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The Bourne Supremacy (Widescreen Edition)

The Bourne Supremacy (Widescreen Edition) by Paul Greengrass from Universal Studios

    After being framed for the death of a CIA operative Jason Bourne is forced to use his skills as a former assassin to save himself.
    No Track Information Available
    Media Type: DVD
    Artist: DAMON/POTENTE/STILES/COX/ALLEN
    Title: BOURNE SUPREMACY
    Street Release Date: 08/22/2006
    Domestic
    Genre: ACTION / ADVENTURE

    Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon

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    The Crow (Miramax/Dimension Collector's Series)

    The Crow (Miramax/Dimension Collector's Series) by Alex Proyas from Dimension

      The Crow set the standard for dark and violent comic-book movies (like Spawn or director Alex Proyas's superior follow-up, Dark City), but it will forever be remembered as the film during which star Brandon Lee (son of martial arts legend Bruce Lee) was accidentally killed on the set by a loaded gun. The filmmakers were able to digitally sample what they'd captured of Lee's performance and piece together enough footage to make the movie releasable. Indeed, it is probably more fascinating for that post-production story than for the tale on the screen. The Crow is appropriately cloaked in ominous expressionistic shadows, oozing urban dread and occult menace from every dank concrete crack, but it really adds up to a simple and perfunctory tale of ritual revenge. Guided by a portentous crow (standing in for Poe's raven), Lee plays a deceased rock musician who returns from the grave to systematically torture and kill the outlandishly violent gang of hoodlums who murdered him and his fiancée the year before. The film is worth watching for its compelling visuals and genuinely nightmarish, otherworldly ambience. --Jim Emerson

      Catch the explosive, action-packed hit that thrilled moviegoers and dazzled critics everywhere! Brandon Lee (RAPID FIRE) plays Eric Draven, a young rock guitarist who, along with his fiancee, is brutally killed by a ruthless gang of criminals. Exactly one year after his death, Eric returns -- watched over by a hypnotic crow -- to seek revenge, battling the evil crime lord and his band of urban thugs, who must answer for their crimes. Loaded with intense, nonstop action and a hot #1 hit soundtrack, THE CROW delivers exhilarating, fast-paced entertainment!

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      Gone in 60 Seconds

      Gone in 60 Seconds by Dominic Sena from Touchstone / Disney

        Kip Raines (Giovanni Ribisi) is a cocky young car thief working with a crew to steal 50 cars for a very bad man whose nickname is "The Carpenter." Being young and cocky, Kip messes up, so it's up to his big brother, Randall "Memphis" Raines (Nicolas Cage), to come out of car thief retirement and save him. With a cast that includes Robert Duvall, Angelina Jolie, Delroy Lindo, Cage, and Ribisi, it would be easy to say this story wastes all their talents--which it does, but that's not the point. This is a Jerry Bruckheimer film. A good story and complex characters would only get in the way of the action scenes and slow the movie down. No, Gone in 60 Seconds (based on the cult 1974 film of the same name) is not about the stars as much as it's about cars. Fast cars. Rare cars. Wrecked cars. All cars. Too bad director Dominic Sena (Kalifornia) doesn't come across as more of a gearhead; he seems less interested in fast cars than fast cuts. But is this movie fun? Absolutely, and it's fun because it's so stupid. With pointless car chases and hackneyed dialogue in one of the most predictable plots of the year, Gone in 60 Seconds is a comic film that's not quite a parody of itself, but darn close. --Andy Spletzer

        TouchStone Gone In 60 Seconds 2000 - DVD
        Gone in Sixty Seconds is about automobile aficionado Randall "Memphis" Raines, a car thief of legendary proportion. No fancy lock or alarm could stop him; your car would be there, and then suddenly gone in 60 seconds.For years, Memphis eluded the law while boosting every make and model imaginable. When the heat became too intense, he abandoned his life of crime and left everything and everyone he loved to find a different life. Now, when his kid brother tries tofollow in his footsteps, only to become dangerously embroiled in a high stakes caper, Memphis is sucked back into his old ways-in order to save his brother's life.

