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The Thomas Crown Affair

Thrill-seeking billionaire Thomas Crown (Pierce Brosnan) loves nothing more than courting disaster - and winning! So when his world becomes too stiflingly "safe" he pulls off his boldest stunt ever: stealing a priceless painting - in broad daylight - from one of Manhattan s most heavily guarded museums. But his post-heist excitement soon pales beside and even greater challenge: Catherine Banning (Rene Russo). A beautiful insurance investigator hired to retrieve the artwork Catherine s every bit as intelligent cunning and hungry for adventure as he is. And just when Thomas realizes he s finally met his match she skillfully leads him into a daring game of cat and mouse that s more intoxicating - and dangerous - than anything either of them has ever experienced before!System Requirements:Starring: Pierce Brosnan Rene Russo and Denis Leary. Directed By: John McTiernan Running Time: 1 hrs. 53 mins. This film is presented in both "Widescreen" and "Standard" format. Copyright 1999 Warner Home Video.Format: DVD MOVIE Genre: DRAMA Rating: R UPC: 027616745224

For the Hollywood remake rule, which dictates that an update of an older film be inferior to the original in almost every aspect, The Thomas Crown Affair stands as a glorious exception. The original 1968 film, starring a dapper Steve McQueen and a radiant Faye Dunaway, was a diverting pop confection of mod clothes and nifty break-ins, but not much more. John McTiernan's new version, though, cranks up the entertainment factor to mach speed, turning what was a languid flick into a high-adrenaline caper romance. Thomas Crown (Pierce Brosnan) is now a man of industry who likes to indulge in a little high-priced art theft on the side; Catherine Banning (Rene Russo) is the insurance investigator determined to get on his tail in more ways than one. If you're thinking cat-and-mouse game, think again--it's more like cat vs. smarter cat, as both the thief and the investigator try to outwit each other and nothing is off-limits, especially after they start a highly charged love affair that's a heated mix of business and pleasure.

What makes this Thomas Crown more enjoyable than its predecesor is McTiernan's attention to detail in both the set action pieces (no surprise from the man who helmed Die Hard with precision accuracy) and the developing romance, the witty and intelligent script by Leslie Dixon (she wrote the love scenes) and Kurt Wimmer (he wrote the action scenes), and, most of all, its two stunning leads (both over 40 to boot), combustible both in and out of bed. Brosnan, usually held prisoner in the James Bond straitjacket, lets loose with both a relaxed sensuality and a comic spirit he's rarely expressed before. The film, however, pretty much belongs to Russo, who doesn't just steal the spotlight, but bends it to her will. Beautiful, stylish, smart, self-possessed, incredibly sexy, she's practically a walking icon; it's no wonder Crown falls for her hook, line, and sinker. With Denis Leary as a police detective smitten with Russo, and Faye Dunaway in a throwaway but wholly enjoyable cameo as Brosnan's therapist. --Mark Englehart

Wind

As he proved with The Black Stallion, Never Cry Wolf, and Fly Away Home, director Carroll Ballard has a gift for creating exhilarating movie experiences. And although Wind received only mixed reviews when released in 1992, it's a technically astonishing film that does for yacht racing what The Black Stallion did for horse racing--it puts you right into the action with breathtaking camerawork and gripping excitement. Matthew Modine and Jennifer Grey star as experienced sailors determined to win the prestigious America's Cup yacht race. Their love for each other is put to the test when she's removed from the crew and joins up with a maverick designer (Stellan Skarsgård) whose new boat design represents the cutting edge of sailing competition. Eventually Modine leaves his millionaire sponsor (Cliff Robertson) and reunites with Grey, and their race against the Australian World's Cup champion leads to a thrilling climax on the high sea. Cinematographer John Toll (who later won back-to-back Oscars for Legends of the Fall and Braveheart) takes his cameras where no sailing movie had ever gone before, and the results are nothing less than spectacular. --Jeff Shannon

The Island

When you add up all the best things about The Island, you might just conclude that there's hope yet for Hollywood's most critically reviled hit-maker, Michael Bay. Recruited by Steven Spielberg to direct this lavish and often breathtaking sci-fi action thriller, Bay rises to the occasion with an ambitious production that is, by his standards (and compared to Bay's earlier hits like The Rock and Armageddon), surprisingly intelligent as it explores the repercussions of cloning in a sealed-off society where humans are cultivated for spare parts, surrogate parenthood, and full-body replacements for wealthy clientele. But when two of the clones (Ewan McGregor, Scarlett Johanssen) begin to question their fate and the motives of their keepers, they escape into the real world and The Island becomes just another Michael Bay action extravaganza, albeit an impressively exciting one. With elaborate chase scenes and a high-tech feast of CGI to dazzle the eye, The Island recycles much of the plot from 1979's Clonus while borrowing elements from Logan's Run, Gattaca and Minority Report, and while it's not as smartly conceived as those earlier films, there's no denying that, in many ways, it's Bay's best film to date. --Jeff Shannon

