Spanish

The Man from U.N.C.L.E. - The Complete Series

The Mummy Collector's Set (The Mummy (1999)/ The Mummy Returns/ The Scorpion King)

The Mummy
If you're expecting bandaged-wrapped corpses and a lurching Boris Karloff-type villain, then you've come to the wrong movie. But if outrageous effects, a hunky hero, and some hearty laughs are what you're looking for, the 1999 version of The Mummy is spectacularly good fun. Yes, the critics called it "hokey," "cheesy," and "pallid." Well, the critics are unjust. Granted, the plot tends to stray, the acting is a bit of a stretch, and the characters occasionally slip into cliché, but who cares? When that action gets going, hold tight--those two hours just fly by.

The premise of the movie isn't that far off from the original. Egyptologist and general mess Evelyn (Rachel Weisz) discovers a map to the lost city of Hamunaptra, and so she hires rogue Rick O'Connell (Brendan Fraser) to lead her there. Once there, Evelyn accidentally unlocks the tomb of Imhotep (Arnold Vosloo), a man who had been buried alive a couple of millennia ago with flesh-eating bugs as punishment for sleeping with the pharaoh's girlfriend. The ancient mummy is revived, and he is determined to bring his old love back to life, which of course means much mayhem (including the unleashing of the 10 plagues) and human sacrifice. Despite the rather gory premise, this movie is fairly tame in terms of violence; most of the magic and surprise come from the special effects, which are glorious to watch, although Imhotep, before being fully reconstituted, is, as one explorer puts it, rather "juicy." Keep in mind this film is as much comedy as it is adventure--those looking for a straightforward horror pic will be disappointed. But for those who want good old-fashioned eye-candy kind of fun, The Mummy ranks as one of choicest flicks of 1999. --Jenny Brown

The Mummy Returns
Proving that bigger is rarely better, The Mummy Returns serves up so much action and so many computer-generated effects that it quickly grows exhausting. In his zeal to establish a lucrative franchise, writer-director Stephen Sommers dispenses with such trivial matters as character development and plot logic, and charges headlong into an almost random buffet of minimum story and maximum mayhem, beginning with a prologue establishing the ominous fate of the Scorpion King (played by World Wrestling Federation star the Rock, in a cameo teaser for his later starring role in--you guessed it--The Scorpion King). Dormant for 5,000 years, under control of the Egyptian god Anubis, the Scorpion King will rise again in 1933, which is where we find The Mummy's returning heroes Brendan Fraser and Rachel Weisz, now married and scouring Egyptian ruins with their 8-year-old son, Alex (Freddie Boath).

John Hannah (as Weisz's brother) and Oded Fehr (as mystical warrior Ardeth Bay) also return from The Mummy, and trouble begins when Alex dons the Scorpion King's ancient bracelet, coveted by the evil mummy Imhotep (Arnold Vosloo), who's been revived by... oh, but does any of this matter? With a plot so disposable that it's impossible to care about anything that happens, The Mummy Returns is best enjoyed as an intermittently amusing and physically impressive monument of Hollywood machinery, with gorgeous sets that scream for a better showcase, and digital trickery that tops its predecessor in ambition, if not in payoff. By the time our heroes encounter a hoard of ravenous pygmy mummies, you'll probably enjoy this movie in spite of itself. --Jeff Shannon

The Scorpion King
There's nothing original in The Scorpion King, but this derivative action franchise gets off to a rousing start by cleverly stealing from a lot of better movies. Capitalizing on his brief cameo in The Mummy Returns, Dwayne Johnson (a.k.a. World Wrestling Federation star the Rock) stars as Mathayus, an Akkadian assassin in the age preceding Egyptian pharaohs, who vows to avenge his brother's murder by an undefeated warlord (Steven Brand) prophesied to become the desert-ruling Scorpion King. Their battle for supremacy comprises most of the film's brisk 95-minute running time, punctuated by comic relief from Mathayus's obligatory sidekick (Grant Heslov), romance with a beautiful sorceress (Kelly Hu), and alliance with a massive Nubian (Michael Clarke Duncan) on the eve of their climactic showdown. There's no rhyme or reason to the film's depiction of ancient civilization (the costuming is particularly ludicrous), but the Rock demonstrates adequate action-star potential, and director Chuck Russell (The Mask) wraps it all in a slick, professional package. --Jeff Shannon

