History

He ruled a massive empire...and fought a mighty war! Kenneth Branagh, Paul Scofield, Derek Jacobi, Ian Holm, Emma Thompson and Judi Dench star in this heroic, action-packed epic based on the timeless play by William Shakespeare. "Magnificent, passionate and steeped in powerful emotion" (The Washington Post), Henry V is a "stunning," (Leonard Maltin) OscarÂ(r)-nominated* adventure that takes its place amongst the greatest war films of all time.Having recently been crowned King of England, Henry (Branagh) commands a massive invasion to assert what he believes is his legal right to the throne of France. But a mighty army stands in his wayÂ...and the young monarch must rely on untested reserves of courage and cunning as he personally leads his outnumbered forces into a desperate battle for the honor and glory of the British Empire. *1989: Director, Actor (Branagh), Costume Design (winner)

Very few films come close to the brilliance Kenneth Branagh achieved with his first foray into screenwriting and direction. Henry V qualifies as a masterpiece, the kind of film that comes along once in a decade. He eschews the theatricality of Laurence Olivier's stirring, fondly remembered 1945 adaptation to establish his own rules. Branagh plays it down and dirty, seeing the bard's play through revisionist eyes, framing it as an antiwar story. Branagh gives us harsh close-ups of muddied, bloody men, and close-ups of himself as Henry, his hardened mouth and willful eyes revealing much about this land war. Not that the director-star doesn't provide lighter moments. His scenes introducing the French Princess Katherine (Emma Thompson) are toothsome. Bubbly, funny, enhanced by lovely lighting and Thompson's pale beauty, these glimpses of a princess trying to learn English quickly from her maid are delightful.

What may be the crowning glory of Branagh's adaptation comes when the dazed, shaky leader wanders through battlefields, not even sure who has won. As King Hal carries a dead boy (Empire of the Sun's Christian Bale) over the hacked-up bodies of both the English and French, you realize it is the first time Branagh has opened up the scenes: a panorama of blood and mud and death. It is as strong a statement against warmongering as could ever be made. --Rochelle O'Gorman

Ben Kingsley, Candice Bergen, Edward Fox, Sir John Gielgud. The all-star cast dazzles in this moving epic about a modern-day legend. 25 years after its 8-Oscar-® sweep including Best Picture and Best Director for Richard Attenborough and Best Actor for Kingsley, the tale is as poignant and powerful as the first day it hit the screen. 2 DVDs. 1982/color/3 hrs/PG/widescreen.

Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a fine film. --Tom Keogh

Stills from Gandhi (click for larger image)

Beyond Gandhi on Amazon.com

Other Oscar Winners at Oscar Central

More Biographies on DVD

The Films of Ben Kingsley

A towering cinematic achievement. An astonishing true story. And "a battle film in the grand tradition of Four Feathers and Gunga Din" (Time)! Filmed against the exotic locales of Africa and starring Stanley Baker (The Guns of Navarone), Jack Hawkins (Lawrence of Arabia) and Academy AwardÂ(r) winner* Michael Caine (in his first major motion picture role), Zulu is a thrilling account of one of history's fiercest battles! As a terrifying war chant echoes across the majestic African plains, 4000 Zulu tribesmen rise up from the tall grassthat hides them. Furiously beating their swords against their shields, the warriors descend upon a small garrison of English soldiers. "Usuto! Usuto! (Kill! Kill!)," they cry as they launch into a battle with the vastly outnumbered English militia who must manifest incredible skill and incomparable bravery just to survive. *1999: Supporting Actor, The Cider House Rules; 1986: Supporting Actor, Hannah and Her Sisters

"Sentries have come in from the hill, sir.... They report Zulus to the southeast. Thousands of them." One of the best pure action movies ever made, this rousing adventure recounts the true story of a small 18th-century regiment of British troops (including a very blue-blooded turn by a young Michael Caine) endlessly besieged by an seemingly unceasing number of fierce attackers. Although the basic premise has since been executed with more technical skill and panache (most notably by Aliens and Michael Mann's The Last of the Mohicans), it's unlikely that anything will ever top the utter spectacle and, above all, sheer unbelievable size of the combat scenes that almost wholly comprise the last half of this film. A gloriously exhilarating essential for anyone looking to get lost in the heat of cinematic battle, topped off with a healthy dose of gallows humor. Not to be missed. Richard Burton voiced the stirring narration. Zulu was followed by a slightly dry but still recommended prequel, Zulu Dawn. --Andrew Wright

Michael Jayston, Janet Suzman, Laurence Olivier. A sweeping tale documenting the final years of Czar Nicholas and Empress Alexandra and the accompanying revolution that tore their lives apart. 1971/color/3 hrs/PG/widescreen.

