George Clooney

O Brother, Where Art Thou?

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

Ulysses Everett McGill (George Clooney) escapes the chain gang with two fellow convicts the simple and somewhat slow Delmar (Tim Blake Nelson) and ill-tempered Pete (John Turturro) to pursue the promise of hidden loot stashed in his house that is about to be swept away in a flood. On the way the trio experience a journey filled with hilarious adventure and cast of strange characters starting with a blind prophet who warns them that "the treasure you seek shall not be the treasure you find."System Requirements:Starring: George Clooney John Turturro Michael Badalucco Charles Durning John Goodman Holly Hunter and Tim Blake Nelson. Directed By: Joel Coen. Running Time: 103 Min. Color. This film is presented in "Standard" format. Copyright 2000 Buena Vista Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 786936144758 Manufacturer No: 02165400

Batman & Robin

Following Val Kilmer's portrayal of the caped crusader in Batman Forever, the fourth Batman feature stars George Clooney under the pointy-eared cowl, with Chris O'Donnell returning as Robin the Boy Wonder. This time the dynamic duo is up against the nefarious Mr. Freeze (Arnold Schwarzenegger), who is bent on turning the world into an iceberg, and the slyly seductive but highly toxic Poison Ivy (Uma Thurman), who wants to eliminate all animal life and turn the Earth into a gigantic greenhouse. Alicia Silverstone lends a hand as Batgirl, and Elle McPherson plays the thankless role of Batman/Bruce Wayne's fiancée. A sensory assault of dazzling colors, senseless action, and lavish sets run amok, this Batman & Robin offers an overdose of eye candy, but it is strictly for devoted Bat-o-philes. --Jeff Shannon

The Caped Crusader and Robin battle Mr. Freeze and Poison Ivy. Uncle Alfred is dying and his niece comes to help and becomes Batgirl.
No Track Information Available
Media Type: DVD
Artist: CLOONEY/O'DONNELL/SCHWARZENEGG
Title: BATMAN & ROBIN
Street Release Date: 11/14/2006
Domestic
Genre: ACTION / ADVENTURE

Ocean's Thirteen (Widescreen Edition)

George Clooney is one, Brad Pitt is two, Matt Damon three... well, let's just assume there are 13 collaborators in this installment of Steven Soderbergh's profitable caper franchise. We're back in Las Vegas for Ocean's Thirteen, where the boys plot to shut down the brand-new venture of a backstabbing hotelier (Al Pacino) because the guy double-crossed the now-ailing Reuben (Elliott Gould). If you look at the plot too closely, the entire edifice collapses (hey, how about those Chunnel-digging giant drills?), but Soderbergh conjures up a visual style that swings like Bobby Darin at the Copa. Other than the movie-star dazzle, the main reason to see the film is Soderbergh's uncanny feel for how the widescreen frame can float through the neon spaces of Vegas or sort through groups of characters sitting in hotel rooms talking (he shot the film himself, under his pseudonym Peter Andrews).

The film doesn't give enough time to goofballs Casey Affleck and Scott Caan (whose riffs made Ocean's Twelve worth seeing), although it provides comic stuff for a fun roster of actors, including Eddie Izzard, David Paymer, and Bob ("Super Dave") Einstein. Meanwhile, Ellen Barkin makes a fetching assistant for Pacino, and Pacino himself, his hair dyed Trumpian orange, is content to gnaw on some ham for the duration. Biggest puzzle about the two sequels is why George Clooney seems content to retreat from centerstage. Still, his Hemingwayesque conversations with Pitt are an amusing form of male shorthand, and even as the movie overstays its welcome during a long finale, Clooney's easy sense of cool makes it all seem acceptable. --Robert Horton

