Drama

Sense & Sensibility (Special Edition)

Emma Thompson Alan Rickman Kate Winslet and Hugh Grant star in this captivating romantic comedy that swept the Ten Best lists and won the Golden Globe Award as Best Picture of the Year (Drama).Based on Jane Austen's classic novel Sense And Sensibility tells of the Dashwood sisters sensible Elinor (Thompson) and passionate Marianne (Winslet) whose chances at marriage seem doomed by their family's sudden loss of fortune. Rickman Grant and Greg Wise co-star as the well-intentioned suitors who are trapped by the strict rules of society and the conflicting laws of desire.Bonus Features: Interactive Menus 2 Audio Commentaries: - Emma Thompson Producer Lindsay Dorin - Director Ang Lee Co-producer James Schamus Deleted scenes Emma Thompson's Golden Globe acceptance speech Original Theatrical Trailer Bonus Trailers Production Notes Scene SelectionsSystem Requirements:Starring: Emma Thompson Kate Winslet Hugh Grant Gemma Jones and Alan Rickman. Directed By: Ang Lee. Running Time: 136 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Columbia TriStar.Format: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396115996 Manufacturer No: 11599

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton

Persuasion

Movie adaptations of Jane Austen's classic novels were all the rage (relatively speaking) in the mid-1990s. Clueless updated Austen's Emma, which was more conventionally adapted in another version (Emma) starring Gwyneth Paltrow. Emma was produced yet again, this time for British television, as were a celebrated miniseries of Pride and Prejudice and this splendid film of Austen's Persuasion. Persuasion is the story of a love that survives eight years of dormancy and the frustrating obstacles of class prejudice in 19th century England. Anne (Amanda Root) is captivated when she meets the dignified naval officer Capt. Wentworth (Ciarán Hinds), but she is advised to discourage his romantic overtures because he has no fortune. They meet again eight years later, but now Capt. Wentworth has become wealthy while Anne's father is in reduced circumstances in the wake of reckless extravagance. A series of circumstances ensue which prevent Anne and Wentworth from expressing their mutual and inevitable love. The film's success depends entirely on the subtle, superb performances of Root and Hinds. The film builds slowly, occasionally leaving you wondering if anything at all is going to happen. When it does, you realize how carefully crafted a film this is, and the final result is grandly rewarding. --Jeff Shannon

The Inheritance

Romeo & Juliet

Franco Zeffirelli's 1968 adaptation of Shakespeare's Romeo and Juliet was unique in its day for casting kids in the play's pivotal roles of, well, kids. Seventeen-year-old Leonard Whiting and 15-year-old Olivia Hussey play the titular pair, the Bard's star-crossed lovers who defy a running feud between their families in order to be together in love. Typically played on stage and in previous film productions by adult actors, the innocent look and rawness of Whiting and Hussey resonated at the time with a burgeoning youth movement from San Francisco to Prague. The tragic romance at the center of the story also clicked with anti-authority sentiments, but even without that, Zeffirelli scores points by validating the ideals and passions of strong-willed adolescents. Less successful are scenes requiring the actors to have a fuller grasp of the text, though the best thing going remains the unambiguous duel between Romeo and Tybalt (Michael York). Lavishly photographed by Pasquale de Santis on location in Italy, this Romeo and Juliet brought a different tone and dimension to a story that had become tiresome in reverential presentations. --Tom Keogh

North & South

North & South is a splendid, four-hour adaptation of Elizabeth Gaskell's 19th century novel about an unlikely, and somewhat star-crossed, love between a middle-class young woman from England's cultivated south and an intemperate if misunderstood industrialist in a hardscrabble, northern city. Daniela Denby-Ashe plays Margaret Hale, forthright and strong-willed daughter of a former vicar (Tim Pigott-Smith) who relocates his family from a pastoral village outside London to unforgiving, largely illiterate Milton, a factory town where John Thornton (Richard Armitage) and his mother (Sinead Cusack), survivors of poverty, rule their cotton mill with an iron hand. Thornton befriends Margaret's father but incurs her wrath for his severity with his workers. What she doesn't notice is Thornton's core sense of responsibility for his employees' welfare. On the other hand, he misinterprets some of Margaret's own actions and intentions. Equally stubborn, the two drag out their obvious attraction over many painful months and events.

North & South's two leads are both very good, though Armitage's brooding, penetrating performance may very well be considered a classic one day. There are other wonders in the cast: Cusack and Pigott-Smith are superb, and Brendan Coyle is memorable as a firebrand union organizer who ultimately becomes an ally to a softening Thornton. The miniseries script by Sandy Welch is a persuasive mix of historical context and character study. Brian Percival's direction is full of moments that linger in the imagination, such as the winter-dream look of a busy cotton mill, with thousands of snowy fibers floating in the air. --Tom Keogh

DVD Features:
Audio Commentary:Commentary on Episodes 1 and 4 by producer Kate Bartlett, director Brian Percival and writer Sandy Welch
Biographies:Cast bios
Deleted Scenes
Interviews:Specially recorded interview with Richard Armitage
Production Notes

The Dreamers (Original Uncut NC-17 Version)

A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer

From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

Mansfield Park (1999)

This fun and sexy comedy tells a timelessly entertaining story where wealth, secret passions, and mischievous women put love to the test ... with delightfully surprising results! When a spirited young woman, Fanny Price, is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns "their" ways, she also enlightens them with a wit and sparkle all her own! Featuring an exciting ensemble cast of young stars -- you'll join critics everywhere in their overwhelming praise of this smart, playful, and funny hit!

