Collections & Documentaries

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James Bond Blu-ray Collection Six-Pack (Dr. No / Die Another Day / Live and Let Die / For Your Eyes Only / From Russia with Love / Thunderball) (Amazon.com Exclusive) [Blu-ray]

James Bond Ultimate Collector's Set

from MGM / UA

This Ultimate Collector's Set includes all 21 James Bond films, from Dr. No to Casino Royale and another 21 discs full of bonus features. This is the ultimate collection for any 007 fan.
Stills from the James Bond Legacy

Dr. No	From Russia with Love	Goldfinger
Thunderball	You Only Live Twice	On Her Majesty's Secret Service
Diamonds are Forever	Live and Let Die	The Man with the Golden Gun
The Spy Who Loved Me	Moonraker	For Your Eyes Only
Octopussy	A View to a Kill	The Living Daylights
Licence to Kill	GoldenEye	Tomorrow Never Dies
The World is Not Enough	Die Another Day	Casino Royale

For the first time ever all 21 of James Bond's riveting adventures are together in one riveting collection! From his premiere in 1964's Dr. No all the way through to the latest thrilling installment Casino Royale Bond never fails to deliver the white-knuckle heart-in-your-throat action suspense and intrigue that have made him the most enduring... and most appealing... spy the world has ever known. Now you can experience Bond's missions -- meticulously restored and presented with their best-ever audio... in a collection that's truly the ultimate 007 gadget ever invented!Format: DVD MOVIE Genre: ACTION/ADVENTURE/HEROES Rating: NR UPC: 027616093486 Manufacturer No: M109348

James Bond Blu-ray Collection Three-Pack, Vol.2 (For Your Eyes Only / From Russia with Love / Thunderball) [Blu-ray]

from MGM

Disc 1: Die Another Day Ultimate Edition Blu-ray WS Disc 2: Live And Let Die Ultimate Edition Blu-ray WS Disc 3: Dr. No Ultimate Edition Blu-ray WS

James Bond Blu-ray Collection Three-Pack, Vol. 1 (Dr. No / Die Another Day / Live and Let Die) [Blu-ray]

from MGM

Disc 1: Die Another Day Ultimate Edition Blu-ray WS Disc 2: Live And Let Die Ultimate Edition Blu-ray WS Disc 3: Dr. No Ultimate Edition Blu-ray WS

The James Bond Collection, Vol. 3 (Special Edition)

from MGM Home Entertainment

Thunderball, Sean Connery's fourth excursion as 007, upped the Bond ante with the most ambitious adventure--and budget--to date, and turned out to be his most successful venture in the series. George Lazenby, a handsome Australian model with a self-effacing confidence, made his first and only appearance as James Bond in the underrated On Her Majesty's Secret Service, a witty and action-packed adventure that makes 007 history when Bond marries the girl (the lovely and talented Diana Rigg, fresh from her duties as the butt-kicking spy on the TV series The Avengers). Roger Moore brought an altogether lighter tone to 007 with Live and Let Die, softening Connery's rough edges with a more romantic persona as the films became even more exotic. Octopussy, a colorful cold war thriller and one of Moore's better outings, stars Louis Jourdan as a corrupt Afghan prince and Maud Adams (making her second Bond appearance) as the ringmaster of an all-babe traveling circus team that unknowingly carries a nuclear bomb. Christopher Walken hams it up under a platinum-blond hairdo while his Amazon bodyguard, Grace Jones, growls through A View to a Kill, a silly but often visually impressive adventure that made it obvious Moore was too old and stiff to carry on the Bond legacy. No such problem with Pierce Brosnan, whose fourth outing, Die Another Day paired him with sexy American agent Jinx (Halle Berry) to take on a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything.

Includes the following films: Die Another Day, A View to a Kill, Live and Let Die, Thunderball, On Her Majesty's Secret Service, and Octopussy.

