France

The Dreamers (Original Uncut NC-17 Version)

A love letter to movies (and the French new wave of the 1960s in particular), Bernardo Bertolucci's The Dreamers starts with a 1968 riot outside of a Parisian movie palace then burrows into an insular love triangle. Matthew (Michael Pitt, Hedwig and the Angry Inch), an expatriate American student, bonds with a twin brother and sister, Isabelle (Eva Green) and Theo (Louis Garrel), over their mutual love of film--they not only quote lines of dialogue, they act out small bits and challenge each other to name the cinematic source. Matthew suspects the twins of incest, but that doesn't stop him from falling into his own intimacies with Isabelle. As the threesome becomes threatened, Paris succumbs to student riots. The Dreamers aspires to be kinky, but the results are more decorative than decadent; nonetheless, the movie's lively energy recalls the careless and vital exuberance of Godard and Truffaut. --Bret Fetzer

From Academy Award®-winning director Bernardo Bertolucci (The Last Emperor, 1987), comes an erotic tale of three young film lovers brought together by their passion for movies -- and each other. When Isabelle and Theo (Eva Green, Louis Garrel) invite Matthew (Michael Pitt) to stay with them, what begins as a casual friendship ripens into a sensual voyage of discovery and desire in which nothing is off limits and anything is possible. Featuring an engaging, seductive cast, The Dreamers is a ?spellbinding, provocative feast!" (Ebert & Roeper)

The Red Balloon (Released by Janus Films, in association with the Criterion Collection)

The late French filmmaker Albert Lamorisse made this classic, 1956 short work about a lonely little Parisian boy (Pascal Lamorisse) befriended by a large red balloon, which seems to have a will of its own. As with his preceding short, 1952's White Mane, Lamorisse took home a grand prize from the Cannes Film Festival for The Red Balloon, and the latter film also won an Academy Award. There have been some stimulating pieces of film criticism (some pro, some con) written about the aesthetics of this little movie over the years, but there's no question it makes for a touching, allegorical piece always certain to prompt conversations among viewers of any age. --Tom Keogh

Newly restored and available for the first time on DVD Albert Lamorisse's exquisite The Red Balloon remains one of the most beloved children's films of all time. In this deceptively simple nearly wordless tale a young boy discovers a stray balloon which seems to have a mind of its own on the streets of Paris. The two become inseparable yet the world's harsh realities finally interfere. With its glorious palette and allegorical purity the Academy Award-winning The Red Balloon has enchanted movie lovers young and old for generations.System Requirements:LENGTH: 34 minutes Format: DVD MOVIE Genre: CHILDREN/FAMILY UPC: 715515028820 Manufacturer No: CC1746DDVD

Trafic - Criterion Collection

In Jacques Tati's Trafic the bumbling Monsieur Hulot outfitted as always with tan raincoat beaten brown hat and umbrella takes to Paris's highways and byways. For this his final outing Hulot is employed as an auto company's director of design and accompanies his new vehicle (a camper tricked out in all sorts of absurd gadgetry) to an auto show in Amsterdam. Naturally the road is paved with modern-age mishaps. This late-career delight is a masterful demonstration of the comic genius's expert timing and sidesplitting visual gags and a bemused last look at technology run amok.SPECIAL EDITION DOUBLE-DISC SET FEATURES:New restored high-definition digital transferIn the Footsteps of Monsieur Hulot (1969) a two-hour documentary tracing the evolution of Jacques Tati's beloved alter egoInterview from 1971 with the cast of Trafic from the French television program Le journal de cinema"The Comedy of Jacques Tati" a 1973 episode from the French television program Morceaux de bravoureTheatrical trailerNew and improved English subtitle translationPLUS: A new essay by film critic Jonathan RomneySystem Requirements:Running Time: 97 minutes Language: French Subtitles: EnglishFormat: DVD MOVIE Genre: COMEDY/BUDDY FILMS Rating: G UPC: 715515030328 Manufacturer No: CC1756DDVD

La Vie en Rose (Extended Version)

Edith Piaf is the subject of La Vie en Rose, director Olivier Dahan's powerful if emotionally redundant biographical film about the iconic French superstar whose life, as depicted here, seems to have been a numbing succession of tragedies interrupted on occasion by artistic triumph. Dahan's portrait begins with Piaf's stay in a brothel as a young girl. Left to the care of her grandmother (who runs the place) after her father pulls her away from a narcissistic mother, Piaf undergoes significant health problems and grows up to sing on the street in lieu of outright prostitution. The film pulses along with the usual biopic rhythms, with pivotal moments in the life of Piaf (played as an adult by Marion Cotillard) turning up regularly only to be smacked aside by the unseen hand of perpetual misfortune. There's the impresario (Gerard Depardieu) who recognizes Piaf's great but raw talent only to have a run-in with the criminal element around her. There's the heavyweight fighter (Marcel Cerdan) who becomes the love of Piaf's life but can't be with her. Drug addiction, random car accidents, tax problems, you name it, it's all here, topped by an unnerving revelation that pops up in La Vie en Rose's final moments. After awhile, with such a concentration of bad news squeezed into 140 minutes, one begins to wish Dahan had taken a more expansive approach to Piaf's life and times. But the film is never less than interesting, and the lead performance by Cotillard is often astonishing. --Tom Keogh