It's bolder. Riskier. The most dazzling heist yet. George Clooney Brad Pitt Matt Damon and more reteam with director Steven Soderbergh for a split-second caper that stacks the deck with wit style and cool. Danny Ocean again runs the game so no rough stuff. No one gets hurt. Except for double-crossing Vegas kingpin Willy Bank (Al Pacino). Ocean's crew will hit him where it hurts: in his wallet. On opening night of Bank's posh new casino tower The Bank every turn of a card and roll of the dice will come up a winner for bettors. And they'll hit him in his pride making sure the tower doesn't receive a coveted Five Diamond Award. That's just the start of the flimflams. The boys are out to break The Bank. Place your bets!Running Time: 122 min.Format: DVD MOVIE Genre: COMEDY/CONS & SCAMS UPC: 085391139188 Manufacturer No: 1000023934

Ocean's Twelve

They're back. And then some. Twelve is the new eleven when Danny Ocean and pals return in a sequel to the cool caper that saw them pull off a $160 million heist. But 160 million doesn't go as far as it used to. Not with everyone spending like sailors on leave. Not with a mysterious someone stalking Danny and crew. It's time to pull off another stunner of a plan?or plans. With locations including Amsterdam Paris and Rome the direction of Steven Soderbergh and the original cast plus Catherine Zeta-Jones and others Twelve is your lucky number.Format: DVD MOVIE Genre: COMEDY UPC: 085393894825 Manufacturer No: 38948

Like its predecessor Ocean's Eleven, Ocean's Twelve is a piffle of a caper, a preposterous plot given juice and vitality by a combination of movie star glamour and the exuberant filmmaking skill of director Steven Soderbergh (Out of Sight, The Limey). The heist hijinks of the first film come to roost for a team of eleven thieves (including the glossy mugs of Brad Pitt, Matt Damon, Bernie Mac, and Don Cheadle), who find themselves pursued not only by the guy they robbed (silky Andy Garcia), but also by a top-notch detective (plush Catherine Zeta-Jones) and a jealous master thief (well-oiled Vincent Cassel) who wants to prove that team leader Danny Ocean (dapper George Clooney) isn't the best in the field. As if all that star power weren't enough--and the eternally coltish Julia Roberts also returns as Ocean's wife--one movie star cameo raises the movie's combined wattage to absurd proportions. But all these handsome faces are matched by Soderbergh's visual flash, cunning editing, and excellent use of Amsterdam, Paris, and Rome, among other highly decorative locations. The whole affair should collapse under the weight of its own silliness, but somehow it doesn't--the movie's raffish spirit and offhand wit soar along, providing lightweight but undeniable entertainment. --Bret Fetzer

Spy Kids

Carmen and Juni Cortez will soon find out that their favorite bedtime story, "The Spies Who Fell in Love," is really the story of their parents. So begins this affable fantasy, a James Bond adventure for wee ones with all the trimmings. When Dad and Mom (Antonio Banderas and Carla Gugino) mess up their first mission after coming out of retirement, their kids must come to the rescue, equipped with some cool gadgets. The Cortez family gets involved in a bizarre plot hatched by a Pee-wee Herman-type entertainer named Fegan Floop (a wonderfully hammy Alan Cumming) that's as giddy as it is ridiculous. Needless to say there is plenty of derring-do concerning long-lost uncles, goofy monsters, double agents, evil robots, look-alikes, and energized chases. Did we mention the gadgets? Although Banderas and Gugino make terrific impressions, the movie is carried (as it should be) by the younger Cortezes, winningly played by Alexa Vega and Daryl Sabara. Who would have thought an action/horror studio (Dimension) and writer-director Robert Rodriguez had this pleasing family film up their sleeves? Rodriquez (who produced with his wife Elizabeth Avellán) seemed to be mired in cheesy horror films but here breaks out by capitalizing on the talent that gave him instant status with his debut, El Mariachi (1992). Spy Kids has plenty of verve but never swerves into potty humor (OK, there is one good potty joke) or wicked gunplay. All 7-year-olds should have a film as fun as this in their movie-going lives. --Doug Thomas

Bursting with an awesome array of ultracool, high-tech gadgetry, SPY KIDS delivers enough thrilling entertainment to satisfy the entire family! Nine years ago, top international spies Gregorio and Ingrid Cortez (Antonio Banderas and Carla Gugino) traded the excitement of espionage for the adventure of parenthood! But when they're called out on a secret mission, the Cortezes are separated from their family and kidnapped by the evil Fegan Floop. Fortunately, there are two people who possess the skills and know-how to reunite the family: Carmen and Juni Cortez, their kids! Your family will love every fun-filled second as Carmen and Juni bravely crisscross the globe in a thrilling quest to save their parents. All the while, they discover that keeping the family together is the most important mission in the world for kids and parents alike!

