Mel Gibson

The Patriot (Special Edition)

Aimed directly at a mainstream audience, The Patriot qualifies as respectable entertainment, but anyone expecting a definitive drama about the American Revolution should look elsewhere. Rising above the blatant crowd pleasing of Stargate, Independence Day, and Godzilla, director Roland Emmerich crafts a marvelous re-creation of South Carolina in the late 1770s (aided immeasurably by cinematographer Caleb Deschanel), and Robert Rodat's screenplay offers the same balance of epic scale and emotional urgency that elevated his earlier script for Saving Private Ryan. Unfortunately, Emmerich embraces clichés and hackneyed melodrama that a more gifted director would have avoided. Instead of attempting a truly great film about the most pivotal years of American history, Emmerich settles for a standard revenge plot with the Revolutionary War as an incidental backdrop.

On those terms, the film is engrossing and sufficiently intelligent, especially when militia leader Benjamin Martin (Mel Gibson) cagily negotiates with British General Cornwallis (Tom Wilkinson) in one of the most rewarding scenes. For the most part, the story concerns Martin's anguished quest for revenge against ruthless redcoat Colonel Tavington (played with snide relish by Jason Isaacs), and the rise to manhood of Martin's eldest son, Gabriel (Heath Ledger), whose battlefield honor exceeds even that of his brutally volatile father. At its best, The Patriot conveys the horror of war among innocent civilians, and the epic battle scenes, while by no means masterful, are graphically intense and impressive. And although Ledger's love interest (Lisa Brenner) is too bland to register much emotion, the focus on family (which frequently relegates the war to background history) provides a suitable vehicle for Gibson, who matches his achievement in Braveheart with an effectively brooding performance. --Jeff Shannon

When the British arrive at his South Carolina home, French and Indian War hero Benjamin Martin takes up arms again to protect his family after swearing off violence and fighting.
Genre: Feature Film-Drama
Rating: R
Release Date: 6-MAR-2007
Media Type: DVD

We Were Soldiers (Widescreen Edition)

Based on the book by Lt. Col. Harold Moore (ret.) and journalist Joseph Galloway, We Were Soldiers offers a dignified reminder that the Vietnam War yielded its own crop of American heroes. Departing from Hollywood's typically cynical treatment of the war, writer-director Randall Wallace focuses on the first engagement of American soldiers with the North Vietnamese enemy in November 1965. Moore (played with colorful nuance by Mel Gibson) and nearly 400 inexperienced troopers from the U.S. Air Cavalry were surrounded by 2,000 North Vietnamese Army soldiers, and the film re-creates this brutal firefight with graphic authenticity, while telling the parallel story of grieving army wives back home. While UPI reporter Galloway (Barry Pepper) risks his life to chronicle the battle, Wallace offers a balanced (though somewhat fictionalized) perspective while eliciting laudable performances from an excellent cast. Like the best World War II dramas of the 1940s, We Were Soldiers pays tribute to brave men while avoiding the pitfalls of propaganda. --Jeff Shannon

Exploration of the courage, valor and loyalty among an elite American combat division that is sent to battle in Southern Vietnam.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-AUG-2006
Media Type: DVD

Mel Gibson's Apocalypto (Widescreen Edition)

All Movie Guide - As the foundation of the Mayan civilization begins to crumble one man's previously idyllic existence is forever changed when he is chosen as a sacrifice needed to appease the gods in director Mel Gibson's mythic end-times adventure. The Mayan kingdom is at the absolute height of opulence and power but leaders are convinced that unless more temples are constructed and more human sacrifices made the crops and ultimately the people will suffer. Jaguar Paw (Rudy Youngblood) is a peaceful hunter from a remote forest tribe whose life is about to be changed forever. When Jaguar Paw's village is raided and he is prepared as a sacrifice that the Mayan deities have demanded the brave young hunter is forced to navigate a horrific new world of fear and oppression. Fearlessly determined to escape his captors and save his family from a harrowing demise Jaguar Paw prepares to risk it all in one final desperate attempt to preserve his dying way of life. However few who have seen the sacrificial alter of the Mayans have managed to live to see another day. Now in order to rescue his pregnant wife and young son Jaguar Paw will have to elude the most powerful warriors of the Mayan kingdom while using his vast knowledge of the forest to turn the tables on those who would rather see him dead than set free. Inspired by such ancient Mayan texts as the Popul Vuh Apocalypto marks a comprehensive collaboration between director Gibson Cambridge-educated screenwriter Farhad Safinia and world-renowned archeologist and Mayan culture expert Dr. Richard D. Hansen -- whose services as a special consultant on the film lent the production an unprecedented degree of historical accuracy. - Jason BuchananFormat: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 786936705089 Manufacturer No: 05064600