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        Air Force One

        Air Force One by Wolfgang Petersen from Sony Pictures

          You know that old dramatic principle of suspension of disbelief? You'll have to rely on it for this box-office smash, but you won't be disappointed. Harrison Ford plays a U.S. president who single-handedly employs his rigid antiterrorism policy when a band of Russian thugs hatch a mid-flight takeover of Air Force One. Gary Oldman, who chews the scenery as the lead terrorist, will shoot a hostage at the slightest provocation. Glenn Close plays the sternly pragmatic vice president who negotiates with Oldman from her Washington seat of power. If you can believe that the aircraft's pressurized cabin can sustain hundreds of rounds of machine-gun fire, you'll buy anything in this entertaining potboiler, especially thanks to Ford's stalwart heroics and some nifty special effects. Director Wolfgang Petersen (Das Boot) keeps the action moving so fast you won't be sweating the details. Don't forget your parachute! --Jeff Shannon

          Beacon

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          Ronin

          Ronin by John Frankenheimer from MGM (Video & DVD)

            Robert De Niro stars as an American intelligence operative adrift in irrelevance since the end of the Cold War--much like a masterless samurai, a.k.a. "ronin." With his services for sale, he joins a renegade, international team of fellow covert warriors with nothing but time on their hands. Their mission, as defined by the woman who hires them (Natascha McElhone), is to get hold of a particular suitcase that is equally coveted by the Russian mafia and Irish terrorists. As the scheme gets underway, De Niro's lone wolf strikes up a rare friendship with his French counterpart (Jean Reno), gets into a more-or-less romantic frame of mind with McElhone, and asserts his experience on the planning and execution of the job--going so far as to publicly humiliate one team member (Sean Bean) who is clearly out of his league. The story is largely unremarkable--there's an obligatory twist midway through that changes the nature of the team's business--but legendary filmmaker John Frankenheimer (Seconds, The Manchurian Candidate) leaps at the material, bringing to it an honest tension and seasoned, breathtaking skill with precision-action direction. The centerpiece of the movie is an honest-to-God car chase that is the real thing: not the how-can-we-top-the-last-stunt cartoon nonsense of Richard Donner (Lethal Weapon), but a pulse-quickening, kinetic dance of superb montage and timing. In a sense, Ronin is almost Frankenheimer's self-quoting version of a John Frankenheimer film. There isn't anything here he hasn't done before, but it's sure great to see it all again. --Tom Keogh

            Film about a group of former intelligence agents of various nationalities who are contracted to carry out a dangerous mission.System Requirements:Starring: Jean Reno et al. Director: John Frankenheimer Edition Details: Region 1 encoding (for use in US and Canada only) Color Widescreen Dolby Closed-captioned Commentary by director John Frankenheimer Never-before-seen alternate ending 8 page booklet featuring insights into the making of the film Full-screen and widescreen anamorphic formats Number of discs: 1 Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 027616743923 Manufacturer No: 907439

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            Behind Enemy Lines

            Behind Enemy Lines by John Moore from 20th Century Fox

              Smart casting and sensible plotting make Behind Enemy Lines an above-average military thriller. Perfectly timed to bolster patriotism, the film is partly set (during a hypothetical "day after tomorrow") on the aircraft carrier U.S.S. Carl Vinson, which was on alert status in the Persian Gulf when this film was released. Proving his versatility as an unconventional movie star, Owen Wilson plays a navy navigator who is shot down over Bosnia during a reconnaissance mission. Pursued by rebel Serbian forces, Wilson must fight for survival while his commanding officer (Gene Hackman) plots a daredevil rescue. After a successful career in TV commercials, Irish director John Moore makes a promising feature debut on Slovakian locations, borrowing a few techniques from Saving Private Ryan while adding impressive flourishes of his own. The gung-ho ending's a foregone conclusion, but it works like a charm after the movie's exciting game of cat and mouse. --Jeff Shannon

              Fighter navigator Chris Burnett (Owen Wilson) wants out of the Navy: he was looking for something more than boring recon missions he's been flying. He finds himself the lone Christmas day mission over war-torn Bosnia. But, when he talks pilot Stackhouse into flying slightly off-course to check out an interesting target, the two get shot down. Burnett is soon alone, trying to outrun a pursuing army, while commanding officer Reigert (Gene Hackman) finds his rescue operation hamstrung by politics, forcing Burnett to run far out of his way.

