Tamahori, Lee

The Sopranos - Season 6, Part 1

The Sopranos, Season 6, Part 1 is the most contentious release yet in the acclaimed series' history. While many fans think it jumped the shark at the exact moment Vito said "I love you, Johnny Cakes" , this season also contains some of the series finest moments and plumbs new depths of character, while continuing to add to the body count. Things get started with a bang, literally, that unexpectedly sends Tony (James Gandolfini) to the hospital and into a coma where he experiences an alternate reality while in limbo. At one point he awakes and asks "Who am I? Where am I going?" encapsulating this season's central theme in a moment of desperation wrapped in a fever dream. But it's not all existentialism. With Tony and Uncle Junior both of the picture, the capos in the Soprano crew try to take advantage of the situation and begin jockeying for position while a reluctant Silvio (Steve Van Zandt), acting in Tony's place, struggles to keep everyone in check. Things aren't going much better for Tony's family, as A.J. (Robert Iler) confesses to Carmela (Edie Falco) that he flunked out of school, and while at Tony's bedside, swears revenge for his injury. The stress of the situation finally gets to Carmela, who takes up Dr. Melfi's (Lorraine Bracco) offer to help and finds herself in the strange position of confiding in her husband's therapist, revealing for once that she feels some guilt over making the kids complicit in how Tony makes his living—plus there's the issue of whether she really loves him. Christopher (Michael Imperioli) continues to provide much of the comic relief for the series, culminating in one of this season's best episodes when he flies out to L.A. in a bumbling attempt to get Ben Kingsley to sign on for his fledgling movie (Saw meets The Godfather), and ends up mugging Lauren Bacall for her goodie basket at an awards ceremony. Sowing further discord in the ranks, Vito (Joseph Gannoscoli) finally gets outed as homosexual, and is forced to flee for his life up to New Hampshire where he meets "Johnny Cakes." Finally, even with New York boss Johnny "Sack" Sacramoni (Vince Curatola) in prison, Phil Leotardo (Frank Vincent) makes plays against Tony and eventually sets in motion a hit against someone on Tony's crew, and now a larger war with Johnny Sack's crew seems to be looming.

Series creator David Chase seems to be saying with this season that character is destiny. If so, then Season Six, Part 1 is taking the necessary time to flesh out who these people really are, and is leaving the destiny part up for Part 2. The fact that the series' writers have been able to maintain such a strong show with so many interweaving storylines for so long is a feat not to be taken lightly. That said, this season of The Sopranos does deserve some of the criticism it's received: the Vito storyline would have been better served by resolving it in fewer episodes, and the season ending is the most unsatisfying one yet, leaving many fans wanting more. But the bottom line is that this season deserves more praise than criticism, proving that even at its weakest, The Sopranos is still the strongest show on TV.--Daniel Vancini

Several crises threaten Tony and his crew; for starters rival boss Johnny Sack (Vince Curatola) is in prison and the always-tense relations between the New Jersey and New York families are strained through the unpredictable behavior of Sack?s surrogates. Then there are the inevitable power struggles that ensue when certain family members are eliminated by natural and other causes.Running Time: 720 min.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS UPC: 026359330124 Manufacturer No: 93301

Next

The weirdness of actor Nicolas Cage and the weirdness of science-fiction author Philip K. Dick seem like a natural fit. The premise, taken from a short story by Dick, is a good one: A mediocre Las Vegas magician named Chris Johnson (Cage) can see into the future--but only about two minutes at the most. Just enough to pull off his act and to make some money at the gambling tables, so long as he's discreet. Unfortunately, he hasn't been discreet enough; a government agent (Julianne Moore) has sussed out his precognitive talent and wants to use him to track down terrorists. But all Johnson cares about is a beautiful young woman (Jessica Biel, The Illusionist) that he can see in his future--much further in his future than he's ever seen before. Next has flashes that point to a much, much better movie than it turned out to be. A sequence in which Johnson, clairvoyantly explores all the different permutations of how he might approach his mystery woman is both funny and thought-provoking, and when Johnson avoids pursuers by knowing just the right moment to turn a corner or duck his head, it's smart and suspenseful. Unfortunately, the terrorist part of the plot is utterly perfunctory and precognition is reduced to an action movie gimmick. Somewhere in there is the kernel of a romantic comedy about precognition that's just waiting to be made. Cage gives a solid if unsurprising performance, Moore is basically earning a paycheck, but Biel is unexpectedly good (and her part is considerably better-written than your usual romantic interest); her performance suggests a better future than anyone might have predicted. --Bret Fetzer

