Silent Films

The Chaplin Collection, Vol. 1 (Modern Times / The Great Dictator / The Gold Rush / Limelight)

The Great Dictator Goldrush Limelight Modern TimesFormat: DVD MOVIE Genre: COMEDY Rating: NR UPC: 085393794224

Charles Spencer Chaplin, the London ragamuffin who became the most popular man of his era, gets his proper due with this deluxe package of four classics. Each two-disc set begins with an excellent new digital transfer of the picture and remastered sound. The Gold Rush, Chaplin's 1925 masterpiece, puts the Little Tramp into the snowy Yukon; it includes such celebrated sequences as the "Dance of the Rolls" and Chaplin's uncanny metamorphosis into a large chicken. Both the original silent version and Chaplin's re-edited 1942 release (for which he added his own musical score and narration) are included. A documentary on "Chaplin Today" looks at the film through the eyes of Burkina Faso director Idrissa Ouedraogo. Modern Times (1936) is Chaplin's peerless take on the machine age; his ballet on the assembly line remains one of the great images of modern man driven mad by mechanization. The DVD extras include a couple of (somewhat extraneous) vintage promotional films about the wonderful world of mass production, the famous Chaplin composition "Smile" performed by Liberace (huh?), and penetrating comments on the film by the Belgian filmmakers Luc and Jean-Pierre Dardenne.

The Great Dictator is Chaplin's comic undressing of Hitler, boldly released in 1940. An absorbing documentary, "The Tramp and the Dictator," details production of the film, and color footage shot on the set provides fascinating behind-the-scenes material. Limelight (1952), in which he plays a fading vaudevillian, is Chaplin's magnificent elegy on his own career. Extras include a deleted scene, the entire Oscar-winning score, and Bernardo Bertolucci on the film's emotional impact: "I don't cry often, but here my tears flow." Each film has a loving introduction by Chaplin biographer David Robinson--but newcomers to Chaplin should watch the movies first, as the extras give away endings and the best jokes. --Robert Horton

Charlie Chan Collection, Vol. 2 (Charlie Chan at the Circus / Charlie Chan at the Olympics / Charlie Chan at the Opera / Charlie Chan at the Race Track)

Disc 1: CHARLIE CHAN AT THE OPERA Full Screen Feature (Black & White) Charlie Chan's Lucky Director: H. Bruce Humberstone Restoration Comparison TrailerDisc 2: CHARLIE CHAN AT THE OLYMPICS Full Screen Feature (Black & White) Layne TomJr: The Adventures of Charlie Chan Jr. Restoration Comparison TrailerDisc 3: CHARLIE CHAN AT THE RACE TRACK Full Screen Feature (Black & White) Number One Son: The Life of Keye Luke Restoration Comparison TrailerDisc 4: CHARLIE CHAN AT THE CIRCUS Full Screen Feature (Black & White) Charlie Chan At The Movies Restoration Comparison TrailerSystem Requirements:Run Time: 281 minutesFormat: DVD MOVIE Genre: DRAMA Rating: UNRATED UPC: 024543377221 Manufacturer No: 2237722

"Size of package does not indicate quality within," Honolulu's finest, Charlie Chan sagely observes in Charlie Chan at the Circus, and while this boxed set contains only four films, it does this venerable franchise justice, with some of Chan's most arresting cinematic outings. All four films star Swedish-born Warner Oland, who is to Charlie Chan what Sean Connery is to James Bond. The high note of this set is Charlie Chan at the Opera, in which the curtain comes down on two opera singers during a performance. Boris Karloff (whose frightening presence accounts for a very funny reference to Frankenstein) costars as an amnesiac who escapes from a sanitarium to haunt the theatre like some phantom of the... well, you know. William Demarest steals his scenes as a cop in dire need of sensitivity training. He refers to Chan as "Chop Suey" and "Egg Fu Young," and when No. 1 son (Keye Luke) gives his dad a note, he asks if it's a laundry ticket. In Charlie Chan at the Circus, a Chan family excursion (with all 12 children!) to the Big Top is interrupted when the nasty circus owner is murdered.

