By Director

No Country for Old Men

The Coen brothers make their finest thriller since Fargo with a restrained adaptation of Cormac McCarthy's novel. Not that there aren't moments of intense violence, but No Country for Old Men is their quietest, most existential film yet. In this modern-day Western, Llewelyn Moss (Josh Brolin) is a Vietnam vet who could use a break. One morning while hunting antelope, he spies several trucks surrounded by dead bodies (both human and canine). In examining the site, he finds a case filled with $2 million. Moss takes it with him, tells his wife (Kelly Macdonald) he's going away for awhile, and hits the road until he can determine his next move. On the way from El Paso to Mexico, he discovers he's being followed by ex-special ops agent Chigurh (an eerily calm Javier Bardem). Chigurh's weapon of choice is a cattle gun, and he uses it on everyone who gets in his way--or loses a coin toss (as far as he's concerned, bad luck is grounds for death). Just as Sheriff Bell (Tommy Lee Jones), a World War II vet, is on Moss's trail, Chigurh's former colleague, Wells (Woody Harrelson), is on his. For most of the movie, Moss remains one step ahead of his nemesis. Both men are clever and resourceful--except Moss has a conscience, Chigurh does not (he is, as McCarthy puts it, "a prophet of destruction"). At times, the film plays like an old horror movie, with Chigurh as its lumbering Frankenstein monster. Like the taciturn terminator, No Country for Old Men doesn't move quickly, but the tension never dissipates. This minimalist masterwork represents Joel and Ethan Coen and their entire cast, particularly Brolin and Jones, at the peak of their powers. --Kathleen C. Fennessy

Rescue Dawn

Real-life story of a US fighter pilot Dengler shot down and captured during the Vietnam War. Christian Bale as Dengler plans a death-defying escape.System Requirements:Run time: 126 MinutesFormat: DVD MOVIE Genre: ACTION/ADVENTURE/MILITARY & WAR Rating: PG-13 UPC: 027616093578 Manufacturer No: M109357

In the tradition of The Great Escape and The Deer Hunter, Rescue Dawn is Werner Herzog's take on the pulse-pounding POW genre. Unlike most such efforts, however, his isn't just based on a true story, it's a remake of his 1997 documentary Little Dieter Needs to Fly. German-born Dieter Dengler (Christian Bale, who first made his mark in Steven Spielberg's prison camp drama Empire of the Sun) has longed to pilot a plane since he was a boy. When he joins the Navy during the Vietnam War, he gets his wish. Then he's shot down over Laos. Though he survives, Dengler is captured by the Pathet Lao. Through his internment, he meets Duane Martin (Steve Zahn in his finest performance), with whom he becomes fast friends. While Dengler is arrogant and resourceful, Martin is patient and humble. With Dengler's assistance, the prisoners escape, but the untamed wilderness turns out to be just as dangerous (cinematographer Peter Zeitlinger ably captures its cruel beauty). Those who've seen Little Dieter know how this tale ends. Suffice to say, Herzog's reenactment makes for rousing entertainment. If the film has a flaw, it's that the rah-rah finale plays like something from out of a mainstream sports movie. That quibble aside, the actors, including Jeremy Davies as a delusional campmate and Toby Huss as a fellow flyer, are aces. And Herzog, who's been concentrating on nonfiction, like Grizzly Man, proves he can direct a Hollywood-style action epic with the best of 'em. --Kathleen C. Fennessy

Beyond Rescue Dawn

Little Dieter Needs to Fly

Christian Bale Films

More from MGM

Stills from Rescue Dawn

O Brother, Where Art Thou?

