Darkman

Darkman Trilogy (Darkman / Darkman II: The Return Of Durant / Darkman III: Die Darkman Die)

Step into the dark side of adventure wiht the all-new Darkman Trilogy. From Sam Raimi (Spider-Man films) this complete collection follows the daring journeys and action-packed escapades of the action hero Darkman as he assumes alternate identities to battle evil. Featuring Liam Neeson (Batman Begins) and Larry Drake (TV's L.A. Law) these exhilarating films will leave you on the edge of your seat with non-stop surprises exciting special effects and never-ending thrills!System Requirements:Running Time: 276 minutes Format: DVD MOVIE Genre: ACTION/ADVENTURE/CRIME UPC: 025195004930 Manufacturer No: 61100583

Darkman [HD DVD]

A scientist disfigured by a gang of sadistic criminals develops a mask-like second skin which allows him to change identities. Peyton Westlake his face hidden behind bandages is transformed into the Darkman a lonely psycho who prowls the streets of Los Angeles by night. Disguised as different characters the Darkman seeks out the men who ruined him and exacts brutal revenge.System Requirements:Running Time: 113 Mins.Format: DVD HD Genre: ACTION/ADVENTURE Rating: R UPC: 025193283429 Manufacturer No: 61032834

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman

Darkman

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman

Darkman 2 - The Return of Durant

Sam Raimi created Darkman with a potential franchise in mind, and his original movie had enough flair to suggest a sequel was warranted. Unfortunately (or perhaps wisely--for Raimi), he handed over the straight-to-video sequel duties to rookie director Bradford May, and nobody bothered to come up with much of a screenplay. As a result, Darkman II plays like a bad pilot for a proposed Darkman TV series, with Arnold Vosloo (best known as a villain in Jean-Claude Van Damme's Hard Target) doing his best to replace Liam Neeson in the title role. Sporting a dastardly scar and delivering lackluster punch lines as he kills his many enemies, Larry Drake returns from the first film as the villainous Durant, who wreaks havoc in his attempt to finance and manufacture the world's most destructive automatic weapons. As he supports the synthetic skin experiments of a like-minded scientist, the scarred hero known as Darkman thwarts Durant's ruthless plot, but the case proves costly for the intrepid crime reporter (Kim Delaney, pre-NYPD Blue) who allies herself with Darkman's efforts. Basically, this by-the-numbers plot serves as a tissue-thin vehicle for lots of explosions and gratuitous violence, and it's all about as inspired as a bad syndicated action show. Of interest only to those who were dazzled by the original Darkman, and even then it's a disappointment. --Jeff Shannon

Darkman III - Die Darkman Die

Darkman [Region 2]

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman

Darkman II: The Return of Durant [Region 2]

Sam Raimi created Darkman with a potential franchise in mind, and his original movie had enough flair to suggest a sequel was warranted. Unfortunately (or perhaps wisely--for Raimi), he handed over the straight-to-video sequel duties to rookie director Bradford May, and nobody bothered to come up with much of a screenplay. As a result, Darkman II plays like a bad pilot for a proposed Darkman TV series, with Arnold Vosloo (best known as a villain in Jean-Claude Van Damme's Hard Target) doing his best to replace Liam Neeson in the title role. Sporting a dastardly scar and delivering lackluster punch lines as he kills his many enemies, Larry Drake returns from the first film as the villainous Durant, who wreaks havoc in his attempt to finance and manufacture the world's most destructive automatic weapons. As he supports the synthetic skin experiments of a like-minded scientist, the scarred hero known as Darkman thwarts Durant's ruthless plot, but the case proves costly for the intrepid crime reporter (Kim Delaney, pre-NYPD Blue) who allies herself with Darkman's efforts. Basically, this by-the-numbers plot serves as a tissue-thin vehicle for lots of explosions and gratuitous violence, and it's all about as inspired as a bad syndicated action show. Of interest only to those who were dazzled by the original Darkman, and even then it's a disappointment. --Jeff Shannon

Darkman III: Die Darkman Die [Region 2]

Darkman/Darkman 2 - The Return of Durant

Darkman
When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives but at a city hospital is unknowingly submitted to radical therapy that numbs his nerves to feeling--but heightens his strength and his emotions. Horribly burned and scarred, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman

Darkman II
Sam Raimi created Darkman with a potential franchise in mind, and his original movie had enough flair to suggest a sequel was warranted. Unfortunately (or perhaps wisely--for Raimi), he handed over the straight-to-video sequel duties to rookie director Bradford May, and nobody bothered to come up with much of a screenplay. As a result, Darkman II plays like a bad pilot for a proposed Darkman TV series, with Arnold Vosloo (The Mummy) doing his best to replace Liam Neeson in the title role. Sporting a dastardly scar and delivering lackluster punch lines as he kills his many enemies, Larry Drake returns from the first film as the villainous Durant, who wreaks havoc in his attempt to finance and manufacture the world's most destructive automatic weapons. As he supports the synthetic skin experiments of a like-minded scientist, the scarred hero known as Darkman thwarts Durant's ruthless plot, but the case proves costly for the intrepid crime reporter (Kim Delaney, pre-NYPD Blue) who allies herself with Darkman's efforts. Basically, this by-the-numbers plot serves as a tissue-thin vehicle for lots of explosions and gratuitous violence, and it's all about as inspired as a bad syndicated action show. Of interest only to those who were dazzled by the original Darkman, and even then it's a disappointment. --Jeff Shannon

Darkman

When attorney Julie Hastings (Frances McDormand) uncovers corrupt city real estate dealings, evil thugs attack her scientist boyfriend, Peyton Westlake (Liam Neeson). Left for dead after his lab is detonated, he miraculously survives when the ensuing blast hurls him into the nearby harbor. Treated as a John Doe at a city hospital, he is unknowingly submitted to radical therapy which numbs his nerves to feeling--but which heightens his strength and his emotions. Once conscious, Peyton escapes from the hospital and builds a ramshackle lab in an abandoned industrial plant. Horribly burned and scarred by the lab explosion, he uses synthetic skin to impersonate his would-be murderers and seek retribution for their evil deeds. Peyton also tries to reunite with Julie, who believes him to be dead. While the film has an average script, it is overcome by the flashy cinematography of Bill Pope, the bombastic score by Danny Elfman, and the well-choreographed direction of Sam Raimi. The director confidently walks the line between suspense, action, comedy, and romance as he examines a bitter, victimized antihero who risks becoming as monstrous on the inside as he appears on the outside. --Bryan Reesman