Charlie Chan at the Olympics is another gold-medal outing that finds Chan embroiled in international espionage when an experimental automatic pilot device is stolen. His investigation leads him to the Berlin Olympics (via the Hindenburg), where his son is on the track team. Newsreel footage of the games integrated into the film features Jesse Owens running the 400-meter relay. Less of a sure bet but still an efficient mystery is Charlie Chan at the Race Track. Each restored film looks great, and each is enhanced with featurettes that illuminate interesting aspects of the series. One profiles prolific Chan director H. Bruce "Lucky" Humberstone (who, we learn, fortified his star with drink), and another Keye Luke. "Charlie Chan at the Movies" examines these films' places in the Chan canon. There are certainly enough 1930s cultural and racial stereotypes (John Allen as stableboy "Streamline" Jones in Race Track) here to keep the PC police working overtime, but for Charlie Chan buffs and B-movie fans, this is an essential collection that is, to quote Chan, a "chip off ancient block." --Donald Liebenson

Charlie Chan Collection, Vol. 3 (Charlie Chan's Secret / Charlie Chan at Monte Carlo / Charlie Chan on Broadway / The Black Camel)

"Hollywood is famous furnisher of mysteries," observes the honorable Honolulu detective, Charlie Chan, in The Black Camel. And few cinematic sleuths are as renowned or beloved as Chan. As the chief of police proclaims in Charlie Chan at Monte Carlo, "All the world knows of Charlie Chan." For devotees of Earl Derr Biggers' literary creation, this is an essential boxed set that marks the beginnings and the end of the franchise's Warner Oland golden era. In addition to vintage treats such as The Black Camel (1931), the earliest known-existing Chan film to star Oland as the iconic sleuth, it also contains intriguing extras, including the 1929 film Behind the Curtain, which features E.L. Park as Chan in this character's first (albeit fleeting) screen appearance in a Fox film (and, like butler Jeeves' mere one-sentence walk-on in the P.G. Wodehouse short story "Extricating Young Gussie," it is a most inauspicious beginning for such a towering figure in popular culture).

The Swedish-born Oland portrayed Chan in 16 films. This set includes his last two as Chan before his untimely death in 1938, Monte Carlo and Charlie Chan on Broadway, both released in 1937. Give your regards to Broadway, in which a dame "still hot enough to blister" is murdered over an incriminating diary. This set also includes the eerie Charlie Chan's Secret (1936). The films are a bit creaky, but that's part of the fun. Each has its charms and delights, from the rat-a-tat New York slang that baffles Chan in Broadway to his signature aphorisms that range from the sage ("Though loved one seem to be taken away, remain always near") to the puzzling ("Sometimes very difficult to pick up pumpkin with one finger"). Keye Luke provides comic relief as enthusiastic No. 1 son in Monte Carlo and Broadway. Camel features Robert Young in his official screen debut and Bela Lugosi, fresh from Dracula, as a sinister mystic with too much influence on an actress with a skeleton in her closet. The audio commentaries on Camel and Secret are efficient and informative (did you know that Goldfinger villain Odd Job was styled on Chan's look?). Other entertaining segments unearth Oland's career, Chan's influence on detective fiction, and those "Chan-isms." Also fascinating is a re-creation of Charlie Chan's Chance, one of four lost Oland/Chan films. For those who have yet to make Charlie's acquaintance, this Chan-tastic collection is an excellent introduction. As one admiring cop states in Broadway, "You just think you have (met a detective). Now, go and meet Charlie Chan." --Donald Liebenson

Volume three of the Charlie Chan Collection series includes three feature-length films as well as tons of bonus material including documentaries about the artist. The films include 1936's CHARLIE CHAN'S SECRET 1937's CHARLIE CHAN ON BROADWAY 1937's CHARLIE CHAN AT MONTE CARLO 1931's CHARLIE CHAN: THE BLACK CAMEL and much more.System Requirements:TRT: 238 Mins.Format: DVD MOVIE Genre: MYSTERY/SUSPENSE Rating: NR UPC: 024543457640 Manufacturer No: 2245764

Metropolis (Restored Authorized Edition)

Fritz Lang's Metropolis belongs to legend as much as to cinema. It's a milestone of sci-fi and German expressionism. Yet the story makes minimal sense, and the "theme" belongs in a fortune cookie; to experience the film's pagan power, you have to see the movie. But for decades we couldn't, not really--not with so many versions, all incomplete, often in public-domain prints like smudged photocopies. This Murnau Foundation restoration changes all that. Some shots, scenes, and subplots may be lost forever, but intertitles indicate how they fit into the original continuity and the characters' individual trajectories. Most crucially, the images are crisp, vibrant, and three-dimensional instead of murky and flattened. The composite sequences (the Tower of Babel, a sea of lusting eyes) have been restored to their hallucinatory ferocity. And there's one moment when you can see a bead of sweat roll down a man's cheek--in medium long-shot. --Richard T. Jameson

The Chaplin Collection, Vol. 2 (City Lights / The Circus / The Kid / A King in New York / A Woman of Paris / Monsieur Verdoux / The Chaplin Revue / Charlie - The Life and Art of Charles Chaplin)

The second magnificent collection of Charlie Chaplin's work is even more stuffed with goodies than the first: six feature films, a round-up of two-reelers, and a new documentary, plus a cornucopia of deleted scenes and context. Each feature is accompanied by a half-hour "Chaplin Today" featurette, in which a filmmaker comments from a 21st-century perspective. Claude Chabrol extols the wicked virtues of Monsieur Verdoux and calls Chaplin "a thoroughly modern director," while Jim Jarmusch speaks gallantly on the political satire of the problematic A King in New York.