Beyond Next

More Nick Cage on DVD

The Author that Inspired the Movie

The Soundtrack

Las Vegas showroom magician Cris Johnson has a secret: he can see two minutes into the future. Sick of the government and scientific interest in his gift, he lies low in Vegas, performing cheap tricks and living off small-time gambling "winnings." But when a terrorist group threatens to detonate a nuclear device in Los Angeles, government agent Callie Ferris must use all her wiles to capture Cris and convince him to help her stop the cataclysm.

The Edge

Writer David Mamet created two engrossing and memorable characters, played by Alec Baldwin as the urbane fashion photographer and Anthony Hopkins as a reserved and intellectual billionaire. They find themselves teamed up against a giant Kodiak bear, and their own inner demons, when lost together in the Alaskan wilderness. There is a lot going on in this picture, as the subject matter includes male rivalry, the isolationism of extreme wealth, and, most conspicuously, the survival of the fittest. Mamet's script, which sounds a little too arch in spots, is well served by New Zealand director Lee Tamahori, who knows how to capture beauty and brutality in one frame. Although the themes are enormous in scope, they are well balanced. One rarely overpowers the other, nor does the achingly beautiful scenery overshadow the acting. Even if you do not like the intellectualism of the dialogue, there are some great scenes with the bear. --Rochelle O'Gorman

A plane crash in the freezing Alaskan wilderness pits intellectual billionaire Charles Morse (Anthony Hopkins) against self-satisfied fashion photographer Robert Green (Alec Baldwin) in a brutal struggle for survival. Each soon discovers that the greatest danger resides not in nature, but from human fear, treachery, and quite possibly murder.

Once Were Warriors

An urban Maori family deals with great difficulties in adjusting to normalcy in urban New Zealand.Running Time: 103 min.Format: DVD MOVIE Genre: DRAMA UPC: 794043637025

New Zealand filmmaker Lee Tamahori (The Edge) directed this brutal but powerful story drawn from the culture of poverty and alienation enveloping contemporary Maori life. Rena Owen plays the beleaguered mother of two boys--one of whom is already in prison while the other contemplates membership in a gang--and a daughter whose potential is being smothered at home. Temuera Morrison gives an outstanding and sometimes shocking performance as the violent head of the household, more adept at keeping up his social stature within his community of friends than holding down a job. The film pulls no punches, literally and figuratively, but despite the rough going, Tamahori gives us a rare and important insight into a disenfranchised people digging down deep to find their pride. --Tom Keogh

Mulholland Falls

Too much surface. Director Lee (The Edge) Tomahori's noir story serves as a McGuffin to its ripe style. Amid secret agendas and unspeakable acts onscreen you stare at the fall of light across old cops' desks. Musing on super-8 footage of naked Jennifer Connelly, your mind wanders. Ah, yes, an allusion to the opening shots of Chinatown. Roman Polanski's grand reinvocation of the dark intuitions of 1940s noir is there, too, in the sumptuous look, the plump list of stars (Nick Nolte, Michael Madsen, Melanie Griffith, John Malkovich), and the swoony, bittersweet soundtrack. The zigzags of the story that bring together two cheating husbands, one pneumatic babe, and (somehow) homosexuality waywardly recall The Big Sleep. The Atomic Energy Commission subplot feels like an homage to Kiss Me Deadly. With so many other movies to please, by the middle of the film it's clear that the story isn't going to thicken, that for all the amperage in Nolte's performance, for all the male rage in Michael Madsen and Chazz Palminteri, the hints of sexual malfeasance aren't going much past Nolte's domestic guilt about his affair with Connelly. And yet there are rich things. Tracing a path from his girlfriend to the head of the Commission (Malkovich), Nolte listens, hat in hand, to a purring existential science lecture about the invisible world of atoms. "Yeah," Nolte growls, "well, I see too much." Would that the filmmakers had let us see more. --Lyall Bush