Ulysses Everett McGill (George Clooney) escapes the chain gang with two fellow convicts the simple and somewhat slow Delmar (Tim Blake Nelson) and ill-tempered Pete (John Turturro) to pursue the promise of hidden loot stashed in his house that is about to be swept away in a flood. On the way the trio experience a journey filled with hilarious adventure and cast of strange characters starting with a blind prophet who warns them that "the treasure you seek shall not be the treasure you find."System Requirements:Starring: George Clooney John Turturro Michael Badalucco Charles Durning John Goodman Holly Hunter and Tim Blake Nelson. Directed By: Joel Coen. Running Time: 103 Min. Color. This film is presented in "Standard" format. Copyright 2000 Buena Vista Home Video.Format: DVD MOVIE Genre: COMEDY Rating: PG-13 UPC: 786936144758 Manufacturer No: 02165400

Only Joel and Ethan Coen, the fraternal director and producer team behind art-house hits such as The Big Lebowski and Fargo and masters of quirky and ultra-stylish genre subversion, would dare nick the plot line of Homer's Odyssey for a comic picaresque saga about three cons on the run in 1930s Mississippi. Our wandering hero in this case is one Ulysses Everett McGill, a slick-tongued wise guy with a thing about hair pomade (George Clooney, blithely sending up his own dapper image) who talks his chain-gang buddies (Coen-movie regular John Turturro and newcomer Tim Blake Nelson) into lighting out after some buried loot he claims to know of. En route they come up against a prophetic blind man on a railroad truck, a burly, one-eyed baddie (the ever-magnificent John Goodman), a trio of sexy singing ladies, a blues guitarist who's sold his soul to the devil, a brace of crooked politicos on the stump, a manic-depressive bank robber, and--well, you get the idea. Into this, their most relaxed film yet, the Coens have tossed a beguiling ragbag of inconsequential situations, a wealth of looping, left-field dialogue, and a whole stash of gags both verbal and visual. O Brother (the title's lifted from Preston Sturges's classic 1941 comedy Sullivan's Travels) is furthermore graced with glowing, burnished photography from Roger Deakins and a masterly soundtrack from T-Bone Burnett that pays loving homage to American '30s folk styles--blues, gospel, bluegrass, jazz, and more. And just to prove that the brothers haven't lost their knack for bad-taste humor, we get a Ku Klux Klan rally choreographed like a cross between a Nuremberg rally and a Busby Berkeley musical. --Philip Kemp

My Blueberry Nights (The Miriam Collection)

Bob Dylan's song "Lovesick" could describe every film Wong Kar-Wai has made since 1988's As Tears Go By. My Blueberry Nights, his first English-language feature, continues the Hong Kong helmer's fixation with the concept. Grammy-winning vocalist Norah Jones plays downhearted New Yorker Elizabeth. When her boyfriend takes up with another woman, she drowns her sorrows in the hand-crafted pie served up by sympathetic café proprietor Jeremy (Jude Law in a charming turn). Lizzie appreciates the support, but decides her best plan of attack is to leave town, so she hops a bus to Memphis, where she waitresses while serving as a sounding board for alcoholic police officer Arnie (David Strathairn), who pines for estranged wife Sue Lynne (Rachel Weisz). Later, Lizzie tries her luck in Vegas, where she joins forces with professional poker player Leslie (a brassy Natalie Portman). During her journey, Lizzie sends Jeremy postcards; through her wistful words, he finds himself falling in love. With Ry Cooder's plaintive score (bolstered by tunes from Jones and special guest Chan "Cat Power" Marshall) and golden-hued camera work from Darius Khondji (replacing regular cinematographer Christopher Doyle), My Blueberry Nights reaches for the elegiac tone of Wim Wenders' Paris, Texas as much as Wong's own Chungking Express. It's an odd combination that doesn't always work--the banal dialogue isn't up to the director's usual standards--but lovesickness has rarely been rendered more vividly. --Kathleen C. Fennessy

Oscar® nominee* Jude Law (The Talented Mr. Ripley, Cold Mountain) and Grammy® Award-winning singer Norah Jones star in this "ravishing triumph... [of] pure romantic sensibility" (Armond White, New York Press). Law plays a big-hearted owner of a small New York diner who tries to soothe Jones' jilted heart with his blueberry pie. But only after going on a year-long cross-country odyssey does she realize love was right at her doorstep all along. Gorgeously filmed by award-winning director Wong Kar Wai (In The Mood For Love) and featuring Oscar® winner** Rachel Weisz (The Constant Gardener) and Oscar® nominees*** Natalie Portman (Closer, Garden State) and David Strathairn (Good Night, and Good Luck), My Blueberry Nights is an optimistic ode to love and "one of the best movies of the year!" (Andrew Sarris, New York Observer).