Ocean's Eleven (Widescreen Edition)

Danny Ocean likes his chances. All he asks is that his handpicked squad of 10 grifters and cons play the game like they have nothing to lose. If all goes right the payoff will be a fat $150 million. Divided by 11. You do the math.Running Time: 110 min.System Requirements:Starring: George Clooney Julia Roberts Andy Garcia Brad Pitt Matt Damon Don Cheadle Bernie Mac and Elliott Gould. Directed By: Steven Soderbergh. Running Time: 116 Min. Color. This film is presented in "Standard" format. Copyright 2002 Warner Home Video.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 085392263424 Manufacturer No: 22634

Ocean's Eleven improves on 1960's Rat Pack original with supernova casting, a slickly updated plot, and Steven Soderbergh's graceful touch behind the camera. Soderbergh reportedly relished the opportunity "to make a movie that has no desire except to give pleasure from beginning to end," and he succeeds on those terms, blessed by the casting of George Clooney as Danny Ocean, the title role originated by Frank Sinatra. Fresh out of jail, Ocean masterminds a plot to steal $163 million from the seemingly impervious vault of Las Vegas's Bellagio casino, not just for the money but to win his ex-wife (Julia Roberts) back from the casino's ruthless owner (Andy Garcia). Soderbergh doesn't scrimp on the caper's comically intricate strategy, but he finds greater joy in assembling a stellar team (including Brad Pitt, Matt Damon, Don Cheadle, and Carl Reiner) and indulging their strengths as actors. The result is a film that's as smooth as a silk suit and just as stylish. --Jeff Shannon

Out of Sight (Collector's Edition)

Out of Sight scored critical raves, but its title sums up the theatrical fate of Steven Soderbergh's coolly comic crime caper and misfit romance based on Elmore Leonard's novel. But this is the sort of buried treasure home video was created to rescue.

George Clooney comes into his own as a leading man in the role of inveterate bank robber Jack Foley. Incarcerated, he uses another inmate's prison break as a cover for his own escape. Waiting for him, according to plan, is his partner, Buddy (Ving Rhames). Also waiting for him, not according to plan, is federal agent Karen Sisco (the ravishing Jennifer Lopez). She finds herself disarmed in more ways than one when she is deposited in the getaway car's trunk with Jack. But that doesn't stop her from joining the task force created to capture him, while he plans "one last heist."

Out of Sight is a rich, entertaining film, stylish without being showy, faithful to the integrity of Leonard's potent dialogue and quirky characters, and seamlessly acted by a dream ensemble. Standouts include Albert Brooks as convicted insider trader Richard Ripley, who while in prison brags to the wrong people that he has $5 million in uncut diamonds hidden in his house; Don Cheadle as Maurice (don't call him "Snoopy") Miller, with whom Jack warily teams up to steal said diamonds; Dennis Farina as Karen's protective father (his idea of a birthday gift is a Sig-Hauer .38); and, in unbilled cameos, Michael Keaton, reprising his Jackie Brown role as FBI agent Ray Nicolet, and Samuel L. Jackson.

If you liked Get Shorty and Jackie Brown, you'll find this, well, Out of Sight. --Donald Liebenson