Forget any off-screen impressions you may have of Mel Gibson, and experience Apocalypto as the mad, bloody runaway train that it is. The story is set in the pre-Columbian Maya population: one village is brutally overrun, its residents either slaughtered or abducted, by a ruling tribe that needs slaves and human sacrifices. We focus on the capable warrior Jaguar Paw (Rudy Youngblood), although Gibson skillfully sketches a whole population of characters--many of whom don't survive the early reels. Most of the film is set in the dense jungle, but the middle section, in a grand Mayan city, is a dazzling triumph of design, costuming, and sheer decadent terror. The movie itself is a triumph of brutality, as Gibson lets loose his well-established fascination with bodily mortification in a litany of assaults including impalement, evisceration, snakebite, and bee stings. It's a dark, disgusted vision, but Gibson doesn't forget to apply some very canny moviemaking instincts to the violence--including the creation of a tremendous pair of villains (strikingly played by Raoul Trujillo and Rodolfo Palacias). The film is in a Maya dialect, subtitled in English, and shot on digital video (which occasionally betrays itself in some blurry quick pans). Amidst all the mayhem, nothing in the film is more devastating than a final wordless exchange of looks between captured villager Blunted (Jonathan Brewer) and his wife's mother (Maria Isabel Diaz), a superb change in tone from their early relationship. Yes, this is an obsessive, crazed movie, but Gibson knows what he's doing. --Robert Horton

Beyond Apocalypto

More films directed by Mel Gibson

Apocalypto soundtrack by James Horner

Mad Max (Special Edition)

Setting Mel Gibson on a sure path to superstardom this highly acclaimed crazy collide-o-scope (Newsweek) of highway mayhem cinematically defined the postapocalyptic landscape (TV Guide). Featuring eye-popping stunts that are electrifying and very convincing (Variety) and an authentically nihilistic spirit (The Village Voice) Mad Max is pure cinematic poetry (Time). In the ravaged near future a savage motorcycle gang rules the road. Terrorizing innocent civilians while tearing up the streets the ruthless gang laughs in the face of a police force hell-bent on stopping them. But they underestimate one officer: Max Rockatansky (Gibson). And when the bikers brutalize Max s best friend and family they send him into a mad frenzy that leaves him with only one thing left in the world to live for -- revenge!Special Features:New Digitally Remastered Anamorphic TransferNew-To-The-U.S.! Original Australian LanguageOriginal Mono Audio Track Mel Gibson: The Birth Of A Star Documentary Mad Max: The Film Phenomenon DocumentaryTheatrical TrailersAudio Commentary With Jon Dowding David Eggby Chris Murray & Tim Ridge Road Rants Trivia & Fun Fact TrackPhoto GalleryTV SpotsAnd More!System Requirements: Running Time 94 MinFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616869241 Manufacturer No: 1002726

The Road Warrior is already a classic, sans condescending genre distinctions like "sci-fi" or "action." But the story of Mel Gibson's stately antihero begins in Mad Max, George Miller's low-budget debut in which Max is a "Bronze" (cop) in an unspecified postapocalyptic future with a buddy-partner and family. But unlike most films set in the devastated future, Mad Max is especially notable because it is poised between our industrialized world and total regression to medieval conditions. The scale tips towards disintegration when the Glory Riders burn into town on their bikes like an overamped cadre of Brando's Wild Ones. Representing the active chaos that will eventually overwhelm the dying vestiges of civil society, they take everything dear to Max, who will exact due revenge. His flight into the same wilds that created the villains artfully sets up the morally ambiguous character of the subsequent films. --Alan E. Rapp

Lethal Weapon - The Complete Series

All four of the Gibson/Glover buddy movies in a neat neurotic bundle.System Requirements:The DVD release includes production notes Dolby sound theatrical trailer optional full-screen and widescreen presentations optional French soundtrack and optional English French and Spanish subtitles. Format: DVD MOVIE Genre: COMEDY Rating: R UPC: 085391702924

