Classics

The Red Balloon (Released by Janus Films, in association with the Criterion Collection)

The late French filmmaker Albert Lamorisse made this classic, 1956 short work about a lonely little Parisian boy (Pascal Lamorisse) befriended by a large red balloon, which seems to have a will of its own. As with his preceding short, 1952's White Mane, Lamorisse took home a grand prize from the Cannes Film Festival for The Red Balloon, and the latter film also won an Academy Award. There have been some stimulating pieces of film criticism (some pro, some con) written about the aesthetics of this little movie over the years, but there's no question it makes for a touching, allegorical piece always certain to prompt conversations among viewers of any age. --Tom Keogh

Newly restored and available for the first time on DVD Albert Lamorisse's exquisite The Red Balloon remains one of the most beloved children's films of all time. In this deceptively simple nearly wordless tale a young boy discovers a stray balloon which seems to have a mind of its own on the streets of Paris. The two become inseparable yet the world's harsh realities finally interfere. With its glorious palette and allegorical purity the Academy Award-winning The Red Balloon has enchanted movie lovers young and old for generations.System Requirements:LENGTH: 34 minutes Format: DVD MOVIE Genre: CHILDREN/FAMILY UPC: 715515028820 Manufacturer No: CC1746DDVD

The African Queen [IMPORT]

Vampyr - Criterion Collection

With Vampyr Danish filmmaker Carl Theodor Dreyer's brilliance at achieving mesmerizing atmosphere and austere profoundly unsettling imagery (as in The Passion of Joan of Arc and Day of Wrath) was for once applied to the horror genre. Yet the result-concerning an occult student assailed by various supernatural haunts and local evildoers at an inn outside Paris-is nearly unclassifiable a host of stunning camera and editing tricks and densely layered sounds creating a mood of dreamlike terror. With its roiling fogs ominous scythes and foreboding echoes Vampyr is one of cinema's great nightmares.SPECIAL EDITION DOUBLE-DISC SET FEATURES:New restored high-definition digital transfer of the 1998 film restoration by Martin Koerber and the Cineteca di BolognaOptional all-new English-text version of the filmAudio commentary featuring film scholar Tony RaynsCarl Th. Dreyer (1966) a documentary by Jorgen Roos chronicling Dreyer's careerVisual essay by scholar Casper Tybjerg on Dreyer's influences in creating VampyrA 19TK radio broadcast of Dreyer reading an essay about filmmakingNew and improved English subtitle translationPLUS: A booklet featuring new essays by Mark Le Fanu and Kim Newman Martin Koerber on the restoration and an archival interview with producer and star Nicolas de Gunzburg as well as a book featuring Dreyer and Christen Jul's original screenplay and Sheridan Le Fanu 1871 story "Carmilla" a source for the filmSystem Requirements:Running Time: 75 minutes Language: German Subtitles: English Format: DVD MOVIE Genre: HORROR/VAMPIRES Rating: NR UPC: 715515030427 Manufacturer No: CC1757DDVD

La Dolce Vita (2-Disc Collector's Edition)

At three brief hours, La Dolce Vita, a piece of cynical, engrossing social commentary, stands as Federico Fellini's timeless masterpiece. A rich, detailed panorama of Rome's modern decadence and sophisticated immorality, the film is episodic in structure but held tightly in focus by the wandering protagonist through whom we witness the sordid action. Marcello Rubini (extraordinarily played by Marcello Mastroianni) is a tabloid reporter trapped in a shallow high-society existence. A man of paradoxical emotional juxtapositions (cool but tortured, sexy but impotent), he dreams about writing something important but remains seduced by the money and prestige that accompany his shallow position. He romanticizes finding true love but acts unfazed upon finding that his girlfriend has taken an overdose of sleeping pills. Instead, he engages in an ménage à trois, then frolics in a fountain with a giggling American starlet (bombshell Anita Ekberg), and in the film's unforgettably inspired finale, attends a wild orgy that ends, symbolically, with its participants finding a rotting sea animal while wandering the beach at dawn. Fellini saw his film as life affirming (thus its title, The Sweet Life), but it's impossible to take him seriously. While Mastroianni drifts from one worldly pleasure to another, be it sex, drink, glamorous parties, or rich foods, they are presented, through his detached eyes, are merely momentary distractions. His existence, an endless series of wild evenings and lonely mornings, is ultimately soulless and facile. Because he lacks the courage to change, Mastroianni is left with no alternative but to wearily accept and enjoy this "sweet" life. --Dave McCoy

White Mane (Released by Janus Films, in association with the Criterion Collection)