Twin Peaks - The Definitive Gold Box Edition (The Complete Series)

Twin Peaks was created by David Lynch and Mark Frost. The show was set in the fictional town of Twin Peaks in northeast Washington state and tells the story of FBI Special Agent Dale Cooper and his investigation of the murder of a popular local teenage schoolgirl Laura Palmer.System Requirements:TRT: 1501 Mins. Genre: TELEVISION/SERIES & SEQUELS UPC: 097361309040 Manufacturer No: 130904

Season 1
Twin Peaks devotees, who have kept the mystery alive on myriad Web sites, will jump at the chance to return to the spooky town that might just be the anti-Mayberry. Rarely syndicated, the Twin Peaks television series has lost none of its quirky and queasy power to get under your skin and haunt your dreams. So brew up a pot of some "damn fine coffee," dig into some cherry pie, and lose yourself in David Lynch and Mark Frost's murder mystery and soap opera, which unfolds, in one character's words, "like a beautiful dream and terrible nightmare all at once." Twin Peaks was a pop culture phenomenon for one season at least, until the increasingly bizarre twists and maddening teases so confounded audiences that they lost interest in just who killed Laura Palmer (Sheryl Lee). This series was a career peak for most of its eclectic ensemble cast, including Kyle MacLachlan as straight-arrow FBI Special Agent Dale Cooper, Michael Ontkean as local Sheriff Harry S. Truman, Sherilyn Fenn as bad girl Audrey Horne, Peggy Lipton as waitress Norma Jennings, and Catherine Coulson as the Log Lady. Alumni enjoying current success include Lara Flynn Boyle ("The Practice"), as good girl Donna Hayward, and Miguel Ferrer ("Crossing Jordan"), hilarious as forensics expert Albert Rosenfield (who has absolutely no "social niceties").--Donald Liebenson

Season 2
"Don't search for all the answers at once," says a giant appearing to FBI Agent Cooper (Kyle MacLachlan) in a vision. "A path is formed by laying one stone at a time." In Twin Peaks, that's easier said than done. Over the course of two seasons, that path went nowhere and everywhere. "Bureau guidelines, deductive technique, Tibetan method, and luck" don't cut it here. It also takes a little magic, which is what makes David Lynch and Mark Frost's bracingly original serial drama one of TV's ultimate trips, and still the stuff that fever dreams are made of. With the DVD release of season 2, die-hard Peakers can rekindle their obsession with this macabre, maddening, sinister, and surreal series set in the rural Pacific Northwest community whose bucolic surroundings hide "things dark and heinous." (If you're new to Twin Peaks, best to get the lay of the land by watching the brilliant feature-length pilot and the instant-cult-classic first season, which capture Twin at its peak.) Three main mysteries drive season 2. First, there's the still (!) unresolved murder of Laura Palmer (Sheryl Lee). Then, there's the question of who shot Cooper in the season 1 cliffhanger. And finally, ultimately: What about Bob? With its dream logic, bizarre behavior, and nightmare imagery, much of what transpires goes right by you. Some subplots (Sherilyn Fenn's sexpot Audrey held captive at the bordello, One-Eyed Jacks) are easier to latch on to than others (amnesiac Nadine believes she's an 18-year-old high schooler) And, yes, that's a pre-X-Files David Duchovny as Dennis/Denice, a transsexual DEA agent.

