Religion

Jesus of Nazareth

A REVERENT DEPICTION OF THE LIFE OF CHRIST USING THE GOSPEL ACCOUNTS.

Originally made for TV in 1977, this in-depth (six hours plus) version of Jesus' life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn't skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives more than 12 minutes screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the sociopolitical background that gave rise to Jesus' following and the crisis in belief it caused for the people of Israel (and one or two Romans). While not graphic by today's standards, some of the scenes--baby boys being ripped from their mothers' arms and slaughtered, nails being driven into Jesus' hands--may disturb young and/or sensitive children. --Kimberly Heinrichs

The Mission (Two-Disc Special Edition)

No Description Available.
Genre: Feature Film-Drama
Rating: PG
Release Date: 13-MAY-2003
Media Type: DVD

Roland Joffé (The Killing Fields) directs this fuzzy effort at a David Lean-like epic without David Lean's sense of emotional proportion. Lean's most important screenwriting collaborator, Robert Bolt, in fact wrote The Mission, which concerns a Jesuit missionary (Jeremy Irons) who establishes a church in the hostile jungles of Brazil and then finds his work threatened by greed and political forces among his superiors. Robert De Niro is briefly effective as a callous soldier who kills his own brother and then turns to Irons's character to oversee his penance and conversion to the clergy. The narrative and dramatic forces at work in this movie should be more stirring and powerful than they are--the problem being that Joffé is too removed from them to allow us in. --Tom Keogh

Barabbas

Starring Anthony Quinn in the title role, Barabbas was released in 1961 in the midst of a wave of widescreen epics based on biblical characters. The screenplay, by playwright Christopher Fry (who also contributed to Ben-Hur), is an unusually intelligent one. Further assets are the imaginative, sparingly orchestrated score by Mario Nascimbene and a handsome production design by art director Mario Chiari that is so rewarding to the eye in Aldo Tonti's often dazzling cinematography.

Many scenes, such as Christ's crucifixion, are shot and staged like tableaux in a style reminiscent of the great masters of art. And director Richard Fleischer surpasses anything Ridley Scott achieved years later in Gladiator: he fills the huge arena--a vast Roman amphitheatre--with a gladiatorial school of hand-to-hand combat, a parade of elephants, and a den of lions, and then caps his production with a riveting and thrillingly mounted duel between Jack Palance, careering round the circumference of the arena in his chariot, and Barabbas dodging him on foot. --Adrian Edwards

No Description Available.
Genre: Feature Film-Drama
Rating: UN
Release Date: 31-AUG-2004
Media Type: DVD

Little Buddha

An american family is visited by a tibetan monk who believes that their young son may be the reincarnation of the dalai lama. They do not believe it is possible but the endearing monks who bring the news are hard to resist. Studio: Buena Vista Home Video Release Date: 01/10/2006 Starring: Keanu Reeves Bridget Fonda Run time: 123 minutes Rating: Pg

In many ways Little Buddha is a companion piece to Bernardo Bertolucci's The Last Emperor. A beautiful travelogue and history lesson unfolds in the two parts of this film: a historical text of Siddhartha (Keanu Reeves) and the contemporary quest of Lama Norbu (Ying Ruocheng), who believes he has found the reincarnation of his former teacher in a Seattle child. The ancient, magical tales sweep away the blasé contemporary action. Ruocheng's presence drives the story of discovery as the child learns about the teachings of Buddhism. A visual feast that will dazzle both young and old. In fact, were it not a religious icon, the youngsters might want Siddhartha dolls after viewing his magical on-screen adventures. Beautiful cinematography by Vittorio Storaro. --Doug Thomas

Brother Sun, Sister Moon

It seemed like a good idea in 1973: a musical scored by Donovan about the life and times of St. Francis of Assisi, the passionate ascetic who expressed love for God by loving nature. But the finished product was something else. Filmmaker Franco Zeffirelli (Endless Love) makes a decorous effort at communicating the ideals of Francis and even tweaking the character toward flower-power relevance. But the result is feel-good fluff, a boring movie that doesn't penetrate its subject as much as reinvent him toward a modern bias. Graham Faulkner is entirely forgettable in the lead, and Donovan's songs on this project aren't exactly first-rate, either. --Tom Keogh

A MEDIEVAL ITALIAN WASTREL BECOMES FRANCIS OF ASSISI, FOUNDER OF AN ORDER UNDER POPE INNOCENT III.

