun by quipping, dancing household items) is the array of beautiful and hilarious songs by composer Alan Menken and the late, lamented lyricist Howard Ashman. (The title song won the 1991 Best Song Oscar, and Menken's score scored a trophy as well.) The downright funniest song is "Gaston," a lout's paean to himself (including the immortal line, "I use antlers in all of my de-co-ra-ting"). "Be Our Guest" is transformed into an inspired Busby Berkeley homage. Since Ashman's passing, animated musicals haven't quite reached the same exhilarating level of wit, sophistication, and pure joy. --David Kronke --This text refers to an out of print or unavailable edition of this title.

Across the Universe (Two-Disc Special Edition)

Across the Universe from director Julie Taymor is a revolutionary rock musical that re-imagines America in the turbulent late-1960s a time when battle lines were being drawn at home and abroad. When young dockworker Jude (Jim Sturgess) leaves Liverpool to find his estranged father in America he is swept up by the waves of change that are re-shaping the nation. Jude falls in love with Lucy (Evan Rachel Wood) a rich but sheltered American girl who joins the growing anti-war movement in New York s Greenwich Village. As the body count in Vietnam rises political tensions at home spiral out of control and the star-crossed lovers find themselves in a psychedelic world gone mad. With a cameo by Bono Across the Universe is the kind of movie you watch again like listening to a favorite album. (Roger Ebert CHICAGO SUN-TIMES)System Requirements:Run Time: 133 Mins.Format: DVD MOVIE Genre: MUSICALS/MUSICALS Rating: PG-13 UPC: 043396194625 Manufacturer No: 19462

Set in America during the Vietnam War, Across the Universe is a powerful love story set against a backdrop of political and social unrest: it's a story of soul-searching, self-doubt, and individual powerlessness cleverly conveyed through a multitude of Beatles songs. Like young adults all across America during the 1960's, Jude (Jim Sturgess), Lucy (Evan Rachel Wood), Max (Joe Anderson), Sadie (Dana Fuchs), Prudence (T.V. Carpio), and JoJo (Martin Luther) are in turmoil over the war; questioning their individual roles in the war effort and struggling to find a way to hold true to their beliefs while making a difference in the world. While love proves a powerful uniting force, its limitations become clear as relationships are strained and broken over individual perceptions of responsibility to cause and country. A fairly bizarre juxtaposition of extremely stylized, almost hallucinogenic scenes of swirling colors and reflections, highly choreographed dance segments, seemingly commonplace character interaction, and emotionally packed close-up footage of characters lost in contemplative song, this film imparts a good sense of the confusion and passion of the time and is at once powerful, invigorating, and disturbing. The film runs a bit long at 2-hours 11-minutes and several segments drag noticeably thanks to some incredibly slow song tempos. Warning: this production may change how you think about a favorite Beatles song forever. --Tami Horiuchi

Beyond Across the Universe

On Blu-ray

The Deluxe Soundtrack

Beatles audio CD

Stills from Across the Universe (click for larger image)

My Three Sons: The First Season, Vol. 1

The Wizard of Oz (Two-Disc Special Edition)

When it was released during Hollywood's golden year of 1939, The Wizard of Oz didn't start out as the perennial classic it has since become. The film did respectable business, but it wasn't until its debut on television that this family favorite saw its popularity soar. And while Oz's TV broadcasts are now controlled by media mogul Ted Turner (who owns the rights), the advent of home video has made this lively musical a mainstay in the staple diet of great American films. Young Dorothy Gale (Judy Garland), her dog, Toto, and her three companions on the yellow brick road to Oz--the Tin Man (Jack Haley), the Cowardly Lion (Bert Lahr), and the Scarecrow (Ray Bolger)--have become pop-culture icons and central figures in the legacy of fantasy for children. As the Wicked Witch who covets Dorothy's enchanted ruby slippers, Margaret Hamilton has had the singular honor of scaring the wits out of children for more than six decades. The film's still as fresh, frightening, and funny as it was when first released. It may take some liberal detours from the original story by L. Frank Baum, but it's loyal to the Baum legacy while charting its own course as a spectacular film. Shot in glorious Technicolor, befitting its dynamic production design (Munchkinland alone is a psychedelic explosion of color and decor), The Wizard of Oz may not appeal to every taste as the years go by, but it's required viewing for kids of all ages. --Jeff Shannon