In Twin Peaks' second season, the truth is out there, but we are entering A Few Good Men territory. When Laura's killer is at last revealed in episode 16, no doubt many will not be able to handle the truth. The teases, red herrings, and out-and-out gonzo looniness will try the patience of viewers with a more conventional bent. But, as Cooper observes at one point, "All in all, [it's] a very interesting experience," with enough doppelgangers, allusions, pop-culture references, and in-jokes to keep bloggers buzzing. If, for example, you get any pleasure from recognizing Hank Worden, who played Mose in The Searchers, as "the world's most decrepit room service waiter," then Twin Peaks may just make you feel right at home. --Donald Liebenson

On the DVDs
Twin Peaks lived in its own bizarre, dark, amazing, fantasy world, fresh from the mind of creator David Lynch. The extra features on this Gold Box edition (which includes both seasons and the long-awaited pilot) intend to draw you into the milieu surrounding the world of the story, and offer you a glimpse into the gestation and making of the show, while gently poking fun at itself. To quote Lynch at the beginning of A Slice of David Lynch, "This is the strangest damn thing." He's referring to the act of sitting on a set in Los Angeles, drinking coffee and eating cherry pie with cast members Madchen Amick, Kyle MacLachlan, and personal assistant John Wentworth years after the show ended. But he may as well have also been referring to the show itself, and to the enormous popular phenomenon it accidentally became. As can be inferred from the title, A Slice of Lynch is a glimpse inside the creative mind of Lynch through his interactions with his old stars and assistant, and watching this, you can't help but understand that Lynch operates on a different plain from normal humanity, and his artistic process, while often befuddling, yields incredibly original results to a degree that almost boggles the mind; happy accidents seem to stem from almost every artistic decision he makes. The strength of this feature is that it makes it clear that the world of Twin Peaks really existed, it just happened to live in the minds of David Lynch and co-writer Mark Frost. Twin Peaks Festival is almost an afterthought, it doesn't fit with the rest of the features in depth or insight, but curious fans will get a kick out of seeing what happens when the most rabid, hardcore Twin Peaks gather in the Northwest--on the sights of many of the show's scenes--for a fan festival that beats the heck out of any Star Trek convention. Secrets from Another Place: Creating Twin Peaks offers a meaty, four-part look into how the show came about, the filming of both seasons, and the creation of the music by composer Angelo Badalamenti and singer Julee Cruise. Black Lodge Archive features six different items ranging from the "Falling" music video to bumpers and galleries that don't do much to offer insight into the show, but they offer an unexpected, added bonus: watching Agent Cooper hawk Georgia Coffee in ads that aired only in Japan. They are quite possibly more hilarious and bizarre than anything in the show itself. The features do a great job of reminding an old audience, and explaining to a new one, why the show had such a devoted following. To quote one actress from the show: "It was unique, it came at a time when television was boring... there was nothing else like it on television." --Daniel Vancini

Deeper into the Woods of Twin Peaks

Essential DVDs by Director David Lynch

The Soundtrack

Twin Peaks: Fire Walk with Me

Taste That Famous Cherry Pie

The Recipe

8 inch Crust: 1-1/2 c. flour, 1/2 c. Crisco, 1/4 c. ice water
Mix flour and Crisco with fork. Add ice water. Mix with your hands. When blended, roll into ball and refrigerate overnight. To roll out: flour both rolling pin and flat surface, split ball in two, roll out 1/2 to fit pan and 1/2 for lattice.

Filling: 3 c. cherries (pitted, sour frozen); 1 c. water; 1c. Baker's sugar; 4 T. cornstarch; 1/8 t. salt
Thaw cherries at room temp and strain (yields 2 c. juice). Taste for sweetness, more/less sugar may be needed. Add 1 c. water to make 3 c. juice (reserve 1 c. juice for cornstarch mix). Dissolve cornstarch in 1 c. juice, stir with whip. Combine 2 c. juice, 2/3 c. sugar, salt, and bring to a boil. Add cornstarch mix, cook until clear, about 5 min. (if cooked to long, syrup gets gummy). Remove from heat, stir in 1/3 c. sugar (blend thoroughly). Pour mixture over cherries, fold with wooden spoon, cool (stir mix while cooling to prevent scum from forming on top). Pour mix in pie shell. Top completed pie with lattice crust.

Bake @ 425 degrees for 35-40 min.