In the brutal war against murder and corruption there s one place where the battles are won. Nick Nolte Melanie Griffith Chazz Palminteri Michael Madsen Chris Penn Treat Williams Jennifer Connelly Andrew McCarthy and John Malkovich star in Mulholland Falls a brilliant high-powered crime-thriller electrified by hard-hitting action forbidden passion and shocking intrigue. In 1950s Los Angeles Max Hoover (Nolte) leads an elite squad of four detectives who play by their own rules dealing with criminals the only way they know how with deadly force. But when they investigate the murder of a beautiful young woman (Connelly) the detectives find themselves embroiled in a high-level conspiracy and faced with a terrifying secret that the US government is determined to keep hidden at any price.System Requirements: Running Time 107 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616913210 Manufacturer No: 1007185

Die Another Day (Full Screen Special Edition)

The 20th James Bond adventure, Die Another Day succeeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan's got style and staying power as James Bond, now bearing little resemblance to Ian Fleming's original British super-spy, but able to hold his own at the box office. He's paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as "Q" and "M," respectively); they're accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. With clever nods to 007's cinematic legacy, Die Another Day makes you welcome the familiar end-credits promise: James Bond will return. --Jeff Shannon

When his top-secret mission is sabotaged, James Bond (Pierce Brosnan) finds himself captured by theenemy, abandoned by MI6 and stripped of his 00-license. Determined to get revenge, Bond goes head-to-head with a sultry spy (OscarÂ(r) winner* Halle Berry), a frosty agent (Rosamund Pike) anda shadowy billionaire (Toby Stephens) whose business is diamonds but whose secret is a diabolical weapon that could bring the world to its knees! Bristling with excitement and bursting with explosivespecial effects, Die Another Day is an adrenaline-pumping thrill-ride with "stunts and non-stop action [that] will astonish you" (Jeffrey Lyons, WNBC-TV)! *2001: Actress, Monster'sBall

XXX - State of the Union (Widescreen Edition)

With a core audience of gameboys and hot-rodders aged 25 and under, xXx: State of the Union is the kind of action movie that requires literally no thought to enjoy. With Vin Diesel's original character just killed in Bora Bora (for details, see the uncensored unrated director's cut of xXx), Ice Cube steps in to play bad-ass, and the whole franchise takes on a hip-hop edge that's almost admirably absurd. The asinine plot is anarchy in Washington, D.C., as an insanely hawkish Secretary of State (Willem Dafoe) plots a Capitol coup just as the President (Peter Strauss, playing it straight) is giving his state-of-the-union address. All of this is prefaced by Cube's recruitment as a former Navy SEAL turned new-xXx, escaping from jail (Dafoe's character put him there), hooking up with an old flame who runs a chop-shop full of the world's hottest wheels, and reuniting with his old commander (Samuel L. Jackson) for a bullet-train climax that feels like Mission Impossible Lite. You could argue that Diesel's the smartest guy in the franchise for cashing out early, but xXx: State of the Union gets the job done in passable fashion, with action veteran Lee Tamahori delivering the goods while he waits for a grown-up script to come along. --Jeff Shannon

In this action-packed sequel to the box-office smash xXx, Ice Cube stars as Darius Stone, a thrill-seeking troublemaker whose criminal record and extreme sports obsession make him the perfect candidate to be the newest xXx agent. He must save the U.S. government from a deadly conspiracy led by five-star general and Secretary of Defense George Deckert (played by Willem Dafoe). Only a renegade xXx agent like Stone has the Xtreme skills to stop Deckert's dangerous military splinter group from taking over the government in America's capital.