Out of Sight was one of the best movies of 1998, but ironically this superior crime comedy was a box-office disappointment. Fortunately the movie can enjoy a long life on home video, where it can be savored by anyone who missed its original release. Making his best film since 1989's sex, lies, and videotape, director Steven Soderbergh pays tribute to the signature wit and intricacy of Elmore Leonard's novel, brilliantly adapted by Scott Frank, the gifted screenwriter who previously adapted Leonard's Get Shorty. The movie's a prime showcase for the talent and chemistry of George Clooney and Jennifer Lopez, respectively playing a career bank robber who's escaped from jail and the federal agent who falls for his charms while tracking him down. Soderbergh directs with confident visual flair, shifting time- lines (à la Pulp Fiction) to weave together subplots and maintain vivid focus on Leonard's splendid characters and smooth-as-silk dialogue. While the sexy repartée between Clooney and Lopez recalls the vintage interplay of Humphrey Bogart and Lauren Bacall, Ving Rhames and Steve Zahn add ample comic relief as Clooney's accomplices. Dennis Farina is memorable as Lopez's father, and Albert Brooks is almost unrecognizable as a Wall Street crook whose mansion--and a cache of uncut diamonds--provides the setting for the film's climactic caper. As orchestrated by Soderbergh, the film offers a feast of plot twists and surprises, but it never loses track of its delightful characters and the clever wit that brings them so vividly to life. The Collector's Edition DVD includes commentary by Soderbergh, deleted scenes, production notes, theatrical trailers, and more. --Jeff Shannon

Three Kings

George Clooney Mark Wahlberg and Ice Cube star in "Three Kings" the story of a small band of American soldiers in Iraq at the end of the Gulf War who seek adventure and fortune in attempting to steal a huge cache of gold hidden somewhere in the desert. Along the way they are confronted by heroic challenges and newfound discoveries that take them to places they could never have imagined.Running Time: 121 min.System Requirements:Starring: George Clooney Mark Wahlberg Ice Cube Spike Jonze Nora Dunn Jamie Kennedy Mykelti Williamson Cliff Curtis and Said Taghmaoui. Directed By: David O. Russell. Running Time: 115 Min. Color. This film is presented in "Widescreen" format. Copyright 2000 Warner Home Video.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 085391786221

A confident hybrid of M*A*S*H, Treasure of the Sierra Madre, and Dr. Strangelove, Three Kings is one of the most seriously funny war movies ever made. Improving the premise of Kelly's Heroes with scathing intelligence, it explores the odd connection between war and consumerism in the age of Humvees and cellular phones. Writer-director David O. Russell's third film (after Spanking the Monkey and Flirting with Disaster), it's a no-holds-barred portrait of personal conscience in the volatile arena of politics, played out by one of the most gifted filmmakers to emerge in the 1990s.

George Clooney, Mark Wahlberg, Ice Cube, and Spike Jonze (director of Being John Malkovich) play a quartet of U.S. soldiers who, disillusioned by Operation Desert Storm, decide to steal $23 million in gold hijacked from Kuwait by Saddam Hussein's army. Getting the bullion out of an Iraqi stronghold is easy; keeping it is a potentially lethal proposition. By the end of their mercenary mission, the Americans can no longer ignore wartime atrocities (and neither can we--the film is boldly unflinching), and conscience demands their aid to Iraqi rebels abandoned by President George Bush's fickle wartime policy. This is serious stuff indeed, but Russell infuses Three Kings with a keen sense of the absurd, and the entire film is an exercise in breathtaking visual ingenuity. Despite a conventional ending that's mildly disappointing for such a brashly original film, Three Kings conveys the brutal madness of war while making you laugh out loud at the insanity. --Jeff Shannon

The Thin Red Line

One of the cinema's great disappearing acts came to a close with the release of The Thin Red Line in late 1998. Terrence Malick, the cryptic recluse who withdrew from Hollywood visibility after the release of his visually enthralling masterpiece Days of Heaven (1978), returned to the director's chair after a 20-year coffee break. Malick's comeback vehicle is a fascinating choice: a wide-ranging adaptation of a World War II novel (filmed once before, in 1964) by James Jones. The battle for Guadalcanal Island gives Malick an opportunity to explore nothing less than the nature of life, death, God, and courage. Let that be a warning to anyone expecting a conventional war flick; Malick proves himself quite capable of mounting an exciting action sequence, but he's just as likely to meander into pure philosophical noodling--or simply let the camera contemplate the first steps of a newly birthed tropical bird, the sinister skulk of a crocodile. This is not especially an actors' movie--some faces go by so quickly they barely register--but the standouts are bold: Nick Nolte as a career-minded colonel, Elias Koteas as a deeply spiritual captain who tries to protect his men, Ben Chaplin as a G.I. haunted by lyrical memories of his wife. The backbone of the film is the ongoing discussion between a wry sergeant (Sean Penn) and an ethereal, almost holy private (newcomer Jim Caviezel). The picture's sprawl may be a result of Malick's method of "finding" a film during shooting and editing, and in some ways The Thin Red Line seems vaguely, intriguingly incomplete. Yet it casts a spell like almost nothing else of its time, and Malick's visionary images are a challenge and a signpost to the rest of his filmmaking generation. --Robert Horton