Stills from Twin Peaks (coming soon)

High and Low - Criterion Collection

Toshiro Mifune is unforgettable as Kingo Gondo a wealthy industrialist whose family becomes the target of a cold-blooded kidnapper in Akira Kurosawa's highly influential domestic drama and police procedural High and Low. Adapting Ed McBain's detective novel King's Ransom Kurosawa moves effortlessly from compelling race-against-time thriller to exacting social commentary creating a diabolical treatise on class and contemporary Japanese society. Criterion is proud to present High and Low (Tengoko to jigoku) in this new high-definition digital transfer.SPECIAL EDITION DOUBLE-DISC SET FEATURES:New restored high-definition digital transfer with newly restored original four-track surround soundNew audio commentary by Akira Kurosawa scholar Stephen PrinceA 37-minute documentary on the making of High and Low created as part of the Toho Masterworks series Akira Kurosawa: It Is Wonderful to CreateRare archival interview with Toshiro MifuneNew video interview with actor Tsutomu Yamazaki who plays the kidnapperTheatrical trailers from Japan and the U.S.New and improved English subtitle translationPLUS: A booklet featuring a new essay by critic Geoffrey O'Brien and a reprinted essay by Japanese film scholar Donald RichieMore!System Requirements:Running Time: 143 minutes Language: Japanese Subtitles: EnglishFormat: DVD MOVIE Genre: ACTION/ADVENTURE/THRILLERS Rating: NR UPC: 715515030922 Manufacturer No: CC1760DDVD

Although best known for his samurai classics, Japanese master filmmaker Akira Kurosawa proved himself equally adept at contemporary dramas and thrillers, and 1962's High and Low offers a powerful showcase for Kurosawa's versatile skill. The great Toshiro Mifune stars as a wealthy industrialist who has just raised a large sum of money to execute his planned takeover of a successful shoe manufacturer. Fate intervenes when he receives a phone call informing him that his son has been kidnapped, and by unfortunate coincidence the ransom demand is nearly equivalent to the amount Mifune has raised for his corporate coup. A philosophical dilemma emerges when it is revealed that the executive's son is safe, and that it is actually his chauffeur's son who has been taken. What follows is both a tense detective thriller, as the police attempt to track down the kidnapper, and a compelling illustration of class division in Japan--the "high and low" of the title. Far be it from Kurosawa to make a mere thriller, however; this loose adaptation of the Ed McBain novel King's Ransom provides the director with ample opportunity to develop a visual strategy that perfectly enhances the story's sociological themes. The Criterion Collection DVD of this extraordinary film is presented in the original "Tohoscope" aspect ratio of 2.35:1. --Jeff Shannon

The Secret of Roan Inish

As one of the most respected American independent filmmakers, John Sayles has created a body of work as distinguished in its diversity as for its consistent quality and inspiring originality. He's never been one to march to the commercial beat, but chooses instead to follow his creative impulse wherever it leads him. The Secret of Roan Inish led Sayles to the beautiful and moody West Coast of Ireland; it is a tale of a girl who discovers that her family has been touched by myth and magic throughout the years. Following the death of her mother, young Fiona (Jeni Courtney) is sent to live with her grandparents on the Irish coast across from Roan Inish, the island where her family once lived. She's told stories about the selkies--seals that can turn into humans--who have been connected with Fiona's family over the ages. At first she's not sure if the selkies are real or mythological, but she later realizes that they hold the key to reclaiming her family heritage.

What's remarkable about this film (which Sayles adapted from Rosalie Fry's novel Secret of the Ron Mor Skerry) is that it's not told as a cute fantasy for children, but as a straightforward, unsentimental story of a young girl's family history. That gives the film--which was beautifully photographed by master cinematographer Haskell Wexler--an understated charm that is completely absorbing in its atmosphere and subtle tone. There's magic as well, to be sure--you could almost swear that the seals and seagulls in the film took direction from Sayles as well as any human actor! --Jeff Shannon

Paris, Je T'Aime (Paris, I Love You)