The James Bond Collection, Vol. 1 (Special Edition)

from MGM (Video & DVD)

The James Bond Collection, Vol. 1 collects the same feature-packed DVDs that appeared in previous Bond boxes, but in a new combination of titles, one with a decidedly golden gleam. In 1962 Sean Connery defined the cinematic James Bond as a tough, charming, and thoroughly professional cold war spy with a license to kill in the lean, hard-edged Dr. No. With Ursula Andress (as the original Bond girl Honeychile Ryder, who makes her entrance in a bikini), Bond battles a renegade supervillain with little more than his wits, his cunning, and his Walther PPK. In Goldfinger (1964) Connery's steely presence helped forge the formula of tongue-in-cheek wit, wondrous secret agent toys created by Q, and megalomaniac supervillains bent on world destruction.

Roger Moore brought a light tone and a suave assurance to the series, and in The Man with the Golden Gun (1974), he battles million-dollar assassin Christopher Lee, one of Bond's most magnetic adversaries. The Spy Who Loved Me (1977), perhaps Moore's finest hour, is a return to the extravagant set pieces and cold war thrills of Connery's pictures and introduces Richard Kiel's steel-dentured Jaws to the series. Timothy Dalton made his second and final appearance as Bond in Licence to Kill (1989), the toughest of the Bond films since Connery's early efforts. Though not a fan favorite, it's a sleek, solid adventure with an edge missing from the Moore pictures.

Pierce Brosnan is the latest to take on the 007 mantle, combining the best of Connery's cool and Moore's humor. GoldenEye (1995) is a grand globetrotting adventure with lovely Bond girls and a tough new M (Judy Dench). Tomorrow Never Dies (1997) doesn't recapture that magic mix of action, gadgetry, and romance, but does feature the first Bond girl to match 007 blow for blow: Hong Kong action superstar Michelle Yeoh. The DVD editions of the films each feature audio commentary tracks by the director and key members of the crew, making-of documentaries, and a host of stills, TV spots, and trailers. --Sean Axmaker

The James Bond Collection, Vol. 2 (Special Edition)

from MGM (Video & DVD)

Sean Connery casts a long shadow over the James Bond legacy. He created the movie persona and starred in six of the first seven features, all but establishing the cool cold warrior as the world's most suave secret agent. The second Bond collection celebrates the Connery Bond with three of his classics, including From Russia with Love, 007's second and perhaps finest outing. A blond, buff Robert Shaw plays Bond's most ruthless nemesis, and Lotte Lenya and the great Pedro Armindáriz costar in this sleek, high-energy trip through the Iron Curtain. Connery travels to the Far East in You Only Live Twice, which introduces the international criminal conspiracy SPECTRE and its cat-loving mastermind, Blofeld (Donald Pleasence). After a brief retirement, Connery returned for Diamonds Are Forever, his final "official" appearance in the Bond series (15 years later he played Bond for a rival studio's Never Say Never Again). This more tongue-in-cheek adventure takes 007 to Las Vegas, where he battles Blofeld (this time played by Charles Gray) and his minions--namely, a pair of fey, sardonic henchmen and a team of bikini-clad karate killers.

Roger Moore took over the role and his fourth effort was Moonraker, a misguided sci-fi entry that takes Bond to space for a physically impressive but dramatically lackluster adventure with Richard Kiel's steel-dentured Jaws. After that brief digression, For Your Eyes Only returned Bond to globetrotting high adventure and teamed him with his most endearing ally (Topol as a gregarious smuggler). The torch was passed to Timothy Dalton in The Living Daylights, an attempt to clear away the camp elements of Moore's portrayal and return to a lean, hard-edged spy thriller for the post-cold war era. It lacks the larger-than-life characters and spectacle of previous Bond pictures, but Dalton was a tough, ruthless 007 and a worthy inheritor of the legacy, which was then passed on to Pierce Brosnan. In The World Is Not Enough, Bond takes on post-Soviet geopolitics, with Robert Carlyle as the villainous Renard and Sophie Marceau and Denise Richards as love objects.