The Kid (1921), Chaplin's first feature, relates directly to Chaplin's own hard upbringing. The Tramp adopts a street kid (Jackie Coogan), in a seamless blend of slapstick and sentiment. For A Woman of Paris (1923), Chaplin experimented: straight, adult melodrama, with no Charlie onscreen (save for a brief cameo). 1927's The Circus is prized by many Chaplin critics as pure sublime comedy, less burdened by sentiment or politics than subsequent films. City Lights (1931) is an undisputed masterpiece; the Tramp befriends a blind girl, leading to one of the great bittersweet endings in film history. (Among the extras: a priceless seven-minute deleted scene involving little more than Chaplin and a piece of wood stuck in a grate.) With Monsieur Verdoux (1947), Chaplin turned his back on the Tramp and invented an elegant lady killer (literally); audiences disapproved, but the film stands as a fascinating essay on himself. Finally, after his exile from the United States, Chaplin made A King in New York (1957), which is mostly flat, except as autobiography.

The Chaplin Revue gathers six essential short works, from the superb A Dog's Life (1918) to his last two-reeler, The Pilgrim. A separate disc contains film critic Richard Schickel's comprehensive documentary Charlie: The Life and Art of Charles Chaplin, which does nicely by Chaplin's life and his working process, with keen comments from admirers such as Woody Allen and Johnny Depp. This box set is more than film history; it's a living treasure. --Robert Horton

The wonder. The magic. The genius. Now for an encore presentation with stunning new restorations, all-new special features and more. The Richard Schickel documentary, "Charlie" available exclusively in this Chaplin Giftset. THE CIRCUS The Little Tramp accidentally becomes a big-top star in the comedy that earned Chaplin a special Academy Award?. CITY LIGHTS A forever classic - and an American Film Institute Top-100 Movie. The Tramp becomes a working man, saving money for an operation that will restore a blind flower girl's sight. THE KID The Tramp and his ragamuffin sidekick (6-year-old Jackie Coogan) triumph over life's hard knocks in the landmark film that changed the notion of what a screen comedy could be. A KING IN NEW YORK/A WOMAN OF PARIS Chaplin jabs at social conventions! U.S. pop culture is the target of his satiric A King in New York. And the whirl of French high society frames director Chaplin's tragic love story A Woman of Paris.

MONSIEUR VERDOUX Killer comedy! Chaplin turns his sunny nature inside out to play a roving gent who wins the love and bank accounts of spinsters, then murders the hapless biddies.

City Lights (2 Disc Special Edition)

City Lights is a film to pick for the time capsule, a film that best represents the many aspects of director-writer-star Charlie Chaplin at the peak of his powers: Chaplin the actor, the sentimentalist, the knockabout clown, the ballet dancer, the athlete, the lover, the tragedian, the fool. It's all contained in Chaplin's simple story of a tramp who falls in love with a blind flower girl (Virginia Cherrill). Chaplin elevates the Victorian contrivances of the plot to something glorious with his inventive use of pantomime and his sure grasp of how the Tramp relates to the audience. In 1931, it was a gamble for Chaplin to stick with silence after talking pictures had killed off the art form that had made him famous, but audiences flocked to City Lights anyway. (Chaplin would not make his first full talking picture until 1940's The Great Dictator.) After all the superb comic sequences, the film culminates with one of the most moving scenes in the history of cinema, a luminous and heartbreaking fade-out that lifts the picture onto another plane. (Woody Allen paid homage to the scene at the end of Manhattan.) This is why the term "Chaplinesque" became a part of the language. --Robert Horton

Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that's silent except for music and sound effects. The story involving the Tramp's attempts to get money for an operation that will restore sight to a blind flower girl provides the star with an ideal framework for sentiment and laughs. The Tramp is variously a street sweeper a boxer a rich poseur and a rescuer of a suicidal millionaire. His message is unspoken but universally understood: love is blind.Running Time: 186 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393764821

Modern Times (2 Disc Special Edition)

Charlie Chaplin is in glorious form in this legendary satire of the mechanized world. As a factory worker driven bonkers by the soulless momentum of work, Chaplin executes a series of slapstick routines around machines, including a memorable encounter with an automatic feeding apparatus. The pantomime is triumphant, but Chaplin also draws a lively relationship between the Tramp and a street gamine. She's played by Paulette Goddard, then Chaplin's wife and probably his best leading lady (here and in The Great Dictator). The film's theme gave the increasingly ambitious writer-director a chance to speak out about social issues, as well as indulging in the bittersweet quality of pathos that critics were already calling "Chaplinesque." In 1936, Chaplin was still holding out against spoken dialogue in films, but he did use a synchronized soundtrack of sound effects and his own music, a score that includes one of his most famous melodies, "Smile." And late in the film, Chaplin actually does speak--albeit in a garbled gibberish song, a rebuke to modern times in talking pictures. --Robert Horton

