General

Hero

Director Zhang Yimou brings the sumptuous visual style of his previous films (Raise the Red Lantern, Shanghai Triad) to the high-kicking kung fu genre. A nameless warrior (Jet Li, Romeo Must Die, Once Upon a Time in China) arrives at an emperor's palace with three weapons, each belonging to a famous assassin who had sworn to kill the emperor. As the nameless man spins out his story--and the emperor presents his own interpretation of what might really have happened--each episode is drenched in red, blue, white or another dominant color. Hero combines sweeping cinematography and superb performances from the cream of the Hong Kong cinema (Maggie Cheung, Irma Vep, Comrades: Almost a Love Story; Tony Leung Chiu-Wai, In the Mood for Love, Hard Boiled; and Zhang Ziyi, Crouching Tiger, Hidden Dragon). The result is stunning, a dazzling action movie with an emotional richness that deepens with every step. --Bret Fetzer

Set in China's past, before the first emperor, the film tells the story of a town magistrate who is summoned by the king of Qin to tell the story of how he defeated those who plotted to kill him.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 2-AUG-2005
Media Type: DVD

House of Flying Daggers

"Prepare your eyes for popping" in this "martial-arts fireball that throws in a lyrical love story headspinning fights and dazzling surprises" (Rolling Stone). "A gorgeous entertainment" (A.O. Scott New York Times). Mei is an exotic beautiful blind dancer associated with a dangerous revolutionary gang known as the House of Flying Daggers. Captured by officers of the decadent Tang Dynasty Mei finds herself both threatened - and attracted - to the most unusual circumstances. Here her heart and loyalties battle each other amid warriors in the treetops and dazzling combat - the likes of which have never before been seen!System Requirements: Running Time 119 MinFormat: DVD MOVIE Genre: FOREIGN/LATIN Rating: PG-13 UPC: 043396091788 Manufacturer No: 09178

No one uses color like Chinese director Zhang Yimou--movies like Raise the Red Lantern or Hero, though different in tone and subject matter, are drenched in rich, luscious shades of red, blue, yellow, and green. House of Flying Daggers is no exception; if they weren't choreographed with such vigorous imagination, the spectacular action sequences would seem little more than an excuse for vivid hues rippling across the screen. Government officers Leo and Jin (Asian superstars Andy Lau and Takeshi Kaneshiro) set out to destroy an underground rebellion called the House of Flying Daggers (named for their weapon of choice, a curved blade that swoops through the air like a boomerang). Their only chance to find the rebels is a blind women named Mei (Ziyi Zhang, Crouching Tiger, Hidden Dragon) who has some lethal kung fu moves of her own. In the guise of an aspiring rebel, Jin escorts Mei through gorgeous forests and fields that become bloody battlegrounds as soldiers try to kill them both. While arrows and spears of bamboo fly through the air, Mei, Jin, and Leo turn against each other in surprising ways, driven by passion and honor. Zhang's previous action/art film, Hero, sometimes sacrificed momentum for sheer visual beauty; House of Flying Daggers finds a more muscular balance of aesthetic splendor and dazzling swordplay. --Bret Fetzer

Shaolin Soccer

Computer generated special effects have seldom been so giddy as in Shaolin Soccer, a gleeful fusion of kung fu and a classic Bad News Bears sports story. A former soccer star--whose "golden leg" was broken by a hired mob--assembles a team of former students of Shaolin martial arts, whose assorted skills (indicated by their nicknames, like Mighty Steel Leg and Iron Head) lend themselves to the swift interplay of the world's most popular game. Along the way, the team's leader (Hong Kong comic superstar Stephen Chow) meets a sticky bun baker (Vicki Zhao) whose kung fu is the equal of any of his teammates. Shaolin Soccer is supremely silly--in the final match, their opponents are called Team Evil--but that's part of the fun. American movies rarely achieve this perfect balance of the absurd and the sincere. A delight. --Bret Fetzer

With tons of action, eye-popping special effects, and nonstop laughs, here's a hilarious martial arts comedy about a team of misfits who take their best shot at winning a championship! Sing is a skilled Shaolin kung fu devotee whose amazing "leg of steel" catches the eye of a soccer coach! Together they assemble a squad of Sing's former Shaolin brothers inspired by the big-money prize in a national soccer competition! Using an unlikely mix of martial arts and newfound soccer skills, it seems an unbeatable combination ... until they must face the dreaded Team Evil in the ultimate battle for the title!