DVD features
The Wizard of Oz DVD released in 1999 was loaded with extra features, but it's now safe to throw away that version in all its cardboard-package glory in favor of this new two-disc edition. First things first: All the bonus material from the earlier disc is there (with one small exception). That includes the Angela Lansbury-hosted documentary The Making of a Movie Classic; the outtakes and deleted scenes, including Judy Garland's "Over the Rainbow" reprise and the home-movie recording of "The Jitterbug"; the sketches and stills and composer Harold Arlen's home movies; the audio underscores and radio programs; the 1979 interviews with Margaret Hamilton, Ray Bolger, and Jack Haley; and other items too numerous to mention. (Some text introductions to the features have been replaced by narration by Lansbury, for whatever reason.) Brand-new to the 2005 edition is a sharp restoration using Warner's Ultra Resolution process and an accompanying featurette on how it's done. The technicians also discuss how the sound was remixed, though that would have been more effective had it included surround-sound demonstrations (the featurette is in 2.0). Other features on the new set include a commentary track by critic John Fricke supplemented by vintage cast interviews (he offers a lot of trivia, and debunks the myth that Shirley Temple was ever close to getting the Dorothy role); profiles of nine cast members and clips of other movies they appeared in (including Toto); a lightly animated 10-minute storybook again narrated by Lansbury; 2001 and 2005 behind-the-scenes featurettes; and a 1950 Lux Radio Theater broadcast. Oh, and if you were still wondering about the missing material mentioned above--the 1999 disc included one-minute excerpts of three early treatments of The Wizard of Oz. Those excerpts are not included in the two-disc special edition, but the third disc of the three-disc collector's edition includes the complete versions of those treatments and more. --David Horiuchi

An All-New Wizard of Oz With State of The Art Ultra-Resolution Picture Quality and Over 10 Hours of Bonus Extras.

DVD Features:
Audio Commentary:Commentary by John Fricke and multiple cast and crew members.
Biographies:We Haven't Really Met Properly - includes 9 orginal cast biographies
Deleted Scenes:If I Only Had a Brain; If I Only Had a Heart; Triumphal Return to Emerald City; Over the Rainbow; The Jitterbug
Documentary:Memories of Oz -2001 TCM documentary
Featurette:The Wonderful Wizard of Oz Storybook; Prettier Than Ever: The Restoration of Oz; The Art of Imagination: A Tribute to Oz; Because of the Wonderful Things it Does: The Legacy of Oz
Music Clips:Audio Vault Includes: Over the Rainbow; Munchkinland Medley Rehearsal Recordings; Munchkinland Medley Sequence Recordings; Munchkinland Medley Voice Tests; If I Only Had a Brain; We're Off to See the Wizard; If I Only Had a Heart; If I Only Had the Nerve/We?re Off to See the Wizard; Emerald City/The Merry Old Land of Oz; If I Were King of the Forest; The Jitterbug; Over the Rainbow/Triumphal Return to Emerald City; Kansas Underscoring; Munchkinland Underscoring; and more
Music Only Track
Newsreel:Cavalcade of the Academy Awards Excerpt - 1939 newsreel
Other:Another Romance of Celluloid: Electrical Power - 1938 MGM short; Leo Is on the Air Radio Promo; Good News of 1939 Radio Show; 12/25/1950 Lux Radio Theater Broadcast
Photo gallery:Oz on Broadway; Pre-MGM; Sketches and Storyboards; Costume and Make-up Tests; Richard Thorpe's Oz; Buddy Ebsen; Oz Comes to Life; Behind the Scenes; Portraits; Special Effects; Post Production; Deleted Scenes; Original Publicity
TV Special:The Wonderful Wizard of Oz: The Making of a Movie Classic - 1990 TV special
Theatrical Trailer:1939 What is Oz? Teaser; 1940 Loews Cairo Theater Trailer; 1949 Re-issue Trailer; 1949 Grownup Re-issue Trailer; 1970 Children's Matinee Re-issue Trailer; 1998 Warner Bros. Re-issue Trailer; Texas Contest Winners [1939 trailer]

