Disaster Films

Armageddon

When an asteroid the size of Texas is headed for Earth, a ragtag team of roughneck oil drillers are sent to drop a nuclear warhead into its core.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 25-JAN-2005
Media Type: DVD

The latest testosterone-saturated blow-'em-up from producer Jerry Bruckheimer and director Michael Bay (The Rock, Bad Boys) continues Hollywood's millennium-fueled fascination with the destruction of our planet. There's no arguing that the successful duo understands what mainstream American audiences want in their blockbuster movies--loads of loud, eye-popping special effects, rapid- fire pacing, and patriotic flag waving. Bay's protagonists--the eight crude, lewd, oversexed (but lovable, of course) oil drillers summoned to save the world from a Texas-sized meteor hurling toward the earth--are not flawless heroes, but common men with whom all can relate. In this huge Western-in-space soap opera, they're American cowboys turned astronauts. Sci-fi buffs will appreciate Bay's fetishizing of technology, even though it's apparent he doesn't understand it as anything more than flashing lights and shiny gadgets. Smartly, the duo also tries to lure the art-house crowd, raiding the local indie acting stable and populating the film with guys like Steve Buscemi, Billy Bob Thornton, Owen Wilson, and Michael Duncan, all adding needed touches of humor and charisma. When Bay applies his sledgehammer aesthetics to the action portions of the film, it's mindless fun; it's only when Armageddon tackles humanity that it becomes truly offensive. Not since Mississippi Burning have racial and cultural stereotypes been substituted for characters so blatantly--African Americans, Japanese, Chinese, Scottish, Samoans, Muslims, French ... if it's not white and American, Bay simplifies it. Or, make that white male America; the film features only three notable females--four if you count the meteor, who's constantly referred to as a "bitch that needs drillin'," but she's a hell of a lot more developed and unpredictable than the other women characters combined. Sure, Bay's film creates some tension and contains some visceral moments, but if he can't create any redeemable characters outside of those in space, what's the point of saving the planet? --Dave McCoy

Twister

Formerly married but still involved scientists pursue violent tornadoes in an effort to launch sensors which might help them predict future storms.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 14-SEP-2004
Media Type: DVD

Twister was a mega-million-dollar blockbuster--helmed by a director (Dutchman Jan de Bont) hot off another scorcher hit (Speed)--that flaunted state-of-the-art digital effects and featured a popular leading actress (Helen Hunt) who would win an Academy Award for her next film (As Good As It Gets). But ask anybody who's seen it and they'll tell you who the real star of Twister is: the cow. Not to give anything away, but the cow is one of those inspired little touches (like, say, Bronson Pinchot's career-making cameo in Beverly Hills Cop) that adds a touch of personality to a gigantic Hollywood production. The story is blown out the window after an impressive prologue in which Hunt's character, as a little girl, witnesses her daddy being sucked into a tornado. Basically, Hunt and Bill Paxton are thrill-seeking meteorologists chasing twisters in order to study them (and help warn people of them, of course) with a new technology they've developed. If you thought the Kansas tornado in The Wizard of Oz was every bit as scary as the Wicked Witch of the West, then this may be the movie for you. --Jim Emerson

The Day After Tomorrow (Widescreen Edition)

A climatologist and his family must find a way to survive the devastation caused by an extreme shift in the global climate.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 12-JUN-2007
Media Type: DVD

Supreme silliness doesn't stop The Day After Tomorrow from being lots of fun for connoisseurs of epic-scale disaster flicks. After the blockbuster profits of Independence Day and Godzilla, you can't blame director Roland Emmerich for using global warming as a politically correct excuse for destroying most of the northern hemisphere. Like most of Emmerich's films, this one emphasizes special effects over such lesser priorities as well-drawn characters and plausible plotting, and his dialogue (cowritten by Jeffrey Nachmanoff) is so laughably trite that it could be entirely eliminated without harming the movie. It's the spectacle that's important here, not the lame, recycled plot about father and son (Dennis Quaid, Jake Gyllenhaal) who endure an end-of-the-world scenario caused by the effects of global warming. So sit back, relax, and enjoy the awesome visions of tornado-ravaged Los Angeles, blizzards in New Delhi, Japan pummeled by grapefruit-sized hailstones, and Manhattan flooded by swelling oceans and then frozen by the onset of a modern ice age. It's all wildly impressive, and Emmerich obviously doesn't care if the science is flimsy, so why should you? --Jeff Shannon