Includes From Russia with Love, You Only Live Twice, Diamonds Are Forever, Moonraker, For Your Eyes Only, The Living Daylights, and The World Is Not Enough.

The James Bond Story (1999)

by Chris Hunt from Winstar

Has it really been decades since the first James Bond film? Over the course of 19 films and 5 Bonds, the beloved film spy has evolved to keep up with the times, but James Bond is at heart still the same suave, urbane tough guy that Sean Connery established in 1962's Dr. No. The James Bond Story traces the development of the character, interviewing Bond leading ladies Maud Adams and Jane Seymour and Bond actors Sean Connery, Roger Moore, George Lazenby, Timothy Dalton, and Pierce Brosnan and exploring the ups and downs of the filmic franchise over the years. Also, director Terence Young, producer Cubby Broccoli, and, of course, Ian Fleming follow the progression of the Bond character from its first onscreen realization through the 2000-model Bond. There's lip service paid to his progress from a womanizing, Martini-swilling Neanderthal in a tux to a somewhat more politically correct man, and the traditional Bond killing gadgets get treatment as well (complete with outtakes and flubs). This is just the thing for Bond fans and of the spy genre in general; an affectionate look at 40 years worth of James Bond. --Jerry Renshaw

James Bond 007 Collection Special Edition - 20 DVD Set

by Terence Young

This is the complete set of 20 Special Edition DVDs, originally available as three box sets and then individually and are now Out of Production. All releases are single DVDs with the exception of Die Another Day which is a two-disc set. Each DVD contains the original, unedited film along with a multitude of bonus features, including: audio commentaries, documentaries, interviews, deleted scenes, photo galleries, theatrical trailers, music videos and more. Each release also includes a booklet with photos and interesting facts. 1. Dr. No (1962) 2. From Russia with Love (1963) 3. Goldfinger (1964) 4. Thunderball (1965) 5. You Only Live Twice (1967) 6. On Her Majesty's Secret Service (1969) 7. Diamonds Are Forever (1971) 8. Live and Let Die (1973) 9. The Man With the Golden Gun (1974) 10. The Spy Who Loved Me (1977) 11. Moonraker (1979) 12. For Your Eyes Only (1981) 13. Octopussy (1983) 14. A View to a Kill (1985) 15. The Living Daylights (1987) 16. License to Kill (1989) 17. Goldeneye (1995) 18. Tomorrow Never Dies (1997) 19. The World is Not Enough (1999) 20. Die Another Day (2002)

James Bond Ultimate Edition Boxed Sets Bundle

from MGM

The Man with the Golden Gun: The British superspy with a license to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at $1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Moore balances the overplayed humor of the film with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker

Goldfinger: To own Goldfinger (1964) on DVD is to have at your fingertips the proof that Sean Connery is the definitive James Bond. No one but Connery can believably seduce women so effortlessly, kill with almost as much ease, and then pull another bottle of Dom Perignon '53 out of the fridge. Goldfinger contains many of the most memorable scenes in the Bond series: gorgeous Shirley Eaton (as Jill Masterson) coated in gold paint by evil Auric Goldfinger and deposited in Bond's bed; silent Oddjob, flipping a razor-sharp derby like a Frisbee to sever heads; our hero spread-eagle on a table while a laser beam moves threateningly toward his crotch. Goldfinger's two climaxes, inside Fort Knox and aboard a private plane, have to be seen to be believed. --Raphael Shargel

The World Is Not Enough:Bond 5.0, Pierce Brosnan, undercuts his usually suave persona with a darker, more brutal edge largely absent since Sean Connery departed. Equally tantalizing are our initial glimpses of Bond's nemesis du jour, Renard (Robert Carlyle), and imminent love interest, Elektra King (Sophie Marceau), both atypically complex characters cast with seemingly shrewd choices, and directed by the capable Michael Apted. The story's focus on post-Soviet geopolitics likewise starts off on a savvy note, before being overtaken by increasingly Byzantine plot twists, hidden motives, and reversals of loyalty superheated by relentless (if intermittently perfunctory) action sequences.--Sam Sutherland