Coogan's Bluff

The Golden Child

Things started going downhill for Eddie Murphy around the time of this 1986 clunker, in which the comic actor plays a social worker predicted to be the savior of a kidnapped child, who has special powers to heal the Earth. Dennis Feldman's script and director Michael Ritchie (The Candidate), a once-thoughtful satirist, stumble over every link in a chain of fantasy-fueled sequences. Murphy phones it in, and Charles Dance (Pascali's Island) looks foolish in retrospect. --Tom Keogh

No Description Available.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 12-DEC-2003
Media Type: DVD

Charlie's Angels (Special Edition)

For every TV-into-movie success like The Fugitive, there are dozens of uninspired films like The Mod Squad. Happily--and surprisingly--this breezy update of the seminal '70s jiggle show falls into the first category, with Cameron Diaz, Drew Barrymore (who also produced), and Lucy Liu starring as the hair-tossing, fashion-setting, kung fu-fighting trio employed by the mysterious Charlie (voiced by the original Charlie, John Forsythe). When a high-tech programmer (Sam Rockwell) is kidnapped, the angels seek out the suspects, with the daffy Bosley (Bill Murray in a casting coup) in tow. A happy, cornball popcorn flick, Charlie's Angels is played for laughs with plenty of ribbing references to the old TV show as well as modern caper films like Mission: Impossible. McG, a music video director making his feature film debut (usually a death warrant for a movie's integrity), infuses the film with plenty of Matrix-style combat pyrotechnics, and the result is the first successful all-American Hong Kong-style action flick. Plenty of movies boast a New Age feminism that has their stars touting their sexuality while being their own women, but unlike something as obnoxious as Coyote Ugly, Angels succeeds with a positive spin on Girl Power for the new millennium (Diaz especially sizzles in her role of crack super agent/airhead blonde). From the send-up of the TV show's credit sequence to the outtakes over the end credits, Charlie's Angels is a delight. --Doug Thomas

They're beautiful, they're brilliant and they work for Charlie. This is a sexy, high-octane update of the popular hit show, Natalie (Cameron Diaz), Dylan (Drew Barrymore) and Alex (Lucy Liu), alongside faithful lieutenant Bosley (Bill Murray), must foil an elaborate murder-revenge plot that could not only destroy individual privacy and corporate security worldwide, but spell the end of Charlie and his Angels.

Driven

Motorsport movies have a lousy track record, so it's not surprising that Driven joins the ranks of previous race-car clunkers like Grand Prix, Le Mans, Bobby Deerfield, and Days of Thunder. To varying degrees, all of these films offer spectacular racing footage (especially Le Mans), but what is surprising is that Driven was written by its star and coproducer Sylvester Stallone, who shows virtually no sign of the talent that created Rocky over a quarter-century earlier. Under the tepid direction of Renny Harlin, this superficial speedfest fulfills its primary obligation--the racing sequences are adequately exciting, despite the Cuisinart editing and a glaring lack of kinetic continuity. But whenever this adrenaline-pumped drama gets off the track, well... let's just say it's a hybrid of Top Gun and Days of Thunder, but makes those Tom Cruise vehicles look masterful by comparison.

Stallone's a retired Grand Prix champion, called back into action by his disabled crew chief (Burt Reynolds) to boost the career of a hotshot driver (Kip Pardue, the pretty-boy from Remember the Titans) who's trailing a German ace (charismatic Til Schweiger) in the current 20-race season. The female contingent consists of a reporter (Stacy Edwards, too talented for this tripe) who's writing about "male domination in sports"; Stallone's embittered, remarried ex-wife (Gina Gershon, parodying her bitchy persona); and the requisite kewpie doll (Estella Warren) who comes between Boy Wonder and the reigning champ. It's airhead melodrama all the way, so you'd better enjoy the breakneck racing scenes--including a ludicrous prototype-racer joyride through downtown Chicago--or you'll blow a piston on your straightaway sprint to the bad-movie finish line. --Jeff Shannon

A young hot shot driver (Kip Pardue from Remember the Titans) is in the middle of a championship season and is coming apart at the seams. A former CART champion (Sylvester Stallone) is called in to give him guidance.