Fail-safe (Special Edition)

One of the greatest anti-war thrillers ever Fail-Safe stars Henry Fonda Walter Matthau Dan O Herlihy Larry Hagman and Fritz Weaver (in his film debut) as a group of military men on the verge of World War III.When a military computer deploys a squadron of SAC bombers to destroy Moscow the American President (Fonda) tries to call them back. But their sophisticated fail-safe system prevents him from aborting the attack so he must convince the Soviets not to retaliate. In desperation the President offers to sacrifice an American city if his pilots succeed in their deadly mission over Moscow. A four-star techno-thriller that builds tension and suspense with every tick of the nuclear clock.System Requirements:Starring: Dan O Herlihy Walter Matthau Frank Overton Ed Binns Fritz Weaver Henry Fonda Larry Hagman and William Hansen. Directed By: Sidney Lumet. Running Time: 111 Min. B&W. This film is presented in "Widescreen" format. Copyright 2000 Columbia TriStar Home Video.Format: DVD MOVIE Genre: DRAMA Rating: G UPC: 043396054240 Manufacturer No: 5424

It's Dr. Strangelove, but without the laughs. Fail Safe, made within a year of Strangelove and at the height of cold war atomic anxiety, posits a similar nightmare scenario. A U.S. bomber is accidentally ordered toward Moscow, ready to drop its load. The U.S. president (Henry Fonda) and various military and congressional leaders must then scramble to deal with the disaster. The built-in suspense is well maintained by director Sidney Lumet, working from a script by former blacklisted writer Walter Bernstein. The solemn, serious approach doesn't begin to touch the brilliance of Strangelove's inspired take on the nuclear nightmare, but Fail Safe is absorbing and well acted (a memorable role for Walter Matthau, for instance). The movie enters unexpected territory in its final minutes; conditioned for feel-good endings, viewers are still genuinely shocked by the plot turns in the final reels. The climax comes as a sobering slap in the face, intriguingly staged by Lumet. Now that the cold war has passed on into history, Fail Safe stands as--thank goodness--an interesting period piece. --Robert Horton

Sahara (Widescreen Edition)

It took more than 25 years for another Clive Cussler novel to come to the screen after the financial and critical disaster of Raise the Titanic. Based on Cussler's oddly landlocked adventure, Sahara finds the author's hero, Dirk Pitt (Matthew McConaughey)--a sort of all-American, high seas variation of James Bond--in Africa looking for a Confederate ironclad ship that impossibly might have ended up there. Soon he and his faithful sidekick Al Giordino (Steve Zahn) are lost in another adventure, discovering a deadly contaminate being tracked by a beautiful doctor (Penelope Cruz). The results are checkered: there's no one outstanding sequence, but the action is enjoyably varied, while the thrills are mild yet not bombastic or gratuitous. The cast are all adept in their roles, yet the only one who sparkles is the scene-stealing Zahn, cast against type; McConaughey, who also produced, knows he might be starting a franchise character and plays it safe. He's never as dangerous as Cussler's hero is on the page (except in his introduction), and in fact, the whole movie plays towards comedy, infused by a soundtrack of 70s FM radio monsters. Cussler fanatics may not like this lighter fare, especially with the archeological portion (a Cussler strong point) not fully embraced, but with a very, very likable cast and colorful settings, Sahara is a kindler, gentler action film that has all the elements in place for a better, more memorable franchise if anyone cares to attempt it. --Doug Thomas

Dante's Peak

The first of 1997's volcano disaster movies (the second being Volcano) was arguably the better of the two, but both of them made for passable entertainment with some spectacular special effects to serve as icing on the stale cake. After all, Dante's Peak doesn't pretend to be anything more than an updated variation on a whole catalog of disaster movie clichés. Despite all that, it's reasonably enjoyable. It's an added bonus that the script is just smart enough to allow Pierce Brosnan and Linda Hamilton to play their roles with straight faces, never condescending to the audience of the formulaic story. He's a volcano expert from the U.S. Geological Survey, and she's the mayor of a cozy Washington State town perched beneath a volcano that's about to blow. Telltale signs are everywhere, so evacuation must be carried out immediately. Of course, not everybody's eager to leave, and even some of Brosnan's colleagues think his alarm is premature. This sets the stage for massive ash clouds, rivers of raging mud and molten rock, flattened forests, and death-defying escapes by Brosnan, Hamilton, and some (but not all) of her family, friends, and townsfolk. So what if it's all pretty flaky... and can a four-wheel-drive vehicle travel over fire and molten lava without bursting its tires? Don't ask too many questions, and you'll find Dante's Peak to be (if you'll pardon the pun) a total blast. The Collector's Edition DVD includes a documentary about volcanoes, Getting Close to the Show, in addition to behind-the-scenes footage, exclusive coverage of the creation of special effects, and audio commentary with director Roger Donaldson. --Jeff Shannon

