Religion

Jesus of Nazareth

Beginning before the Nativity and extending through the Crucifixion and Resurrection Jesus Of Nazareth brings to life all the majesty and sweeping drama of the life of Jesus (portrayed here by Robert Powell) as told in the Gospels. A star studded international cast featuring Michael York Sir Laurence Olivier James Earl Jones Anne Bancroft Olivia Hussey Rod Steiger and Anthony Quinn adds depth and humanity to the roles of the saints sinners and ordinary people who walked in the footsteps of the Lord. The film provides the setting and background for the birth childhood baptism teaching and many miracles of the Messiah culminating in the Divine Resurrection. Directed by Oscar nominee Franco Zeffirelli and acclaimed by critics and religious leaders worldwide Jesus of Nazareth tells the greatest of all stories with tremendous emotion and splendor.System Requirements: Running Time 382 MinFormat: DVD MOVIE Genre: DRAMA Rating: NR UPC: 012236128113 Manufacturer No: A012811

Originally made for TV in 1977, this in-depth (six hours plus) version of Jesus' life is so thorough that the first hour is devoted solely to the story of his birth. The film doesn't skimp on some of the other landmark events of this famous story either. Director Franco Zeffirelli gives more than 12 minutes screen time each to the Last Supper and the Crucifixion. Passages of the Bible are quoted verbatim, the locations have a Palestine-like authenticity, and, aside from some of the principals (Robert Powell as Jesus, Olivia Hussey as Mary, and Stacy Keach as Barabbas), many of the non-Roman characters are actually played by Semitic-looking actors. Zeffirelli diligently provides the sociopolitical background that gave rise to Jesus' following and the crisis in belief it caused for the people of Israel (and one or two Romans). While not graphic by today's standards, some of the scenes--baby boys being ripped from their mothers' arms and slaughtered, nails being driven into Jesus' hands--may disturb young and/or sensitive children. --Kimberly Heinrichs

The Mission (Two-Disc Special Edition)

Roland Joffé (The Killing Fields) directs this fuzzy effort at a David Lean-like epic without David Lean's sense of emotional proportion. Lean's most important screenwriting collaborator, Robert Bolt, in fact wrote The Mission, which concerns a Jesuit missionary (Jeremy Irons) who establishes a church in the hostile jungles of Brazil and then finds his work threatened by greed and political forces among his superiors. Robert De Niro is briefly effective as a callous soldier who kills his own brother and then turns to Irons's character to oversee his penance and conversion to the clergy. The narrative and dramatic forces at work in this movie should be more stirring and powerful than they are--the problem being that Joffé is too removed from them to allow us in. --Tom Keogh

Sweeping and visually resplendent The Mission is a powerful action epic about a man of the sword (Robert DeNiro) and a man of the cloth (Jeremy Irons) who unite to shield a South American Indian tribe from brutal subjugation by 18th-century colonial empires. It reunites key talents behind The Killing Fields: co-producer David Puttnam director Roland Joffe and cinematographer Chris Menges. Winner of the 1986 Cannes Film Festival Best Picture Award the film earned seven Academy AwardO nominations* (including Best Picture) and won a Best Cinematography OscarO. Robert Bolt's throughtful screenplay and Ennio Morricone's rich score won Golden Globe Awards. The Mission is screen storytelling that weaves a haunting spell.Running Time: 125 min.Format: DVD MOVIE Genre: DRAMA UPC: 085392349722

The Passion of the Christ (Widescreen Edition)

After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.

Leave it to the intelligentsia to debate the film's alleged anti-Semitic slant; if one judges what is on the screen (so gloriously served by John Debney's score and Caleb Deschanel's cinematography), there is fuel for debate but no obvious malice aforethought; the Jews under Caiaphas are just as guilty as the barbaric Romans who carry out the execution, especially after Gibson excised (from the subtitles, if not the soundtrack) the film's most controversial line of dialogue. If one accepts that Gibson's intentions are sincere, The Passion can be accepted for what it is: a grueling, straightforward (some might say unimaginative) and extremely violent depiction of the Passion, guaranteed to render devout Christians speechless while it intensifies their faith. Non-believers are likely to take a more dispassionate view, and some may resort to ridicule. But one thing remains undebatable: with The Passion of the Christ, Gibson put his money where his mouth is. You can praise or damn him all you want, but you've got to admire his chutzpah. --Jeff Shannon

