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Definitely, Maybe (Widescreen)

A romantic comedy that begins with a discussion about sex education and ends with a bit of an unexpected twist, Definitely, Maybe focuses on an engaging father and his 10-year-old daughter. She is curious about the women her dad loved prior to marrying (and separating from) her mother. Instead of telling her, "None of your business," he decides to tell her about them... Sort of. Will is played by Ryan Reynolds and his precocious daughter Maya is adroitly portrayed by Abigail Breslin (Little Miss Sunshine). Will figures out a way to tell Maya about his most meaningful relationships in a PG manner that also is interactive for her (Or as she describes it, "a love story mystery!"). Changing a few of their characteristics and disguising their names, Will tells her about three exceptional women and Maya tries to deduce which one became her mom. Was it Emily (Elizabeth Banks), the wholesome Midwestern girl afraid of the big city; Summer (Rachel Weisz), the exotic journalist; or April (Isla Fisher), the rebel with a cause? Hearing about all these women, Maya asks, "What's the boy word for slut?" Spanning 15 years, back to when Will was an idealistic young man with the hopes of one day becoming president of the United States, the film has a nice light touch and deals with father-daughter bonding issues in a unique, if not completely realistic manner. Reynolds is a genial but bland leading man, but the women--including young Breslin--more than hold their own in this fun film. --Jae-Ha Kim

Get to Know the Girlfriends From Definitely, Maybe

Elizabeth Banks (Emily)

Isla Fisher (April)

Rachel Weisz (Summer)

Beyond Definitely, Maybe on DVD

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Stills from Definitely, Maybe (Click for larger image)

From the makers of Notting Hill and Love Actually comes the charming and irresistibly funny romantic comedy Definitely Maybe. When Will (Ryan Reynolds) decides to tell his daughter (Abigail Breslin) the story of how he met her mother he discovers that a second look at the past might also give him a second chance at the future. Co-starring Elizabeth Banks Rachel Weisz and Isla Fisher it's the heartwarming story that makes you realize it's definitely never too late to go back and maybe find a happy ending.System Requirements:Running Time: 112 minutesFormat: DVD MOVIE Genre: COMEDY/ROMANTIC COMEDY Rating: PG-13 UPC: 025195004503 Manufacturer No: 61100526

Roman Holiday (Special Collector's Edition)

A princess on an official visit to Rome slips away without notice and falls in love with a newspaperman.
Genre: Feature Film-Comedy
Rating: NR
Release Date: 2-JAN-2007
Media Type: DVD

Maybe it doesn't quite live up to its sterling reputation, and maybe the leading man and director were slightly miscast. But who cares? Roman Holiday is the film that brought Audrey Hepburn to prominence, and the world movie audience went weak at the knees. The endlessly charming Hepburn had her first starring role in this sweet romance, playing a European princess on an official tour through Rome. Frustrated by her lack of connection to the real world, she slips away from her protective handlers and goes on a spree, aided by a tough-guy news reporter (Gregory Peck). Director William Wyler, more at home with such heavy-going, Oscar-winning classics as The Best Years of Our Lives and Ben- Hur, doesn't always keep the champagne bubbles afloat, and the Peck role would have fit Cary Grant like a silk glove. But the film is great fun, the location shooting is irresistible, and Hepburn embodies an image of chic style that would rule for the rest of the fifties. No coincidence: she won an Oscar, and so did veteran costume designer Edith Head. --Robert Horton

27 Dresses (Widescreen Edition)

Katherine Heigl (Knocked up TV's Grey's Anatomy) lights up the screen in this charming romantic comedy from the screenwriter of The Devil Wears Prada." Heigl stars as Jane a romantic completely selfless woman who has been a bridesmaid in no less than 27 weddings. Unfortunately her own happy ending seems to be nowhere in sight. Until her younger sister Tess captures the heart of Jane's boss -- on whom Jane has a secret crush inspiring Jane to change her "always-a-bridesmaid" destiny.System Requirements:Running Time: 105 minutesFormat: DVD MOVIE Genre: COMEDY/ROMANTIC COMEDY Rating: PG-13 UPC: 024543506591 Manufacturer No: 2250659