The explosive and edgy Lethal Weapon introduced America to its favorite modern buddy team: Mel Gibson's suicidal firecracker Martin Riggs, a Vietnam vet whose reckless stunts earn him a reputation as the Los Angeles Police Department's least desirable partner, and Danny Glover's aging family man Roger Murtaugh, a veteran detective who wants nothing more than to gracefully live to see his pension. Richard Donner's smash movie is sleek, stylish, and practically nonstop action, but it's the chemistry between the combustible energy of Gibson and the paternal reserve of Glover that makes this combination so lethal. A sequel was inevitable, so Lethal Weapon 2 sent Riggs and Murtaugh after a South African drug syndicate, tossed funnyman Joe Pesci into the mix as a comic foil, and upped the ante of explosions, car chases, and apocalyptic property damage. Kung fu-kicking Rene Russo signed on for Lethal Weapon 3, a "mad genius run amok" adventure rushed into production without a finished script (and it shows in sloppy ad-libbed scenes) and crammed with wild high-speed chases and spectacular explosions. When Lethal Weapon 4 hit screens in 1998, the starring cast had ballooned: hot comic Chris Rock joined Gibson, Glover, Russo, and Pesci to take on a Chinese counterfeiting and slavery ring led by Hong Kong martial arts superstar Jet Li. Director Richard Donner helms every installment of his series, topping the frenzy of action and pyrotechnics with each new feature; watching the arc of the Lethal Weapon franchise is like a crash course in American action cinema of the '90s: bigger, faster, louder. Yet at the heart of every film is Riggs and Murtaugh, mismatched partners who become unlikely buddies, ready to lay their lives down for one another. By the climax of Lethal Weapon 4, as they team up against the fighting fury of Jet Li, their friendship has become the defining drive of the series. --Sean Axmaker

The Road Warrior

A strong candidate for the designation of most thrilling action movie ever made (the turbo-charged exhilaration of its full-throttle highway chases has never been equaled), the second part of George Miller's post-apocalyptic trilogy is also a magnificently imagined movie myth. Like the Star Wars trilogy (by that other George) the Mad Max films draw their inspiration from the works of mythologist Joseph Campbell. In the 1979 original, Max (Mel Gibson) is a policeman, the last guardian of civilization and order in a devastated world reduced to chaos. But when a leather-clad gang of sadomasochistic speed demons mows down Max's family, his remaining connections to humanity are also permanently severed. After brutally exacting his revenge, Max wanders off into the wasteland alone, "a burned out shell of a man" who (to paraphrase The Searchers) is destined to wander forever between the winds. In The Road Warrior, Max rediscovers a sliver of his shattered humanity, and a spark of redemption, when he helps an embattled colony of pioneers fight off the savages who are after that most precious of all commodities: "guzzline." Max is transformed into a legendary hero, just as Mel Gibson was catapulted to international movie stardom. With its final stirring images, The Road Warrior transcends its genre (whatever that may be--science fiction? Western? action adventure?) and becomes something timeless. It's a great movie. --Jim Emerson

Payback - Straight Up - The Director's Cut [HD DVD]

Paramount Payback - HD-DVD
Mel Gibson portrays Porter, a career criminal bent on revenge after his partnersin a street heist pump metal into him and take off with his $70,000 cut. Bad move, thugs. Because if you plan to double-cross Porter, you'd better make sure he's dead. Porter resurfaces, wading into a lurid urban underworld of syndicate kingpins, cops on the take, sniveling informants and deadly gangs. Porter wants his money back. And the way he sets out to get is assures that, from beginning to heartpounding end, Payback pays off big.

There were reasons writer-director Brian Helgeland's cut of Payback was dismissed by distributors Paramount and Warner Bros., then heavily re-shot and re-tooled by Mel Gibson's production company, Icon Entertainment. Those reasons are explained in detail by Gibson, Helgeland, and others in the special features of Payback: The Director's Cut (Special Collector's Edition). Among them: Helgeland's version was too dark. America wasn't ready in 1999 to see Gibson play an unapologetic, 1970s-style antihero who might not get exactly what he wants. Audiences didn't have the patience to wait for answers to their story questions. A dog dies. (A big no-no.) All of these comments make sound, practical sense. But here's the bottom line: Helgeland's cut, perhaps even a bit more disciplined and taut (according to Payback's editor, Kevin Stitt) than it was in 1999, is a serious movie with an organic tone and logic that makes the film look the way it was meant to look: as a neo-noir film for adults. The theatrical release of Payback, by contrast, was and is silly and vulgar, self-sabotaging, pointlessly vicious, and perversely jaunty. It is very much like--deliberately like--the Lethal Weapon series. The Director's Cut makes clear that's not at all what Helgeland had in mind.