Even with the impressive talent involved, Paris, je t'aime could've ended up like a fallen soufflé. Though all 18 films aren't equally successful, they hit the mark more often than not. Romantics anticipating happy love stories set amongst the City of Lights may be disappointed to find that many are quite sad and that some parts of Paris are less inviting than others (each takes place in a different district). Further, the shorts aren't all en Français, since the actors and directors hail from around the world, but their outsider perspectives lend the project depth. The strongest entries are provided by Gurinder Chadha (Quais De Seine), Gus Van Sant (Le Marais), Oliver Schmitz (Place des Fêtes), and Alexander Payne (14ème Arrondissement), but all find interesting ways to explore cultural misunderstandings. In Joel and Ethan Coen's tragic-comic Tuileries, tourist Steve Buscemi angers a couple simply by making eye contact. Like Miranda Richardson in Isabelle Coixet's heartbreaking Bastille, he does all his acting with his expressive face. And while Maggie Gyllenhaal speaks the language adroitly in Olivier Assayas's intriguing Quartier des Enfants Rouges, Nick Nolte (purposefully) mangles it in Alfonso Cuarón's surprisingly weak Parc Monceau. The anthology ends with Payne's audio-postcard, in which Margo Martindale's postal carrier narrates her vacation in awkward, but endearing French. Instead of another person, she falls in love with Paris, simply for allowing her to be herself. It's the perfect finish to a poignant repast, like strawberries dipped in chocolate--sweet, but not cloyingly so. --Kathleen C. Fennessy

In PARIS, JE T'AIME, celebrated directors from around the world, including the Coen Brothers, Gus Van Sant, Gurinder Chadha, Wes Craven, Walter Salles, Alexander Payne and Olivier Assayas, have come together to portray Paris in a way never before imagined. Made by a team of contributors as cosmopolitan as the city itself, this portrait of the city is as diverse as its creators' backgrounds and nationalities. With each director telling the story of an unusual encounter in oe of the city's neighborhoods, the vignettes go beyond the 'postcard' view of Paris to portray aspects of the city rarely seen on the big screen. Racial tensions stand next to paranoid visions of the city seen from the perspective of an American tourist. A young foreign worker moves from her own domestic situation into her employer's bourgeois environs. An American starlet finds escape as she is shooting a movie. A man is torn between his wife and his lover. A young man working in a print shop sees and desires another young man. A father grapples with his complex relationship with his daughter. A couple tries to add spice to their sex life. These are but a few of the witty and serendipitous narratives that make up PARIS, JE T'AIME.

Seven Samurai - 3 Disc Remastered Edition (Criterion Collection Spine # 2)

Hailed as the greatest film in the history of Japanese cinema, Seven Samurai is director Akira Kurosawa's undisputed masterpiece. Arguably the greatest of all jidai-gecki (or historical swordplay films), Kurosawa's classic 1954 action drama has never been surpassed in terms of sheer power of emotion, kinetic energy, and dynamic character development. The story is set during the civil unrest of 16th-century Japan, as the cowering residents of a small farming village are seeking protection against seasonal attacks by a band of marauding bandits. Offering mere handfuls of rice as payment, they hire seven unemployed "ronin" (masterless samurai), including a boastful swordsman (Toshiro Mifune) who is actually a peasant farmer's son, desperately seeking glory, acceptance, and revenge against those who destroyed his family. Led by the calmly strategic Kambei (Takashi Shimura, star of Kurosawa's previous classic, Ikiru), the samurai form mutual bonds of honor and respect, but remain distant from the villagers, knowing that their assignment may prove to be fatal.

Kurosawa masterfully composed his shots to emphasize these group dynamics, and Seven Samurai is a textbook study of the director's signature techniques, including extensive use of telephoto lenses to compress action, delineate character relationships, and intensify motion. While the climactic battle against raiding thieves remains one of the most breathtaking sequences ever filmed, Seven Samurai is most triumphant as a peerless example of character development, requiring all of its 2-hour, 37-minute running time to illuminate every essential detail of villagers and samurai alike, including an abundance of humor as Kambei's defense plan unfolds. In terms of its overall impact, Seven Samurai spawned dozens of copycat films (notably the American Western remake The Magnificent Seven) and cannot be adequately summarized by even the most comprehensive synopsis; it must be seen to be fully appreciated, and the Criterion Collection's 2006 DVD reissue is an essential addition to any definitive home-video library. --Jeff Shannon

