Romance

Sense & Sensibility (Special Edition)

Emma Thompson Alan Rickman Kate Winslet and Hugh Grant star in this captivating romantic comedy that swept the Ten Best lists and won the Golden Globe Award as Best Picture of the Year (Drama).Based on Jane Austen's classic novel Sense And Sensibility tells of the Dashwood sisters sensible Elinor (Thompson) and passionate Marianne (Winslet) whose chances at marriage seem doomed by their family's sudden loss of fortune. Rickman Grant and Greg Wise co-star as the well-intentioned suitors who are trapped by the strict rules of society and the conflicting laws of desire.Bonus Features: Interactive Menus 2 Audio Commentaries: - Emma Thompson Producer Lindsay Dorin - Director Ang Lee Co-producer James Schamus Deleted scenes Emma Thompson's Golden Globe acceptance speech Original Theatrical Trailer Bonus Trailers Production Notes Scene SelectionsSystem Requirements:Starring: Emma Thompson Kate Winslet Hugh Grant Gemma Jones and Alan Rickman. Directed By: Ang Lee. Running Time: 136 Min. Color. This film is presented in "Widescreen" format. Copyright 2002 Columbia TriStar.Format: DVD MOVIE Genre: DRAMA Rating: PG UPC: 043396115996 Manufacturer No: 11599

Emma Thompson scores a double bull's-eye with this marvelous adaptation of Jane Austen's novel. Not only does Thompson turn in a strong (and gently humorous) performance as one of the Dashwood sisters--the one with "sense"--she also wrote the witty, wise screenplay. Austen's tale of 19th-century manners and morals provides a large cast with a feast of possibilities, notably Kate Winslet, in her pre-Titanic flowering, as Thompson's deeply romantic sister. Winslet attracts the wooing of shy Alan Rickman (a nice change of pace from his bad-guy roles) and dashing Greg Wise, while Thompson must endure an incredibly roundabout courtship with Hugh Grant, here in fine and funny form. All of this is doled out with the usual eye-filling English countryside and handsome costumes, yet the film always seems to be about the careful interior lives of its characters. The director, an inspired choice, is Taiwan-born Ang Lee, who brings the same exquisite taste and discreet touch he displayed in his previous Asian films (such as Eat Drink Man Woman). Thompson's script won an Oscar, and 1995 was a fine year for Jane Austen all around: Persuasion was made into an excellent picture, and Emma became the spritzy high school comedy Clueless. --Robert Horton

Persuasion

Movie adaptations of Jane Austen's classic novels were all the rage (relatively speaking) in the mid-1990s. Clueless updated Austen's Emma, which was more conventionally adapted in another version (Emma) starring Gwyneth Paltrow. Emma was produced yet again, this time for British television, as were a celebrated miniseries of Pride and Prejudice and this splendid film of Austen's Persuasion. Persuasion is the story of a love that survives eight years of dormancy and the frustrating obstacles of class prejudice in 19th century England. Anne (Amanda Root) is captivated when she meets the dignified naval officer Capt. Wentworth (Ciarán Hinds), but she is advised to discourage his romantic overtures because he has no fortune. They meet again eight years later, but now Capt. Wentworth has become wealthy while Anne's father is in reduced circumstances in the wake of reckless extravagance. A series of circumstances ensue which prevent Anne and Wentworth from expressing their mutual and inevitable love. The film's success depends entirely on the subtle, superb performances of Root and Hinds. The film builds slowly, occasionally leaving you wondering if anything at all is going to happen. When it does, you realize how carefully crafted a film this is, and the final result is grandly rewarding. --Jeff Shannon

Emma (1996)

Most people didn't mind Gwyneth Paltrow's English accent in this charming, 1996 adaptation of Jane Austen's novel (which also inspired Clueless). But even if it doesn't sound quite right to you, there are plenty of authentic and wonderful Brit thespians in this film by screenwriter-turned-director Douglas McGrath (co-author of Woody Allen's Bullets Over Broadway), including Juliet Stevenson (Truly Madly Deeply), Alan Cumming (Buddy), Phyllida Law (Much Ado About Nothing), Ewan McGregor (the Scots star of Trainspotting), and Sophie Thompson, outstanding and finally heartbreaking as the chattering Miss Bates. Paltrow plays Austen's benign busybody, Emma Woodhouse--so busy trying to arrange the lives of others that she is sidestepping her own. McGrath brings a kind of pretty and light touch to the production, his best move the wise delegation of creative authority to the actors themselves. --Tom Keogh