While You Were Sleeping

In Chicago, a subway employee is in love with a stranger she only sees from a distance. But when she rescues him from a mugging in which he is knocked into a coma, his family mistakes her for his fiancee. When she falls for his charming brother, the mix-u
Genre: Feature Film-Comedy
Rating: PG
Release Date: 4-JAN-2005
Media Type: DVD

If you don't mind a heavy dose of schmaltz and sentiment, this romantic comedy has a gentle way of seducing you with its charms. While You Were Sleeping was the first starring role for Sandra Bullock after her blockbuster success in Speed. In a role that nicely emphasizes her easygoing appeal, Bullock is the reason the movie works at all. She plays Lucy Eleanor Moderatz, a Chicago Transit tollbooth clerk who's hopelessly smitten with a daily commuter, Peter Callaghan (Peter Gallagher). She saves the object of her affection from certain death after he's mugged and falls onto the train tracks. While Peter is in a coma, she lets his family believe that she is his fiancée, and surprisingly finds herself drawn to his brother (Bill Pullman), for whom the attraction is definitely mutual. How Lucy gets out of this amorous predicament is what makes this pleasant movie less predictable than its familiar ingredients would initially indicate. It's feel-good fluff, with characters and performances that keep you smiling through the drippy plot mechanics. --Jeff Shannon

Grindhouse Presents, Death Proof - Extended and Unrated (Two-Disc Special Edition)

A deranged stuntman stalks his victims from the safety of his killer car but when he picks on the wrong group of badass babes all bets are off in an adrenaline-pumping high speed white-knuckle automotive duel of epic proportions where anything can happen. System Requirements:Run Time: 113 minutes Genre: ACTION/ADVENTURE UPC: 796019803885

Loud, fast, and proudly out of control, Grindhouse is a tribute to the low-budget exploitation movies that lurked at drive-ins and inner city theaters in the '60s and early '70s. Writers/directors Quentin Tarantino (Kill Bill) and Robert Rodriguez (Sin City) cooked up this three-hour double feature as a way to pay homage to these films, and the end result manages to evoke the down-and-dirty vibe of the original films for an audience that may be too young to remember them. Tarantino's Death Proof is the mellower of the two, relatively speaking; it's wordier (as to be expected) and rife with pulp/comic book posturing and eminently quotable dialogue. It also features a terrific lead performance by Kurt Russell as a homicidal stunt man whose weapon of choice is a souped-up car. Tarantino's affection for his own dialogue slows down the action at times, but he does provide showy roles for a host of likable actresses, including Rosario Dawson, Mary Elizabeth Winstead, Rose McGowan, Sydney Poitier, and newcomer Zoe Bell, who was Uma Thurman's stunt double in Kill Bill. Detractors may decry the rampant violence and latch onto a sexist undertone in Tarantino's feature, but for those viewers who grew up watching these types of films in either theaters or on VHS, such elements will be probably be more of a virtue than a detrimental factor. -- Paul Gaita

Sweet Home Alabama

As formulaic, utterly inoffensive romantic comedies go, Sweet Home Alabama could be better, and could be worse. It's a variant of Julia Roberts's Something to Talk About, with all the same strengths and weaknesses, and Reese Witherspoon is definitely its saving grace. As an Alabama country girl turned hot New York fashion designer, Witherspoon finds the genuine emotions hidden under a blandly familiar plot, making her character's romantic indecisiveness seem not only credible but disarmingly appealing. She's just agreed to marry the Camelot-bred son (Patrick Dempsey) of New York's no-nonsense mayor (Candice Bergen), but first she has to officially divorce the husband (Josh Lucas) she left behind years earlier... only to discover that their love is stronger than ever. The rest, of course, is a foregone conclusion, but with a sharp supporting cast and a few charming moments, Sweet Home Alabama will satisfy anyone who prefers safe, reassuring entertainment. --Jeff Shannon

Melanie leaves her small Alabama town for the glamour and fame of the New York fashion world. Successful in the business and in love her boyfriend proposes. It should be a happy moment but Melanie can't marry him until she gets a divorce from her husband still in Alabama. As her first marriage is unbeknownst to her NYC friends Melanie returns to her hometown to demand a divorce. There is something about getting back to your roots and Melanie realizes maybe her fast-track life isn't exactly what she wants after all.System Requirements:Starring: Reese Witherspoon Josh Lucas Patrick Dempsey Candice Bergen Mary Kay Place Fred Ward and Jean Smart. Directed By: Andy Tennant. Running Time: 109 Min. Color. This film is presented in "Widescreen" format. Copyright 2003 Buena Vista Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 786936208030 Manufacturer No: 02912600

