Crime

The Italian Job [Blu-ray]

Though it bears little resemblance to the original 1969 thriller starring Michael Caine, the 2003 remake of The Italian Job stands on its own as a caper comedy that's well above average. The title's a misnomer--this time it's actually a Los Angeles job--but the action's just as exciting as it propels a breezy tale of honor and dishonor among competing thieves. Inheriting Caine's role as ace heist-planner Charlie Croker, Mark Wahlberg plays straight-man to a well-cast team of accomplices, including Mos Def, Jason Statham, and scene-stealer Seth Green in a variation of the role originally played by Noel Coward. As the daughter of Croker's ill-fated mentor (Donald Sutherland), Charlize Theron is recruited to double-cross a double-crosser (Edward Norton in oily villain mode), and once again, speedily versatile Mini Coopers play a pivotal role in director F. Gary Gray's exhilarating car-chase climax. It's perhaps the greatest product placement in movie history, and just as fun the second time around. --Jeff Shannon

Paramount The Italian Job (Blu-ray)
The plan was flawless. The execution was perfect. Charlie Croker (Mark Wahlberg) pulled off the crime of a lifetime. The one thing that he didn't plan on was being double-crossed. Now he wants more than the job's payoff... he wants payback. Along with a drop-dead gorgeous safecracker (Charlize Theron), Croker and his team take off to re-steal the loot and end up in a pulse-pounding, pedal-to-the-metal chase that carens up, down, above and below the streets of Los Angeles. With an ensemble all-star cast that also includes Edward Norton, Seth Green, Jason Statham, Mos Def, Franky G and Donald Sutherland.

The Untouchables (Special Collector's Edition) [Blu-ray]

As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the movie pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia), and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment, and the train-station shootout partially modeled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fueled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the movie gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon

As noted critic Pauline Kael wrote, the 1987 box-office hit The Untouchables is "like an attempt to visualize the public's collective dream of Chicago gangsters." In other words, this lavish reworking of the vintage TV series is a rousing potboiler from a bygone era, so beautifully designed and photographed--and so craftily directed by Brian De Palma--that the historical reality of Prohibition-era Chicago could only pale in comparison. From a script by David Mamet, the movie pits four underdog heroes (the maverick lawmen known as the Untouchables) against a singular villain in Al Capone, played by Robert De Niro as a dapper caesar holding court (and a baseball bat) against any and all challengers. Kevin Costner is the naive federal agent Eliot Ness, whose lack of experience is tempered by the streetwise alliance of a seasoned Chicago cop (Sean Connery, in an Oscar-winning performance), a rookie marksman (Andy Garcia), and an accountant (Charles Martin Smith) who holds the key to Capone's potential downfall. The movie approaches greatness on the strength of its set pieces, such as the siege near the Canadian border, the venal ambush at Connery's apartment, and the train-station shootout partially modeled after the "Odessa steps" sequences of the Russian classic Battleship Potemkin. It's thrilling stuff, fueled by Ennio Morricone's dynamic score, but it's also manipulative and obvious. If you're inclined to be critical, the movie gives you reason to complain. If you'd rather sit back and enjoy a first-rate production with an all-star cast, The Untouchables may very well strike you as a classic. --Jeff Shannon

The critics and public agree. Brian De Palma's The Untouchables is a must-see masterpiece - glorious fierce larger-than-life depiction of the mob warlord who ruled Prohibition-era Chicago... and the law enforcer who vowed to bring him down. This classic confrontation between good and evil and stars Kevin Costner as federal agent Eliot Ness Robert De Niro as gangland kingpin Al Capone and Sean Connery as Malone the cop who teaches Ness how to beat the mob: shoot fast and shoot first.Runtime: 119 minsFormat: BLU-RAY DISC Genre: DRAMA Rating: R UPC: 097361247342 Manufacturer No: 124734