Diamonds Are Forever: Sean Connery retired from the 007 franchise after You Only Live Twice but was lured back for one last official appearance as James Bond in Diamonds Are Forever. Goldfinger director Guy Hamilton keeps the film zipping along gamely from one entertaining set piece to another, including a terrific car chase in a parking lot, a battle with a pair of bikini-clad killer gymnasts named Bambi and Thumper, and a deadly game with a bizarre pair of fey, sardonic killers who dispatch their victims with elaborate invention. Connery retired again after this one but he returned once more, for Never Say Never Again 15 years later. --Sean Axmaker

The Living Daylights: Timothy Dalton made his 007 debut in the lean, mean mode of Sean Connery, doing away with the pun-filled camp of Roger Moore's final outings. This James Bond is ruthless, tough, and romantic. The Living Daylights, set during the thaw of the cold war, begins with the defection of Russian KGB General Koskov (Jeroen Krabb) and his revelation of a Soviet plot to eliminate Britain's secret agent force. Assigned to eliminate Koskov's Soviet boss (John Rhys-Davies), Bond uncovers a conspiracy involving Koskov and an American arms dealer (Joe Don Baker). Veteran series director John Glen's action scenes have never been better--especially the show-stopping mid-air battle on the net of a speeding cargo plane--and he returns the series to the smart, rough, high-energy adventures that made the Bond reputation. --Sean Axmaker

A View to a Kill: Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. -- Tom Keogh

Thunderball: James Bond's fourth adventure takes him to the Bahamas, where a NATO warplane with a nuclear payload has disappeared into the sea. Bond (Sean Connery) travels from a tiny health spa (where he tangles with a mechanized masseuse run amuck) to the casinos of Nassau and soon picks up the trail of SPECTRE's number-two man, Emilio Largo (Adolfo Celi), and his beautiful mistress, Domino (Claudine Auger), whom Bond soon seduces to his side. Equipped with more gadgets than ever, 007 escapes an ambush with a personal-size jet pack and takes to the water as he searches for the undersea plane, battles Largo's pet sharks, and finally leads the battle against Largo's scuba-equipped henchmen in a spectacular underwater climax. This thrilling Bond entry became Connery's most successful outing in the series and was remade in 1983 as Never Say Never Again, with Connery returning to the role after a 12-year hiatus. --Sean Axmaker

Die Another Day: The 20th James Bond adventure, Die Another Day succeeds on three important fronts: it avoids comparison to Austin Powers by keeping its cheesy humor in check, allows Halle Berry to be sexy and worthy of a spinoff franchise, and keeps pace with the technical wizardry that modern action films demand. Pierce Brosnan is paired with American agent Jinx (Berry) in chasing a genetically altered North Korean villain (Rick Yune) armed with a satellite capable of destroying just about anything. John Cleese and Judi Dench reprise their recurring roles (as "Q" and "M," respectively); they're accompanied by weapons-laden sports cars, a hokey cameo by Madonna (who sings the techno-pulsed theme song), and enough double-entendres to keep Bond-philes adequately shaken and stirred. Die Another Day makes you welcome the familiar end-credits promise: James Bond will return. --Jeff Shannon

The Spy Who Loved Me: The best of the James Bond adventures starring Roger Moore as tuxedoed Agent 007, this globe-trotting thriller introduced the steel-toothed Jaws (played by seven-foot-two-inch-tall actor Richard Kiel) as one of the most memorable and indestructible Bond villains. Jaws is so tenacious, in fact, that Moore looks genuinely frightened, and that adds to the abundant fun. This time Bond teams up with yet another lovely Russian agent (Barbara Bach) to track a pair of nuclear submarines that the nefarious Stromberg (Curt Jürgens) plans to use in his plot to start World War III. The Spy Who Loved Me is a galaxy away from the suave Sean Connery exploits of the 1960s, but the film works perfectly as grandiose entertainment. From cavernous undersea lairs to the vast horizons of Egypt, this Bond thriller keeps its tongue firmly in cheek with a plot tailor-made for daredevil escapism. --Jeff Shannon