The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.System Requirements: Running Time 127 MinFormat: DVD MOVIE Genre: FOREIGN/LATIN Rating: R UPC: 024543129752 Manufacturer No: 2222975

The Passion of the Christ (Full Screen Edition)

After all the controversy and rigorous debate has subsided, Mel Gibson's The Passion of the Christ will remain a force to be reckoned with. In the final analysis, "Gibson's Folly" is an act of personal bravery and commitment on the part of its director, who self-financed this $25-30 million production to preserve his artistic goal of creating the Passion of Christ ("Passion" in this context meaning "suffering") as a quite literal, in-your-face interpretation of the final 12 hours in the life of Jesus, scripted almost directly from the gospels (and spoken in Aramaic and Latin with a relative minimum of subtitles) and presented as a relentless, 126-minute ordeal of torture and crucifixion. For Christians and non-Christians alike, this film does not "entertain," and it's not a film that one can "like" or "dislike" in any conventional sense. (It is also emphatically not a film for children or the weak of heart.) Rather, The Passion is a cinematic experience that serves an almost singular purpose: to show the scourging and death of Jesus Christ in such horrifically graphic detail (with Gibson's own hand pounding the nails in the cross) that even non-believers may feel a twinge of sorrow and culpability in witnessing the final moments of the Son of God, played by Jim Caviezel in a performance that's not so much acting as a willful act of submission, so intense that some will weep not only for Christ, but for Caviezel's unparalleled test of endurance.

Leave it to the intelligentsia to debate the film's alleged anti-Semitic slant; if one judges what is on the screen (so gloriously served by John Debney's score and Caleb Deschanel's cinematography), there is fuel for debate but no obvious malice aforethought; the Jews under Caiaphas are just as guilty as the barbaric Romans who carry out the execution, especially after Gibson excised (from the subtitles, if not the soundtrack) the film's most controversial line of dialogue. If one accepts that Gibson's intentions are sincere, The Passion can be accepted for what it is: a grueling, straightforward (some might say unimaginative) and extremely violent depiction of the Passion, guaranteed to render devout Christians speechless while it intensifies their faith. Non-believers are likely to take a more dispassionate view, and some may resort to ridicule. But one thing remains undebatable: with The Passion of the Christ, Gibson put his money where his mouth is. You can praise or damn him all you want, but you've got to admire his chutzpah. --Jeff Shannon

The Passion of the Christ focuses on the last twelve hours of Jesus of Nazareth's life. The film begins in the Garden of Olives where Jesus has gone to pray after the Last Supper. Jesus must resist the temptations of Satan. Betrayed by Judas Iscariot, Jesus is then arrested and taken within the city walls of Jerusalem where leaders of the Pharisees confront him with accusations of blasphemy and his trial results in a condemnation to death.

Brother Sun, Sister Moon

It seemed like a good idea in 1973: a musical scored by Donovan about the life and times of St. Francis of Assisi, the passionate ascetic who expressed love for God by loving nature. But the finished product was something else. Filmmaker Franco Zeffirelli (Endless Love) makes a decorous effort at communicating the ideals of Francis and even tweaking the character toward flower-power relevance. But the result is feel-good fluff, a boring movie that doesn't penetrate its subject as much as reinvent him toward a modern bias. Graham Faulkner is entirely forgettable in the lead, and Donovan's songs on this project aren't exactly first-rate, either. --Tom Keogh

Little Buddha

In many ways Little Buddha is a companion piece to Bernardo Bertolucci's The Last Emperor. A beautiful travelogue and history lesson unfolds in the two parts of this film: a historical text of Siddhartha (Keanu Reeves) and the contemporary quest of Lama Norbu (Ying Ruocheng), who believes he has found the reincarnation of his former teacher in a Seattle child. The ancient, magical tales sweep away the blasé contemporary action. Ruocheng's presence drives the story of discovery as the child learns about the teachings of Buddhism. A visual feast that will dazzle both young and old. In fact, were it not a religious icon, the youngsters might want Siddhartha dolls after viewing his magical on-screen adventures. Beautiful cinematography by Vittorio Storaro. --Doug Thomas

Keanu Reeves (SPEED) and Bridget Fonda (IT COULD HAPPEN TO YOU) star in this motion picture spectacular from Academy Award(R)-winning director Bernardo Bertolucci (THE LAST EMPEROR). In a big American CIty, a boy and his family (Fonda and Chris Isaak -- SILENCE OF THE LAMBS) discover a story about a prince in a land of miracles. But the miracle becomes real when Tibetan monks appear, searching for their leader's reincarnation -- who they believe has been reborn in the boy. Suddenly, their worlds meet, leading the Americans on an extraordinary adventure!