Picturehouse and HBO Films present a critically-acclaimed biopic about the legendary international singing icon Edith Piaf whose voice and talent captivated the world. Starring award-winner Marion Cotillard (A Very Long Engagement A Good Year) in an astonishing performance the film is a portrait of a remarkable artist born into poverty who survived using the only gift she had ? her voice. Piaf?s tragic life was a constant battle to sing and survive to live and love with no regrets.Running Time: 141 min.Format: DVD MOVIE Genre: DOCUMENTARIES/BIOGRAPHY UPC: 026359441226 Manufacturer No: 94412

The Triplets of Belleville

An orphaned boy Champion is raised by his grandmother Madame Souza. Her gift of a tricycle starts a craze for cycle-racing that becomes the cornerstone of their life together. After years of relentless training Champion makes it to the Tour de France the toughest cycling event in the world. Alas Champion and a handful of other top competitors are mysteriously kidnapped by a pair of sinister crooks with hangdog expressions. Supported by her faithful sidekick her fat and flatulent dog Bruno Madame Souza sets off to rescue her beloved Champion. An epic adventure leads them across the Atlantic to a vast seaport metropolis named Belleville headquarters of the notorious French mafia. Lost and confused in the threatening darkness of the great city Madame Souza and Bruno encounter the Belleville Triplettes who in their youth were a glamorous close-harmony act. Now these three batty old women are now a bizarre jazz combo. Mme Souza joins the band. At their very first gig she discovers Champion is being held captive by the mafia Godfather himself! All hell breaks loose and the chase is on! Do Mme Souza her dim dog and the Triplettes have what it takes to outsmart the ruthless French mafia and release poor Champion from its clutches?System Requirements:Run Time: 81 minutesFormat: DVD MOVIE Genre: COMEDY Rating: PG - 13 UPC: 043396032316 Manufacturer No: 03231

Words cannot capture the delights of The Triplets of Belleville, an astonishing animated movie from the mind of French director Sylvain Chomet. In fact, there are only a few spoken sentences in the entire film; most of the soundtrack is a mix of squeaks, barks, and the jazzy music of Benoit Charest. A bicyclist is kidnapped from the Tour de France by mysterious gangsters; his grandmother travels to the city of Belleville (which has a sardonic version of the Statue of Liberty in its harbor), where she tracks him down with the help of a musical trio gone to seed, the Belleville Triplets. This hand-drawn movie is unlike anything you'll see from Disney; every scene mixes the silent comedy of Jacques Tati and Buster Keaton--in which the world of objects subtly fights with living beings for mastery--and the bouncy hop of Betty Boop. Unique and mesmerizing. --Bret Fetzer

Amelie

Perhaps the most charming movie of all time, Amélie is certainly one of the top 10. The title character (the bashful and impish Audrey Tautou) is a single waitress who decides to help other lonely people fix their lives. Her widowed father yearns to travel but won't, so to inspire the old man she sends his garden gnome on a tour of the world; with whispered gossip, she brings together two cranky regulars at her café; she reverses the doorknobs and reprograms the speed dial of a grocer who's mean to his assistant. Gradually she realizes her own life needs fixing, and a chance meeting leads to her most elaborate stratagem of all. This is a deeply wonderful movie, an illuminating mix of magic and pragmatism. Fans of the director's previous films (Delicatessen, The City of Lost Children) will not be disappointed; newcomers will be delighted. --Bret Fetzer

Quiet and reserved, Amelie Poulin spends her days as a waitress at a Paris cafe and entertains herself by playing kindhearted practical jokes on her neighbors, finding love in the meantime.
Genre: Foreign Film - French
Rating: R
Release Date: 14-JAN-2003
Media Type: DVD

Babette's Feast

Some movies can only be described as delicious. In Babette's Feast, a woman flees the French civil war and lands in a small seacoast village in Denmark, where she comes to work for two spinsters, devout daughters of a puritan minister. After many years, Babette unexpectedly wins a lottery, and decides to create a real French dinner--which leads the sisters to fear for their souls. Joining them for the meal will be a Danish general who, as a young soldier, courted one of the sisters, but she turned him away because of her religion. The village elders all resolve not to enjoy the meal, but can their moral fiber resist the sensual pleasure of Babette's cooking? Babette's Feast deservedly won the 1987 Academy Award for Best Foreign Language Film. This lovely movie is impeccably simple, yet its slender narrative contains a wealth of humor, melancholy, and hope. --Bret Fetzer