The Last Temptation of Christ - Criterion Collection

Special features: audio commentary by martin scorsese willem dafoe paul schrader and jay cocks: an extensive collection of research materials production stills and costume designs: location production footage shot by scorsese himself: video english subtitles for the deaf and hearing impaired and more. Studio: Image Entertainment Release Date: 04/25/2000 Starring: Harvey Keitel Harry Dean Stanton Run time: 164 minutes Rating: Nr Director: Martin Scorsese

It isn't difficult to imagine why this 1988 retelling of the Crucifixion story was picketed vociferously upon release--this Jesus bears little resemblance to the classical Christ, who was not, upon careful review of the Gospels, ever reported to have had sex with Barbara Hershey. Heavily informed by Gnostic reinterpretations of the Passion, The Last Temptation of Christ (based rather strictly on Nikos Kazantzakis's novel of the same name) is surely worth seeing for the controversy and blasphemous content alone, but it's difficult to find in skittish chain video stores. But the "last temptation" of the title is nothing overtly naughty--rather, it's the seduction of the commonplace; the desire to forgo following a "calling" in exchange for domestic security. Willem Dafoe interprets Jesus as spacy, indecisive, and none too charismatic (though maybe that's just Dafoe himself), but his Sermon on the Mount is radiant with visionary fire; a bit less successful is method actor Harvey Keitel, who gives the internally conflicted Judas a noticeable Brooklyn accent, and doesn't bring much imagination to a role that demands a revisionist's approach. Despite director Martin Scorsese's penchant for stupid camera tricks, much of the desert footage is simply breathtaking, even on small screen. Ultimately, Last Temptation is not much more historically illuminating than Monty Python's Life of Brian, but hey, if it's authenticity you're after, try Gibbon's. --Miles Bethany

David & Goliath

An adaptation of the Biblical parable, this film version of David and Goliath stars Orson Welles as the brooding King Saul, whose grip on his kingdom is slippingeven at the height of his infamy. But the only way to oust him from the throne is if someone defeats Goliath.

Esther and the King

The Bible ... In the Beginning

An epic treatment of the first twenty-two chapters of Genesis.
Genre: Feature Film-Drama
Rating: NR
Release Date: 11-MAR-2003
Media Type: DVD

John Huston adapted the first 22 chapters of the Book of Genesis in this mostly silly film that takes us from Creation through Noah's Ark through Abraham's near-sacrifice of son Isaac. This is one of Huston's more personally distant projects, à la Annie or Victory; and for the most part you'd barely know there was even a director involved. On the other hand, Huston does provide some of the only liveliness on screen, playing Noah. --Tom Keogh

The Magdalene Sisters

A movie guaranteed to make the blood boil, The Magdalene Sisters gives a lacerating account of life inside a Magdalene Laundry, one of the dismal asylums for "wayward women" run by the Catholic Church in Ireland. Director Peter Mullan, inspired by a TV documentary on the same subject, follows the miserable fates of three young women who are institutionalized in the 1960s for flimsy reasons; their lives are at the mercy of sadistic nuns (Geraldine McEwan is superb as the head of the place). The film sounds tortuous, but its rich sense of outrage and excellent performances--Nora-Jane Noone is a real discovery--make it consistently gripping. The movie won the top prize at the Venice Film Festival and went on to become a box-office hit in Ireland, where the Magdalene system was still a fresh memory. It had been abolished only in 1996. --Robert Horton

SAID TO BE BASED ON TRUE EVENTS IN 1964, THE STORY IS ABOUT 4 YOUNG WOMEN BANISHED BY THE CATHOLIC CHURCH TO THE MAGDALENE SISTERHOOD CONVENT, WHERE THEY'RE TO CHANGE THEIR BEHAVIOR & LITERALLY WASH THEIR SINS AWAY BY WORKING IN A LAUNDRY 7 DAYS A WEEK. HORRENDOUS ABUSE & CRUELTY OCCURS AT THE HANDS OF THE NUNS