Farewell My Concubine

The panorama of 20th-century Chinese history swirls past two men, celebrated actors with their own decidedly specialized view of things. We first observe their lives as children at the Peking Opera training school, a brutal and demanding arena for future actors. While still in training, the effeminate Douzi is chosen to play the transvestite role and the masculine Shitou is chosen to play the royal role in a ritualized play about a king and a concubine. The actors are so good at this performance that they become identified with these roles for their entire careers; through World War II, through the takeover by the Communists, through the insanity of the Cultural Revolution, they are known for their famous parts. Leslie Cheung and Zhang Fengyi are powerful as the two men, and Gong Li (the beautiful leading lady of Raise the Red Lantern) plays the wife of the latter. The movie may be stronger on good old-fashioned melodrama than on profound conclusions, but boy, does it fill up the eyes. The director is Chen Kaige, one of the most talented members of China's "Fifth Generation" of filmmakers, whose daring subject matter (and sometimes bald international ambitions) have often irked the Chinese government. Indeed, though Farewell My Concubine shared the top prize at the 1993 Cannes Film Festival and snagged two Oscar nominations, it had difficulty gaining official approval from China. --Robert Horton

Critically acclaimed as one of the best films of the year, this seductive, award-winning triumph captivated moviegoers the world over. It's the compelling tale of two lifelong friends unexpectedly caught in a passionate love triangle with the woman who comes between them! Academy Award(R)-nominated, FAREWELL MY CONCUBINE (1993 -- Best Foreign Language Film) earned the Golden Globe as Best Foreign Film in addition to claiming Best Picture honors at the prestigious Cannes Film Festival! Packed with vivid, provocative imagery throughout, this sensual story of love and betrayal is the hot and exotic must-see movie of the year!

The Legend of Drunken Master

Wong Fei-Hong (Chan) is inadvertently caught up in a fight between foreign exporters and those who don't want ancient Chinese artifacts to leave the country.
Genre: Feature Film-Action/Adventure
Rating: R
Release Date: 6-APR-2004
Media Type: DVD

Kung Fu Hustle (Widescreen Edition)

Stephen Chow (director and star of Shaolin Soccer) is at it again with his newest action-packed and comedic martial-arts adventure, KUNG FU HUSTLE. From wildly imaginative kung fu showdowns to dance sequences featuring tuxedoed mobsters, you've never seen action this outrageous and characters this zany! With jaw-dropping fight sequences by Yuen Wo Ping (famed action choreographer of Crouching Tiger, Hidden Dragon and The Matrix), KUNG FU HUSTLE will blow you away! In a town ruled by the Axe Gang, Sing (Stephen Chow) desperately wants to become a member. He stumbles into a slum ruled by eccentric landlords who turn out to be kung fu masters in disguise. Sing's actions eventually cause the Axe Gang and the slumlords to engage in an explosive kung fu battle. Only one side will win and only one hero will emerge as the greatest kung fu master of all.

Drunken Master

Though it wasn't Jackie Chan's first film, Drunken Master is the film that cemented his stardom. Jackie plays the rebellious son of a kung fu master. To teach Jackie the value of discipline, his father apprentices him to another master named So Hi, who has a unique "drunken" fighting style. Jackie chafes at So Hi's rigorous exercises and runs away--only to be brutally humiliated at the hands of a hired killer named Thunderleg. Chastened, Jackie becomes So Hi's devoted student. He soon discovers he will need everything he's learned when Thunderleg is hired to kill his father. In Drunken Master, Jackie is only beginning to cultivate his mixture of action and comedy; here the emphasis is on kung fu acrobatics. But the kung fu is astounding. The final fight is dizzying and amazingly choreographed by director Yuen Woo-ping (now famous as the fight choreographer for The Matrix). --Bret Fetzer