Man vs. machine! And the winner is every comedy fan when Charlie Chaplin's Tramp confronts assembly-line woes in this classic chosen in 1998 as one of the American Film Institute's Top-100 American Films. The Little Tramp punches in and wigs out inside a factory where gizmos like an employee-feeding machine may someday make the lunch hour last just 15 minutes. Bounced into the ranks of the unemployed he teams with a street waif (Paulette Goddard) to pursue bliss and a paycheck finding misadventures as a roller-skating night watchman a singing waiter whose hilarious song is gibberish a jailbird and more. In the end as Tramp and waif walk arm and arm into an insecure future we know they've found neitherbliss nor a paycheck but more importantly each other. The times and satire remain timeless in Modern Times.Running Time: 83 min.Format: DVD MOVIE Genre: COMEDY UPC: 085393765125

Charlie Chaplin - 51 Features

The Cabinet of Dr. Caligari (Restored Authorized Edition)

A milestone of the silent film era and one of the first "art films" to gain international acclaim, this eerie German classic from 1919 remains the most prominent example of German expressionism in the emerging art of the cinema. Stylistically, the look of the film's painted sets--distorted perspectives, sharp angles, twisted architecture--was designed to reflect (or express) the splintered psychology of its title character, a sinister figure who uses a lanky somnambulist (Conrad Veidt) as a circus attraction. But when Caligari and his sleepwalker are suspected of murder, their novelty act is surrounded by more supernatural implications. With its mad-doctor scenario, striking visuals, and a haunting, zombie-like character at its center, Caligari was one of the first horror films to reach an international audience, sending shock waves through artistic circles and serving as a strong influence on the classic horror films of the 1920s, '30s, and beyond. It's a museum piece today, of interest more for its historical importance, but Caligari still casts a considerable spell. --Jeff Shannon

The Passion of Joan of Arc (Criterion Collection Spine #62)

Carl Dreyer's The Passion of Joan of Arc is as truly mythic as any film ever shot, its artistic achievement rivaled by its turbulent history. The focal point of controversy when released in 1928, the original film was lost for a half-century until an intact copy of Dreyer's original version was recovered in the early '80s.

Seeing Joan of Arc today remains a cinematic revelation, its approach to storytelling, set design, editing, and especially cinematography (by Rudolph Maté, who also shot Dreyer's visionary Vampyr) radical then, and still strikingly modern many decades later. Influenced by both German expressionist film and the French avant-garde, Dreyer's huge set was designed with asymmetrical doors, windows, and arches, through which Maté's camera moves along equally off-centered, even vertiginous, but fluid trajectories. Although the story is epic in its implications, the film is composed primarily of extreme close-ups, especially of Joan and her principal interrogator, Bishop Cauchon, and medium shots of small groups, often shot from low angles. Dreyer and Maté shot their cast in bright light, without makeup, giving each wrinkle, blemish, or tuft of hair sculptural detail.

For all its visual invention, however, Dreyer's film is most devastating in its central performance by Falconetti (née Renee Falconetti), a French stage actress who made her only screen appearance here--one critic Pauline Kael has suggested "may be the finest performance ever recorded on film." Through Falconetti, Joan's spiritual devotion, simple dignity, and suffering become utterly real; even without a dialogue track and only sparse inter-titles, the film achieves a fevered eloquence.

This meticulous restoration also includes composer Richard Einhorn's beautiful oratorio, Voices of Light, inspired by Dreyer's film and set to texts by women mystics from medieval and early-Renaissance Europe. A luminous work on its own, Einhorn's oratorio matches both the dramatic arcs and tremulous emotions of Dreyer's film, while its juxtaposition of choral and solo voices (with early-music vocal quartet Anonymous 4 evoking Joan herself) echoes the martyr's confrontation with the court. --Sam Sutherland

With its stunning camerawork and striking compositions, Carl Th. Dreyer's The Passion of Joan of Arc convinced the world that movies could be art. Renée Falconetti gives one of the greatest performances ever recorded on film, as the young maiden who died for God and France. Long thought to have been lost to fire, the original version was miraculously found in perfect condition in 1981-in a Norwegian mental institution. Criterion is proud to present this milestone of silent cinema in a new special edition featuring composer Richard Einhorn's Voices of Light, an original opera/oratorio inspired by the film.