Psychological Thriller

Vanishing Point

Art film and road movie collide for Vanishing Point, an existential car chase across the desert in a post Easy Rider America. Barry Newman stars as Kowalski, a taciturn driver who bets that he can drive a new Dodge Challenger from Denver to San Francisco in 15 hours. He loads up on amphetamines and begins his odyssey through the contemporary west while a funky black DJ (Cleavon Little) turns the driver into a folk hero and broadcasts advice on dodging the cops. It's like a counterculture precursor to Smokey and the Bandit, with the road as the last bastion of freedom and the DJ as a combination commentator and mystical guide. The slim plot offers a network of society drop-outs that aid the "last free Man on Earth" (as the DJ describes him) on his obscure but obviously symbolic quest while flashbacks paint Kowalski as a world-weary hero. It doesn't really make much sense, but the amazing car chases and excellent stunt work are stunningly set against the American west, beautifully captured by cinematographer John A. Alonzo. Vanishing Point is most assuredly a product of its time, the heady, anything-goes era of rebellion in the early 1970s. --Sean Axmaker

When an ex-cop and race car driver named Kowalski makes a bet that he can deliver a 1970 Dodge Challenger from Colorado to San Francisco in less than fifteen hours he meets a variety of colorful characters along the way and is soon chased by the police.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-FEB-2007
Media Type: DVD

Assault on Precinct 13 (Special Edition)

Before making the original Halloween into one of the most profitable independent films of all time, John Carpenter directed this riveting low-budget thriller from 1976, in which a nearly abandoned police station is held under siege by a heavily armed gang called Street Thunder. Inside the station, cut off from contact and isolated, cops and convicts who were headed for death row must now join forces or die. That's the basic plot, but it's what Carpenter does with it that's remarkable. Drawing specific inspiration from the classic Howard Hawks Western Rio Bravo (which included a similar siege on disadvantaged heroes), Carpenter used his simple setting for a tense, tightly constructed series of action sequences, emphasizing low-key character development and escalating tension. Few who've seen the film can forget the "ice cream cone" scene in which a young girl is caught up in the action by patronizing a seemingly harmless ice cream truck. It's here, and in other equally memorable scenes, that Carpenter demonstrates his singular knack for injecting terror into the mundane details of daily life, propelling this potent thriller to cult favorite status and long-standing critical acclaim. --Jeff Shannon

In this unrelenting action masterpiece from director John Carpenter (Halloween, Escape from New York), a police station under siege from a vicious street gang becomes a cataclysmic battleground where only the strongest survive! Inspired by Howard Hawks' immortal western, Rio Bravo, this explosive gem from one of cinema's great frightmasters has been newly remastered with a host of high-powered extras!

Dead or Alive (Unrated Director's Cut)

The director of Dead or Alive, Takashi Miike, made his name on the international scene with Audition, a chilling psychological thriller that builds from a quiet start towards a prolonged torture sequence almost too unbearable to watch. But such deliberate pacing isn't typical of Miike, whose movies often assault the viewer with an onslaught of slam-bang action that makes John Woo look like Eric Rohmer. Dead or Alive, his most successful cops-vs-yakuza thriller to date, kicks off with six nonstop minutes of machine gun-paced violence, sex, and slaughter, all set to a pounding heavy-metal beat. Thereafter things calm down a little, though not much. Given Miike's penchant for murky, livid-toned visuals and skewed camera angles, it's not always too easy to work out exactly who's doing what to whom, but the general outline's clear enough. The Tokyo underworld is being torn apart by a turf war between the yakuza gangs and the invading Chinese triads. Ambitious yakuza member Ryuichi (Riki Takeuchi) isn't above playing both sides off against each other in his bid for power, while police detective Jojima (Sho Aikawa), himself none too scrupulous in his methods, is out to destroy the gangs.

Into this conventional plot framework Miike piles enough warped characters and bizarre, twisted happenings to fuel half-a-dozen Tarantino movies, while cheerfully borrowing--and inflating--key moments from such hard-boiled gangster-noirs as The Big Heat and Kiss Me Deadly. One character deep-fries his own hand, a stripper is drowned in a paddling-pool filled with her own excrement, and the literally apocalyptic finale, the showdown to end all showdowns, will leave you gasping. The appallingly prolific Miike, who regularly makes about five movies a year, has since directed two sequels--the first only three months after the original. --Philip Kemp

Unstoppable

Dean Cage (Wesley Snipes) a former Special Ops soldier is mistakenly identified as a CIA agent who is kidnapped and injected with a mind-controlling drug making him susceptible to the power of any suggestion. Dean escapes and goes in search for the antidote but first he must fight off his foes his inner demons and the illusions of his drug-induced state or he will die by end of day.System Requirements:Running Time: 100 Min.Format: DVD MOVIE Genre: ACTION/ADVENTURE Rating: R UPC: 043396063440 Manufacturer No: 06344

To Save the Children

The Stray

Bullies

Last Man Standing

Dead or Alive (R-Rated Edition)

The director of Dead or Alive, Takashi Miike, made his name on the international scene with Audition, a chilling psychological thriller that builds from a quiet start towards a prolonged torture sequence almost too unbearable to watch. But such deliberate pacing isn't typical of Miike, whose movies often assault the viewer with an onslaught of slam-bang action that makes John Woo look like Eric Rohmer. Dead or Alive, his most successful cops-vs-yakuza thriller to date, kicks off with six nonstop minutes of machine gun-paced violence, sex, and slaughter, all set to a pounding heavy-metal beat. Thereafter things calm down a little, though not much. Given Miike's penchant for murky, livid-toned visuals and skewed camera angles, it's not always too easy to work out exactly who's doing what to whom, but the general outline's clear enough. The Tokyo underworld is being torn apart by a turf war between the yakuza gangs and the invading Chinese triads. Ambitious yakuza member Ryuichi (Riki Takeuchi) isn't above playing both sides off against each other in his bid for power, while police detective Jojima (Sho Aikawa), himself none too scrupulous in his methods, is out to destroy the gangs.

Into this conventional plot framework Miike piles enough warped characters and bizarre, twisted happenings to fuel half-a-dozen Tarantino movies, while cheerfully borrowing--and inflating--key moments from such hard-boiled gangster-noirs as The Big Heat and Kiss Me Deadly. One character deep-fries his own hand, a stripper is drowned in a paddling-pool filled with her own excrement, and the literally apocalyptic finale, the showdown to end all showdowns, will leave you gasping. The appallingly prolific Miike, who regularly makes about five movies a year, has since directed two sequels--the first only three months after the original. --Philip Kemp

Phantom the Animation

Kei traveled to a new city to start a new life. There he sees the girl of his dreams, Ein, for the very first time. He spots her from 500 meters away while she's crouched behind a military issue sniper rifle picking off mobsters.