On the DVDs
According to the accompanying booklet, "the picture has been slightly window-boxed (in correct original 1.33:1 aspect ratio) to ensure that the maximum image is visible on all monitors." The two-disc format was necessary "to maintain optimal image quality throughout the compression process," with dual-layered DVD-9's encoded "at the highest possible bit rate for the quantity of material included." The picture and sound quality are simply amazing compared to Criterion's one-disc release from 1998. The all-new, fully restored high-definition digital transfer takes full advantage of HD's clarity and crispness, resulting in picture detail far surpassing the previous DVD. This also applies to the soundtrack, presented in optional Dolby surround in addition to the remastered original mono track. The new transfer "was mastered in 2k resolution from a duplicate negative created with wetgate processing from the original fine-grain master positive" (the film's original negative is no longer available), and "several different digital hardware and software solutions were utilized for flicker, instability, dirt, scratch, and grain management."

The complete 207-minute film is accompanied by two full-length commentary tracks, including a new track combining the critical insights of film scholars David Desser, Joan Mellen, Stephen Price (author of The Warrior's Camera: The Cinema of Akira Kurosawa), Tony Rayns, and the dean of Japanese film experts, Donald Richie (author of The Films of Akira Kurosawa). Each scholar is given approximately 40 minutes of film-time, and their commentaries represent a unique opportunity to appreciate Seven Samurai from distinct yet complementary critical perspectives. The commentary by Japanese film expert Michael Jeck (from Criterion's original 1988 laserdisc release) remains useful as a thorough analysis of Seven Samurai, primarily in terms of visual composition.

The 50-minute "making of" documentary, from Japan's 2002 Toho Masterworks TV series Akira Kurosawa: It Is Wonderful to Create emphasizes Kurosawa's collaboration with co-screenwriters Shinobu Hashimoto and Hideo Oguni, including production footage, crewmember interviews, and a reverent visit to the rural inn where Seven Samurai was written over a six-week period of intense seclusion. The two-hour "My Life in Cinema" interview with Kurosawa was recorded in 1993, with fellow filmmaker Nagisa Oshima serving as a gentle admirer, colleague, and well-informed historian of Kurosawa's career. "Seven Samurai: Origins and Influences" is a richly informative documentary that places Kurosawa's classic in both historical and cinematic context, examining its place in the jidai-gecki (swordplay) genre, its accurate depiction of samurai codes and traditions, and its stature as the prototype for many films that followed. The lavishly illustrated 58-page booklet includes eight brief essays on various aspects of Seven Samurai, each written by noted film scholars or film directors (including Arthur Penn and Sidney Lumet). Also included is a reminiscence by the great actor Toshiro Mifune, excerpted from a conversation recorded in 1993. Taken as a whole, the remastered three-disc Seven Samurai ranks as one of the finest DVD sets ever released. --Jeff Shannon

Hero

Set in China's past, before the first emperor, the film tells the story of a town magistrate who is summoned by the king of Qin to tell the story of how he defeated those who plotted to kill him.
Genre: Feature Film-Action/Adventure
Rating: PG13
Release Date: 2-AUG-2005
Media Type: DVD

Director Zhang Yimou brings the sumptuous visual style of his previous films (Raise the Red Lantern, Shanghai Triad) to the high-kicking kung fu genre. A nameless warrior (Jet Li, Romeo Must Die, Once Upon a Time in China) arrives at an emperor's palace with three weapons, each belonging to a famous assassin who had sworn to kill the emperor. As the nameless man spins out his story--and the emperor presents his own interpretation of what might really have happened--each episode is drenched in red, blue, white or another dominant color. Hero combines sweeping cinematography and superb performances from the cream of the Hong Kong cinema (Maggie Cheung, Irma Vep, Comrades: Almost a Love Story; Tony Leung Chiu-Wai, In the Mood for Love, Hard Boiled; and Zhang Ziyi, Crouching Tiger, Hidden Dragon). The result is stunning, a dazzling action movie with an emotional richness that deepens with every step. --Bret Fetzer