Chaplin

Sir Richard Attenborough's biographical film of the life and times of Charles Chaplin is a little thin as a narrative, but it is so charmingly creative and ultimately moving, it's hard to care about any deficits. Robert Downey Jr. does an excellent job re-creating Chaplin's graceful slapstick and getting inside the silent-film superstar's head over many years of triumph, defeat, scandal, official persecution, exile, and inner peace. A huge cast portray the allies, friends, lovers, and enemies in Chaplin's life, including Moira Kelly as his final, longtime wife, Oona, Kevin Kline as Douglas Fairbanks, Geraldine Chaplin as Charlie's mother, and James Woods as a prosecutor working hard to nail Chaplin for anti-American sentiments. Attenborough declines to tell the story in a flat, linear way, employing such clever techniques as detailing one chapter in Chaplin's life as a silent comedy. The climactic scene set at an Oscar tribute for Chaplin will get the tears flowing. --Tom Keogh

Henry V

He ruled a massive empire...and fought a mighty war! Kenneth Branagh Paul Scofield Derek Jacobi Ian Holm Emma Thompson and Judi Dench star in this heroic action-packed epic based on the timeless play by William Shakespeare. "Magnificent passionate and steeped in powerful emotion" (The Washington Post) Henry V is a "stunning" (Leonard Maltin) Oscar®-nominated* adventure that takes its place amongst the greatest war films of all time.Having recently been crowned King of England Henry (Branagh) commands a massive invasion to assert what he believes is his legal right to the throne of France. But a mighty army stands in his way and the young monarch must rely on untested reserves of courage and cunning as he personally leads his outnumbered forces into a desperate battle for the honor and glory of the British Empire.Special Features:Collectible BookletOriginal Theatrical TrailerSystem Requirements:Running Time 128 MinFormat: DVD MOVIE Genre: DRAMA Rating: PG-13 UPC: 027616850126

Very few films come close to the brilliance Kenneth Branagh achieved with his first foray into screenwriting and direction. Henry V qualifies as a masterpiece, the kind of film that comes along once in a decade. He eschews the theatricality of Laurence Olivier's stirring, fondly remembered 1945 adaptation to establish his own rules. Branagh plays it down and dirty, seeing the bard's play through revisionist eyes, framing it as an antiwar story. Branagh gives us harsh close-ups of muddied, bloody men, and close-ups of himself as Henry, his hardened mouth and willful eyes revealing much about this land war. Not that the director-star doesn't provide lighter moments. His scenes introducing the French Princess Katherine (Emma Thompson) are toothsome. Bubbly, funny, enhanced by lovely lighting and Thompson's pale beauty, these glimpses of a princess trying to learn English quickly from her maid are delightful.

What may be the crowning glory of Branagh's adaptation comes when the dazed, shaky leader wanders through battlefields, not even sure who has won. As King Hal carries a dead boy (Empire of the Sun's Christian Bale) over the hacked-up bodies of both the English and French, you realize it is the first time Branagh has opened up the scenes: a panorama of blood and mud and death. It is as strong a statement against warmongering as could ever be made. --Rochelle O'Gorman

Gandhi (Widescreen Two-Disc Special Edition)

Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a fine film. --Tom Keogh

Stills from Gandhi (click for larger image)

Beyond Gandhi on Amazon.com

Other Oscar Winners at Oscar Central

More Biographies on DVD

The Films of Ben Kingsley

A critical masterpiece, GANDHI is an intriguing story about activism, politics, religious tolerance and freedom. But at the center of it all is an extraor- dinary man who fought for a nonviolent, peaceful existence, and set an entire nation free. Winner of 8 Academy Awards® including Best Picture, Best Director (Lord Richard Attenborough) and Best Actor (Sir Ben Kingsley), GANDHI's highly acclaimed cast also includes Candice Bergen, Edward Fox, Sir John Gielgud, Roshan Seth and Martin Sheen.

The extras include more than 90 minutes of new material, including interviews with director Lord Richard Attenborough; actors Geraldine James, Saeed Jaffrey, and Edward Fox; Diana Hawkins (Director of Publicity), Terry Clegg (Executive in charge of production), Billy Williams (Cinematographer) and Stuart Craig (Production Designer). The DVD includes a Director's commentary with Attenborough, who also filmed a personal introduction to the film. The featurettes include In Search of Gandhi, Reflections on Ben, Madeleine Slade: An Englishwoman Abroad, The Funeral, Shooting an Epic In India, Looking Back, Designing Gandhi (3 mini featurettes) and From the Director's Chair (2 mini featurettes).