Hellboy (Two-Disc Special Edition)

From visionary writer/director Guillermo del Toro (director of Blade II The Devil's Backbone) comes Hellboy a supernatural action adventure based on Mike Mignola's popular Dark Horse Comics series of the same name. Born in the flames of hell and brought to Earth as an infant to perpetrate evil Hellboy (Ron Perlman) was rescued from sinister forces by the benevolent Dr. Broom (John Hurt) who raised him to be a hero. In Dr. Broom's secret Bureau of Paranormal Research and Defense Hellboy creates an unlikely family consisting of the telepathic "Mer-Man" Abe Sapien (Doug Jones) and Liz Sherman (Selma Blair) the woman he loves who can control fire. Hidden from the very society that they protect they stand as the key line of defense against an evil madman who seeks to reclaim Hellboy to the dark side and use his powers to destroy mankind.System Requirements:Running Time: 121 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 043396013179 Manufacturer No: 01317

In the ongoing deluge of comic-book adaptations, Hellboy ranks well above average. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favor of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine (the movie suffers when compared to the similar X-Men blockbusters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff Shannon

Ever After - A Cinderella Story

Take away the Fairy Godmother, and what have you got left from the Cinderella fable? The story of a girl for whom a bad stroke of luck is no match for her internal strength and purity of heart. Drew Barrymore plays Cinderella's alleged inspiration, Danielle, in this romantic drama that purports to tell the "facts" behind the Grimm brothers' story. One of three daughters of a man (Jeroen Krabbé) who dies and leaves her fate in the hands of a conniving stepmother (Anjelica Huston), Danielle is cast into the lowly role of a servant. Meanwhile, her sisters are evaluated as possible mates for a French prince (Dougray Scott), but he's far more intrigued with Danielle's intelligence and beauty--not to mention her way with a sword and fist. Directed by Andy Tennant (who directed Barrymore in TV's The Amy Fisher Story), Ever After has that rare ability to win the heart and mind of a viewer simply by being committed to its own innocence, particularly where Barrymore's luminous performance is concerned. A contemporary take on an old, virtually forgotten Hollywood convention--the costume adventure with middling artistic ambition but real audience appeal--Ever After is a surprisingly delightful film. --Tom Keogh

A "modern" young woman of the 16th century, Danielle (Barrymore) is as independent and wise as she is beautiful and kind. Against remarkable odds, she stands up to her scheming stepmother (Huston) and works miracles on the lives of everyone around her, including the crown prince of France (Dougray Scott)!Now you can relive this captivating, contemporary retelling of the classic fairytale.

Kill Bill - Volume One

Quentin Tarantino's Kill Bill, Vol. 1 is trash for connoisseurs. From his opening gambit (including a "Shaw-Scope" logo and gaudy '70s-vintage "Our Feature Presentation" title card) to his cliffhanger finale (a teasing lead-in to 2004's Vol. 2), Tarantino pays loving tribute to grindhouse cinema, specifically the Hong Kong action flicks and spaghetti Westerns that fill his fervent brain--and this frequently breathtaking movie--with enough cinematic references and cleverly pilfered soundtrack cues to send cinephiles running for their reference books. Everything old is new again in Tarantino's humor-laced vision: he steals from the best while injecting his own oft-copied, never-duplicated style into what is, quite simply, a revenge flick, beginning with the near-murder of the Bride (Uma Thurman), pregnant on her wedding day and left for dead by the Deadly Viper Assassination Squad (or DiVAS)--including Lucy Liu and the unseen David Carradine (as Bill)--who become targets for the Bride's lethal vengeance. Culminating in an ultraviolent, ultra-stylized tour-de-force showdown, Tarantino's fourth film is either brilliantly (and brutally) innovative or one of the most blatant acts of plagiarism ever conceived. Either way, it's hyperkinetic eye-candy from a passionate film-lover who clearly knows what he's doing. --Jeff Shannon

The Bride, a former member the Deadly Viper Assassination Squad seeks revenge for the death of her groom and unborn child at the hands of her associates.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 25-JAN-2005
Media Type: DVD