24 - Season Six

Creating and executing a TV series in which each season takes place in the course of just one day, with each episode occupying a single hour, is no mean feat, but the makers of 24 have pulled it off admirably. And while many of the show's longtime adherents seem to agree that this sixth season (with 24 episodes offered on six DVDs, plus a seventh disc loaded with bonus features) is perhaps its weakest, relative newcomers, freed from the expectations generated by the five that preceded it, will find it to be riveting entertainment. This is a show that hits the ground running and then proceeds to relentlessly ratchet up the tension, balancing its disparate elements--terrorism and espionage, political intrigue and treachery, personal drama--with remarkable aplomb. Indeed, the first episode is barely underway before we're told that a plague of terrorist bombings is sweeping the United States, killing many hundreds and leaving the nation in disarray. President Wayne Palmer (DB Woodside), in office for just three months following the assassination of his brother, agonizes over the proper course of action while some of his advisers counsel restraint and others urge him to adopt measures that will radically restrict Americans' (especially those of Muslim descent) civil liberties. Meanwhile, Jack Bauer (star and executive producer Kiefer Sutherland) has been released after two years in a Chinese prison, but only so he can be handed over to Abu Fayed (Adoni Maropis), a particularly nasty villain who proposes to trade Jack's life for the location of Hamri Al-Assad (Alexander Siddig), who's suspected of being the mastermind behind the current reign of terror. That's only the beginning, of course. Soon Jack (who, despite being severely tortured during his imprisonment, is still cool enough to coordinate a manhunt while simultaneously disarming a bomb set to detonate in two minutes) and his counter-terrorism cronies are dealing with the specter of a nuclear holocaust on American soil, more political assassination, Jack's feckless family, and a good deal more. And that's only in the first twelve hours! It doesn't all work--especially in the second half. Some of the characters are less than convincing (Jack's brother Graem, portrayed by Paul McCrane, is weak in every respect; in fact, the entire family sideshow is fairly ridiculous), while the casting is sometimes off the mark (Woodside does his best, but he lacks the gravitas needed in a plausible Chief Executive) and the story contains multiple plot points that will challenge even those willing to totally suspend their disbelief. By and large, though, 24 more than lives up to its own hype as the tube's most addictive program. Bonus material includes commentary on selected episodes, deleted scenes, a preview of Season 7, several featurettes, and a whole lot more. --Sam Graham

It s 20 months after the end of season 5 and Jack is back. A series of suicide bombings across the United States has CTU pushed to their limits and the only way to stop the attacks will be to sacrifice their star agent. But are they being misled and can Jack uncover the real mastermind before the bombings begin? Of course it s going to take more than weapons to stop Bauer from uncovering the truth but what he finds it just the beginning of a much larger conspiracy involving nation states the U.S. government and a host of other factors that make this season of 24 the most exciting to date.System Requirements:Running Time: 1012 mins.Format: DVD MOVIE Genre: TELEVISION/SERIES & SEQUELS Rating: NR UPC: 024543462927 Manufacturer No: 2246292

The Transporter [Blu-ray]

Move over, Vin Diesel, because The Transporter, Hong Kong action veteran Corey Yuen's English-language directorial debut, is revving up to steal your thunder. As the other top-billed action star to emerge in 2002, British hunk Jason Statham--previously seen in Snatch, Ghosts of Mars, and The One--plays a hard-driving courier for well-heeled underworld clients. He follows simple rules: (1) Stick to the deal; (2) Don't ask names; and (3) Don't look in the packages he transports. All's well until he violates rule 3, discovering a Chinese beauty (Qi Shu) in the trunk of his tricked-out BMW, and foiling a deadly plot to smuggle Chinese slaves through the port of Marseilles. The first hour is ass-kickin' fun, and the stuntwork is impressive throughout, even as the plot degenerates into a predictable series of bone-breaking showdowns. Statham boasts an appealing combination of brains and brawn, suggesting the suave versatility of a promising career. Coproduced by action auteur Luc Besson and filmed on dazzling French locations, The Transporter is an action fan's delight. --Jeff Shannon

Frank Martin (Jason Statham) is the best as what he does: transporting dangerous or illegal goods with no questions asked. But his last shipment a beautiful young woman kidnapped by international slave traders brings deadly complications to his delivery plans. Now Frank must kick into overdrive in a nonstop action-packed fight to save his precious cargo - and his life. System Requirements:Running Time 92 Mins.Format: BLU-RAY DISC Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 024543395904 Manufacturer No: 2239590

Mr & Mrs Smith [Blu-ray]

No Description Available.
Genre: Feature Film-Action/Adventure
Rating: UN
Release Date: 4-DEC-2007
Media Type: Blu-Ray