In the Mood for Love - Criterion Collection

Winner of numerous awards including Best Actor at the 2000 Cannes Film Festival, In the Mood for Love confirmed that Hong Kong director Wong Kar-wai is a major figure in world cinema. As passionate as it is politely discreet, his film takes place in 1962 Hong Kong, where neighboring apartment dwellers Mr. Chow (Tony Leung) and Mrs. Chan (Maggie Cheung) discover that their oft-absent spouses are having an affair. This realization parallels their own mutual attraction, but fidelity and decency ensure that their intimate bond remains unspoken though deeply understood. With a stealthy, eavesdropping camera style and a screenplay created through spontaneous on-set inspiration, Wong Kar-wai crafts an intricate, finely tuned platonic romance, enhancing its ambience with a kaleidoscope of color (most notably in Cheung's dazzling wardrobe of cheongsam dresses) and careful attention to character detail. Deservedly placed on many critics' top 10 lists, this elegant film should not be missed. --Jeff Shannon

Hong Kong, 1962: Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same day. Their encounters are polite and formal-until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar-wai's In the Mood for Love is a masterful evocation of romantic longing and fleeting moments in time.

2046

In Wong Kar Wai's quasi-sequel to In the Mood for Love, 2046 is a hotel room, a futuristic story, and a state of mind. Tony Leung returns as Chow, but perhaps not the same Chow who appeared in the first film. Starting three years later in 1966, we see Chow on various Christmases as he lives, loves, and writes in a hotel and nearby restaurants. Although he is less sensitive and more of a ladies man now, Chow's love life always seems to exceed his grasp. Whether the character is the same (the director calls this an "echo" of the first movie) might be trivial. Hong Kong filmmaker Wai is such a visualist (Time magazine tabbed him as the "world's most romantic filmmaker"), the images wash over with swirling smoke, neon lights, and the faces of his outstanding cast, all lovingly photographed and smoothly scored. There's a lot more going on than the visuals, and Wai's fans will certainly find more and more details on repeated viewings. We travel into Chow's futuristic story, where the acquaintances become fictional characters traveling to a place where "everyone goes" to recapture lost memories. Often Chow talks about never seeing a lover ever again, but eventually bumps into her. The final result is a film some will cherish; others will long for the more traditional storyline of the first film. Wai certainly finds a new direction for actress Ziyi Zhang (House of Flying Daggers) as a prostitute who becomes one of Chow's many lovers. And Leung continues to be one of the world's great film actors, with a face and acting style the camera just loves. --Doug Thomas

Fist of Legend

Like compatriot Jackie Chan, martial arts champion Jet Li has long been revered in his native country and enjoys a cult following in the States among aficionados of Hong Kong cinema. After two decades, it took his villainous turn in Lethal Weapon 4 to put him on the Hollywood map, paving the way for the release of his earlier films. Fist of Legend is a 1994 production and a remake of The Chinese Connection (also known as Fists of Fury, which starred the greatest martial arts legend of them all, Bruce Lee). This film is set in 1937, when Shanghai was occupied by the Japanese and racial tensions were high. Li stars as Chen Zhen, who returns to Shanghai to avenge the death of his master, whom he learns was poisoned. His popular freestyle fighting technique and Japanese girlfriend do not endear him to his former friend, now his master's successor at the martial arts school. If Jackie Chan is inspired by Buster Keaton, Li seems to be channeling Steve McQueen. He speaks softly and carries a big kick. And like Steven Seagal, even when he is under siege by a horde of attackers, no one can lay a finger on this guy. The dialogue and dubbing are atrocious, but the fight sequences are incredible (they were choreographed by Yuen Woo-ping, who lent his expertise to The Matrix). Perhaps most memorable is a bout between Chen and his girlfriend's uncle during which the combatants wear blindfolds. This is essential viewing for martial arts buffs and Li's growing legion of fans. --Donald Liebenson

International superstar Jet Li (LETHAL WEAPON 4, BLACK MASK) explodes on the screen in this thrilling martial arts action story about courage, honor ... and revenge! When Chen (Li) discovers that his beloved teacher and mentor has been murdered, he swears to avenge his death! Then, with an unwavering commitment to vengeance, Chen puts everything on the line to settle the score! The must-see modern remake of a Bruce Lee classic, FIST OF LEGEND packs hard-hitting excitement and incredible hand-to-hand combat into one unstoppable adrenaline rush!