An epic historical saga that traces the turbulent life of Shaka, the 19th-century Zulu tribal leader who united his people into one great nation that reached across Southern Africa until his downfall and murder. Henry Cele, Edward Fox, Trevor Howard and Christopher Lee head the cast in this remarkable, controversial production. This is the complete, uncut presentation; 8 1/3 hrs. on four discs. Standard; Soundtracks: English Dolby Digital stereo, French Dolby Digital stereo; interview; photo gallery; scene access; more.

This sweeping miniseries from 1986 captures the rise and fall of an African emperor. Shaka Zulu begins following a British expedition sent to bargain with the fearsome Zulu army assembling on the outer edges of the British colonies in South Africa. Led by Lt. Francis Farewell (The Day of the Jackal, A Bridge Too Far), the expedition hopes to bamboozle a superstitious primitive, but their arrogance gets taken down a notch by a cunning and ruthless warlord who has unified vast territories through a combination of political charisma and military discipline. At this point, the focus shifts to how Shaka (the riveting Henry Cele), king of the Zulus, rose from a brutal childhood to royal grandeur--a semi-mythological tale filled with family strife, political intrigue, witchcraft, and bloody warfare. Powerful performances by Cele and Dudu Mikhize (as Shaka's iron-willed mother, Nandi) give this sprawling epic the drive and emotional scope of a Shakespearean drama. Shaka Zulu also draws sneaky parallels between the Zulu and British empires, often to sharp satirical effect. Full of richly conceived characters and compelling political maneuvering, this eight-hour series brings faraway history to living, breathing life. Also featuring Christopher Lee (whose always-steady career exploded at age 79 with juicy roles in The Lord of the Rings and Star Wars: Episode II, Attack of the Clones). --Bret Fetzer

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Our Seller Notes and Fine Print Department:...TWO DVD...in very good shape....1975..about 200 minutes each...Close Captioned..

David Lean focused all his talent as an epic-maker on Boris Pasternak's sweeping novel about a doctor-poet in revolutionary Russia. The results may sometimes veer toward soap opera, especially with the screen frequently filled with adoring close-ups of Omar Sharif and Julie Christie, but Lean's gift for cramming the screen with spectacle is not to be denied. The streets of Moscow, the snowy steppes of Russia, the house in the country taken over by ice; these are re-created with Lean's unerring sense of grandness. The movie is so lush and so long that it becomes an irresistible wallow, even when logic suffers--like Gone with the Wind before it and Titanic after. Sharif, who achieved stardom in Lean's previous film, Lawrence of Arabia, mostly looks noble, but the supporting cast is spiky: Rod Steiger as a fat-cat monster, Tom Courtenay as a self-righteous revolutionary, and Klaus Kinski and Alec Guinness in smaller roles. Geraldine Chaplin, in her adult debut, plays the doctor's compliant wife. Robert Bolt's screenplay won one of the film's five Oscars, with another going to perhaps the most immediately recognizable element of the movie: Maurice Jarre's romantic music, with its hugely popular "Lara's Theme" weaving in and out of a swooning score. --Robert Horton

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A band of Spanish conquistadors travels into the Amazon jungle searching for the legendary city of El Dorado, but their leader's obsessions soon turn to madness in a compelling drama by Werner Herzog. Klaus Kinski stars as the driven Aguirre. 94 min. Standard; Soundtracks: German Dolby Digital 5.1, English Dolby Digital mono; Subtitles: English; audio commentary by Herzog; theatrical trailer; biographies. In German with English subtitles/Dubbed in English.