License to Kill: Timothy Dalton's second and last shot at playing James Bond isn't nearly as much fun as his debut, two years earlier, in the 1987 The Living Daylights. This time Bond gets mad after a close friend (David Hedison) from the intelligence sector is assassinated on his wedding day, and 007 goes undercover to link the murder to an international drug cartel. Robert Davi makes an interesting adversary, but as with most of the Bond films in the '70s, '80s, and '90s--and especially since the end of the cold war--one has to wonder why we should still care about these lesser villains and their unimaginative crimes. Still, Dalton did manage in his short time with the character to make 007 his own, which neither Roger Moore did nor Pierce Brosnan did. --Tom Keogh

Goldeneye: The 18th James Bond adventure was a runaway box-office success when released in 1995, thanks to the arrival of Pierce Brosnan as the fifth actor (following the departure of Timothy Dalton) to play the suave, danger-loving Agent 007. This James Bond is a bit more vulnerable and psychologically complex--and just a shade more politically correct--but he's still a formally attired playboy at heart, with a lovely Russian beauty (Izabella Scorupco) as his sexy ally against a cadre of renegade Russians bent on--what else?--global domination. All in all, this action-packed Bond adventure provided a much-needed boost the long-running movie series, revitalizing the 007 franchise for the turn of the millennium. --Jeff Shannon

Live and Let Die: Roger Moore was introduced as James Bond in this 1973 action movie featuring secret agent 007. This film marks a deviation from the more character-driven stories of the Connery years, a deliberate shift to plastic action (multiple chases, bravura stunts) that made the franchise more of a comic book or machine. If that's not depressing enough, there's even a good British director on board, Guy Hamilton (Force 10 from Navarone). The story finds Bond taking on an international drug dealer (Yaphet Kotto), and while that may be superficially relevant, it isn't exactly the same as fighting supervillains on the order of Goldfinger. --Tom Keogh

For Your Eyes Only: After a ship sunk off the coast of Albania, the world's superpowers begin a feverish search for its valuable lost cargo: the powerful ATAC system, which will give its bearer unlimited control over Polaris nuclear submarines. As Bond joins the search, he suspects the suave Kristatos (Julian Glover) of seizing the device. The competition between nations grows more deadly by the moment, but Bond finds an ally in the beautiful Melina Havelock (Caroline Bouquet), who blames Kristatos for the death of her parents. The non-stop action includes automobile chases, thrilling underwater battles, and even a breathtaking tour over razor-sharp coral reefs. But all of this is merely a prelude to 007's cliffhanging assault of a magnificent mountaintop fortress. -- Robert Lynch

From Russia with Love: Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine. His efforts are thwarted when he gets romantically distracted by a sexy Russian double agent (Daniela Bianchi), and is tracked by a lovely assassin (Lotte Lenya) with switchblade shoes, and by a crazed killer (Robert Shaw), who clashes with Bond during the film's dazzling climax aboard the Orient Express. From Russia with Love is classic James Bond, before the gadgets, pyrotechnics, and Roger Moore steered the movies away from the more realistic tone of the books by Ian Fleming. --Jeff Shannon

On Her Majesty's Secret Service: Australian model George Lazenby took up the mantle of the world's most suave secret agent when Sean Connery retired as James Bond (although Connery returned in Diamonds Are Forever before leaving the role to Roger Moore). In On Her Majesty's Secret Service, 007 leaves the Service to privately pursue his SPECTRE nemesis Blofeld (played this time by Telly Savalas), whose latest master plan involves a threat to the world's crops by agricultural sterilization. Lazenby hasn't the intensity of Connery but he has fun with his quips and even lampoons the Bond image in a playful pre-credits sequence. Former editor Peter Hunt makes a strong directorial debut, deftly handling the elaborate action sequences with a kinetic finesse. --Sean Axmaker