Katherine Heigl is delightful as Jane, a self-effacing Gal Friday so addicted to organizing weddings in her off time, that 27 Dresses opens with her character juggling two nuptials on the same night. A perpetual bridesmaid, Jane's hobby is discovered by a matrimony reporter named Kevin (James Marsden), who hides a romantic side behind his wall of cynicism. While Kevin gradually develops feelings for Jane, the latter's superficial sister, Tess (Malin Akerman), pursues George (Edward Burns), Jane's boss and the object of her love. This romantic circle could go on forever, except that Jane is unexpectedly moved by Kevin despite her general irritation with him and without knowing that he's on the verge of sandbagging her with a ridiculing article in his newspaper. The situation is absurd, but the emotions are not. Heigl is very good, rooted in a long tradition of comely comediennes playing characters who fly under the radar of life. She makes Jane's pain palpable and conveys her character's inability to say no without making her look unappealing or weak. Marsden perfectly captures the part of a rumpled, underdressed writer with repressed passions, Akerman is as convincingly shrewish here as she was in The Heartbreak Kid, and Burns is fine as one of those guys so busy saving the world he barely pays attention to the people in his life. The script by Aline Brosh McKenna (The Devil Wears Prada) is fun if predictable, and Anne Fletcher's direction is vibrant. --Tom Keogh

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The Complete Thin Man Collection (The Thin Man / After the Thin Man / Another Thin Man / Shadow of the Thin Man / The Thin Man Goes Home / Song of the Thin Man / Alias Nick and Nora)

The sparkling series featured the irresistible William Powell and Myrna Loy chemistry as husband and wife sleuths who solved murders with the aid of their wire-haired terrier Asta. Set in the glamorous world of 1930s upper-class Manhattan The Thin Man and its sequels established the standard for witty comedy clever dialogue and urbane one upmanship. The 7-Disc set includes THE THIN MAN AFTER THE THIN MAN ANOTHER THIN MAN SHADOW OF THE THIN MAN SONG OF THE THIN MAN THE THIN MAN GOES HOME and the ALIAS NICK & NORA bonus documentary disc.Running Time: 592 min.Format: DVD MOVIE Genre: TELEVISION/CLASSIC UPC: 012569673991 Manufacturer No: 67399

Almost as welcome as a shaker full of martinis, The Complete Thin Man Collection represents an eagerly awaited DVD milestone for fans of the fizzy MGM movie series. The best film in the series came first: The Thin Man (1934), W.S. Van Dyke's marvelous adaptation of a Dashiell Hammet novel. The movie gods were in a generous mood when they paired William Powell and Myrna Loy as Nick and Nora Charles, the upper-class sophisticates whose sleuthing escapades somehow joined the classic form of the whodunit with the giddyup of screwball comedy. Among the series' many attributes, one of its most radical notions was the idea that a married couple might find each other delightful and view life as a goofy adventure together.

It is common wisdom that the Thin Man sequels adhere to the law of diminishing returns, and while none of the follow-ups reach the diamond level of the first film, all afford pleasures. There's the cocktail-swilling chemistry of Powell and Loy, for one thing, as well as the considerable satisfaction of average movies made during the studio system: the craftsmanship of studio hands, and a gallery of terrific character actors filling in supporting roles. First sequel After the Thin Man (1936) is very good, with the couple in San Francisco and a supporting part for rising player James Stewart. The scenery moves again, to Long Island, for the rather impudently-titled Another Thin Man (1939), which adds baby Nick, Jr., to the mix (a "bad idea," thought Pauline Kael, perhaps a sign of the domestication of the series).

Shadow of the Thin Man (1941) sets the action around a racetrack, and is the last of the series to be directed by the fast-working Van Dyke. The Thin Man Goes Home (1944) finds Nick escorting family to his parents' house for a visit. Song of the Thin Man (1947) engagingly adds a jazz milieu to the Charles's detective work; at this point, Nick, Jr. was played by child star Dean Stockwell. The series stuck with certain staples: the unveiling of the guilty party, a wirehaired terrier named Asta (who became a star in its own right), and booze. When Nick opines, in the first film, that a dry martini should always be shaken to "waltz time," you know why audiences fell in love with these guilt-free comedies. --Robert Horton