Released amidst rumors of romance between costars Angelina Jolie and soon-to-be-divorced Brad Pitt, Mr. and Mrs. Smith offers automatic weapons and high explosives as the cure for marital boredom. The premise of this exhausting action-comedy (no relation to the 1941 Alfred Hitchcock comedy starring Carole Lombard and Robert Montgomery) is that the unhappily married Smiths (Pitt and Jolie) will improve their relationship once they discover their mutually-hidden identities as world-class assassins, but things get complicated when their secret-agency bosses order them to rub each other out. There's plenty of amusing banter in the otherwise disposable screenplay by Simon Kinberg (xXx: State of the Union, Fantastic Four), and director Doug Liman (The Bourne Identity) gives Pitt and Jolie a slick, glossy superstar showcase that's innocuous but certainly never boring. It could've been better, but as an action-packed summer confection, Mr. and Mrs. Smith kills two hours in high style. --Jeff Shannon

National Treasure (Widescreen Edition)

Coming from a long line of treasure hunters, Benjamin Franklin Gates is given clues by his ancestors leading to a valuable and mysterious treasure hidden during America's revolution and sought after by both his enemies and the FBI.
Genre: Feature Film-Action/Adventure
Rating: PG
Release Date: 22-AUG-2006
Media Type: DVD

Like a Hardy Boys mystery on steroids, National Treasure offers popcorn thrills and enough boyish charm to overcome its rampant silliness. Although it was roundly criticized as a poor man's rip-off of Raiders of the Lost Ark and The Da Vinci Code, it's entertaining on its own ludicrous terms, and Nicolas Cage proves once again that one actor's infectious enthusiasm can compensate for a multitude of movie sins. The contrived plot involves Cage's present-day quest for the ancient treasure of the Knights Templar, kept secret through the ages by Freemasons past and present. Finding the treasure requires the theft of the Declaration of Independence (there are crucial treasure clues on the back, of course!), so you can add "caper comedy" to this Jerry Bruckheimer production's multi-genre appeal. Nobody will ever accuse director Jon Turtletaub of artistic ambition, but you've got to admit he serves up an enjoyable dose of PG-rated entertainment, full of musty clues, skeletons, deep tunnels, and harmless adventure in the old-school tradition. It's a load of hokum, but it's fun hokum, and that makes all the difference. --Jeff Shannon

Pulp Fiction (Two-Disc Collector's Edition)

With the knockout one-two punch of 1992's Reservoir Dogs and 1994's Pulp Fiction writer-director Quentin Tarantino stunned the filmmaking world, exploding into prominence as a cinematic heavyweight contender. But Pulp Fiction was more than just the follow-up to an impressive first feature, or the winner of the Palme d'Or at Cannes Film Festival, or a script stuffed with the sort of juicy bubblegum dialogue actors just love to chew, or the vehicle that reestablished John Travolta on the A-list, or the relatively low-budget ($8 million) independent showcase for an ultrahip mixture of established marquee names and rising stars from the indie scene (among them Samuel L. Jackson, Uma Thurman, Bruce Willis, Ving Rhames, Harvey Keitel, Christopher Walken, Tim Roth, Amanda Plummer, Julia Sweeney, Kathy Griffin, and Phil Lamar). It was more, even, than an unprecedented $100-million-plus hit for indie distributor Miramax. Pulp Fiction was a sensation. No, it was not the Second Coming (I actually think Reservoir Dogs is a more substantial film; and P.T. Anderson outdid Tarantino in 1997 by making his directorial debut with two even more mature and accomplished pictures, Hard Eight and Boogie Nights). But Pulp Fiction packs so much energy and invention into telling its nonchronologically interwoven short stories (all about temptation, corruption, and redemption amongst modern criminals, large and small) it leaves viewers both exhilarated and exhausted--hearts racing and knuckles white from the ride. (Oh, and the infectious, surf-guitar-based soundtrack is tastier than a Royale with Cheese.) --Jim Emerson

A couple of hit men, a fighter forced to throw a fight, the wife of a mobster, and two would-be robbers all find redemption.
No Track Information Available
Media Type: DVD
Artist: TRAVOLTA/JACKSON/THURMAN
Title: PULP FICTION
Street Release Date: 06/07/2005
Domestic
Genre: DRAMA

Reservoir Dogs (15th Anniversary) [Blu-ray]