Without warning day becomes night. Air turns to fire and solid ground gives way to white-hot molten terror. Brace yourself for action-packed earth shaking thrills and whatever you do do not look back. Pierce Brosnan and Linda Hamilton star in an epic adventure from Director Roger Donaldson that will blow you away! Erupting with spectacular special effects heart-pounding suspense romance and remarkable characters.Starring: Pierce Brosnan Linda Hamilton and Charles HallahanDirector: Roger DonaldsonCopyright: 1997 Universal Pictures Produced by Gale Anne Hurd Joseph M. Sing; written by Leslie Bohem; running time of 109 minutes; Closed Captioned.System Requirements:English: Dolby Digital 5.1 Spanish and French Languages: Dolby Surround Spanish Subtitles Dual Layer Anamorphic Widescreen 2:35:1 Audio Commentary with Director Original Documentary "Getting Close to the Show" Behind-the-Scenes footage special effects coverage plus other exciting material Dolby Surround tracks contain up to 4 channels of encoded audio/Playback from 2-channel DVD outputs is compatible with stereo an Dolby Pro Logic reproductionFormat: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 025192014925 Manufacturer No: 61020149

Titanic

When the theatrical release of James Cameron's Titanic was delayed from July to December of 1997, media pundits speculated that Cameron's $200 million disaster epic would cause the director's downfall, signal the end of the blockbuster era, and sink Paramount Studios as quickly as the ill-fated luxury liner had sunk on that fateful night of April 14, 1912. Some studio executives were confident, others horrified, but the clarity of hindsight turned Cameron into an Oscar-winning genius, a shrewd businessman, and one of the most successful directors in the history of motion pictures. Titanic would surpass the $1 billion mark in global box-office receipts (largely due to multiple viewings, the majority by teenage girls), win 11 Academy Awards including best picture and director, produce the best-selling movie soundtrack of all time, and make a global superstar of Leonardo DiCaprio. A bona fide pop-cultural phenomenon, the film has all the ingredients of a blockbuster (romance, passion, luxury, grand scale, a snidely villain, and an epic, life-threatening crisis), but Cameron's alchemy of these ingredients proved more popular than anyone could have predicted. His stroke of genius was to combine absolute authenticity with a pair of fictional lovers whose tragic fate would draw viewers into the heart-wrenching reality of the Titanic disaster. As starving artist Jack Dawson and soon-to-be-married socialite Rose DeWitt Bukater, DiCaprio and Kate Winslet won the hearts of viewers around the world, and their brief but never-forgotten love affair provides the humanity that Cameron needed to turn Titanic into an emotional experience. Present-day framing scenes (featuring Gloria Stuart as the 101-year-old Rose) add additional resonance to the story, and although some viewers proved vehemently immune to Cameron's manipulations, few can deny the production's impressive achievements. Although some of the computer-generated visual effects look artificial, others--such as the sunset silhouette of Titanic during its first evening at sea, or the climactic splitting of the ship's sinking hull--are state-of-the-art marvels. In terms of sets and costumes alone, the film is never less than astounding. More than anything else, however, the film's overwhelming popularity speaks for itself. Titanic is an event film and a monument to Cameron's risk-taking audacity, blending the tragic irony of the Titanic disaster with just enough narrative invention to give the historical event its fullest and most timeless dramatic impact. Titanic is an epic love story on par with Gone with the Wind, and like that earlier box-office phenomenon, it's a film for the ages. --Jeff Shannon

