The Dreamers (Original Uncut NC-17 Version)
by Bernardo Bertolucci
from 20th Century Fox
A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer
From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)
Like Water for Chocolate
by Alfonso Arau
from Walt Disney Video
Expect to be very hungry (and perhaps amorous) after watching this contemporary classic in the small genre of food movies that includes Babette's Feast and Big Night. Director Alfonso Arau (A Walk in the Clouds), adapting a novel by his former wife, Laura Esquivel, tells the story of a young woman (Lumi Cavazos) who learns to suppress her passions under the eye of a stern mother, but channels them into her cooking. The result is a steady stream of cuisine so delicious as to be an almost erotic experience for those lucky enough to have a bite. The film's quotient of magic realism feels a little stock, but the story line is good and Arau's affinity for the sensuality of food (and of nature) is sublime. You might want to rush off to a good Mexican restaurant afterward, but that's a good thing. --Tom Keogh
Based on the best-selling book -- now experience for yourself the erotic tale of forbidden love that seduced both critics and audiences nationwide! Tita and Pedro are passionately in love. But their love is forbidden by an ancient family tradition. To be near Tita, Pedro marries her sister. And Tita, as the family cook, expresses her passion for Pedro through preparing delectable dishes. Now, in Tita's kitchen, ordinary spices become a recipe for passion. Her creations bring on tears of longing, heated desire, or chronic pain -- while Tita and Pedro wait for the moment to fulfill their most hidden pleasures!
The Story of O
by Just Jaeckin
from Somerville House
A milestone of cinematic eroticism, The Story of O was an art house sensation in 1975, and it's still worthy of intelligent discussion. As with the controversial French novella by Pauline Réage, reactions to Just Jaeckin's sumptuous adaptation range from moral outrage to masturbatory indulgence, yet this remains one of the few sex films that stand the test of time (and a lot of academic study). Championed by practitioners of bondage and discipline and vilified by feminists, this metaphorical "love dream" (as Jaeckin has called it) follows the beautiful fashion photographer "O" (Corrine Clery) as she, like many gorgeously naked women before her, is "trained" for a seemingly satisfying life of love and discipline, her freedom sacrificed to the man (Anthony Steel) whom she willingly obeys. The debate whether Jaeckin's feminine-empowerment ending, which differs from that of the novella, justifies a story of humiliating submission is just one more reason why The Story of O endures. (Note: This DVD presents the 97-minute version of the film, edited by the director to improve pacing and not for purposes of censorship.) --Jeff Shannon
The Lover
by Jean-Jacques Annaud
from MGM (Video & DVD)
Lovely to look at, this story reveals little more than the characters' nude bodies. Like couples whose only attraction is physical, this has little to offer once it leaves the bedroom. We never learn the interests or inner workings of the lovers in question. They become nothing more than attractive bodies, which makes this little more than a shallow exercise in sexuality. The story is based on the controversial, and supposedly autobiographical, bestseller by experimental French novelist Marguerite Duras. It tells the story of a young French schoolgirl who becomes sexually involved with a sophisticated, older Asian man. Set in Indochina in the late 1920s, this is stunningly photographed and artfully directed by Jean-Jacques Annaud. That said, the lack of a more satisfying plot means this is merely tastefully produced soft porn. --Rochelle O'Gorman
From the novel of the same namewhich has sold over one million copies in 43 languagesthis "sophisticated adaptation of Marguerite Duras' best-selling memoirs" (Variety) smolders on the screen. "Masterfully acted and beautifully photographed" (Critics' Choice), The Lover brilliantly captures the essence of sexual awakening and forbidden desire like no other film has donebeforeor since. Jane March is mesmerizing in the role of a poor French teenager who engages in an illicit affair with a wealthy Chinese heir (Tony Leung) in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters. But though the lovers are able to transcend their differences in age, race and class'theirs is a future that French colonial Vietnamese society will never allow.
Sex and Lucia (Unrated Edition)
by Julio Medem
from Palm Pictures / Umvd
Sex and Lucia engages mind and body with its time-bending narrative and images of beautiful Spaniards having vibrant sex. The story shifts between past and present, fact and fiction, so a plot summary won't capture it, but A young writer named Lorenzo falls into a passionate relationship with a waitress named LucÃa. But he also finds himself drawn to a young nanny taking care of a child who just might be the result of an anonymous fling Lorenzo had with a woman he met on an island the year before. Lorenzo fantasizes about the lives of all of these women until a horrific event sends him into a suicidal depression. This may sound obscure or flat, but Sex and LucÃa unfolds clearly and beautifully, featuring stunning visual images of both nature and flesh, and weaving a poetic spell much like the director's previous film, The Lovers of the Arctic Circle. --Bret Fetzer
Romance
by Catherine Breillat
from Lions Gate
Claiming he lived her but that he has lost his desire for her Matie s boyfriend Pul refuses to engage in sexual relations catapulting Matie into a desperate search for intimacy and erotic connection. Marie s escalating sexual journey tests he own physical and emotional limits and through and ironic twist-of-fate eventually leads her to fulfillmentSystem Requirements: Running Time 98 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 031398724933
Kama Sutra: A Tale of Love
by Mira Nair
from Lions Gate
If you're looking for a deep, intelligently romantic movie with complex characters and a richly rewarding plot, don't bother with Kama Sutra: A Tale of Love. On the other hand, if you're feeling sexy and in the mood for a lush, seductive, and visually stunning film set in 16th-century India, this one will please you like the best foreplay you've ever experienced. Or it will relax you like a full treatment at a pampering spa--either way, you're gonna feel pretty fantastic. Okay, okay... maybe we're getting a little carried away, but there's no denying that director Mira Nair (best known for her acclaimed film Salaam Bombay!) has crafted a sumptuous film for the eyes if not the head. Its melodramatic plot is involving enough to elevate the movie high above soft-core adult fare, so you won't feel guilty after watching it.