Artistic, sensual and sacred passions unite in Babette's Feast. Written and directed by Gabriel Axel, from a short story by Out of Africa's Isak Dinesen, this Oscar(r)-winning*film offers "an irresistible mixture of dry wit and robust humanity" (Newsweek). Onthe desolate coast of Denmark live Martina and Philippa, the beautiful daughters of a devout clergyman who preaches salvation through self-denial. Both girls sacrifice youthful passion to faith and duty, and even many years after their father's death, they keep his austere teachings alive among thetownspeople. But with the arrival of Babette, a mysterious refugee from France's civil war, life for the sisters and their tiny hamlet begins to change. Soon, Babette has convinced them to try something truly outrageousa gourmet French meal! Her feast, of course, scandalizes the local elders. Just who is this strangely talented Babette, who has terrified this pious town with the prospect of losing their souls for enjoying too much earthly pleasure? *1987: Foreign Language Film

Barbarella: Queen of the Galaxy

Barbarella makes a forced landing on the planet Lythion in the year 40,000 where she vanquishes robots and monsters.
Genre: Science Fiction
Rating: PG
Release Date: 8-AUG-2006
Media Type: DVD

Jane Fonda's memorable, zero-gravity striptease during the opening credits of this 1968 Roger Vadim movie is the closest the film comes to a liberated marriage of wit and sex. Based on a French comic strip, the story concerns the adventures of a 41st-century woman, who pretty much gets it on with whomever asks. The sci-fi sets were pretty interesting at the time, though they look rather anachronistic now. Appreciated today mostly as a camp classic, the movie is actually more trying than anything else. --Tom Keogh

Paris, Je T'Aime (Paris, I Love You)

Even with the impressive talent involved, Paris, je t'aime could've ended up like a fallen soufflé. Though all 18 films aren't equally successful, they hit the mark more often than not. Romantics anticipating happy love stories set amongst the City of Lights may be disappointed to find that many are quite sad and that some parts of Paris are less inviting than others (each takes place in a different district). Further, the shorts aren't all en Français, since the actors and directors hail from around the world, but their outsider perspectives lend the project depth. The strongest entries are provided by Gurinder Chadha (Quais De Seine), Gus Van Sant (Le Marais), Oliver Schmitz (Place des Fêtes), and Alexander Payne (14ème Arrondissement), but all find interesting ways to explore cultural misunderstandings. In Joel and Ethan Coen's tragic-comic Tuileries, tourist Steve Buscemi angers a couple simply by making eye contact. Like Miranda Richardson in Isabelle Coixet's heartbreaking Bastille, he does all his acting with his expressive face. And while Maggie Gyllenhaal speaks the language adroitly in Olivier Assayas's intriguing Quartier des Enfants Rouges, Nick Nolte (purposefully) mangles it in Alfonso Cuarón's surprisingly weak Parc Monceau. The anthology ends with Payne's audio-postcard, in which Margo Martindale's postal carrier narrates her vacation in awkward, but endearing French. Instead of another person, she falls in love with Paris, simply for allowing her to be herself. It's the perfect finish to a poignant repast, like strawberries dipped in chocolate--sweet, but not cloyingly so. --Kathleen C. Fennessy

In PARIS, JE T'AIME, celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined. Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in oe of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Racial tensions stand next to paranoid visions of the city seen from the perspective of an American tourist. A young foreign worker moves from her own domestic situation into her employer's bourgeois environs. An American starlet finds escape as she is shooting a movie. A man is torn between his wife and his lover. A young man working in a print shop sees and desires another young man. A father grapples with his complex relationship with his daughter. A couple tries to add spice to their sex life. These are but a few of the witty and serendipitous narratives that make up PARIS, JE T'AIME.

Il Postino

Italian star and filmmaker Massimo Troisi was dying of heart failure even before this film, his dream project, began production, and he prevailed upon British director Michael Radford (White Mischief) to see him and the film through to the end. (The 40-year-old Troisi, a beloved comic actor in Italy, died the day production wrapped.) Based on true events, Troisi plays a shy postman who strikes up an unlikely friendship with exiled Chilean poet Pablo Neruda (Philippe Noiret). Through Neruda's example and tutelage, the hero learns to think of his Italian fishing village in lyrical terms, as well as how to talk to women and even find the strength to take his political stands. Sweet as it is, the film finally pushes beyond its charming borders to become an even more complex and poignant story about the pain of growing into one's destiny. --Tom Keogh

Cheered by critics and audiences everywhere, IL POSTINO (THE POSTMAN) is the record-breaking Academy Award(R)-winning (Best Dramatic Score, 1995) romantic comedy that delivers heartfelt laughs! Mario is a bumbling mailman who's madly in love with the most beautiful woman in town ... and who's too shy to tell her how he feels. But when a world-famous poet -- Pablo Neruda -- moves into town, Mario is inspired. With Neruda's help, he finds the right words to win the woman's heart! This unforgettably funny comedy proves that passion ... with some artful deception ... can win the most improbable love!