Nothing on Earth can rival the epic spectacle and breathtaking grandeur of Titanic the sweeping love story that sailed into the hearts of moviegoers around the world ultimately emerging as the most popular motion picture of all time.Leonardo DiCaprio and Oscar-nominee Kate Winslet light up the screen as Jack and Rose the young lovers who find one another on the maiden voyage of the "unsinkable" R.M.S. Titanic. But when the doomed luxury liner collides with an iceberg in the frigid North Atlantic their passionate love affair becomes a thrilling race for survival.From acclaimed filmmaker James Cameron comes a tale of forbidden love and courage in the face of disaster that triumphs as a true cinematic masterpiece.System Requirements:Starring: Leonardo DiCaprio and Kate Winslet. Directed By: James Cameron. Running Time: 194 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Paramount Pictures.Format: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 097361552248 Manufacturer No: 155224

Deep Impact (Special Collector's Edition)

A great big rock hits the earth, and lots of people die. That's pretty much all there is to it, and most of that was in the trailer. Can a major Hollywood movie really squeak by with such a slender excuse for a premise? The old disaster-movie king, cheese-meister Irwin Allen (The Poseidon Adventure, Earthquake), would have made a kitsch classic out of this, with Charlton Heston, rather than a resigned and mumbly Robert Duvall, as the veteran astronaut who risks several lives trying to blow up the comet that's headed right this way! As stiffly directed by Mimi Leder, this thick slice of ham errs on the side of solemnity. It may the be most earnest end-of-the-world picture since Stanley Kramer's atomic-doom drama On the Beach. There are a couple of classic melodramatic flourishes: an estranged father and daughter who share a tearful reconciliation as a Godzilla-sized tidal wave looms on the horizon; and an astronaut, communicating on video with his loved ones back on Earth, who follows whispered instructions from a buddy lurking just off camera--so that his little boy won't realize that he's been struck blind. With Morgan Freeman as the president of the United States. --David Chute

In DEEP IMPACT, Leo Beiderman (Elijah Wood), joins a field study for his high school's Astronomy Club and discovers a new comet that unfortunately is headed for Earth. While scientists build a cave to prevent the extinction of the human race, they estimate that only 800,000 people can be selected to survive the "Deep Impact." The threat of a comet ending the world quickly sends Americans into a panic until the president announces a plan to send astronauts on a mission to destroy the comet before it reaches earth.

Outbreak

When Warner Brothers was unable to secure the rights to Richard Preston's terrifying nonfiction book The Hot Zone (purchased by a rival studio), they took the basic idea of a fatal virus on the loose in the U.S., added Dustin Hoffman and director Wolfgang Petersen (Das Boot), and produced an unusual thriller--a surprise hit--called Outbreak. The other picture, slated to star Robert Redford and Jodie Foster, fell through. The premise of Outbreak, which owes something to Elia Kazan's 1950 plague-scare movie, Panic in the Streets, is as terrifying as it is timely. As developers slash their way deeper into the previously unexplored tropical rainforests, they are exposed to radically new forms of life, including diseases, that in these days of commonplace international travel could turn into deadly epidemics almost before we know it. Hoffman's character and his estranged wife (Rene Russo) are disease experts called in to identify the unknown killer, which was carried into the country by an illegally smuggled monkey. The best sequence shows the disease spreading--through recycled air on a passenger jet, or a sneeze in a crowded movie theater. The final chase is pretty conventional, but the cast is terrific, including Morgan Freeman, Kevin Spacey, Donald Sutherland, Cuba Gooding Jr., J.T. Walsh, and Zakes Mokae. --Jim Emerson

Catch the fever of "one of the great scare stories of our time" (Roger Ebert) as Dustin Hoffman, Rene Russo and Morgan Freeman race to save life on earth when an unstoppable killer virus hits our shores.

The Sum of All Fears (Special Collector's Edition)

It's not easy replacing Harrison Ford as a beloved screen hero, but Ben Affleck brings fresh vitality to The Sum of All Fears, reviving Paramount's Tom Clancy franchise in the role Ford made famous. As CIA agent Jack Ryan, Affleck is a rookie in the covert ranks, unraveling a plot that lures Russian and American superpowers into a nuclear standoff, while a neofascist faction turns most of Baltimore into an atomic wasteland and holds the world in the grip of a terrorist nightmare. Affleck combines sharp intelligence with a new-guy's perspective, while a senior agent (Morgan Freeman) passes the torch of back-channel authority. The result is one of the best Clancy films to date, ably helmed by Phil Alden Robinson (whose comic thriller Sneakers was sorely underrated) with a stellar supporting cast, and adapted with abundant humor, humanity, and thrills by Donnie Brasco screenwriter Paul Attanasio and cowriter Daniel Pyne. Even the typically reticent Clancy would approve. --Jeff Shannon