Drama

No Country for Old Men

The Coen brothers make their finest thriller since Fargo with a restrained adaptation of Cormac McCarthy's novel. Not that there aren't moments of intense violence, but No Country for Old Men is their quietest, most existential film yet. In this modern-day Western, Llewelyn Moss (Josh Brolin) is a Vietnam vet who could use a break. One morning while hunting antelope, he spies several trucks surrounded by dead bodies (both human and canine). In examining the site, he finds a case filled with $2 million. Moss takes it with him, tells his wife (Kelly Macdonald) he's going away for awhile, and hits the road until he can determine his next move. On the way from El Paso to Mexico, he discovers he's being followed by ex-special ops agent Chigurh (an eerily calm Javier Bardem). Chigurh's weapon of choice is a cattle gun, and he uses it on everyone who gets in his way--or loses a coin toss (as far as he's concerned, bad luck is grounds for death). Just as Sheriff Bell (Tommy Lee Jones), a World War II vet, is on Moss's trail, Chigurh's former colleague, Wells (Woody Harrelson), is on his. For most of the movie, Moss remains one step ahead of his nemesis. Both men are clever and resourceful--except Moss has a conscious, Chigurh does not (he is, as McCarthy puts it, "a prophet of destruction"). At times, the film plays like an old horror movie, with Chigurh as its lumbering Frankenstein monster. Like the taciturn terminator, No Country for Old Men doesn't move quickly, but the tension never dissipates. This minimalist masterwork represents Joel and Ethan Coen and their entire cast, particularly Brolin and Jones, at the peak of their powers. --Kathleen C. Fennessy

There Will Be Blood (Two-Disc Special Collector's Edition)

THERE WILL BE BLOOD - 2-DISC EDITION (DVD MOVIE)

Unmistakably a shot at greatness, Paul Thomas Anderson's There Will Be Blood succeeds in wild, explosive ways. The film digs into nothing less than the sources of peculiarly American kinds of ambition, corruption, and industry--and makes exhilarating cinema from it all. Although inspired by Upton Sinclair's 1927 novel Oil!, Anderson has crafted his own take on the material, focusing on a black-eyed, self-made oilman named Daniel Plainview (Daniel Day-Lewis), whose voracious appetite for oil turns him into a California tycoon in the early years of the 20th century. The early reels are a mesmerizing look at the getting of oil from the ground, an intensely physical process that later broadens into Plainview's equally indomitable urge to control land and power. Curious, diverting episodes accumulate during Plainview's rise: a mighty derrick fire (a bravura opportunity that Anderson, with the aid of cinematographer Robert Elswit, does not fail to meet), a visit from a long-lost brother (Kevin J. O'Connor), the ongoing involvement of Plainview's poker-faced adoptive son (Dillon Freasier). As the film progresses, it gravitates toward Plainview's rivalry with the local representative of God, a preacher named Eli Sunday (brimstone-spitting Paul Dano); religion and capitalism are thus presented not so much as opposing forces but as two sides of the same coin. And the worm in the apple here is less man's greed than his vanity. Anderson's offbeat take on all this--exemplified by the astonishing musical score by Jonny Greenwood--occasionally threatens to break the film apart, but even when it founders, it excites. As for Daniel Day-Lewis, his performance is Olivier-like in its grand scope and its attention to details of behavior; Plainview speaks in the rum-rich voice of John Huston, and squints with the wariness of Walter Huston. It's a fearsome performance, and the engine behind the film's relentless power. --Robert Horton

Before the Devil Knows You're Dead

Master filmmaker Sidney Lumet (The Verdict Dog Day Afternoon Serpico) scores big with this absorbing suspense thriller. Oscar®-winner* Philip Seymour Hoffman is Andy an overextended payroll executive who lures his younger brother Hank (Ethan Hawke) into a larcenous scheme: the pair will rob a suburban mom-and-pop jewelry store that appears to be the quintessential easy target. The problem is the store owners are Andy and Hank's real mom and pop and when the seemingly perfect crime goes awry the damage sends them hurtling toward a shattering climax. System Requirements:LENGTH: 117 minutesFormat: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: R UPC: 014381487527 Manufacturer No: CAP4875DVD