Pan's Labyrinth [Blu-ray]

Inspired by the Brothers Grimm, Jorge Luis Borges, and Guillermo del Toro's own unlimited imagination, Pan's Labyrinth is a fairytale for adults. Ofelia (Ivana Baquero) may only be 12, but the worlds she inhabits, both above and below ground, are dark as anything del Toro has conjured. Set in rural Spain, circa 1944, Ofelia and her widowed mother, Carmen (Ariadna Gil, Belle Epoque), have just moved into an abandoned mill with Carmen's new husband, Captain Vidal (Sergi López, With a Friend like Harry). Carmen is pregnant with his son. Other than her sickly mother and kindly housekeeper Mercedes (Maribel Verdú, Y Tu Mamá También), the dreamy Ofelia is on her own. Vidal, an exceedingly cruel man, couldn't be bothered. He has informers to torture. Ofelia soon finds that an entire universe exists below the mill. Her guide is the persuasive Faun (Doug Jones, Mimic). As her mother grows weaker, Ofelia spends more and more time in the satyr's labyrinth. He offers to help her out of her predicament if she'll complete three treacherous tasks. Ofelia is willing to try, but does this alternate reality really exist or is it all in her head? Del Toro leaves that up to the viewer to decide in a beautiful, yet brutal twin to The Devil's Backbone, which was also haunted by the ghost of Franco. Though it lacks the humor of Hellboy, Pan's Labyrinth represents Guillermo Del Toro at the top of his considerable game. --Kathleen C. Fennessy

Newline Pan's Labyrinth (Blu-ray)
From acclaimed director Guillermo Del Toro ("Blade 2", "Hellboy") comes a dark supernatural epic about the ultimate battle between good and evil. When young Ofelia and her mother go to live with her new step-father on a rural military outpost, she finds herself in a world of unimaginable cruelty. Soon Ofelia finds the creatures of her imagination in which she used to escape have become a reality and she must battle them to save both her mother and herself. In the terrifying battle that ensues, Ofelia soon learns that innocence has a power that evil cannot imagine.

The Orphanage

A woman discovers dark secrets hidden within her cherished childhood home in the supernatural drama THE ORPHANAGE the feature film debut of acclaimed young Spanish director Juan Antonio Bayona. A superbly atmospheric and emotionally powerful tale of love loss and guilt.System Requirements:Running Time: 105 minutesFormat: DVD MOVIE Genre: HORROR/PSYCHOLOGICAL THRILLER Rating: R UPC: 794043120718 Manufacturer No: 1000038293

It's only his first film, but Spain's Juan Antonio Bayona has already figured out the secret to a successful supernatural thriller: emphasize character over special effects. Like Walter Salles's Dark Water and Alejandro Amenábar's The Others, The Orphanage pivots on a pretty woman and an unusual child. When her old orphanage goes on the market, Laura (Belén Rueda, Amenábar's The Sea Inside) and Carlos (Fernando Cayo) settle in with their son, Simón (Roger Príncep). Once acclimated to the remote seaside surroundings, they plan to re-open it as a home for special-needs children. Meanwhile, their seven-year-old doesn't know he's adopted or that he has a life-threatening illness. He does, however, have a lot of imaginary playmates. When Simón disappears without a trace, his parents contact the police, but to no avail. Because Laura has been hearing odd noises and having strange visions, they proceed to consult a medium. Aurora (Geraldine Chaplin, speaking perfect Spanish) is convinced they aren't alone. Carlos has his doubts, but Laura makes like a detective and revisits her childhood--through photographs, home movies, and exploration of the spooky stone manor--to determine who or what abducted her son. Produced and presented by Guillermo Del Toro, The Orphanage is less fanciful than his works, though it does bear a vague resemblance to the ghostly Devil's Backbone. There are a few gory make-up effects, but Bayona mostly preys on our fear of the unknown to craft a first-rate fright fest. --Kathleen C. Fennessy