This delightfully fun and lighthearted comedy is based on the story that inspired the hit movie CLUELESS! Dazzling Gwyneth Paltrow (SHAKESPEARE IN LOVE, THE ROYAL TENENBAUMS) shines as EMMA, a mischievous young beauty who sets up her single friends. Funny thing is ... she's not very good at it! So when Emma tries to find a man for Harriet (Toni Collette -- THE SIXTH SENSE, ABOUT A BOY), she makes a hilariously tangled mess of everyone's lives. You'll enjoy all the comic confusion ... until Emma herself falls in love, finally freeing everyone from her outrageously misguided attempts at matchmaking.

Romeo & Juliet

Franco Zeffirelli's 1968 adaptation of Shakespeare's Romeo and Juliet was unique in its day for casting kids in the play's pivotal roles of, well, kids. Seventeen-year-old Leonard Whiting and 15-year-old Olivia Hussey play the titular pair, the Bard's star-crossed lovers who defy a running feud between their families in order to be together in love. Typically played on stage and in previous film productions by adult actors, the innocent look and rawness of Whiting and Hussey resonated at the time with a burgeoning youth movement from San Francisco to Prague. The tragic romance at the center of the story also clicked with anti-authority sentiments, but even without that, Zeffirelli scores points by validating the ideals and passions of strong-willed adolescents. Less successful are scenes requiring the actors to have a fuller grasp of the text, though the best thing going remains the unambiguous duel between Romeo and Tybalt (Michael York). Lavishly photographed by Pasquale de Santis on location in Italy, this Romeo and Juliet brought a different tone and dimension to a story that had become tiresome in reverential presentations. --Tom Keogh

Mansfield Park (1999)

This fun and sexy comedy tells a timelessly entertaining story where wealth, secret passions, and mischievous women put love to the test ... with delightfully surprising results! When a spirited young woman, Fanny Price, is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns "their" ways, she also enlightens them with a wit and sparkle all her own! Featuring an exciting ensemble cast of young stars -- you'll join critics everywhere in their overwhelming praise of this smart, playful, and funny hit!

Amelie

Perhaps the most charming movie of all time, Amélie is certainly one of the top 10. The title character (the bashful and impish Audrey Tautou) is a single waitress who decides to help other lonely people fix their lives. Her widowed father yearns to travel but won't, so to inspire the old man she sends his garden gnome on a tour of the world; with whispered gossip, she brings together two cranky regulars at her café; she reverses the doorknobs and reprograms the speed dial of a grocer who's mean to his assistant. Gradually she realizes her own life needs fixing, and a chance meeting leads to her most elaborate stratagem of all. This is a deeply wonderful movie, an illuminating mix of magic and pragmatism. Fans of the director's previous films (Delicatessen, The City of Lost Children) will not be disappointed; newcomers will be delighted. --Bret Fetzer

Nominated for five Academy Awards including Best Original Screenplay, this magical comedy earned overwhelming acclaim nationwide! A painfully shy waitress working at a tiny Paris cafe, Amélie makes a surprising discovery and sees her life drastically changed for the better! From then on, Amélie dedicates herself to helping others find happiness ... in the most delightfully unexpected way! But will she have the courage to do for herself what she has done for others?

Doctor Zhivago (Two-Disc Special Edition)

David Lean focused all his talent as an epic-maker on Boris Pasternak's sweeping novel about a doctor-poet in revolutionary Russia. The results may sometimes veer toward soap opera, especially with the screen frequently filled with adoring close-ups of Omar Sharif and Julie Christie, but Lean's gift for cramming the screen with spectacle is not to be denied. The streets of Moscow, the snowy steppes of Russia, the house in the country taken over by ice; these are re-created with Lean's unerring sense of grandness. The movie is so lush and so long that it becomes an irresistible wallow, even when logic suffers--like Gone with the Wind before it and Titanic after. Sharif, who achieved stardom in Lean's previous film, Lawrence of Arabia, mostly looks noble, but the supporting cast is spiky: Rod Steiger as a fat-cat monster, Tom Courtenay as a self-righteous revolutionary, and Klaus Kinski and Alec Guinness in smaller roles. Geraldine Chaplin, in her adult debut, plays the doctor's compliant wife. Robert Bolt's screenplay won one of the film's five Oscars, with another going to perhaps the most immediately recognizable element of the movie: Maurice Jarre's romantic music, with its hugely popular "Lara's Theme" weaving in and out of a swooning score. --Robert Horton