Kama Sutra is the story of a young woman named Maya (the stunning Indira Varma) who has always been lower on the social scale than her well-born friend Tara (Sarita Choudhury), and has always lived in Tara's shadow, wearing her used clothes and being made to feel inferior. When Tara is betrothed to the handsome King Raj Singh (Naveen Andrews, from The English Patient), Tara sneaks into the king's tent on the eve of the wedding and seduces him. Later, after being trained to master the Kama Sutra's many "lessons of love," Maya will be the king's courtesan, and emotions will run high between the former best friends. But the plot is of secondary importance here (a fact that resulted in many mixed reviews), and so Kama Sutra works best as a colorful and irresistibly sexy story that is worth seeing just for the startling beauty of the film and its cast. --Jeff Shannon
Last Tango in Paris
by Bernardo Bertolucci
from MGM (Video & DVD)
Penetrate the moody sensual world of Last Tango in Paris and prepare yourself for "the most controversial film of its era" (Leonard Maltin). Nominated for two Academy Awards--Best Director (Bernardo Bertolucci) and Best Actor (Marlon Brando)--and exuding a sexual energy unlike any film before or after this is the scintillating classic that shocked a nation...and "altered the face of an art form" (Pauline Kael). He (Brando) is a 45-year old American living in Paris haunted by his wifes suicide. She (Maria Schneider) is a 20-year-old Parisian beauty engaged to a young filmmaker. Though nameless to each other these tortured souls come together to satisfy their sexual cravings in an apartment as bare as their dark tragic lives. Caught up in the frenzied beat of a carnal dance they cannot seem to stop these unlikely lovers take their passion to erotic heights--and depths--beyond anything they could have ever imagined. Starring: Marlon Brando Maria Schneider Maria Michi Gitt Magrini Catherine Allegret and Luce MarquandDirector: Bernardo BertolucciWritten by F. Arcalli and B. Bertolucci; DVD released on 11/03/1998; running time of 130 minutes; Closed Captioned. Copyright: 1973 MGMSystem Requirements:Widescreen 1.66:1 aspect ratio English (with French sequences subtitled in English) Uncut uncensored versions Scene access Theatrical trailer Dolby Digital Mono Interactive Menus Included Trivia Booklet Video Format: Widescreen (no AR specified) Enhanced for 16x9 TVs Subtitles: French English Track Info: English Dolby Digital MonoFormat: DVD MOVIE Genre: DRAMA Rating: NC-17 UPC: 027616657022 Manufacturer No: 906570
Bernardo Bertolucci's controversial 1973 film stars Marlon Brando as an expatriate American in Paris reeling from his wife's suicide and entering into a nihilistic sexual relationship with a young woman (Maria Schneider). The film is still shocking, not simply because of its (sometime unconventional) sexual sequences, but because Brando's protagonist needs his liaison with Schneider's character to remain anonymous, an experience not to be shared but indulged on either end. Bertolucci is also operating on subtext here: in a way, Brando's nonengaging engagement is a metaphor for a certain attitude toward directing movies. Jean-Pierre Léaud costars, but the film is more than anything a vehicle for a great performance by Brando. --Tom Keogh
Crash
by David Cronenberg
from New Line Home Video
Adapted from the controversial novel by J.G. Ballard, Crash will either repel or amaze you, with little or no room for a neutral reaction. The film is perfectly matched to the artistic and intellectual proclivities of director David Cronenberg, who has used the inspiration of Ballard's novel to create what critic Roger Ebert has described as "a dissection of the mechanics of pornography." Filmed with a metallic color scheme and a dominant tone of emotional detachment, the story focuses on a close-knit group of people who have developed a sexual fetish around the collision of automobiles. They use cars as a tool of arousal, in which orgasm is directly connected to death-defying temptations of fate at high speeds. Ballard wrote his book to illustrate the connections between sex and technology--the ultimate postmodern melding of flesh and machine--and Cronenberg takes this theme to the final frontier of sexual expression. Holly Hunter, James Spader, and Deborah Unger are utterly fearless in roles that few actors would dare to play, and their surrender to Cronenberg's vision makes Crash an utterly unique and challenging film experience. It's rated NC-17, so don't say you weren't warned! --Jeff Shannon
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