27 Dresses (Full Screen Edition)

Katherine Heigl is delightful as Jane, a self-effacing Gal Friday so addicted to organizing weddings in her off time, that 27 Dresses opens with her character juggling two nuptials on the same night. A perpetual bridesmaid, Jane's hobby is discovered by a matrimony reporter named Kevin (James Marsden), who hides a romantic side behind his wall of cynicism. While Kevin gradually develops feelings for Jane, the latter's superficial sister, Tess (Malin Akerman), pursues George (Edward Burns), Jane's boss and the object of her love. This romantic circle could go on forever, except that Jane is unexpectedly moved by Kevin despite her general irritation with him and without knowing that he's on the verge of sandbagging her with a ridiculing article in his newspaper. The situation is absurd, but the emotions are not. Heigl is very good, rooted in a long tradition of comely comediennes playing characters who fly under the radar of life. She makes Jane's pain palpable and conveys her character's inability to say no without making her look unappealing or weak. Marsden perfectly captures the part of a rumpled, underdressed writer with repressed passions, Akerman is as convincingly shrewish here as she was in The Heartbreak Kid, and Burns is fine as one of those guys so busy saving the world he barely pays attention to the people in his life. The script by Aline Brosh McKenna (The Devil Wears Prada) is fun if predictable, and Anne Fletcher's direction is vibrant. --Tom Keogh

Beyond 27 Dresses

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Amazon.com's Wedding Registry

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Stills from 27 Dresses

Katherine Heigl (Knocked up TV's Grey's Anatomy) lights up the screen in this charming romantic comedy from the screenwriter of The Devil Wears Prada." Heigl stars as Jane a romantic completely selfless woman who has been a bridesmaid in no less than 27 weddings. Unfortunately her own happy ending seems to be nowhere in sight. Until her younger sister Tess captures the heart of Jane's boss -- on whom Jane has a secret crush inspiring Jane to change her "always-a-bridesmaid" destiny.System Requirements:Running Time: 105 minutesFormat: DVD MOVIE Genre: COMEDY/ROMANTIC COMEDY Rating: PG-13 UPC: 024543515975 Manufacturer No: 2251597

Little Miss Sunshine

Pile together a blue-ribbon cast, a screenplay high in quirkiness, and the Sundance stamp of approval, and you've got yourself a crossover indie hit. That formula worked for Little Miss Sunshine, a frequently hilarious study of family dysfunction. Meet the Hoovers, an Albuquerque clan riddled with depression, hostility, and the tattered remnants of the American Dream; despite their flakiness, they manage to pile into a VW van for a weekend trek to L.A. in order to get moppet daughter Olive (Abigail Breslin) into the Little Miss Sunshine beauty pageant. Much of the pleasure of this journey comes from watching some skillful comic actors doing their thing: Greg Kinnear and Toni Collette as the parents (he's hoping to become a self-help authority), Alan Arkin as a grandfather all too willing to give uproariously inappropriate advice to a sullen teenage grandson (Paul Dano), and a subdued Steve Carell as a jilted gay professor on the verge of suicide. The film is a crowd-pleaser, and if anything is a little too eager to bend itself in the direction of quirk-loving Sundance audiences; it can feel forced. But the breezy momentum and the ingenious actors help push the material over any bumps in the road.-- Robert Horton

Beyond Little Miss Sunshine

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Stills from Little Miss Sunshine

Despite their individual problems and disappointments, the Hoovers decide to support young daughter Olive's dream of competing in a California beauty pageant.
Genre: Feature Film-Comedy
Rating: R
Release Date: 5-FEB-2007
Media Type: DVD

American Psycho (Uncut Killer Collector's Edition)

The Bret Easton Ellis novel American Psycho, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (I Shot Andy Warhol) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. --Sean Axmaker