Kudos to Gibson and Icon for giving Helgeland a chance to restore his film and get it out on this DVD. But a look at both versions (this disc does not include the theatrical cut) back-to-back can certainly make one's head spin. Icon's revisions in the original release show little faith in a contemporary audience's ability to discern much about a story or mood or character from spare but telling details. That film relies on crass swatches of voiceover narration, cute inserts, added scenes, and hipster tunes on the soundtrack. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. Worst of all is a specious third act nakedly built around an obligatory Gibson-gets-tortured sequence, leading the film to a lazy, comforting conclusion. The Director's Cut eschews all of that. Gibson's character, Porter (based on the central character in the novel "The Hunter," written by Donald E. Westlake under the pseudonym Richard Stark), is a man returning from the brink of death with nothing but his identity and the memory of something (an almost-nominal amount of money) taken from him. His iron determination, his capacity for brutality and inducing fear, and his survival instinct make him anything but warm and cuddly. It's his few ties to the past--especially an interrupted relationship with a call girl (Maria Bello)--that humanize him. One doesn't have to like Porter; one just accepts him and follows his journey in an honest, unmitigated fashion. That's exactly what Helgeland does, and his cleaner, leaner, smarter cut is instantly rewarding for its uncompromising, undistracted toughness. Special features include a documentary about the film's history, and a wonderful interview with Westlake. --Tom Keogh

Payback - The Director's Cut (Special Collector's Edition)

Mel Gibson portrays Porter a career criminal bent on revenge after his partners in a street heist pump metal into him and take off with his $70000 cut. Bad move thugs. Because if you plan to double-cross Porter you'd better make sure he's dead. Porter resurfaces wading into a lurid urban underworld of syndicate kingpins cops on the take sniveling informants and deadly gangs. Porter wants his money back. And the way he sets out to get is assures that from beginning to heartpounding end Payback pays off big.System Requirements:Run Time: 90 minsFormat: DVD MOVIE Genre: DRAMA Rating: UNRATED UPC: 097360411645 Manufacturer No: 041164

There were reasons writer-director Brian Helgeland's cut of Payback was dismissed by distributors Paramount and Warner Bros., then heavily re-shot and re-tooled by Mel Gibson's production company, Icon Entertainment. Those reasons are explained in detail by Gibson, Helgeland, and others in the special features of Payback: The Director's Cut (Special Collector's Edition). Among them: Helgeland's version was too dark. America wasn't ready in 1999 to see Gibson play an unapologetic, 1970s-style antihero who might not get exactly what he wants. Audiences didn't have the patience to wait for answers to their story questions. A dog dies. (A big no-no.) All of these comments make sound, practical sense. But here's the bottom line: Helgeland's cut, perhaps even a bit more disciplined and taut (according to Payback's editor, Kevin Stitt) than it was in 1999, is a serious movie with an organic tone and logic that makes the film look the way it was meant to look: as a neo-noir film for adults. The theatrical release of Payback, by contrast, was and is silly and vulgar, self-sabotaging, pointlessly vicious, and perversely jaunty. It is very much like--deliberately like--the Lethal Weapon series. The Director's Cut makes clear that's not at all what Helgeland had in mind.

Kudos to Gibson and Icon for giving Helgeland a chance to restore his film and get it out on this DVD. But a look at both versions (this disc does not include the theatrical cut) back-to-back can certainly make one's head spin. Icon's revisions in the original release show little faith in a contemporary audience's ability to discern much about a story or mood or character from spare but telling details. That film relies on crass swatches of voiceover narration, cute inserts, added scenes, and hipster tunes on the soundtrack. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. Worst of all is a specious third act nakedly built around an obligatory Gibson-gets-tortured sequence, leading the film to a lazy, comforting conclusion. The Director's Cut eschews all of that. Gibson's character, Porter (based on the central character in the novel "The Hunter," written by Donald E. Westlake under the pseudonym Richard Stark), is a man returning from the brink of death with nothing but his identity and the memory of something (an almost-nominal amount of money) taken from him. His iron determination, his capacity for brutality and inducing fear, and his survival instinct make him anything but warm and cuddly. It's his few ties to the past--especially an interrupted relationship with a call girl (Maria Bello)--that humanize him. One doesn't have to like Porter; one just accepts him and follows his journey in an honest, unmitigated fashion. That's exactly what Helgeland does, and his cleaner, leaner, smarter cut is instantly rewarding for its uncompromising, undistracted toughness. Special features include a documentary about the film's history, and a wonderful interview with Westlake. --Tom Keogh

We Were Soldiers [HD DVD]