Sidney Lumet's Before the Devil Knows You're Dead is an exceptionally dark story about a crime gone wrong and the complicated reasons behind it. Philip Seymour Hoffman and Ethan Hawke are outstanding as brothers whose mutual love-hate relationship subtly colors their agreement to rob their own parents' jewelry store, and more explicitly affects the anxious aftermath of their villainy when their mother (Rosemary Harris) ends up shot. Hoffman's steely, emotionally locked-up Andy, despite pulling down six figures as a corporate executive, is supporting an expensive drug habit while trying to leave the country with his depressed wife, Gina (Marisa Tomei). Hank (Hawke), a whipped dog of low intelligence, owes back alimony and child support to his ex-spouse. Both men need money and agree to rip off their parents' business, a decision that goes awry and puts both men in various kinds of jeopardy while their mother remains comatose and their father (Albert Finney) lurches along trying to make sense of anything. Writer Kelly Masterson's screenplay employs a perhaps now-overly-familiar time-shifting tactic, jumping around the chronology of the story's events and replaying scenes from different vantage points. The effect is a little tedious but successfully deconstructs the film's drama in a way that shows how such terrible events are directly linked to family dysfunction, old wounds between parent and child, between siblings, that fester into full-blown tragedy. Eighty-three-year-old director Lumet (Serpico) employs bleached colors and scenes of blunt sexuality and violence, adding to the moral rudderlessness and banality of this airless world. If Devil feels a little reductive and insistently grim, it is also a generally persuasive work by an old master. --Tom Keogh

Sense & Sensibility (Special Edition)

Emma Thompson Alan Rickman Kate Winslet and Hugh Grant star in this captivating romantic comedy that swept the Ten Best lists and won the Golden Globe Award as Best Picture of the Year (Drama).Based on Jane Austen's classic novel Sense And Sensibility tells of the Dashwood sisters sensible Elinor (Thompson) and passionate Marianne (Winslet) whose chances at marriage seem doomed by their family's sudden loss of fortune. Rickman Grant and Greg Wise co-star as the well-intentioned suitors who are trapped by the strict rules of society and the conflicting laws of desire.Bonus Features: Interactive Menus 2 Audio Commentaries: - Emma Thompson Producer Lindsay Dorin - Director Ang Lee Co-producer James Schamus Deleted scenes Emma Thompson's Golden Globe acceptance speech Original Theatrical Trailer Bonus Trailers Production Notes Scene SelectionsSystem Requirements:Starring: Emma Thompson Kate Winslet Hugh Grant Gemma Jones and Alan Rickman. Directed By: Ang Lee. Running Time: 136 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Columbia TriStar.Format: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396115996 Manufacturer No: 11599

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton

Alien Quadrilogy (Alien/ Aliens /Alien 3 /Alien Resurrection)

The Alien Quadrilogy is a nine-disc boxed set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here they have been repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form.

Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer.

The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here.

Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. Dalkin

Disc 1: Alien Collector?s Edition Disc 2: Aliens Collector?s Edition Disc 3: Alien 3 Collector?s Edition Disc 4: Alien Resurrection Collector?s Edition Disc 5: Bonus Disc

The Mist (Two-Disc Collector's Edition)

MIST THE: 2-DISC COLLECTOR'S EDITION (DVD MOVIE)

Writer-director Frank Darabont, who showcased the softer side of Stephen King in his film adaptations of The Shawshank Redemption and The Green Mile, turns to darker material for The Mist, his latest King adaptation about a group of ordinary townspeople trapped in a supermarket by a mysterious fogbank. Thomas Jane is top-billed as a Maine illustrator who attempts to calm the frightened shoppers, but his job is cut out for him from the get-go, first by the discovery of malevolent creatures lurking in the mist, and then by the mad mutterings of Mrs. Carmody (Marcia Gay Harden), a local eccentric who calls for Old Testament-style sacrifices to appease the supernatural forces. Darabont delivers monster movie thrills and understated social commentary with equal skill, and he's well supported by his cast (which includes Andre Braugher, Toby Jones, William Sadler and Jeffrey DeMunn) and the vivid special effects by KNB EFX, which effectively mix CGI with models and stop-motion animation (the terrific monsters were designed by legendary comic book artist Bernie Wrightson). And for those curious about how the novella's downbeat ending has translated to film, suffice it to say that Darabont's conclusion is at once different and more unsettling than King's. --Paul Gaita