The Apocalypse

Spring, Summer, Fall, Winter... and Spring

Working miracles with only a single set and a handful of characters, Korean director Kim Ki-Duk creates a wise little gem of a movie. As the title suggests, the action takes place in five distinct episodes, but sometimes many years separate the seasons. The setting is a floating monastery in a pristine mountain lake, where an elderly monk teaches a boy the lessons of life--although when the boy grows to manhood, he inevitably must learn a few hard lessons for himself. By the time the story reaches its final sections, you realize you have witnessed the arc of existence--not one person's life, but everyone's. It's as enchanting as a Buddhist fable, but it's not precious; Kim (maker of the notorious The Isle) consistently surprises you with a sex scene or an explosion of black comedy; he also vividly acts in the Winter segment, when the lake around the monastery eerily freezes. --Robert Horton

A tiny Buddhist monastery floats on a raft amidst a breathtaking landscape tended to by a solitaryMonk. Into this serene setting comes a young child who will become the Old Monk's protege... and so begins a lifelong journey of hope despair passion and redemption in a film hailed as "A triumphof sheer cinematic craft" (Rene Rodriguez Miami Herald). From the brash actions of youth through the dawn of adolescence and the fullness of adulthood one man's life lessons are learned as seasons pass his emotional inner life changing as the landscape around him. Award-winning Korean writer/director/editor Kim Ki-duk has crafted a lushly exotic yet universal story about the human spirit and its evolution from Innocence to Love Evil to Enlightenment and ultimately to Rebirth that Elizabeth Weitzman of the New York Daily News calls "A beautifully composed canvas the sort of film one falls into resurfacing at the end with great reluctance."SPECIAL FEATURES: Previews Anamorphic Widescreen Presentation Audio: Dolby Digital 5.1 (Korean) English French SubtitlesSystem Requirements:Running Time 103 Mins.Format: DVD MOVIE Genre: FOREIGN/LATIN Rating: R UPC: 043396041271 Manufacturer No: 04127

Barabbas

Starring Anthony Quinn in the title role, Barabbas was released in 1961 in the midst of a wave of widescreen epics based on biblical characters. The screenplay, by playwright Christopher Fry (who also contributed to Ben-Hur), is an unusually intelligent one. Further assets are the imaginative, sparingly orchestrated score by Mario Nascimbene and a handsome production design by art director Mario Chiari that is so rewarding to the eye in Aldo Tonti's often dazzling cinematography.

Many scenes, such as Christ's crucifixion, are shot and staged like tableaux in a style reminiscent of the great masters of art. And director Richard Fleischer surpasses anything Ridley Scott achieved years later in Gladiator: he fills the huge arena--a vast Roman amphitheatre--with a gladiatorial school of hand-to-hand combat, a parade of elephants, and a den of lions, and then caps his production with a riveting and thrillingly mounted duel between Jack Palance, careering round the circumference of the arena in his chariot, and Barabbas dodging him on foot. --Adrian Edwards

The Bible ... In the Beginning

John Huston adapted the first 22 chapters of the Book of Genesis in this mostly silly film that takes us from Creation through Noah's Ark through Abraham's near-sacrifice of son Isaac. This is one of Huston's more personally distant projects, à la Annie or Victory; and for the most part you'd barely know there was even a director involved. On the other hand, Huston does provide some of the only liveliness on screen, playing Noah. --Tom Keogh

The greatest stories of the Old Testament are brought to the screen with astounding scope and power in this international film which depicts the first 22 chapters of Genesis. This is the spectacular story of man's creation, his fall, his survival and his indomitable faith in the future. From the film's opening amidst cosmic chaos, to its lingering message of hope and salvation, "The Bible" stands as a monumental motion picture achievement.