Love Actually (Widescreen Edition)

With no fewer than eight couples vying for our attention, Love Actually is like the Boston Marathon of romantic comedies, and everybody wins. Having mastered the genre as the writer of Four Weddings and a Funeral, Notting Hill, and Bridget Jones's Diary, it appears that first-time director Richard Curtis is just like his screenplays: He just wants to be loved, and he'll go to absurdly appealing lengths to win our affection. With Love Actually, Curtis orchestrates a minor miracle of romantic choreography, guiding a brilliant cast of stars and newcomers as they careen toward love and holiday cheer in London, among them the Prime Minister (Hugh Grant) who's smitten with his caterer; a widower (Liam Neeson) whose young son nurses the ultimate schoolboy crush; a writer (Colin Firth) who falls for his Portuguese housekeeper; a devoted wife and mother (Emma Thompson) coping with her potentially unfaithful husband (Alan Rickman); and a lovelorn American (Laura Linney) who's desperately attracted to a colleague. There's more--too much more--as Curtis wraps his Christmas gift with enough happy endings to sweeten a dozen other movies. That he pulls it off so entertainingly is undeniably impressive; that he does it so shamelessly suggests that his writing fares better with other, less ingratiating directors. --Jeff Shannon

"Get ready for fun!" (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood) Love Actually is the ultimate romantic comedy from the makers of Bridget Jones's Diary and Notting Hill. Funny, irresistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns. Fall under the spell of Love Actually and share the laughs and charm again and again.

Much Ado About Nothing

Kenneth Branagh's 1993 production of Shakespeare's Much Ado About Nothing is a vigorous and imaginative work, cheerful and accessible for everyone. Largely the story of Benedick (Branagh) and Beatrice (Emma Thompson)--adversaries who come to believe each is trying to woo the other--the film veers from arched wit to ironic romps, and the two leads don't mind looking a little silly at times. But the plot is also layered with darker matters that concern the ease with which men and women fall into mutual distrust. Branagh has rounded up a mixed cast of stage vets and Hollywood stars, among the latter Denzel Washington and Michael Keaton, the latter playing a rather seedy, Beetlejuice-like version of Dogberry, king of malapropisms. The DVD release has optional full-screen and widescreen presentations, Dolby sound, optional Spanish and French soundtracks or subtitles.--Tom Keogh

Full of "sparkling merriment" (The Hollywood Reporter), this sexy, sunny comedy positively sizzles as one set of lovers battles against a dirty trick, and another set simply battleseach other! Adapted by Oscar® nominee* Kenneth Branagh and featuring an all-star cast, this charming romp "casts the battle of the sexes in the form of an elegant dance" (The New York Times). A military war has just ended, but the "merry war" between Beatrice (Emma Thompson) and Benedick (Branagh) rages on! Can their friends trick them into making love instead? For that matter, can another couple's devotion survive the evil Don John's (Keanu Reeves) vicious lies? It's up to the blundering constable (Michael Keaton) to save the day so that the course of true love may yet run smooth! *1989: Director, Actor, Henry V; 1992: Short Film-Live Action, Swan Song; 1996: Adapted Screenplay, Hamlet

Shaun of the Dead

British horror/comedy Shaun of the Dead is a scream in all senses of the word. Brain-hungry zombies shamble through the streets of London, but all unambitious electronics salesman Shaun (Simon Pegg) cares about is his girlfriend Liz (Kate Ashfield), who just dumped him. With the help of his slacker roommate Ed (Nick Frost), Shaun fights his way across town to rescue Liz, but the petty concerns of life keep getting in the way: When they're trying to use vinyl records to decapitate a pair of zombies, Shaun and Ed bicker about which bands deserve preservation--New Order they keep, but Sade becomes a lethal frisbee. Many zombie movies are comedies by accident, but Shaun of the Dead is deliberately and brilliantly funny, while still delivering a few delicious jolts of fear. Also featuring the stealthy comic presence of Bill Nighy (Love Actually) and some familar faces from The Office. --Bret Fetzer