Lionsgate Reservoir Dogs (Blu-ray)
Former video store clerk Quentin Tarantinos directorial debut, Reservoir Dogs, is a brutally funny, supercharged introduction to his supremely distinct cinematic vision, which was later to become one of the most mimicked styles of the 1990s. Mastermind Joe Cabot (Lawrence Tierney) assembles a crew of top-notch criminalsto pull off a jewelry store heist. As the film opens it becomes immediately clear that the plan backfired, forcing the survivors, who have gathered at an abandoned warehouse, to figure out if one of them is, in fact, a police informer. The crew--Mr.White (Harvey Keitel), an aged veteran; Mr. Orange (Tim Roth), a wounded newcomer; Mr. Blonde (Michael Madsen), a psychopathic parolee; Mr. Pink (Steve Buscemi), a bickering weasel; and Nice Guy Eddie (Chris Penn), Joes son--begin to unravel as thepressure becomes too much for them to handle. When Joe arrives, the truth becomes clear in a vicious Mexican standoff.

Quentin Tarantino came out of nowhere (i.e., a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them color-coded aliases (Mr. Orange, Mr. Pink, Mr. White) to conceal their identities from being known even to each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception, and betrayal. As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn, and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful, and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson

Quentin Tarantino came out of nowhere (i.e., a video store in Manhattan Beach, California) and turned Hollywood on its ear in 1992 with his explosive first feature, Reservoir Dogs. Like Tarantino's mainstream breakthrough Pulp Fiction, Reservoir Dogs has an unconventional structure, cleverly shuffling back and forth in time to reveal details about the characters, experienced criminals who know next to nothing about each other. Joe (Lawrence Tierney) has assembled them to pull off a simple heist, and has gruffly assigned them color-coded aliases (Mr. Orange, Mr. Pink, Mr. White) to conceal their identities from being known even to each other. But something has gone wrong, and the plan has blown up in their faces. One by one, the surviving robbers find their way back to their prearranged warehouse hideout. There, they try to piece together the chronology of this bloody fiasco--and to identify the traitor among them who tipped off the police. Pressure mounts, blood flows, accusations and bullets fly. In the combustible atmosphere these men are forced to confront life-and-death questions of trust, loyalty, professionalism, deception, and betrayal. As many critics have observed, it is a movie about "honor among thieves" (just as Pulp Fiction is about redemption, and Jackie Brown is about survival). Along with everything else, the movie provides a showcase for a terrific ensemble of actors: Harvey Keitel, Tim Roth, Steve Buscemi, Michael Madsen, Christopher Penn, and Tarantino himself, offering a fervent dissection of Madonna's "Like a Virgin" over breakfast. Reservoir Dogs is violent (though the violence is implied rather than explicit), clever, gabby, harrowing, funny, suspenseful, and even--in the end--unexpectedly moving. (Don't forget that "Super Sounds of the Seventies" soundtrack, either.) Reservoir Dogs deserves just as much acclaim and attention as its follow-up, Pulp Fiction, would receive two years later. --Jim Emerson

Payback - Straight Up - The Director's Cut [Blu-ray]

There were reasons writer-director Brian Helgeland's cut of Payback was dismissed by distributors Paramount and Warner Bros., then heavily re-shot and re-tooled by Mel Gibson's production company, Icon Entertainment. Those reasons are explained in detail by Gibson, Helgeland, and others in the special features of Payback: The Director's Cut (Special Collector's Edition). Among them: Helgeland's version was too dark. America wasn't ready in 1999 to see Gibson play an unapologetic, 1970s-style antihero who might not get exactly what he wants. Audiences didn't have the patience to wait for answers to their story questions. A dog dies. (A big no-no.) All of these comments make sound, practical sense. But here's the bottom line: Helgeland's cut, perhaps even a bit more disciplined and taut (according to Payback's editor, Kevin Stitt) than it was in 1999, is a serious movie with an organic tone and logic that makes the film look the way it was meant to look: as a neo-noir film for adults. The theatrical release of Payback, by contrast, was and is silly and vulgar, self-sabotaging, pointlessly vicious, and perversely jaunty. It is very much like--deliberately like--the Lethal Weapon series. The Director's Cut makes clear that's not at all what Helgeland had in mind.