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              The One (Special Edition)

              The One (Special Edition) by James Wong (IV) from Sony Pictures

                The One sets a martial arts milestone by pitting action star Jet Li against his greatest enemy: himself. This sci-fi thriller establishes a "multiverse" consisting of countless parallel universes, each populated by variants of every individual. Li plays a renegade from the Multiverse Agency, illegally traveling through "quantum tunnels" to eliminate all versions of himself until only two remain, each sharing the cumulative strength of their "parallel universe versions." This mumbo-jumbo inspires a variety of dazzling special effects, and director James Wong (with cowriter and fellow X-Files alumnus Glen Morgan) injects clever humor into the Matrix-derivative premise. Carla Gugino is wasted as the "good" Li's obligatory love interest, but The One will appeal to action fans with its fast-paced pursuit between the evil Li and two agents (Delroy Lindo, Jason Statham) assigned to stop his trans-universal killing spree. It's a one-gimmick movie, best enjoyed with your brain in neutral. --Jeff Shannon

                In a stunning dual role international action star Jet Li portrays Gabriel Yulaw a police officer confronted with a sinister duplicate of himself. This evil double is an escapee from an advanced parallel universe with a mission to kill Gabriel. His alter ego's hunt culminates in a fateful battle between good and evil that changes Gabriel's perception of reality and forces him to examine the evil hidden within him.System Requirements:Starring: Jet Li Carla Gugino Delroy Lindo and Jason Statham. Directed By: James Wong. Running Time: 87 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Columbia TriStar.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: PG-13 UPC: 043396063921 Manufacturer No: 06392

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                Mission Impossible (Special Collector's Edition)

                Mission Impossible (Special Collector's Edition) by Brian De Palma from Paramount

                  Tom Cruise stars as Ethan Hunt leader of a crack squad of intelligence operatives in this labyrinthine action-thriller based on the hit 1960s-'70s television series. When a dangerous mission in Prague goes inexplicably wrong Hunt finds himself out in the cold. A mole has infiltrated the CIA and suspicions are that it's Hunt. His only chance: Find out who the real mole is and turn the tables. The plan takes him on an incredibly suspenseful infiltration of CIA security leading to a spectacular chunnel climax that would make Hitchcock proud. Thanks to crisp inventive direction from Brian De Palma and Danny Elfman's dynamite electronica score (including a catchy update of the original Lalo Schifrin theme) this mission is great fun. The talented roster of stars backing Cruise includes Ving Rhames Vanessa Redgrave John Voight Kristin Scott Thomas and Jean Reno. A witty script by Robert Towne (CHINATOWN SHAMPOO) and David Koepp keeps the ball rolling in unexpected directions with the paranoia always set to high. A box-office record-setter during its original release MISSION: IMPOSSIBLE led to a well-deserved sequel also with Cruise and Rhames.System Requirements:Running Time 110 Mins.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 097360420449 Manufacturer No: 042044

                  A flashy, splashy summer-movie blockbuster that's fun and exciting without being mindless? That's the impossible mission accomplished by director Brian De Palma, star-coproducer Tom Cruise, and the crack team of Mission: Impossible. Based on the '60s TV show and an almost impenetrably complex (but nonetheless thrilling) original story by David Koepp (Jurassic Park) and Steven Zaillian (Schindler's List), with a screenplay by Koepp and Robert Towne (Chinatown, Shampoo), Mission: Impossible begins with veteran agent Jim Phelps (Jon Voight) and his expert crew embarking on a mission that goes horribly, horribly wrong. But nothing is what it seems. The nail-biting set piece--always a signature of director De Palma (Carrie, The Untouchables)--in which Cruise is lowered from the ceiling to retrieve information from a computer in a high-security vault--is an instant classic. But perhaps even more impressive, at least in retrospect, is a flashback sequence in which two characters attempt to reconstruct a series of events from multiple points of view. It's pretty daring and sophisticated stuff for a big-budget spy movie, but brains were always what put the Mission: Impossible team ahead of the competition, anyway, no? --Jim Emerson