Dr. No: Released in 1962, this first James Bond movie remains one of the best, and serves as an entertaining reminder that the Bond series began (in keeping with Ian Fleming's novels) with a surprising lack of gadgetry and big-budget fireworks. In his first adventure James Bond is called to Jamaica where a colleague and secretary have been mysteriously killed. With an American CIA agent (Jack Lord, pre-Hawaii Five-O), they discover that the nefarious Dr. No (Joseph Wiseman) is scheming to blackmail the U.S. government with a device capable of deflecting and destroying U.S. rockets launched from Cape Canaveral. Of course, Bond takes time off from his exploits to enjoy the company of a few gorgeous women, including the bikini-clad Ursula Andress. This is Bond at his purest, kicking off a series of movies that shows no sign of slowing down. --Jeff Shannon

You Only Live Twice: The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organization SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilized Donald Pleasence. The thin script is by Roald Dahl (shouldn't we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can't hold a candle to Dr. No, From Russia with Love, or Goldfinger. --Tom Keogh

Octopussy: Roger Moore was nearing the end of his reign as James Bond when he made Octopussy, and he looks a little worn out. But the movie itself infuses some new blood into the old franchise, with a frisky pace and a pair of sturdy villains. Maud Adams--who'd also been in the Bond outing The Man with the Golden Gun--plays the improbably named Octopussy, while old smoothie Louis Jourdan is her crafty partner in crime. Two Bond films were actually released in 1983 within a few months of each other, as Octopussy was followed by Sean Connery's comeback in Never Say Never Again. The success of both pictures proved that there was still plenty of mileage left in the old license to kill, though Moore had one more workout--A View to a Kill--before hanging it up. And that title? The franchise had already used up the titles to Ian Fleming's novels, so Octopussy was taken from a lesser-known Fleming short story. -- Robert Horton

Tomorrow Never Dies: Pierce Brosnan returns for his second stint as James Bond (after GoldenEye), and he's doing it in high style with an invigorating cast of costars. It's only appropriate that a Bond film from 1997 would find Agent 007 pitted against a media mogul (Jonathan Pryce) who's going to start a global war (beginning with stolen nuclear missiles aimed at China) to create attention-grabbing headlines for his latest multimedia news channel. It's the information age run amok, and Bond must team up with a lovely and lethal agent from the Chinese External Security Force (played by Honk Kong action star Michelle Yeoh) to foil the madman's plot of global domination. Luckily for Bond, the villain's wife (Teri Hatcher) is one of his former lovers and 007 finds ample opportunity to exploit the connection. Armed with the usual array of gadgets (including a remote-controlled BMW), Brosnan settles into his role with acceptable flair, and the dynamic Yeoh provides a perfect balance to the sexism that once threatened to turn Bond into a politically incorrect anachronism. He's still Bond, to be sure, but he's saving the world with a bit more sophisticated finesse. --Jeff Shannon

Moonraker: This was the first James Bond adventure produced after the success of Star Wars, so it jumped on the sci-fi bandwagon by combining the suave appeal of Agent 007 (once again played by Roger Moore) with enough high-tech hardware and special effects to make Luke Skywalker want to join Her Majesty's Secret Service. This time Bond is up against a criminal industrialist named Drax (Michel Lonsdale) who wants to control the world from his orbiting space station. Bond thwarts this maniacal Neo-Hitler's scheme with the help of a beautiful, sleek-figured scientist (played by Lois Chiles with all the vitality of a department-store mannequin). Despite Moore's passive performance (which Pauline Kael described as "like an office manager who is turning into dead wood but hanging on to collect his pension"), Moonraker had no problem attracting an appreciative audience, and there are even a few renegade Bond-philes who consider it one of their favorites. --Sean Axmaker

List Price: $359.92
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