Quite simply a great movie, one whose implacable portrait of ruthless greed and insane ambition becomes more pertinent every year. The astonishing Klaus Kinski plays Don Lope de Aguirre, a brutal conquistador who leads his soldiers into the Amazon jungle in an obsessive quest for gold. The story is of the expedition's relentless degeneration into brutality and despair, but the movie is much more than its plot. Director Werner Herzog strove, whenever possible, to replicate the historical circumstances of the conquistadors, and the sheer human effort of traveling through the dense mountains and valleys of Brazil in armor creates a palpable sense of struggle and derangement. This sense of reality, combined with Kinski's intensely furious performance, makes Aguirre, the Wrath of God a riveting film. Its unique emotional power is matched only by other Herzog-Kinski collaborations like Fitzcarraldo and Woyzek. --Bret Fetzer

Tolstoy's epic masterpiece paints a portrait of Russia and her people, caught up in the irresistible tides of history during the Napoleonic Era.

Like Tolstoy's novel, this epic-length War and Peace is rough going, but worth the effort. Winner of the 1969 Academy Award® for Best Foreign Language Film and widely considered the most faithful adaptation of Tolstoy's classic, Sergei Bondarchuk's massive Soviet-Italian coproduction was seven years in the making, at a record-setting cost of $100 million. Bondarchuk himself plays the central role of Pierre Bezukhov, buffeted by fate during Russia's tumultuous Napoleonic Wars, serving as pawn and philosopher through some of the most astonishing set pieces ever filmed. Bondarchuk is a problematic director: interior monologues provide awkward counterpoint to intimate dramas, weaving together the many classes and characters whose lives are permanently affected by war. Infusions of '60s-styled imagery clash with the film's period detail; it's an anomalous experiment that doesn't really work. Undeniably, however, the epic battle scenes remain breathtakingly unique; to experience the sheer scale of this film is to realize that such cinematic extravagance will never be seen again. --Jeff Shannon

Academy Awardr, Golden Glober and BAFTA nominee for Best Foreign Film, JOYEUX NOEL (Merry Christmas) tells the true-life story of the spontaneous Christmas Eve truce declared by Scottish, French and German troops in the trenches of World War I. Enemies leave their weapons behind for one night as they band together in brotherhood and forget about the brutalities of war. Even if you don't normally stock foreign films, give this title a chance.

Joyeux Noel captures a rare moment of grace from one of the worst wars in the history of mankind, World War I. On Christmas Eve, 1914, as German, French, and Scottish regiments face each other from their respective trenches, a musical call-and-response turns into an impromptu cease-fire, trading chocolates and champagne, playing soccer, and comparing pictures of their wives. But when Christmas ends, the war returns...Joyeux Noel has been justly accused of sentimentality, but if any subject warrants such an earnest and hopeful treatment, it's the horrors of trench warfare. The largely unknown cast--the more familiar faces include Diane Kruger (Troy), Daniel Bruhl (Good Bye Lenin!), Benno Furmann (The Princess and the Warrior), and Gary Lewis (Billy Elliot)--deliver low-key but effective performances as the movie dwells on the everyday elements of life in the face of war. Based on a true incident (though considerably fictionalized). --Bret Fetzer

Stills from Joyeux Noel (click for larger image)

Spectacular mounting of Tolstoy's classic novel set in Russia during the Napoleonic Wars. Henry Fonda, Mel Ferrer, Audrey Hepburn, Herbert Lom and Anita Ekberg head the all-star cast in this epic of love, conflict and duty. Directed by King Vidor. 3 1/2 hrs. Widescreen (Enhanced); Soundtrack: English Dolby Digital mono; Subtitles: English; theatrical trailers. NOTE: This Title Is Out Of Print; Limit One Per Customer.

Despite its reputation as an oversimplified epic, King Vidor's War and Peace remains a stellar showcase of Hollywood prestige. While Cecil B. De Mille was reviving ancient Egypt for The Ten Commandments, Vidor was transforming Italian countryside into war-torn Russia, bringing massive resources to bear on this sumptuous, if ultimately misguided adaptation of Tolstoy's classic. Given the marquee casting of Audrey Hepburn as Natasha and then-husband Mel Ferrer as decorated battle hero Prince Andrei, this is a movie you watch for star value, not literary fidelity (for the latter, look to Sergei Bondarchuk's Russian version). Henry Fonda serves Tolstoy more effectively as Pierre, whose passive observation of Napoleon's invasion turns this grand moral tale into an intimate study of individual passions. The battle scenes (directed by Mario Soldati) remain impressive, as does the film's grand parade of pomp and circumstance. Slow, regal, and peppered with brilliance, this epic falls short of classic but it's still a visual feast. --Jeff Shannon