Pan's Labyrinth

Inspired by the Brothers Grimm, Jorge Luis Borges, and Guillermo del Toro's own unlimited imagination, Pan's Labyrinth is a fairytale for adults. Ofelia (Ivana Baquero) may only be 12, but the worlds she inhabits, both above and below ground, are dark as anything del Toro has conjured. Set in rural Spain, circa 1944, Ofelia and her widowed mother, Carmen (Ariadna Gil, Belle Epoque), have just moved into an abandoned mill with Carmen's new husband, Captain Vidal (Sergi López, With a Friend like Harry). Carmen is pregnant with his son. Other than her sickly mother and kindly housekeeper Mercedes (Maribel Verdú, Y Tu Mamá También), the dreamy Ofelia is on her own. Vidal, an exceedingly cruel man, couldn't be bothered. He has informers to torture. Ofelia soon finds that an entire universe exists below the mill. Her guide is the persuasive Faun (Doug Jones, Mimic). As her mother grows weaker, Ofelia spends more and more time in the satyr's labyrinth. He offers to help her out of her predicament if she'll complete three treacherous tasks. Ofelia is willing to try, but does this alternate reality really exist or is it all in her head? Del Toro leaves that up to the viewer to decide in a beautiful, yet brutal twin to The Devil's Backbone, which was also haunted by the ghost of Franco. Though it lacks the humor of Hellboy, Pan's Labyrinth represents Guillermo Del Toro at the top of his considerable game. --Kathleen C. Fennessy

Following a bloody civil war young Ofelia enters a world of unimaginable cruelty when she moves in with her new stepfather a tyrannical military officer. Armed with only her imagination Ofelia discovers a mysterious labyrinth and meets a faun who sets her on a path to saving herself and her ailing mother. But soon the lines between fantasy and reality begin to blur and before Ofelia can turn back she finds herself at the center of a ferocious battle between good and evil.Running Time: 119 min.System Requirements:Runtime: 112 minsFormat: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: R UPC: 794043107177 Manufacturer No: N10717

Like Water for Chocolate

In turn of the century Mexico, a young woman loves a boy who her mother forces to marry her sister.
No Track Information Available
Media Type: DVD
Artist: CAVAZOS/LEONARDI
Title: LIKE WATER FOR CHOCOLATE
Street Release Date: 06/07/2005
Domestic
Genre: FOREIGN

Expect to be very hungry (and perhaps amorous) after watching this contemporary classic in the small genre of food movies that includes Babette's Feast and Big Night. Director Alfonso Arau (A Walk in the Clouds), adapting a novel by his former wife, Laura Esquivel, tells the story of a young woman (Lumi Cavazos) who learns to suppress her passions under the eye of a stern mother, but channels them into her cooking. The result is a steady stream of cuisine so delicious as to be an almost erotic experience for those lucky enough to have a bite. The film's quotient of magic realism feels a little stock, but the story line is good and Arau's affinity for the sensuality of food (and of nature) is sublime. You might want to rush off to a good Mexican restaurant afterward, but that's a good thing. --Tom Keogh

Law & Order: Special Victims Unit - The Second Year

Rejoin the detectives of Law and Order: Special Victims Unit in all 21 gripping episodes from the powerful second season, available for the first time on DVD! Mariska Hargitay returns as the unit's veteran Detective Olivia Benson: the role that earned her a Best Actress Golden Globe. Joining her are Christopher Meloni as Detective Elliot Stabler, Richard Belzer as Detective John Munch, captivating newcomers Ice-T and B.D. Wong, and television's hottest guest stars, such as Eric Roberts, Margot Kidder, and Chad Lowe. Law and Order: Special Victims Unit - The Second Year is packed with a roster of cases ripped from today's headlines and includes fascinating bonus features such as cast interactions with real detectives, character profiles and never-before-seen deleted scenes. Law and Order: SVU, the recipient of seven Emmy Award nominations in just four years, is the captivating phenomenon that critics call "indestructible."

Better Than Chocolate

Many lesbian movies are long on charm and short on production values; Better Than Chocolate has a solid dose of both and steamy sex scenes to boot. Our heroine Maggie (Karyn Dwyer), a clerk at a lesbian bookstore, meets footloose butch Kim (Christina Cox) and, after Kim's van is towed away, they move in together. Unfortunately for their romantic bliss, Maggie's mother, Lila (Wendy Crewson), and teenage brother move in that very evening thanks to Lila's impending divorce. But what really complicates matters is that Maggie can't bring herself to come out to her mother; even when she tries, Lila steamrolls through the conversation, like she knows what's coming and doesn't want to hear it. Interwoven with this is the struggle of Judy (Peter Outerbridge), a male-to-female transsexual who's in love with the bookstore's owner, Frances (Ann-Marie MacDonald), who's freaking out because customs officers are holding a list of books at the border that they claim are obscene. The overlapping plots are deftly juggled, the personal and political are compellingly interwoven, and, most satisfying of all, the characters have problems that aren't going to be easily resolved. A handful of candy-colored lip-synching musical numbers give the movie some flash and the sex scenes give the movie some heat, but it's the elements of sorrow and ambiguity that really make the joy in Better Than Chocolate something to savor. --Bret Fetzer