As in Albert Lamorisse's classic fable The Red Balloon, a boy forms a unique attachment in the less fanciful, if equally lyrical White Mane. While the 1956 color film takes place in modern Paris, the filmmaker's 1953 effort plays like an old black and white western. In the opening sequence, White Mane ("Crin Blanc") enjoys a life of freedom in the dusty Camargue region of Southern France. Local cowboys, portrayed by the herdsmen of Les Saints-Maries-de-la-Mer, attempt to capture him, but the wild horse keeps evading their clutches. Young fisherman Folco (Alain Emery), who lives with his grandfather and younger brother (the director's son, Pascal, star of The Red Balloon), finds himself entranced by the proud creature. In Folco's dreams, they become friends, but the horse prefers to associate with his own kind. That dynamic starts to change once White Mane realizes Folco isn't like the adults trying to tame him. The boy doesn't want to change the horse, and a relationship develops based on mutual trust. This luminous transfer features spare narration, in French or a newly-recorded English version, and minimal dialogue in favor of a flute-dominated score and chase-oriented action (which may be too intense for younger viewers). Just as the 34-minute Red Balloon won an Oscar, the 40-minute White Mane won a Grand Jury Prize at the Cannes Film Festival (the two often screen together). Other than the trailer and an essay from Michael Koresky, this long-awaited release forgoes special features. --Kathleen C. Fennessy

In the south of France in a near-desert region called La Camargue lives White Mane a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken in by humans. Only Folco a young fisherman manages to tame him. A strong friendship grows between the boy and the horse as the two go looking for the freedom that the world of men won't allow them. Long unavailable in the U.S. this extraordinarily shot wonder from Albert Lamorisse the director of The Red Balloon is a work of technical sophistication and immense natural beauty.System Requirements:LENGTH: 39 minutesFormat: DVD MOVIE Genre: CHILDREN/FAMILY UPC: 715515028929 Manufacturer No: CC1747DDVD

High and Low - Criterion Collection

Toshiro Mifune is unforgettable as Kingo Gondo a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in Akira Kurosawa's highly influential domestic drama and police procedural High and Low. Adapting Ed McBain's detective novel King's Ransom Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary creating a diabolical treatise on class and contemporary Japanese society. Criterion is proud to present High and Low (Tengoko to jigoku) in this new high-definition digital transfer.SPECIAL EDITION DOUBLE-DISC SET FEATURES:New restored high-definition digital transfer with newly restored original four-track surround soundNew audio commentary by Akira Kurosawa scholar Stephen PrinceA 37-minute documentary on the making of High and Low created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to CreateRare archival interview with Toshiro MifuneNew video interview with actor Tsutomu Yamazaki who plays the kidnapperTheatrical trailers from Japan and the U.S.New and improved English subtitle translationPLUS: A booklet featuring a new essay by critic Geoffrey O'Brien and a reprinted essay by Japanese film scholar Donald RichieMore!System Requirements:Running Time: 143 minutes Language: Japanese Subtitles: EnglishFormat: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: NR UPC: 715515030922 Manufacturer No: CC1760DDVD

Although best known for his samurai classics, Japanese master filmmaker Akira Kurosawa proved himself equally adept at contemporary dramas and thrillers, and 1962's High and Low offers a powerful showcase for Kurosawa's versatile skill. The great Toshiro Mifune stars as a wealthy industrialist who has just raised a large sum of money to execute his planned takeover of a successful shoe manufacturer. Fate intervenes when he receives a phone call informing him that his son has been kidnapped, and by unfortunate coincidence the ransom demand is nearly equivalent to the amount Mifune has raised for his corporate coup. A philosophical dilemma emerges when it is revealed that the executive's son is safe, and that it is actually his chauffeur's son who has been taken. What follows is both a tense detective thriller, as the police attempt to track down the kidnapper, and a compelling illustration of class division in Japan--the "high and low" of the title. Far be it from Kurosawa to make a mere thriller, however; this loose adaptation of the Ed McBain novel King's Ransom provides the director with ample opportunity to develop a visual strategy that perfectly enhances the story's sociological themes. The Criterion Collection DVD of this extraordinary film is presented in the original "Tohoscope" aspect ratio of 2.35:1. --Jeff Shannon

The Lovers - Criterion Collection

Louis Malle unveiled the natural beauty of Jeanne Moreau in his breakthrough Elevator to the Gallows. With his follow-up the scandalous smash The Lovers (Les amants) he made her a star once and for all. A deeply felt and luxuriously filmed fairy tale for grown-ups perched on the edge between classical and New Wave cinemas The Lovers presents Moreau as a restless bourgeois wife whose eye wanders from both her husband and her lover to an attractive passing stranger (Jean-Marc Bory). Thanks to its frank sexuality The Lovers caused quite a stir being censored and attacked for obscenity around the world. If today its shock has worn off its glistening sensuality and seductive storytelling haven't aged a day.SPECIAL EDITION FEATURES:New restored high-definition digital transfer of the complete uncensored versionSelection of archival interviews with Louis Malle actors Jeanne Moreau and Jose Luis de Villalonga and writer Louise de VilmorinGallery of promotional material from the U.S. theatrical releaseNew and improved English subtitle translationPLUS: A new essay by film historian Ginette VincendeauSystem Requirements:Running Time: 90 minutes Language: French Subtitles: EnglishFormat: DVD MOVIE Genre: DRAMA/LOVE & ROMANCE Rating: NR UPC: 715515029629 Manufacturer No: CC1751DDVD