This serious-minded but flawed effort at bringing James Jones's later World War II novel to the screen might have languished in film vaults had reclusive director Terence Malick not resurfaced with a newer version, the likely spur to this video release. This first attempt, lensed in 1964, offers glimpses of what may have attracted Malick to the project.

Jones's story focuses on two American soldiers during the Guadalcanal campaign, the newlywed draftee Private Doll (Keir Dullea) and Sergeant Welch (Jack Warden), the hardened veteran. Doll is determined to survive whatever the cost, disobeying orders if it will improve his chances; Welch is dutiful yet calculating, resorting to deliberate acts of madness to toughen up his troops by showing them war's own absurdity by example. The clash between the private and the sergeant thus becomes the core to the film, focusing on the "thin red line" between sanity and insanity and depicting how that line blurs for both protagonists.

As directed by veteran Andrew Marton (55 Days in Peking), the film is at its best during sweeping battle sequences capturing the gritty horror of hand-to-hand combat, as the Americans try to take an impregnable wall of caves held by the Japanese enemy. Less successful are portentous scenes and dialogue that underscore this evident parable with a heavy hand; there's a self-conscious art film spin that misfires.The original black-and-white Cinemascope negative shows wear and tear, and early copies betray serious problems in their optical transfers. --Sam Sutherland

A powerful frontline cast - including Sean Penn, Nick Nolte, Woody Harrelson and George Clooney - explodes into action in this hauntingly realistic view of military and moral chaos in the Pacific during World War II.

Syriana (Widescreen Edition)

Big oil means big money. Very big money. And that fact unleashes corruption that stretches from Houston to Washington to the Mideast and ensnares industrialists princes spies politicos oilfield laborers and terrorists in a deadly deceptive web of move and countermove. This lightning-paced whip-smart action thriller grips your mind and nerves with an intensity that doesn't let go for an instant.Running Time: 128 min.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 012569807723 Manufacturer No: 80772

Syriana is an oil-based soap opera set against the world of global oil cartels. It is to the oil industry as Traffic was to the drug trade (no surprise, since writer/director Stephen Gaghan wrote the screenplay to Traffic): a sprawling attempt to portray the vast political, business, social, and personal implications of a societal addiction, in this case, oil. A major merger between two of the world's largest oil companies reveals ethical dilemmas for the lawyer charged with making the deal (Jeffrey Wright), and major global implications beyond the obvious; a CIA operative (George Clooney) discovers the truth about his work, and the people he works for; a young oil broker (Matt Damon) encounters personal tragedy, then partners with an idealistic Gulf prince (Alexander Siddig) attempting to build a new economy for his people, only to find he's opposed by powers far beyond his control. Meanwhile, disenfranchised Pakistani youths are lured into terrorism by a radical Islamic cleric. And that's just the start. As in Traffic, in one way or another all of the characters' fates are tied to each other, whether they realize it or not, though the connections are sometimes tenuous. While Syriana is basically a good film with timely resonance, it can't quite seem to measure up to Gaghan's ambitious vision and it very nearly collapses under the weight of its many storylines. Fortunately they are resolved skillfully enough to keep the film from going under in the end. To some viewers, Syriana will seem like an unfocused and over-loaded film that goes, all at once, everywhere and nowhere. Others will find it to be an important work earnestly exploring major issues. In either case, it's a film that deserves to be taken seriously, and it's likely to be one that will be talked about for a long time to come. --Dan Vancini