Paramount We Were Soldiers - HD-DVD
Mel Gibson and Randall Wallace, the star and writer of "Braveheart," reunite for this action-packed war movie that features explosive battle sequences, thrilling aerial photography and unforgettable military heroes who fought for their country, their loved ones and theirfreedom. The year is 1965 and America is at war with North Vietnam. Commanding the air cavalry is Lt. Col. Hal Moore (Gibson), a born leader committed to his troops. His target: the la Drang Valley, called "The Valley of Death." As Moore prepares for one of the most violent battles in U.S. history,he delivers a stirring promise to his soldiers and their families: "I will leave no man behind... dead or alive. We will all come home together." This heroic true story of commitment, courage and sacrifice also stars Greg Kinnear, Sam Elliott, ChrisKlein, Keri Russell and Barry Pepper, "We Were Soldiers" is "a must-see film for our time and all time!"

Based on the book by Lt. Col. Harold Moore (ret.) and journalist Joseph Galloway, We Were Soldiers offers a dignified reminder that the Vietnam War yielded its own crop of American heroes. Departing from Hollywood's typically cynical treatment of the war, writer-director Randall Wallace focuses on the first engagement of American soldiers with the North Vietnamese enemy in November 1965. Moore (played with colorful nuance by Mel Gibson) and nearly 400 inexperienced troopers from the U.S. Air Cavalry were surrounded by 2,000 North Vietnamese Army soldiers, and the film re-creates this brutal firefight with graphic authenticity, while telling the parallel story of grieving army wives back home. While UPI reporter Galloway (Barry Pepper) risks his life to chronicle the battle, Wallace offers a balanced (though somewhat fictionalized) perspective while eliciting laudable performances from an excellent cast. Like the best World War II dramas of the 1940s, We Were Soldiers pays tribute to brave men while avoiding the pitfalls of propaganda. --Jeff Shannon

The Bounty

Oscar winners Anthony Hopkins and Mel Gibson lead a stellar cast that includes Sir Laurence Olivier Daniel Day-Lewis and Liam Neeson in this action-packed adventure bursting with sensational battles raging storms and an intensity as powerful as the mighty sea itself! Bristling with commanding performances blazing dialogue and "superb action scenes" (Los Angeles Times) this "spectacular movie" (New York Magazine) is "everything a high-adventure fan could want" (Variety)!Hopkins delivers "a brilliant portrayal" (Boxoffice) as William Bligh a real-life sea captain who in 1787 steered The Bounty on a 27000-mile voyage into danger chaos and madness. After 31 days of battling severe sea squalls and Bligh's ever-increasing cruelty the weary crew is relieved to finally land on a remote island. But soon their tyrannical captain wants to sail again and the desperate men turn to first mate Fletcher Christian (Gibson) to help them take the ship by force...or die trying.System Requirements:Starring: Mel Gibson Anthony Hopkins Edward Fox Laurence Olivier Directed By: Roger Donaldson Running Time: 130 Min. Color Copyright 2003 MGM Studios.Format: DVD MOVIE Genre: ACTION/ADVENTURE UPC: 027616854742

Director Roger Donaldson (Thirteen Days) has breathed vibrant new life into the classic story of the mutiny on the Bounty. With a dream cast--Mel Gibson, Sir Anthony Hopkins, Sir Laurence Olivier, Liam Neeson, and Daniel Day-Lewis--and a script by Robert Bolt (Doctor Zhivago, Lawrence of Arabia), The Bounty takes a revisionist tack through the well-charted waters of an oft-told tale. Hopkins's Captain Bligh is no raving sadist in the Charles Laughton mode. (Laughton played Bligh in the first Mutiny on the Bounty, 1935.) Instead, Sir Anthony plays Bligh as a hard-nosed imperialist explorer simply trying to get the job done in the time-honored manner: on the backs of the poor gobs under his command. Still, when Bligh's suppressed powder keg of rage finally blows, Hopkins is formidable indeed. Mel Gibson gives one of the most soulful performances of his career as mutiny leader Fletcher Christian. He's also at the height of his blue-eyed, buff good looks, and his romance with Tahitian maiden Mauatua (lovely Tevaite Vernette) is decidedly erotic. Liam Neeson is a veritable force of nature as the scrappy seaman Charles Churchill, and Daniel Day-Lewis is sublimely hateful as Master John Fryer, a pompous toady. With special effects to rival those of The Perfect Storm, the alluring eye candy of a tall-masted schooner under full sail, lush tropical greenery, and bevies of bodacious South Sea Islands babes, plus a gripping story line, The Bounty deserves a rescue from undeserved obscurity. --Laura Mirsky