Nosferatu (The Ultimate Two-Disc Edition)

As noted critic Pauline Kael observed, "... this first important film of the vampire genre has more spectral atmosphere, more ingenuity, and more imaginative ghoulish ghastliness than any of its successors." Some really good vampire movies have been made since Kael wrote those words, but German director F.W. Murnau's 1922 version remains a definitive adaptation of Bram Stoker's Dracula. Created when German silent films were at the forefront of visual technique and experimentation, Murnau's classic is remarkable for its creation of mood and setting, and for the unforgettably creepy performance of Max Schreck as Count Orlok, a.k.a. the blood-sucking predator Nosferatu. With his rodent-like features and long, bony-fingered hands, Schreck's vampire is an icon of screen horror, bringing pestilence and death to the town of Bremen in 1838. (These changes of story detail were made necessary when Murnau could not secure a copyright agreement with Stoker's estate.) Using negative film, double-exposures, and a variety of other in-camera special effects, Murnau created a vampire classic that still holds a powerful influence on the horror genre. (Werner Herzog's 1978 film Nosferatu the Vampyre is both a remake and a tribute, and Francis Coppola adopted many of Murnau's visual techniques for Bram Stoker's Dracula.) Seen today, Murnau's film is more of a fascinating curiosity, but its frightening images remain effectively eerie. --Jeff Shannon

A cornerstone of the horror film, F.W. Murnau s NOSFERATU is triumphantly reborn in this breathtaking new restoration by the F.W. Murnau Foundation. Backed by an orchestral performance of Hans Erdmann s 1922 score (recorded in 5.1 stereo surround), Kino International edition presents Murnau s masterpiece in this all-new restored HD transfer with unprecedented clarity and faithfulness to the original release version. This double-disc collection presents the film with the original German intertitles as well as with newly-translated English intertitles. Accompanying the film is a 52-minute documentary by Luciano Berriatúa which provides a detailed account of the production and explores the filmmakers involvement in the occult. Also includes 'Nosferatu: Historic Film Meets Digital Restoration' - a 3-minute documentary - Lengthy excerpts from other films by F.W. Murnau: Journey Into the Night (1920), The Haunted Castle (1921), Phantom (1922), The Finances of the Grand Duke (1924), The Last Laugh (1924), Tartuffe (1925), Faust (1926), and Tabu (1931) - Photo Gallery - Scene Comparison

8 1/2 - Criterion Collection

Federico Fellini's 1963 semi-autobiographical story about a worshipped filmmaker who has lost his inspiration is still a mesmerizing mystery tour that has been quoted (Woody Allen's Stardust Memories, Paul Mazursky's Alex in Wonderland) but never duplicated. Marcello Mastroianni plays Guido, a director trying to relax a bit in the wake of his latest hit. Besieged by people eager to work with him, however, he also struggles to find his next idea for a film. The combined pressures draw him within himself, where his recollections of significant events in his life and the many lovers he has left behind begin to haunt him. The marriage of Fellini's hyperreal imagery, dreamy sidebars, and the gravity of Guido's increasing guilt and self-awareness make this as much a deeply moving, soulful film as it is an electrifying spectacle. Mastroianni is wonderful in the lead, his woozy sensitivity to Guido's freefall both touching and charming--all the more so as the character becomes increasingly divorced from the celebrity hype that ultimately outpaces him. --Tom Keogh

One of the greatest films about film ever made, Federico Fellini's 8 1/2 (Otto e Mezzo) turns one man's artistic crisis into a grand epic of the cinema. Guido Anselmi (Marcello Mastroianni) is a director whose film-and life-is collapsing around him. An early working title for the film was La Bella Confusione (The Beautiful Confusion), and Fellini's masterpiece is exactly that: a shimmering dream, a circus, and a magic act. The Criterion Collection is proud to present the 1963 Academy Award® winner for Best Foreign-Language Film-one of the most written about, talked about, and imitated movies of all time-in a beautifully restored new digital transfer. Disc two features Fellini's rarely seen first film for television, Fellini: A Director's Notebook (1969). Produced by Peter Goldfarb, this imagined documentary of Fellini is a kaleidoscope of unfinished projects, all of which provide a fascinating and candid window into the director's unique and creative process.

Rashomon - Criterion Collection

This 1950 film by Akira Kurosawa is more than a classic: it's a cinematic archetype that has served as a template for many a film since. (Its most direct influence was on a Western remake, The Outrage, starring Paul Newman and directed by Martin Ritt.) In essence, the facts surrounding a rape and murder are told from four different and contradictory points of view, suggesting the nature of truth is something less than absolute. The cast, headed by Kurosawa's favorite actor, Toshiro Mifune, is superb. --Tom Keogh

Brimming with action while incisively examining the nature of truth, Rashomon is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife. Toshiro Mifune gives another commanding performance in the eloquent masterwork that revolutionized film language and introduced Japanese cinema to the world.