Better than Chocolate is a sexy romp of love and lust with surprising results. Maggie (Karyn Dwyer) meets the woman of her dreams Kim (Christina Cox) just hours before her mother Lila (Wendy Crewson) and brother Paul (Kevin Mundy) move in with her. When the four end up sharing a loft Maggie believes she must keep her affair a secret but it is Maggie's clandestine romance that inadvertently introduces her family to a host of new experiences all of which are potentially better than chocolate.Features: Dolby Stereo Letter-Box Director Commentary English Spanish and French Subtitle Trailer Scene AccessInteractive MenusFormat: DVD MOVIE Genre: COMEDY Rating: R UPC: 031398725336 Manufacturer No: 71178

L'Auberge Espagnole (The Spanish Apartment)

An absolute delight, L'Auberge Espagnole captures a moment in a life, seemingly about nothing and everything all at once. Xavier (Romain Duris), a young Parisian not sure what his life is about, decides to spend a year in Barcelona studying economics--leaving behind his unhappy girlfriend (Audrey Tautou, Amélie) but joining an international mix of students in a hectic, crowded apartment. Arguing and partying with his British, German, Danish, and Italian roommates--not to mention getting lessons in love from a Belgian lesbian (Cecile De France) so that he can seduce a friend's wife (Judith Godreche, Ridicule)--Xavier learns more about life than economics. The movie, beautifully shot on digital video, has a freshness and spontaneity that make its simple events--a series of arguments and flirtations--feel like a miniature portrait of the European Union as it comes into focus (the title can be translated as "Euro pudding"). Vibrant, charming, and all-around entertaining. --Bret Fetzer

Seven sexy co-eds. One Spanish apartment. No rules. A single year of learning turns into an outrageous adventure of a lifetime in this "fresh, captivating comedy" (Newsday) that has audiences and critics cheering around the world! Xavier (Romain Duris) is a straight-laced French college senior who moves to Barcelona as part of a exchange program, much to the dismay of his beautiful Martine (Audrey Tautou). But sharing cramped quarters with students from all over Europe quickly leads to multi-cultural chaos as Xavier gets a hilarious, eye-opening lesson on how to live, love, laugh?and party!

The Orphanage [Blu-ray]

Newline The Orphanage [Blu-ray]
A woman discovers dark secrets hidden within her cherished childhood homein the supernatural drama THE ORPHANAGE the feature film debut of acclaimed young Spanish director Juan Antonio Bayona. A superbly atmospheric and emotionally powerful tale of love loss and guilt.

It's only his first film, but Spain's Juan Antonio Bayona has already figured out the secret to a successful supernatural thriller: emphasize character over special effects. Like Walter Salles's Dark Water and Alejandro Amenábar's The Others, The Orphanage pivots on a pretty woman and an unusual child. When her old orphanage goes on the market, Laura (Belén Rueda, Amenábar's The Sea Inside) and Carlos (Fernando Cayo) settle in with their son, Simón (Roger Príncep). Once acclimated to the remote seaside surroundings, they plan to re-open it as a home for special-needs children. Meanwhile, their seven-year-old doesn't know he's adopted or that he has a life-threatening illness. He does, however, have a lot of imaginary playmates. When Simón disappears without a trace, his parents contact the police, but to no avail. Because Laura has been hearing odd noises and having strange visions, they proceed to consult a medium. Aurora (Geraldine Chaplin, speaking perfect Spanish) is convinced they aren't alone. Carlos has his doubts, but Laura makes like a detective and revisits her childhood--through photographs, home movies, and exploration of the spooky stone manor--to determine who or what abducted her son. Produced and presented by Guillermo Del Toro, The Orphanage is less fanciful than his works, though it does bear a vague resemblance to the ghostly Devil's Backbone. There are a few gory make-up effects, but Bayona mostly preys on our fear of the unknown to craft a first-rate fright fest. --Kathleen C. Fennessy