                  A flashy, splashy summer-movie blockbuster that's fun and exciting without being mindless? That's the impossible mission accomplished by director Brian De Palma, star-coproducer Tom Cruise, and the crack team of Mission: Impossible. Based on the '60s TV show and an almost impenetrably complex (but nonetheless thrilling) original story by David Koepp (Jurassic Park) and Steven Zaillian (Schindler's List), with a screenplay by Koepp and Robert Towne (Chinatown, Shampoo), Mission: Impossible begins with veteran agent Jim Phelps (Jon Voight) and his expert crew embarking on a mission that goes horribly, horribly wrong. But nothing is what it seems. The nail-biting set piece--always a signature of director De Palma (Carrie, The Untouchables)--in which Cruise is lowered from the ceiling to retrieve information from a computer in a high-security vault--is an instant classic. But perhaps even more impressive, at least in retrospect, is a flashback sequence in which two characters attempt to reconstruct a series of events from multiple points of view. It's pretty daring and sophisticated stuff for a big-budget spy movie, but brains were always what put the Mission: Impossible team ahead of the competition, anyway, no? --Jim Emerson

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                  The Bourne Supremacy (Full Screen Edition)

                  The Bourne Supremacy (Full Screen Edition) by Paul Greengrass from Universal Studios

                    Good enough to suggest long-term franchise potential, The Bourne Supremacy is a thriller fans will appreciate for its well-crafted suspense, and for its triumph of competence over logic (or lack thereof). Picking up where The Bourne Identity left off, the action begins when CIA assassin and partial amnesiac Jason Bourne (a role reprised with efficient intensity by Matt Damon) is framed for a murder in Berlin, setting off a chain reaction of pursuits involving CIA handlers (led by Joan Allen and the duplicitous Brian Cox, with Julia Stiles returning from the previous film) and a shadowy Russian oil magnate. The fast-paced action hurtles from India to Berlin, Moscow, and Italy, and as he did with the critically acclaimed Bloody Sunday, director Paul Greengrass puts you right in the thick of it with split-second editing (too much of it, actually) and a knack for well-sustained tension. It doesn't all make sense, and bears little resemblance to Robert Ludlum's novel, but with Damon proving to be an appealingly unconventional action hero, there's plenty to look forward to. --Jeff Shannon

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                    Ice Station Zebra

                    Ice Station Zebra by John Sturges from Warner Home Video

                      Out of step with the public mood when it was released in 1968, Ice Station Zebra has held up decently as a Guy's Movie. Based on an Alistair MacLean novel, the film is half submarine picture and half spy puzzler, short on action but long on military chatter and espionage gamesmanship. Rock Hudson, looking seasoned and just a little miffed, gives one of his better performances as the captain of a nuclear sub, ordered to the Arctic to check out a disturbance at a research station on the floating ice. He doesn't know the mission, but he's stuck with mysterious passengers: haughty British agent Patrick McGoohan, back-slapping Russian operative Ernest Borgnine, and hostile Marine captain Jim Brown. McGoohan gets the film's best lines and finest fur jacket, but Brown is pretty cool in a smaller role.

                      John Sturges directs, with customary deliberateness; at times the movie seems to be suffering from iron-poor blood. Much of the dialogue is pretty sharp, especially in the submarine half, enough to keep you engrossed if you're in the mood for this kind of thing. When the action shifts to the ice, the studio-bound sets inevitably take their toll. It's not hard to see how this large, old-fashioned project misfired in the era of Bonnie and Clyde and The Graduate, but the more tantalizing question is: Why did this movie become an obsessive favorite of Howard Hughes? Maybe he liked how clean it all looks. --Robert Horton

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