DVD Features:
Audio Commentary:Commentary with Reny Harlin
Deleted Scenes:Deleted Scenes with commentary by Sylvester Stallone or production audio
Documentary
Other:"Conquering Speed Through Live Action and Visual Effects"
TV Special:"The Making of Driven" (HBO 1st look Special)
Theatrical Trailer:"Game Trailer"

The Fighting Seabees

Romeo Must Die

Cinematographer Andrzej Bartkowiak, the cameraman behind Speed, Lethal Weapon 4, and The Devil's Advocate, makes his directorial debut with a lively but by-the-numbers film that mixes Hong Kong action pyrotechnics with gritty urban gang drama. Jet Li stars as a jailed cop named Han who hightails it to Oakland, California, to seek revenge for the gang-related murder of his brother. What he finds, though, is a fierce war between his father's syndicate and that of Isaak O'Day (Delroy Lindo) for control of the city's precious waterfront land, as both groups are trying to make a deal with a corrupt football-team owner to build a new stadium. The political shenanigans are basically just a backdrop for the kick-ass action, and to give Li a number of enemies to lock limbs with. It also provides him with a love interest, Trish (hip-hop star Aaliyah), who's O'Day's daughter and like Han, the only straight arrow in a family of crooked mobsters. Li and Aaliyah have a teasing, gentle chemistry, and when they're onscreen together, the movie lights up and glides along smoothly. Li even finds a way to work Aaliyah into one of his action set pieces, using her arms and legs to fight a female adversary because "I can't hit a girl!" However, when these two aren't onscreen (and that's a fair amount of the time) the movie plods along, despite a stately turn by Lindo and Isaiah Washington and Russell Wong as two family allies who may not be as loyal as they seem. Li's action, though, is still phenomenal as ever, from his prison breakout (as he takes out a platoon of guards--strung upside down by one leg) to a knockdown-dragout fight with the agile and dangerously sexy Wong. And despite the Romeo and Juliet overtones, this is one mighty chaste romance, albeit one with a happy ending for the star-crossed lovers. --Mark Englehart

They've got the guns. They've got the posse. But they've got no chance when a street-fighting ex-cop (Jet Li) takes on both sides of a fierce Oakland turf war, involving "the wildest action scenes since The Matrix!" (Bill Bregoli, Westwood One).

DVD Features:
Documentary:8 Short Documentaries (26:56)
Featurette:Making of Romeo Must Die (15:00) Behind the Scenes (14:03)
Music Video:Aaliyah's "Try Again" video (3:40) Making of Aaliyah's "Try Again" music video (4:11) Aaliyah/DMX "Come Back In One Piece" video (3:42)
Other:Inside the Visual Effects Process (3:52) "Diary of a (Legal) Mad Bomber" (5:07) "Anatomy of a Stunt" (7:12) "The Sound Stage" (1:00)
Theatrical Trailer:Sampler

Road House

One of those movies that helped usher out the era of action films that had plots that made any sense (and also helped reverse the direction of Patrick Swayze's career arc), Road House concerns a handsome, existential bouncer in a rinky-dink honky-tonk who owns both a degree in philosophy and a Mercedes. And that's perhaps the most believable aspect of the whole movie. Swayze stars as Dalton, "the best bouncer in the business," who runs afoul of Wesley (Ben Gazzara), the meanest SOB round these parts, by taking up with his former girlfriend, Doc (Kelly Lynch)--the only woman in town with an IQ approaching double digits, even if she had unfathomably hooked up with such a lowlife. Swayze had complained about being typecast as beefcake when this was made, but that didn't stop him from revealing as much skin as possible--even guys like him, as revealed in a luridly seedy scene in which one of Wesley's goons tells Dalton that he reminds him of the kind of boyfriend he had in prison (albeit in much saltier terms). It's so insulting to its audience that it's nice to be able to turn the tables and laugh at the filmmakers. --David Kronke

Patrick Swayze stars in this sexy, "violent tough-guy thriller" (Fort Worth Star-Telegram) from the producer of Die Hard and The Matrix. Co-starring Ben Gazzara (The Thomas Crown Affair), Kelly Lynch (Charlie's Angels) and Sam Elliott (We Were Soldiers), Road House delivers no-holds-barred action that pushes the envelope for high-octane thrills! Swayze is Dalton, a legendary bouncer who comes to Jasper, Missouri, for a special purpose: to restore order at the notorious Double Deuce bar. In one spectacular fight after another, Dalton rids the bar of thugs and henchmen. But when he runs afoul of a ruthless crime boss (Gazzara) who controls the town, the stage is set for a blistering showdown that'll leave only one man standing!