The Edge (Widescreen Edition)

A plane crash in the freezing Alaskan wilderness pits intellectual billionaire Charles Morse (Anthony Hopkins) against self-satisfied fashion photographer Robert Green (Alec Baldwin) in a brutal struggle for survival. Each soon discovers that the greatest danger resides not in nature but from human fear treachery and quite possibly murder.System Requirements:Running Time: 124 Mins.Format: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: R UPC: 024543050308 Manufacturer No: 2005030

Writer David Mamet created two engrossing and memorable characters, played by Alec Baldwin as the urbane fashion photographer and Anthony Hopkins as a reserved and intellectual billionaire. They find themselves teamed up against a giant Kodiak bear, and their own inner demons, when lost together in the Alaskan wilderness. There is a lot going on in this picture, as the subject matter includes male rivalry, the isolationism of extreme wealth, and, most conspicuously, the survival of the fittest. Mamet's script, which sounds a little too arch in spots, is well served by New Zealand director Lee Tamahori, who knows how to capture beauty and brutality in one frame. Although the themes are enormous in scope, they are well balanced. One rarely overpowers the other, nor does the achingly beautiful scenery overshadow the acting. Even if you do not like the intellectualism of the dialogue, there are some great scenes with the bear. --Rochelle O'Gorman

Die Another Day (Widescreen Special Edition)

The 20th James Bond adventure, Die Another Day succeeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan's got style and staying power as James Bond, now bearing little resemblance to Ian Fleming's original British super-spy, but able to hold his own at the box office. He's paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as "Q" and "M," respectively); they're accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. With clever nods to 007's cinematic legacy, Die Another Day makes you welcome the familiar end-credits promise: James Bond will return. --Jeff Shannon

When his top-secret mission is sabotaged, James Bond (Pierce Brosnan) finds himself captured by theenemy, abandoned by MI6 and stripped of his 00-license. Determined to get revenge, Bond goes head-to-head with a sultry spy (OscarÂ(r) winner* Halle Berry), a frosty agent (Rosamund Pike) anda shadowy billionaire (Toby Stephens) whose business is diamonds but whose secret is a diabolical weapon that could bring the world to its knees! Bristling with excitement and bursting with explosivespecial effects, Die Another Day is an adrenaline-pumping thrill-ride with "stunts and non-stop action [that] will astonish you" (Jeffrey Lyons, WNBC-TV)! *2001: Actress, Monster'sBall

XXX - State of the Union (Full Screen Edition)

With a core audience of gameboys and hot-rodders aged 25 and under, xXx: State of the Union is the kind of action movie that requires literally no thought to enjoy. With Vin Diesel's original character just killed in Bora Bora (for details, see the uncensored unrated director's cut of xXx), Ice Cube steps in to play bad-ass, and the whole franchise takes on a hip-hop edge that's almost admirably absurd. The asinine plot is anarchy in Washington, D.C., as an insanely hawkish Secretary of State (Willem Dafoe) plots a Capitol coup just as the President (Peter Strauss, playing it straight) is giving his state-of-the-union address. All of this is prefaced by Cube's recruitment as a former Navy SEAL turned new-xXx, escaping from jail (Dafoe's character put him there), hooking up with an old flame who runs a chop-shop full of the world's hottest wheels, and reuniting with his old commander (Samuel L. Jackson) for a bullet-train climax that feels like Mission Impossible Lite. You could argue that Diesel's the smartest guy in the franchise for cashing out early, but xXx: State of the Union gets the job done in passable fashion, with action veteran Lee Tamahori delivering the goods while he waits for a grown-up script to come along. --Jeff Shannon

In this action-packed sequel to the box-office smash xXx, Ice Cube stars as Darius Stone, a thrill-seeking troublemaker whose criminal record and extreme sports obsession make him the perfect candidate to be the newest xXx agent. He must save the U.S. government from a deadly conspiracy led by five-star general and Secretary of Defense George Deckert (played by Willem Dafoe). Only a renegade xXx agent like Stone has the Xtreme skills to stop Deckert's dangerous military splinter group from taking over the government in America's capital.