The Bret Easton Ellis novel American Psycho, a dark, violent satire of the "me" culture of Ronald Reagan's 1980s, is certainly one of the most controversial books of the '90s, and that notoriety fueled its bestseller status. This smart, savvy adaptation by Mary Harron (I Shot Andy Warhol) may be able to ride the crest of the notoriety; prior to the film's release, Harron fought a ratings battle (ironically, for depictions of sex rather than violence), but at the time the director stated, "We're rescuing [the book] from its own bad reputation." Harron and co-screenwriter Guinevere Turner (Go Fish) overcome many of the objections of Ellis's novel by keeping the most extreme violence offscreen (sometimes just barely), suggesting the reign of terror of yuppie killer Patrick Bateman (Christian Bale) with splashes of blood and personal souvenirs. Bale is razor sharp as the blank corporate drone, a preening tiger in designer suits whose speaking voice is part salesman, part self-help guru, and completely artificial. Carrying himself with the poised confidence of a male model, he spends his days in a numbing world of status-symbol one-upmanship and soul-sapping small talk, but breaks out at night with smirking explosions of homicide, accomplished with the fastidious care of a hopeless obsessive. The film's approach to this mayhem is simultaneously shocking and discreet; even Bateman's outrageous naked charge with a chainsaw is most notable for the impossibly polished and gleaming instrument of death. Harron's film is a hilarious, cheerfully insidious hall of mirrors all pointed inward, slowly cracking as the portrait becomes increasingly grotesque and insane. --Sean Axmaker

Patrick Bateman (Christian Bale) is a Wall Street yuppie obsessed with success, status and style, with a stunning fiancé (Reese Witherspoon). He is also a psychotic killer who rapes, murders and dismembers both strangers and acquaintances without provocation or purpose. Based on the controversial novel by Bret Easton Ellis, the film offers a sharp satire to the dark side of yuppie culture in the `80s, while setting forth a vision that is both terrifying and chilling.

Short Circuit

John Badham's family-oriented adventure comedy, though obviously hatched in the wake of E.T. and Star Wars, manages to create its own identity through a sweet tone and an affectionate sense of fun. Military robot Number 5, a well-armed killing machine, is zapped by lightning during a test and emerges with a consciousness, curiosity, a wacky sense of humor, and a new peace-loving philosophy. Ally Sheedy (who debuted in Badham's hit WarGames) is the animal lover whose home is sanctuary for a zoo-full of strays and who adopts the adolescent robot. Steve Guttenberg is the goofy but reclusive robotics designer who goes off in search of his creation to save him from the gun-happy army. The mix of gentle slapstick and innocent romance makes for a harmless family comedy. It veers toward the terminally cute, what with 5's hyperactive antics and E.T.-ish voice, and the mangled grammar of Guttenberg's East Indian sidekick (Fisher Stevens) threatens to become offensive, but Badham's breezy direction keeps the film on track. Sheedy and Guttenberg deliver spirited and engaging performances, but most importantly the robot emerges as a real person. Give credit to designer Syd Mead, an army of puppeteers and robotics operators, and the cartoony voice of Tim Blaney: Number 5 is alive. --Sean Axmaker

When a lightning bolt strikes a top secret experimental military robot, it comes to life and escapes to the home of a woman who tries to keep it from being \""repaired\"" by its computer-genius creator.
Genre: Science Fiction
Rating: PG
Release Date: 23-MAR-2004
Media Type: DVD

Masterpiece Theatre: Northanger Abbey

In Austen s gentle parody of gothic fiction Felicity Jones (Meadowlands) plays romance addict Catherine Morland. Invited to a medieval country house that appeals to her most lurid fantasies she forms a close friendship with the younger son on the estate Henry Tilney (JJ Feild The Secret Life of Mrs. Beeton) but their budding romance is mysteriously cut short. Adapted by Andrew Davies.System Requirements:Running Time: 90 minutesFormat: DVD MOVIE Genre: TELEVISION/WGBH BOSTON Rating: NR UPC: 783421421899 Manufacturer No: WG42199

Harvey

It's always a small surprise to revisit this movie and realize what a subtly dark performance James Stewart gives as an alcoholic who claims he keeps company with a six-foot-tall, invisible rabbit. As Elwood P. Dowd, the actor emits a faint whiff of decay and spirits, yet Stewart also embraces Dowd's romanticism and grace with splendid ease. Based on a hit play and directed by Henry Koster, the film is terribly funny at times, especially whenever Elwood decides it's only polite to introduce Harvey to complete strangers. The supporting cast can't be beat. --Tom Keogh

James Stewart stars as Elwood P. Dowd, a wealthy alcoholic whose sunny disposition and drunken antics are tolerated by most of the citizens of his community. That is, until Elwood begins to claim that he has a friend named Harvey who is an invisisble six foot rabbit. Elwood's snooty socialite sister, Veta, determined to marry off her daughter Myrtle to a respectable man, begins to plot to keep Elwood's lunacy from interfering.