The Bucket List

In THE BUCKET LIST cancer doesn't discriminate in its choice of victims. It's equally eager in its attacks on kindly sage of a mechanic Carter Chambers (Morgan Freeman) and mean-spirited millionaire Edward Cole (Jack Nicholson). When the unlikely pair shares a room at a hospital they learn that they both have less than a year to live as a result of the deadly disease. Inspired by the words of a college professor Carter begins to make a "bucket list" of things he wants to accomplish before he dies. With Edward's limitless funds at their disposal the men embark on an adventure that takes them from Egypt to France to Hong Kong crossing items off their list as death grows closer.System Requirements:Running Time: 97 minutesFormat: DVD MOVIE Genre: COMEDY/FRIENDS Rating: PG-13 UPC: 085391139881 Manufacturer No: 113988

"You measure yourself by the people who measure themselves by you," says the quietly wise Carter Chambers, played with gravitas and grace by a Morgan Freeman. In Rob Reiner's moving, often hilarious film The Bucket List, all sorts of people measure themselves against the two heroes, Chambers and his hospital suitemate, Edward Cole (Jack Nicholson). But as Cole finds, having spent his entire life building a Fortune 500 company, none of that much matters when cancer, the great equalizer, pays a visit. The film traces the adventures of the two unlikely friends, who meet in a hospital cancer ward, each given six months to live. The "bucket list" of the title refers to a lifelong list of goals that a teacher of Chambers once advised him to compile--and achieve--"before you kick the bucket." Soon the two are off on what may be the last grand adventure of their life, vowing to tick off as many goals (skydiving, race-car driving, seeing the wonders of the world) as they can in the time they have left. What starts as a medical melodrama becomes a road trip, yet the men's mortality realities are never far from thought. The two leads give impressive performances, and remind the viewer of just how few American films focus on the lives and loves of senior citizens. Nicholson even manages to lose his persona in his character, much as he did in About Schmidt. There's a lovely John Mayer tune, "Say (What You Need to Say)," that's perfectly matched to the film's clear-eyed view of life: What does one person leave behind as his true legacy? --A.T. Hurley

Lust, Caution (Widescreen, NC-17- Rated Edition)

Provocative thrilling and passionate Lust Caution is the daring new film from acclaimed Academy Award®-winning director Ang Lee (Brokeback Mountain; Crouching Tiger Hidden Dragon). Set against the backdrop of a transforming countrya young woman finds herself swept up in a radical plot to assassinate a ruthless and secretive intelligence agent. As she immerses herself in her role as a cosmopolitan seductress she becomes entangled in a dangerous game that will ultimately determine her fate. Erotic breathtaking and suspenseful this award-winning film is being called "exquisitely beautiful" (Roger Ebert Chicago Sun-Times) and "lushly sensual" (Leah Rozen People).System Requirements:Running Time: 159 Mins.Format: DVD MOVIE Genre: DRAMA/PSYCHOLOGICAL DRAMA Rating: NC-17 UPC: 025193330628 Manufacturer No: 62033306

Lust, Caution, Ang Lee's follow up to Brokeback Mountain, for which he won the Academy Award® for Best Director, continues his exploration of people with a passion for each other trapped in a world where their passion could be life-threatening, but in a very different context this time. Set in China during the Japanese occupation of early World War II, the underlying plot concerns the story of young Wong Chia Chi (Tang Wei), an actress and member of a small group of student resistors planning to infiltrate the home of Mr. Yee (Tony Leung), a high-ranking collaborationist government official, in order to kill him for his role in the torture and executions of Chinese resistance fighters. Chi ingratiates herself with Yee's wife, the sophisticated and cultured Mrs. Yee (Joan Chen) under the guise of being the wife of a wealthy but unseen tycoon. Flashbacks tell the tale of how Chi came to be involved with the resistors: her acting ability is her most valuable asset, and her assignment is to act the role of Mr. Yee's lover, right down to the sex. The story of their love and the painful intimacy it involves for both of them is told through their sexual relationship, which starts out violently, drifts into S&M, and shifts with their feelings, moving from pain and fear to some sort of desperate connection. This is lust with a capital L; the film's sex scenes have become famous for their frankness and acrobatic portrayals (they took 12 days to film), but amazingly enough, it's never prurient. The nature of their sexual relationship, and not the sex itself, is the point. Chi falls in love with the man she's supposed to kill, but there is no stopping the mission and she knows it. The danger of it all collapsing for them both is ever present, and that's the Caution. The cinematography and direction in Lust, Caution is masterful, and every scene is beautiful. The film does drift into a languid pace, and at times one wonders why Lee would feel the need to draw it out at the expense of delaying the crucial climactic scenes. Still, it's a wonderful piece of storytelling that should only help solidify Ang Lee's place in cinematic history as a master of films that express the difficulty of being essentially human in an inhumane world. --Daniel Vancini