Kudos to Gibson and Icon for giving Helgeland a chance to restore his film and get it out on this DVD. But a look at both versions (this disc does not include the theatrical cut) back-to-back can certainly make one's head spin. Icon's revisions in the original release show little faith in a contemporary audience's ability to discern much about a story or mood or character from spare but telling details. That film relies on crass swatches of voiceover narration, cute inserts, added scenes, and hipster tunes on the soundtrack. All of that was designed to tell an audience how to feel rather than encourage a cinematic experience encountered with an open heart and mind. Worst of all is a specious third act nakedly built around an obligatory Gibson-gets-tortured sequence, leading the film to a lazy, comforting conclusion. The Director's Cut eschews all of that. Gibson's character, Porter (based on the central character in the novel "The Hunter," written by Donald E. Westlake under the pseudonym Richard Stark), is a man returning from the brink of death with nothing but his identity and the memory of something (an almost-nominal amount of money) taken from him. His iron determination, his capacity for brutality and inducing fear, and his survival instinct make him anything but warm and cuddly. It's his few ties to the past--especially an interrupted relationship with a call girl (Maria Bello)--that humanize him. One doesn't have to like Porter; one just accepts him and follows his journey in an honest, unmitigated fashion. That's exactly what Helgeland does, and his cleaner, leaner, smarter cut is instantly rewarding for its uncompromising, undistracted toughness. Special features include a documentary about the film's history, and a wonderful interview with Westlake. --Tom Keogh

Mel Gibson portrays Porter a career criminal bent on revenge after his partners in a street heist pump metal into him and take off with his $70000 cut. Bad move thugs. Because if you plan to double-cross Porter you'd better make sure he's dead. Porter resurfaces wading into a lurid urban underworld of syndicate kingpins cops on the take sniveling informants and deadly gangs. Porter wants his money back. And the way he sets out to get is assures that from beginning to heartpounding end Payback pays off big. System Requirements:Runtime: 90 MinsFormat: BLU-RAY DISC Genre: DRAMA Rating: UNRATED UPC: 097361197845 Manufacturer No: 119784

Gangs of New York [Blu-ray]

An epic tale of vengeance and survival GANGS OF NEW YORK now hits harder than ever on Blu-ray Disc™. Directed by Academy Award(R) winner Martin Scorsese (2006 Best Director THE DEPARTED) this motion picture event stars two-time Oscar(R) winner Daniel Day-Lewis (1989 Best Actor MY LEFT FOOT; 2007 Best Actor THERE WILL BE BLOOD) Leonardo DiCaprio and Cameron Diaz. After years of incarceration Irish immigrant Amsterdam Vallon (DiCaprio) returns to lower Manhattan's lawless corrupt Five Points section seeking revenge against the rival gang leader (Day-Lewis) who killed his father. But before long Amsterdam's personal vendetta becomes part of an erupting wave of full-blown gang warfare. Feel your heart pound while weapons and cultures clash in a chaotic symphony of life and death. Surrender to the tumultuous atmosphere of 1860s New York as phenomenal sound and stunning visual clarity transport you back in time. Prepare to experience Scorsese's masterpiece as never before on Blu-ray™ High Definition.System Requirements:Running Time: 167 minutesFormat: BLU-RAY DISC Genre: DRAMA/TRUE STORY Rating: R UPC: 786936761139 Manufacturer No: 05703300

Gangs of New York may achieve greatness with the passage of time. Mixed reviews were inevitable for a production this grand (and this troubled behind the scenes), but it's as distinguished as any of director Martin Scorsese's more celebrated New York stories. From its astonishing 1846 prologue to the city's infernal draft riots of 1863, the film aspires to erase the decorum of textbooks and chronicle 19th-century New York as a cauldron of street warfare. The hostility is embodied in a tale of primal vengeance between Irish American son Amsterdam Vallon (Leonardo DiCaprio) and his father's ruthless killer and "Nativist" gang leader Bill "the Butcher" Cutting (Daniel Day-Lewis, brutally inspired), so named for his lethal talent with knives. Vallon's vengeance is only marginally compelling; DiCaprio is arguably miscast, and Cameron Diaz (as Vallon's pickpocket lover) is adrift in a film with little use for women. Despite these weaknesses, Scorsese's mastery blossoms in his expert melding of personal and political trajectories; this is American history written in blood, unflinching, authentic, and utterly spectacular. --Jeff Shannon