Stills from Lust, Caution (click for larger image)

3:10 to Yuma (Widescreen Edition)

In Arizona in the late 1800s infamous outlaw Ben Wade (Crowe) and his vicious gang of thieves and murderers have plagued the Southern Railroad. When Wade is captured Civil War veteran Dan Evans (Bale) struggling to survive on his drought-plagued ranch volunteers to deliver him alive to the "3:10 to Yuma" a train that will take the killer to trial. On the trail Evans and Wade each from very different worlds begin to earn each other's respect. But with Wade's outfit on their trail - and dangers at every turn - the mission soon becomes a violent impossible journey toward each man's destiny.Cast: Russell Crowe Christian Bale Peter Fonda Gretchen Mol Ben FosterDirector: James MangoldSpecial Features: Audio Commentary with Director James Mangold "Destination Yuma" - Making-of Documentary "An Epic Explored" Featurette "Outlaws Gangs and Posses" Featurette Deleted ScenesSystem Requirements:Run Time: 122 Mins.Format: DVD MOVIE Genre: WESTERN/HEROES Rating: R UPC: 031398221852 Manufacturer No: 22185

Here's hoping James Mangold's big, raucous, and ultrabloody remake of 3:10 to Yuma leads some moviegoers to check out Delmer Daves's beautifully lean, half-century-old original. That classic Western spun a tale of captured outlaw Ben Wade (Glenn Ford)--deadly but disarmingly affable--and the small-time rancher and family man, Dan Evans (Van Heflin), desperate enough to accept the job of helping escort the badman to Yuma prison. Wade, knowing that his gang will be along at any moment to spring him, works at persuading the ultimately lone deputy to accept a bribe, turn his back on "duty," and go home safe and rich to his family. That the outlaw has come to admire his captor intriguingly complicates the suspense. All of the above applies in the new 3:10, but it takes a lot more huffing and puffing to get Wade (Russell Crowe this time) and Evans (Christian Bale) into position for the showdown. Mostly, more is less. To Mangold's credit, his movie doesn't traffic in facile irony or postmodern detachment; it aims to be a straight-up Western and deliver the excitement and charisma the genre's fans are starved for. But recognizing that contemporary viewers might be out of touch with the bedrock simplicity and strength of the genre--not to mention its code of honor--Mangold has supplied both Evans and Wade with a plethora of backstory and "motivations." At the overblown action climax, the crossfire of personal agendas is almost as frenetic as the copious gunplay. (By that point the movie has killed more people than the Lincoln County War.) Best thing about the remake is Russell Crowe's Ben Wade, a Scripture-quoting career villain with an artist's eye and a curiously principled sense of whom and when to murder. As his second-in-command, Ben Foster fairly pirouettes at every opportunity to commit mayhem, and Peter Fonda contributes a fierce portrait of an old Wade adversary turned bounty hunter for the Pinkerton detective agency. --Richard T. Jameson

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The Shawshank Redemption (Two-Disc Special Edition)

When this popular prison drama was released in 1994, some critics complained that the movie was too long (142 minutes) to sustain its story. Those complaints miss the point, because the passage of time is crucial to this story about patience, the squeaky wheels of justice, and the growth of a life-long friendship. Only when the film reaches its final, emotionally satisfying scene do you fully understand why writer-director Frank Darabont (adapting a novella by Stephen King) allows the story to unfold at its necessary pace, and the effect is dramatically rewarding. Tim Robbins plays a banker named Andy who's sent to Shawshank Prison on a murder charge, but as he gets to know a life-term prisoner named Red (Morgan Freeman), we realize there's reason to believe the banker's crime was justifiable. We also realize that Andy's calm, quiet exterior hides a great reserve of patience and fortitude, and Red comes to admire this mild-mannered man who first struck him as weak and unfit for prison life. So it is that The Shawshank Redemption builds considerable impact as a prison drama that defies the conventions of the genre (violence, brutality, riots) to illustrate its theme of faith, friendship, and survival. Nominated for seven Academy Awards including Best Picture, Actor, and Screenplay, it's a remarkable film that signaled the arrival of a promising new filmmaker--a film that many movie lovers count among their all-time favorites. --Jeff Shannon